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| Characters If shown, 2nd row is Simp. Chinese |
Pronunciation Romanization |
Simple Dictionary Definition |
觀世音 观世音 see styles |
guān shì yīn guan1 shi4 yin1 kuan shih yin Kanzeon かんぜおん |
More info & calligraphy: Guan Shi Yin: Protector Of Life(out-dated kanji) Avalokiteshvara (Bodhisattva); Avalokitesvara; Kannon; Kwannon; Guanyin; Buddhist deity of compassion Regarder of the world's sounds, or cries, the so-called Goddess of Mercy; also known as 觀音; 觀世音善薩; 觀自在 (觀世自在); 觀尹; 光世音 (the last being the older form). Avalokiteśvara, v. 阿 8. Originally represented as a male, the images are now generally those of a female figure. The meaning of the term is in doubt; it is intp. as above, but the term 觀自在 (觀世自在) accords with the idea of Sovereign Regarder and is not associated with sounds or cries. Guanyin is one of the triad of Amida, is represented on his left, and is also represented as crowned with Amida; but there are as many as thirty-three different forms of Guanyin, sometimes with a bird, a vase, a willow wand, a pearl, a 'thousand' eyes and hands, etc., and, when as bestower of children, carrying a child. The island of Putuo (Potala) is the chief centre of Guanyin worship, where she is the protector of all in distress, especially of those who go to sea. There are many sūtras, etc., devoted to the cult, but its provenance and the date of its introduction to China are still in doubt. Chapter 25 of the Lotus Sūtra is devoted to Guanyin, and is the principal scripture of the cult; its date is uncertain. Guanyin is sometimes confounded with Amitābha and Maitreya. She is said to be the daughter of king Śubhavyūha 妙莊王, who had her killed by 'stifling because the sword of the executioner broke without hurting her. Her spirit went to hell; but hell changed into paradise. Yama sent her back to life to save his hell, when she was miraculously transported on a Lotus flower to the island of Poo-too'. Eitel. |
アラサー see styles |
arasaa / arasa アラサー |
More info & calligraphy: Alasar |
世 see styles |
shì shi4 shih sei / se せい |
life; age; generation; era; world; lifetime; epoch; descendant; noble (counter) (1) counter for generations; (suffix noun) (2) {geol} epoch; (personal name) Toki yuga. An age, 1, 000th part of a kalpa.loka, the world. 世 originally meant a human generation, a period of thirty years; it is used in Buddhism both foryuga, a period of time ever flowing, andloka, the world, worldly, earthly. The world is that which is to be destroyed; it is sunk in the round of mortality, or transmigration; and conceals, or is a veil over reality. |
劫 see styles |
jié jie2 chieh kou; gou; kou / ko; go; ko こう; ごう; コウ |
to rob; to plunder; to seize by force; to coerce; calamity; abbr. for kalpa 劫波[jie2 bo1] (1) (こう, ごう only) {Buddh} kalpa (eon, aeon); (2) (kana only) {go} (usu. コウ) ko; position that allows for eternal capture and recapture of the same stones 刧 A kalpa, aeon, age; also translit. ka; 'a fabulous period of time, a day of Brahmā or 1, 000 Yugas, a period of four hundred and thirty-two million years of mortals, measuring the duration of the world; (a month of Brahmā is supposed to contain thirty such kalpas; according to the Mahābhārata twelve months of Brahmā constitute his year, and one hundred such years his lifetime; fifty years of Brahmā are supposed to have elapsed... ).' M. W. An aeon of incalculable time, therefore called a 大時節 great time-node. v. 劫波.; The three asaṃkhyeya kalpas, the three countless aeons, the period of a bodhisattva's development; also the past 莊嚴劫, the present 賢劫, and the future 星宿劫 kalpas. There are other groups. 三劫三千佛 The thousand Buddhas in each of the three kalpas. |
卅 see styles |
sà sa4 sa miso みそ sanjuu / sanju さんじゅう |
thirty (numeric) thirty |
相 see styles |
xiàng xiang4 hsiang sou / so そう |
appearance; portrait; picture; government minister; (physics) phase; (literary) to appraise (esp. by scrutinizing physical features); to read sb's fortune (by physiognomy, palmistry etc) (1) aspect; appearance; look; (2) physiognomy (as an indication of one's fortune); (3) {gramm} aspect; (4) {physics;chem} phase (e.g. solid, liquid and gaseous); (given name) Tasuku lakṣana 攞乞尖拏. Also, nimitta. A 'distinctive mark, sign', 'indication, characteristic', 'designation'. M. W. External appearance; the appearance of things; form; a phenomenon 有爲法 in the sense of appearance; mutual; to regard. The four forms taken by every phenomenon are 生住異滅 rise, stay, change, cease, i. e. birth, life, old age, death. The Huayan school has a sixfold division of form, namely, whole and parts, together and separate, integrate and disintegrate. A Buddha or Cakravartī is recognized by his thirty-two lakṣana , i. e. his thirty-two characteristic physiological marks. |
丁酉 see styles |
dīng yǒu ding1 you3 ting yu hinototori; teiyuu / hinototori; teyu ひのととり; ていゆう |
thirty-fourth year D10 of the 60 year cycle, e.g. 1957 or 2017 (See 干支・1) Fire Rooster (34th term of the sexagenary cycle, e.g. 1957, 2017, 2077) |
三十 see styles |
sān shí san1 shi2 san shih mito みと |
thirty; 30 (out-dated or obsolete kana usage) (numeric) thirty; (numeric) thirty; (female given name) Mito thirty |
三身 see styles |
sān shēn san1 shen1 san shen sanjin; sanshin さんじん; さんしん |
{Buddh} trikaya (three bodies of the Buddha); (surname) Sanmi trikāya. 三寶身 The threefold body or nature of a Buddha, i.e. the 法, 報, and 化身, or dharmakāya, sambhogakāya, and nirmāṇakāya. The three are defined as 自性, 受用, and 變化, the Buddha-body per se, or in its essential nature; his body of bliss, which he "receives" for his own "use" and enjoyment; and his body of transformation, by which he can appear in any form; i.e. spiritual, or essential; glorified; revealed. While the doctrine of the trikāya is a Mahāyāna concept, it partly results from the Hīnayāna idealization of the earthly Buddha with his thirty-two signs, eighty physical marks, clairvoyance, clairaudience, holiness, purity, wisdom, pity, etc. Mahāyāna, however, proceeded to conceive of Buddha as the Universal, the All, with infinity of forms, yet above all our concepts of unity or diversity. To every Buddha Mahāyāna attributed a three-fold body: that of essential Buddha; that of joy or enjoyment of the fruits of his past saving labours; that of power to transform himself at will to any shape for omnipresent salvation of those who need him. The trinity finds different methods of expression, e.g. Vairocana is entitled 法身, the embodiment of the Law, shining everywhere, enlightening all; Locana is 報身; c.f. 三賓, the embodiment of purity and bliss; Śākyamuni is 化身 or Buddha revealed. In the esoteric sect they are 法 Vairocana, 報 Amitābha, and 化 Śākyamuni. The 三賓 are also 法 dharma, 報 saṅgha, 化 buddha. Nevertheless, the three are considered as a trinity, the three being essentially one, each in the other. (1) 法身 Dharmakāya in its earliest conception was that of the body of the dharma, or truth, as preached by Śākyamuni; later it became his mind or soul in contrast with his material body. In Mādhyamika, the dharmakāya was the only reality, i.e. the void, or the immateria1, the ground of all phenomena; in other words, the 眞如 the tathāgatagarbha, the bhūtatathatā. According to the Huayan (Kegon) School it is the 理or noumenon, while the other two are氣or phenomenal aspects. "For the Vijñānavāda... the body of the law as highest reality is the void intelligence, whose infection (saṃkleҫa) results in the process of birth and death, whilst its purification brings about Nirvāṇa, or its restoration to its primitive transparence" (Keith). The "body of the law is the true reality of everything". Nevertheless, in Mahāyāna every Buddha has his own 法身; e.g. in the dharmakāya aspect we have the designation Amitābha, who in his saṃbhogakāya aspect is styled Amitāyus. (2) 報身Sambhogakāya, a Buddha's reward body, or body of enjoyment of the merits he attained as a bodhisattva; in other words, a Buddha in glory in his heaven. This is the form of Buddha as an object of worship. It is defined in two aspects, (a) 自受用身 for his own bliss, and (b) 他受用身 for the sake of others, revealing himself in his glory to bodhisattvas, enlightening and inspiring them. By wisdom a Buddha's dharmakāya is attained, by bodhisattva-merits his saṃbhogakāya. Not only has every Buddha all the three bodies or aspects, but as all men are of the same essence, or nature, as Buddhas, they are therefore potential Buddhas and are in and of the trikāya. Moreover, trikāya is not divided, for a Buddha in his 化身 is still one with his 法身 and 報身, all three bodies being co-existent. (3) 化身; 應身; 應化身 nirmāṇakāya, a Buddha's transformation, or miraculous body, in which he appears at will and in any form outside his heaven, e.g. as Śākyamuni among men. |
丙申 see styles |
bǐng shēn bing3 shen1 ping shen hinoesaru; heishin / hinoesaru; heshin ひのえさる; へいしん |
thirty-third year C9 of the 60 year cycle, e.g. 1956 or 2016 (See 干支・1) Fire Monkey (33rd term of the sexagenary cycle, e.g. 1956, 2016, 2076) |
乙未 see styles |
yǐ wèi yi3 wei4 i wei kinotohitsuji; itsubi; otsubi きのとひつじ; いつび; おつび |
thirty-second year B8 of the 60 year cycle, e.g. 1955 or 2015 (See 干支・1) Wood Sheep (32nd term of the sexagenary cycle, e.g. 1955, 2015, 2075); (given name) Otomi |
五力 see styles |
wǔ lì wu3 li4 wu li goriki |
pañcabalāni, the five powers or faculties — one of the categories of the thirty-seven bodhipakṣika dharma 三十七助道品; they destroy the 五障 five obstacles, each by each, and are: 信力 śraddhābala, faith (destroying doubt); 精進力 vīryabala, zeal (destroying remissness); 念 or 勤念 smṛtibala, memory or thought (destroying falsity); 正定力 samādhibala, concentration of mind, or meditation (destroying confused or wandering thoughts); and 慧力 prajñābala, wisdom (destroying all illusion and delusion). Also the five transcendent powers, i. e. 定力 the power of meditation; 通力 the resulting supernatural powers; 借識力 adaptability, or powers of 'borrowing' or evolving any required organ of sense, or knowledge, i. e. by beings above the second dhyāna heavens; 大願力 the power of accomplishing a vow by a Buddha or bodhisattva; and 法威德力 the august power of Dharma. Also, the five kinds of Mara powers exerted on sight, 五大明王. |
伽陀 see styles |
qié tuó qie2 tuo2 ch`ieh t`o chieh to gyada |
伽他 (1) gātha ＝ song; gāthā, a metrical narrative or hymn, with moral purport, described as generally composed of thirty-two characters, and called 孤起頌 a detached stanza, distinguished from geya, 重頌 which repeats the ideas of preceding prose passages. (2) agada as adjective ＝ healthy; as noun ＝ antidote. (3) gata, arrived at, fallen into, or "in a state". |
光毫 see styles |
guāng háo guang1 hao2 kuang hao kōgō |
The ūrṇā, or curl between the Buddha's eyebrows whence streams light that reveals all worlds, one of the thirty-two characteristics of a Buddha. |
北藏 see styles |
běi zàng bei3 zang4 pei tsang Hokuzō |
The northern collection or edition of 1,621 works first published in Peking by order of Ch'eng Tsu (1403-1424), together with forty-one additional works, published by 密藏 Mizang after thirty years, labour beginning A. D. 1586. Later this edition was published in Japan 1678-1681 by 鐵眼 Tetsugen. |
十二 see styles |
shí èr shi2 er4 shih erh tooji とおじ |
twelve; 12 12; twelve; (given name) Tooji dvātriṃśa. Thirty-two. 三十二應 (or 三十二身) The thirty-two forms of Guanyin, and of Puxian, ranging from that of a Buddha to that of a man, a maid, a rakṣas; similar to the thirty-three forms named in the Lotus Sūtra. 三十二相三十二大人相 dvātriṃśadvaralakṣaṇa. The thirty-two lakṣaṇas, or physical marks of a cakravartī, or 'wheel-king', especially of the Buddha, i. e. level feet, thousand-spoke wheel-sign on feet, long slender fingers, pliant hands and feet, toes and fingers finely webbed, full-sized heels, arched insteps, thighs like a royal stag, hands reaching below the knees well-retracted male organ, height and stretch of arms equal, every hair-root dark coloured, body hair graceful and curly, golden-hued body, a 10 ft. halo around him, soft smooth skin, the 七處, i. e. two soles, two palms, two shoulders, and crown well rounded, below the armpits well-filled, lion-shaped body, erect, full shoulders, forty teeth, teeth white even and close, the four canine teeth pure white, lion-jawed, saliva improving the taste of all food, tongue long and broad, voice deep and resonant, eyes deep blue, eyelashes like a royal bull, a white ūrnā or curl between the eyebrows emitting light, an uṣṇīṣa or fleshy protuberance on the crown. These are from the 三藏法數 48, with which the 智度論 4, 涅盤經 28, 中阿含經, 三十ニ相經 generally agree. The 無量義經 has a different list. 三十二相經 The eleventh chapter of the 阿含經. 三十二相經願 The twenty-first of Amitābha's vows, v. 無量壽經. 三十三 trayastriṃśat. Thirty-three. 三十三天忉利天; 憺梨天, 多羅夜登陵舍; 憺利夜登陵奢; 憺利耶憺利奢 Trayastriṃśas. The Indra heaven, the second of the six heavens of form. Its capital is situated on the summit of Mt. Sumeru, where Indra rules over his thirty-two devas, who reside on thirty-two peaks of Sumeru, eight in each of the four directons. Indra's capital is called 殊勝 Sudarśana, 喜見城 Joy-view city. Its people are a yojana in height, each one's clothing weighs 六鐵 (1; 4 oz. ), and they live 1, 000 years, a day and night being equal to 100 earthly years. Eitel says Indra's heaven 'tallies in all its details with the Svarga of Brahminic mythology' and suggests that 'the whole myth may have an astronomical meaning', or be connected, with 'the atmosphere with its phenomena, which strengthens Koeppen's hypothesis explaining the number thirty-three as referring to the eight Vasus, eleven Rudras, twelve Ādityas, and two Aśvins of Vedic mythology'. In his palace called Vaijayanta 'Indra is enthroned with 1, 000 eyes with four arms grasping the vajra. There he revels in numberless sensual pleasures together with his wife Śacī... and with 119, 000 concubines with whom he associates by means of transformation'.; dvādaśa, twelve. |
壬寅 see styles |
rén yín ren2 yin2 jen yin mizunoetora; jinin みずのえとら; じんいん |
thirty-ninth year I3 of the 60 year cycle, e.g. 1962 or 2022 (See 干支・1) Water Tiger (39th term of the sexagenary cycle, e.g. 1962, 2022, 2082); (given name) Jinnen |
天親 天亲 see styles |
tiān qīn tian1 qin1 t`ien ch`in tien chin amachika あまちか |
one's flesh and blood (surname) Amachika Vasubandhu, 伐蘇畔度; 婆藪槃豆 (or 婆修槃豆) (or 婆修槃陀) 'akin to the gods ', or 世親 'akin to the world'. Vasubandhu is described as a native of Puruṣapura, or Peshawar, by Eitel as of Rājagriha, born '900 years after the nirvana', or about A. D. 400; Takakusu suggests 420-500, Peri puts his death not later than 350. In Eitel's day the date of his death was put definitely at A. D. 117. Vasubandhu's great work, the Abhidharmakośa, is only one of his thirty-six works. He is said to be the younger brother of Asaṅga of the Yogācāra school, by whom he was converted from the Sarvāstivāda school of thought to that of Mahāyāna and of Nāgārjuna. On his conversion he would have 'cut out his tongue' for its past heresy, but was dissuaded by his brother, who bade him use the same tongue to correct his errors, whereupon he wrote the 唯識論 and other Mahayanist works. He is called the twenty-first patriarch and died in Ayodhya. |
天鼓 see styles |
tiān gǔ tian1 gu3 t`ien ku tien ku tenko てんこ |
(given name) Tenko The deva drum— in the 善法 Good Law Hall of the Trayas-triṃśas heavens, which sounds of itself, warning the inhabitants of the thirty-three heavens that even their life is impermanent and subject to karma: at the sound of the drum Indra preaches against excess. Hence it is a title of Buddha as the great law-drum, who warns, exhorts, and encourages the good and frightens the evil and the demons. |
己亥 see styles |
jǐ hài ji3 hai4 chi hai tsuchinotoi; kigai つちのとい; きがい |
thirty-sixth year F12 of the 60 year cycle, e.g. 1959 or 2019 (See 干支・1) Earth Boar (36th term of the sexagenary cycle, e.g. 1959, 2019, 2079) |
帝釋 帝释 see styles |
dì shì di4 shi4 ti shih taishaku たいしゃく |
(surname) Taishaku Sovereign Śakra; Indra; 能天帝 mighty lord of devas; Lord of the Trayastriṃśas, i.e. the thirty-three heavens 三十三天 q. v.; he is also styled 釋迦提桓因陀羅 (or 釋迦提婆因陀羅) (or 釋迦提桓因達羅 or 釋迦提婆因達羅); 釋帝桓因 Śakra-devānām Indra. |
應身 应身 see styles |
yìng shēn ying4 shen1 ying shen ōjin |
nirmāṇakāya, one of the 三身 q.v. Any incarnation of Buddha. The Buddha-incarnation of the 眞如q.v. Also occasionally used for the saṃbhogakāya. There are various interpretation (a) The 同性經 says the Buddha as revealed supernaturally in glory to bodhisattvas is應身, in contrast with 化身, which latter is the revelation on earth to his disciples. (b) The 起信論 makes no difference between the two, the 應身 being the Buddha of the thirty-two marks who revealed himself to the earthly disciples. The 金光明經 makes all revelations of Buddha as Buddha to be 應身; while all incarnations not as Buddha, but in the form of any of the five paths of existence, are Buddha's 化身. Tiantai has the distinction of 勝應身 and 劣應身, i.e. superior and inferior nirmāṇakāya, or supernatural and natural. |
戊戌 see styles |
wù xū wu4 xu1 wu hsü bojutsu ぼじゅつ |
thirty-fifth year E11 of the 60 year cycle, e.g. 1958 or 2018 (See 干支・1) Earth Dog (35th term of the sexagenary cycle, e.g. 1958, 2018, 2078) |
時分 时分 see styles |
shí fēn shi2 fen1 shih fen jibun じぶん |
time; period during the day; one of the 12 two-hour periods enumerated by the earthly branches 地支 (n,adv) time; hour; season; time of the year Time-division of the day, variously made in Buddhist works: (1) Three periods each of day and night. (2) Eight periods of day and night, each divided into four parts. (3) Twelve periods, each under its animal, as in China. (4) Thirty hours, sixty hours, of varying definition. |
本迹 see styles |
běn jī ben3 ji1 pen chi honjaku |
The original 本 Buddha or Bodhisattva and his 迹 varied manifestations for saving all beings, e. g. Guanyin with thirty-three forms. Also 本地垂迹. |
梵音 see styles |
fàn yīn fan4 yin1 fan yin bonnon |
(1) Brahma voice, clear, melodious, pure, deep, far-reaching, one of the thirty-two marks of a Buddha. (2) Singing in praise of Buddha. |
毫眉 see styles |
háo méi hao2 mei2 hao mei gōmi |
The white hair between Buddha's eyebrows, the毫相, i.e. one of the thirty-two signs of a Buddha. |
玄朗 see styles |
xuán lǎng xuan2 lang3 hsüan lang genrou / genro げんろう |
(personal name) Genrou Xuanlang, a Chekiang monk of the Tang dynasty, died 854, at 83 years of age, noted for his influence on his disciples and for having remained in one room for over thirty years: also called 慧明 Huiming and 左溪 Zuoqi. |
甲午 see styles |
jiǎ wǔ jia3 wu3 chia wu kinoeuma; kougo / kinoeuma; kogo きのえうま; こうご |
thirty-first year A7 of the 60 year cycle, e.g. 1954 or 2014 (See 干支・1) Wood Horse (31st term of the sexagenary cycle, e.g. 1954, 2014, 2074); (given name) Kōgo |
相好 see styles |
xiāng hǎo xiang1 hao3 hsiang hao sougou / sogo そうごう |
to be intimate; close friend; paramour features; appearance; (place-name) Aiyoshi lakṣana-vyañjana; the thirty-two 相 or marks and the eighty 好 or signs on the physical body of Buddha. The marks a Buddha's saṃbhogakāya number 84,000. 相 is intp. as larger signs, 好 as smaller; but as they are also intp. as marks that please, 好 may be a euphemism for 號. |
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