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Beautiful World in Chinese / Japanese...
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Mark the boat to find the lost sword / Ignoring the changing circumstances of the world
刻舟求劍 is an originally-Chinese proverb that serves as a warning to people that things are always in a state of change.
Thus, you must consider that and not depend on the old ways or a way that may have worked in the past but is no longer valid.
This idiom/proverb comes from the following story:
A man was traveling in a ferry boat across a river. With him, he carried a treasured sword. Along the way, the man became overwhelmed and intoxicated by the beautiful view and accidentally dropped his prized sword into the river. Thinking quickly, he pulled out a knife and marked on the rail of the boat where exactly he had lost his sword.
When the boat arrived on the other side of the river, the man jumped out of the boat and searched for his sword right under where he'd made the mark. Of course, the boat had moved a great distance since he made the mark, and thus, he could not find the sword.
While this man may seem foolhardy, we must take a great lesson from this parable: Circumstances change, so one should use methods to handle the change. In modern China, this is used in business to mean that one should not depend on old business models for a changing market.
This proverb dates back to the Spring and Autumn period (770–476 BC) of the territory now known as China. It has spread and is somewhat known in Japan and Korea.
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Not the results for beautiful world that you were looking for?
Below are some entries from our dictionary that may match your beautiful world search...
| Characters If shown, 2nd row is Simp. Chinese |
Pronunciation Romanization |
Simple Dictionary Definition |
四禪 四禅 see styles |
sì chán si4 chan2 ssu ch`an ssu chan shizen |
(四禪天) The four dhyāna heavens, 四靜慮 (四靜慮天), i. e. the division of the eighteen brahmalokas into four dhyānas: the disciple attains to one of these heavens according to the dhyāna he observes: (1) 初禪天 The first region, 'as large as one whole universe' comprises the three heavens, Brahma-pāriṣadya, Brahma-purohita, and Mahābrahma, 梵輔, 梵衆, and 大梵天; the inhabitants are without gustatory or olfactory organs, not needing food, but possess the other four of the six organs. (2) 二禪天 The second region, equal to 'a small chiliocosmos' 小千界, comprises the three heavens, according to Eitel, 'Parīttābha, Apramāṇābha, and Ābhāsvara, ' i. e. 少光 minor light, 無量光 infinite light, and 極光淨 utmost light purity; the inhabitants have ceased to require the five physical organs, possessing only the organ of mind. (3) 三禪天 The third region, equal to 'a middling chiliocosmos '中千界, comprises three heavens; Eitel gives them as Parīttaśubha, Apramāṇaśubha, and Śubhakṛtsna, i. e. 少淨 minor purity, 無量淨 infinite purity, and 徧淨 universal purity; the inhabitants still have the organ of mind and are receptive of great joy. (4) 四禪天 The fourth region, equal to a great chiliocosmos, 大千界, comprises the remaining nine brahmalokas, namely, Puṇyaprasava, Anabhraka, Bṛhatphala, Asañjñisattva, Avṛha, Atapa, Sudṛśa, Sudarśana, and Akaniṣṭha (Eitel). The Chinese titles are 福生 felicitous birth, 無雲 cloudless, 廣果 large fruitage, 無煩 no vexations, atapa is 無熱 no heat, sudṛśa is 善見 beautiful to see, sudarśana is 善現 beautiful appearing, two others are 色究竟 the end of form, and 無想天 the heaven above thought, but it is difficult to trace avṛha and akaniṣṭha; the inhabitants of this fourth region still have mind. The number of the dhyāna heavens differs; the Sarvāstivādins say 16, the 經 or Sutra school 17, and the Sthavirāḥ school 18. Eitel points out that the first dhyāna has one world with one moon, one mem, four continents, and six devalokas; the second dhyāna has 1, 000 times the worlds of the first; the third has 1, 000 times the worlds of the second; the fourth dhyāna has 1, 000 times those of the third. Within a kalpa of destruction 壞劫 the first is destroyed fifty-six times by fire, the second seven by water, the third once by wind, the fourth 'corresponding to a state of absolute indifference' remains 'untouched' by all the other evolutions; when 'fate (天命) comes to an end then the fourth dhyāna may come to an end too, but not sooner'. |
別有天地 别有天地 see styles |
bié yǒu tiān dì bie2 you3 tian1 di4 pieh yu t`ien ti pieh yu tien ti |
enchanting scenery; beautiful surroundings; world of its own |
閉月羞花 闭月羞花 see styles |
bì yuè xiū huā bi4 yue4 xiu1 hua1 pi yüeh hsiu hua heigetsushuuka / hegetsushuka へいげつしゅうか |
lit. hiding the moon, shaming the flowers (idiom); fig. female beauty exceeding even that of the natural world (yoji) charms of a uniquely beautiful woman; great beauty; (so beautiful that) the moon hides and flowers are abashed |
The following table may be helpful for those studying Chinese or Japanese...
| Title | Characters | Romaji (Romanized Japanese) | Various forms of Romanized Chinese | |
| Mark the boat to find the lost sword Ignoring the changing circumstances of the world | 刻舟求劍 刻舟求剑 | kokushuukyuuken kokushukyuken | kè zhōu qiú jiàn ke4 zhou1 qiu2 jian4 ke zhou qiu jian kezhouqiujian | k`o chou ch`iu chien kochouchiuchien ko chou chiu chien |
| In some entries above you will see that characters have different versions above and below a line. In these cases, the characters above the line are Traditional Chinese, while the ones below are Simplified Chinese. | ||||
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