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Immovable Mind

fudoshin

 fu dou shin
Immovable Mind Scroll

不動心 is one of the five spirits of the warrior (budo) and is often used as a Japanese martial arts tenet.

Under that context, places such as the Budo Dojo define it this way: An unshakable mind and an immovable spirit is the state of fudoshin. It is courage and stability displayed both mentally and physically. Rather than indicating rigidity and inflexibility, fudoshin describes a condition that is not easily upset by internal thoughts or external forces. It is capable of receiving a strong attack while retaining composure and balance. It receives and yields lightly, grounds to the earth, and reflects aggression back to the source.

Other translations of this title include imperturbability, steadfastness, keeping a cool head in an emergency, or keeping one's calm (during a fight).

The first two Kanji alone mean immobility, firmness, fixed, steadfastness, motionless, and idle.

The last Kanji means heart, mind, soul, or essence.

Together, these three Kanji create a title defined as “immovable mind” within the context of Japanese martial arts. However, in Chinese, it would mean “motionless heart,” and in Korean Hanja, “wafting heart” or “floating heart.”

 tai dou
Taido Scroll

Taidō (The Way of the Body) is a style of Karate practiced in Japan and popular worldwide.

Taidō or 躰道 traces a lineage from Genseiryū (玄制流), which came from Shuri-te (首里手), one of the original martial arts schools of ancient Okinawa.

The first character 躰 is a variant of the original Chinese character 體. In modern Japan, they tend to use 体, a more simple character form. 体 is also the modern Simplified Chinese form of 體.
The 躰 character is correct for this 躰道 martial arts title. But it can be confusing with so many variants out there, not to mention other homophonic Japanese words that also romanize as Taidō or Taidou.

To have a bit more fun with this 躰 character, it has a 身 radical on the left, which sets it apart. The meaning doubles up on the “body” as 身 (shin) is a character that also means body in Japanese and Chinese. On the right is 本, which often means root, stem, origin, source, or fundamental (but can also mean “book” in some contexts). This has deviated from the original 體 which was 骨 (bone) + 豊 (vessel). Hence, the body was your “bone vessel” in ancient Asia.

The meaning of 躰, as well as 體 and 体, is usually translated as the body. When related to the physical body, it can also refer to the torso, trunk, build, physique, or the constitution of a person. As an extension of this, it can also refer to someone's health (good body = good health).
However, depending on the context, it can encompass other meanings such as form, style, system, experience, aspect, corpus, corporeal, substance, or essentials.

The second character, 道, is recognized and well-known as the “Way” and is the same “do” as in Karate-do or Aikido.

Body and Earth in Unity

 shindofuni / shindofuji
Body and Earth in Unity Scroll

身土不二 (Shindofuni) is originally a Buddhist concept or proverb referring to the inseparability of body-mind and geographical circumstances.

This reads, “Body [and] earth [are] not two.”

Other translations or matching ideas include:
Body and land are one.
Body and earth can not be separated.
Body earth sensory curation.
You are what you eat.
Indivisibility of the body and the land (because the body is made from food and food is made from the land).

Going further, this speaks of our human bodies and the land from which we get our food being closely connected. This phrase is often used when talking about natural and organic vegetables coming directly from the farm to provide the healthiest foods in Japan.

Character notes: 身(shin) in this context does not just mean your physical body but a concept including both body and mind.
土 (do) refers to the soil, earth, clay, land, or in some cases, locality. It's not the proper name of Earth, the planet. However, it can refer to the land or realm we live in.

Japanese note: This has been used in Japan, on and off, since 1907 as a slogan for a governmental healthy eating campaign (usually pronounced as shindofuji instead of the original shindofuni in this context). It may have been hijacked from Buddhism for this propaganda purpose, but at least this is “healthy propaganda.”

Korean note: The phrase 身土不二 was in use by 1610 A.D. in Korea, where it can be found in an early medical journal.
In modern South Korea, it's written in Hangul as 신토불이. Korea used Chinese characters (same source as Japanese Kanji) as their only written standard form of the language until about a hundred years ago. Therefore, many Koreans will recognize this as a native phrase and concept.


See Also:  Strength and Love in Unity




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Below are some entries from our dictionary that may match your one source search...

Characters

If shown, 2nd row is Simp. Chinese

Pronunciation
Romanization
Simple Dictionary Definition

see styles
xīn
    xin1
hsin
 haato / hato
    ハート

More info & calligraphy:

Heart / Mind / Spirit
heart; mind; intention; center; core; CL:顆|颗[ke1],個|个[ge4]
(1) (See 心・こころ・1) heart; mind; spirit; vitality; inner strength; (2) bottom of one's heart; core (of one's character); nature; (3) (usu. written as 芯) (See 芯・2) centre; center; core; heart; (4) (See 心臓・1) heart (organ); (5) {astron} (See 二十八宿) Chinese "Heart" constellation (one of the 28 mansions); (6) (archaism) (child. language) friend; (given name) Haato
hṛd, hṛdaya 汗栗太 (or 汗栗馱); 紀哩馱 the heart, mind, soul; citta 質多 the heart as the seat of thought or intelligence. In both senses the heart is likened to a lotus. There are various definitions, of which the following are six instances: (1) 肉團心 hṛd, the physical heart of sentient or nonsentient living beings, e. g. men, trees, etc. (2) 集起心 citta, the ālayavijñāna, or totality of mind, and the source of all mental activity. (3) 思量心 manas, the thinking and calculating mind; (4) 緣慮心; 了別心; 慮知心; citta; the discriminating mind; (5) 堅實心 the bhūtatathatā mind, or the permanent mind; (6) 積聚精要心 the mind essence of the sutras.

see styles
běn
    ben3
pen
 yanakamoto
    やなかもと

More info & calligraphy:

Ben
(bound form) root; stem; (bound form) origin; source; (bound form) one's own; this; (bound form) this; the current (year etc); (bound form) original; (bound form) inherent; originally; initially; capital; principal; classifier for books, periodicals, files etc
(1) book; volume; script; (prefix) (2) this; present; current; ... in question; ... at issue; (prefix) (3) main; head; principal; (prefix) (4) real; genuine; regular; proper; (counter) (5) counter for long, cylindrical things; counter for films, TV shows, etc.; counter for goals, home runs, etc.; counter for telephone calls; (surname) Yanakamoto
Radical, fundamental, original, principal, one's own; the Buddha himself, contrasted with 蹟 chi, traces left by him among men to educate them; also a volume of a book.

see styles
zōng
    zong1
tsung
 motoi
    もとい
school; sect; purpose; model; ancestor; clan; to take as one's model (in academic or artistic work); classifier for batches, items, cases (medical or legal), reservoirs
(1) (rare) origin; source; (2) (rare) virtuous ancestor; (given name) Motoi
Ancestors, ancestral; clan; class, category. kind; school, sect; siddhānta, summary, main doctrine, syllogism, proposition, conclusion, realization. Sects are of two kinds: (1) those founded on principles having historic continuity, as the twenty sects of the Hīnayāna, the thirteen sects of China, and the fourteen sects of Japan: (2) those arising from an individual interpretation of the general teaching of Buddhism, as the sub-sects founded by Yongming 永明 (d. 975), 法相宗, 法性宗, 破相宗, or those based on a peculiar interpretation of one of the recognized sects, as the Jōdo-shinshū 淨土眞宗 found by Shinran-shōnin. There are also divisions of five, six, and ten, which have reference to specific doctrinal differences. Cf. 宗派.

see styles
gēn
    gen1
ken
 nemawari
    ねまわり
root; basis; classifier for long slender objects, e.g. cigarettes, guitar strings; CL:條|条[tiao2]; radical (chemistry)
(1) root (of a plant); (2) root (of a tooth, hair, etc.); center (of a pimple, etc.); (3) root (of all evil, etc.); source; origin; cause; basis; (4) one's true nature; (5) (fishing) reef; (personal name) Nemawari
mūla, a root, basis, origin; but when meaning an organ of sense, indriyam, a 'power', 'faculty of sense, sense, organ of sense'. M.W. A root, or source; that which is capable of producing or growing, as the eye is able to produce knowledge, as faith is able to bring forth good works, as human nature is able to produce good or evil karma. v. 五根 and 二十二根.

三心

see styles
sān xīn
    san1 xin1
san hsin
 sanshin
    さんしん
(given name) Sanshin
The three minds, or hearts; various groups are given: (1) Three assured ways of reaching the Pure Land, by (a) 至誠心 perfect sincerity; (b) 深 profound resolve for it; (c) 廻向接發願心 resolve on demitting one's merits to others. (2) (a) 根本心 The 8th or ālaya-vijñāna mind, the storehouse, or source of all seeds of good or evil; (b) 依本 the 7th or mano-vijñāna mind, the mediating cause of all taint; (c) 起事心 the ṣaḍāyatana-vijñāna mind, the immediate influence of the six senses. (3) (a) 入心 (b) 住心 (c) 出心 The mind entering into a condition, staying there, departing. (4) A pure, a single, and an undistracted mind. There are other groups.

出先

see styles
 desaki
    でさき
(1) one's destination; place where someone is going; place where someone has gone; (2) source (of an object); origin; (3) (abbreviation) (See 出先機関) branch office; (surname) Desaki

出場


出场

see styles
chū chǎng
    chu1 chang3
ch`u ch`ang
    chu chang
 deba
    でば
(of a performer) to come onto the stage to perform; (of an athlete) to enter the arena to compete; (fig.) to enter the scene (e.g. a new product); (of an examinee etc) to leave the venue
(1) one's time (e.g. to go on stage); one's turn; (2) source; origin; place of production; (surname) Deba

參校


参校

see styles
cān jiào
    can1 jiao4
ts`an chiao
    tsan chiao
to proofread; to revise one or more editions of a text using an authoritative edition as a source book; to editorially revise a text

所出

see styles
suǒ chū
    suo3 chu1
so ch`u
    so chu
 shoshutsu
    しょしゅつ
one's birthplace; source
that which is exited from

投映

see styles
tóu yìng
    tou2 ying4
t`ou ying
    tou ying
(of a light source) to cast one's light on; to project (an image)

法藏

see styles
fǎ zàng
    fa3 zang4
fa tsang
 houzou / hozo
    ほうぞう
(personal name) Houzou
Dharma-store; also 佛法藏; 如來藏 (1) The absolute, unitary storehouse of the universe, the primal source of all things. (2) The Treasury of Buddha's teaching the sutras, etc. (3) Any Buddhist library. (4) Dharmākara, mine of the Law; one of the incarnations of Amitābha. (5) Title of the founder of the Huayan School 賢首法藏Xianshou Fazang.

眞如

see styles
zhēn rú
    zhen1 ru2
chen ju
 shinnyo
    しんにょ
(surname) Shinnyo
bhūtatathatā, 部多多他多. The眞 is intp. as 眞實 the real, 如 as 如常 thus always or eternally so; i.e. reality as contrasted with 虛妄 unreality, or appearance, and 不變不改 unchanging or immutable as contrasted with form and phenomena. It resembles the ocean in contrast with the waves. It is the eternal, impersonal, unchangeable reality behind all phenomena. bhūta is substance, that which exists; tathatā is suchness, thusness, i.e. such is its nature. The word is fundamental to Mahāyāna philosophy, implying the absolute, the ultimate source and character of all phenomena, it is the All. It is also called 自性淸淨心 self-existent pure Mind; 佛性 Buddha-nature; 法身 dharmakāya; 如來藏 tathāgata-garbha, or Buddha-treasury; 實相 reality; 法界 Dharma-realm; 法性Dharma-nature; 圓成實性 The complete and perfect real nature, or reality. There are categories of 1, 2, 3, 7, 10, and 12 in number: (1) The undifferentiated whole. (2) There are several antithetical classes, e.g. the unconditioned and the conditioned; the 空 void, static, abstract, noumenal, and the 不 空 not-void, dynamic, phenomenal; pure, and affected (or infected); undefiled (or innocent), i.e. that of Buddhas, defiled, that of all beings; in bonds and free; inexpressible, and expressible in words. (3) 無相 Formless; 無生 uncreated; 無性 without nature, i.e. without characteristics or qualities, absolute in itself. Also, as relative, i.e. good, bad, and indeterminate. (7, 10, 12) The 7 are given in the 唯識論 8; the 10 are in two classes, one of the 別教 cf. 唯識論 8; the other of the 圓教, cf. 菩提心義 4; the 12 are given in the Nirvana Sutra.

私多

see styles
sī duō
    si1 duo1
ssu to
 shita
私陀; 悉陀; 徒多; 枲多 Sītā. Described as the 'cold' river; one of the four great rivers flowing from the Anavatpta or Anavadata Lake 阿耨達池 in Tibet. One account makes it 'an eastern outflux' which subsequently becomes the Yellow River. It is also said to issue from the west. Again, 'the Ganges flows eastward, the Indus south, Vatsch (Oxus) west, Sītā north.' Vatsch = Vākṣu. 'According to Xuanzang, however, it is the northern outflux of the Sirikol [Sarikkol] Lake (Lat. 38°20′N., Long. 74°E.) now called Yarkand daria, which flows into Lake Lop, thence underneath the desert of Gobi, and reappears as the source of the Huanghe.' Eitel. According to Richard, the Huanghe 'rises a little above two neighbouring lakes of Khchara (Charingnor) and Khnora (Oring-nor). Both are connected by a channel and are situated at an elevation of 14,000 feet. It may perhaps be at first confounded with Djaghing-gol, a river 110 miles long, which flows from the south and empties into the channel joining the two lakes'.

自性

see styles
zì xìng
    zi4 xing4
tzu hsing
 jishou / jisho
    じしょう
{Buddh} intrinsic nature; one's own distinct nature
Own nature; of (its) own nature. As an intp. of pradhāna (and resembling 冥性) in the Sāṅkhya philosophy it is 'prakṛti, the Originant, primary or original matter or rather the primary germ out of which all material appearances are evolved, the first evolver or source of the material world (hence in a general acceptation 'nature' or rather 'matter' as opposed to purusha, or 'spirit')'. M. W. As 莎發斡 svabhāva, it is 'own state, essential or inherent property, innate or peculiar disposition, natural state or constitution, nature'. M. W. The self-substance, self-nature, or unchanging character of anything.

五種藏


五种藏

see styles
wǔ zhǒng zàng
    wu3 zhong3 zang4
wu chung tsang
 goshu zō
The five 'stores', or the five differentiations of the one Buddha-nature; (1) 如來藏 the Tathāgata-nature, which is the fundamental universal nature possessed by all the living: (2) 正法藏 the source or treasury of all right laws and virtues: (3) 法身藏 the storehouse of the dharmakāya obtained by all saints: (4) 出世藏 the eternal spiritual nature, free from earthly errors; (5) 自性淸淨藏 the storehouse of the pure Buddha-nature. Another similar group is 如來藏, 法界藏, 法身藏, 出世間上上藏, and 自性淸淨藏.

出場所

see styles
 debasho
    でばしょ
(1) one's time (e.g. to go on stage); one's turn; (2) source; origin; place of production

清一色

see styles
qīng yī sè
    qing1 yi1 se4
ch`ing i se
    ching i se
 chiniisoo / chinisoo
    チンイーソー
(mahjong) flush; a complete hand where all tiles are of the same suit; (fig.) uniformly; each and every one
(1) {mahj} full flush (chi:); winning hand containing only tiles of one suit; (2) homogeneity (e.g. manuf. using products from one source)

無熱池


无热池

see styles
wú rè chí
    wu2 re4 chi2
wu je ch`ih
    wu je chih
 munetsu chi
The lake without heat, or cold lake, called Mānasarovara, or Mānasa-saro-vara, 'excellent mānasa lake,' or modern Manasarovar, 31° N., 81° 3 E., 'which overflows at certain seasons and forms one lake with' Rakas-tal, which is the source of the Sutlej. It is under the protection of the nāga-king Anavatapta and is also known by his name. It is said to lie south of the Gandha-mādana mountains, and is erroneously reputed as the source of the four rivers Ganges, Indus, Śītā (Tārīm River), and Oxus.

Variations:

see styles
 kate; ryou; karite(ok) / kate; ryo; karite(ok)
    かて; りょう; かりて(ok)
(1) food; provisions; (2) (かて only) nourishment (mental, spiritual, etc.); sustenance (e.g. of one's life); source of encouragement

胎藏界

see styles
tāi zàng jiè
    tai1 zang4 jie4
t`ai tsang chieh
    tai tsang chieh
 taizō kai
Garbhadhātu, or Garbhakośa-(dhātu), the womb treasury, the universal source from which all things are produced; the matrix; the embryo; likened to a womb in which all of a child is conceived— its body, mind, etc. It is container and content; it covers and nourishes; and is the source of all supply. It represents the 理性 fundamental nature, both material elements and pure bodhi, or wisdom in essence or purity; 理 being the garbhadhātu as fundamental wisdom, and 智 acquired wisdom or knowledge, the vajradhātu. It also represents the human heart in its innocence or pristine purity, which is considered as the source of all Buddha-pity and moral knowledge. And it indicates that from the central being in the maṇḍala, viz. the Sun as symbol of Vairocana, there issue all the other manifestations of wisdom and power, Buddhas, bodhisattvas, demons, etc. It is 本覺 original intellect, or the static intellectuality, in contrast with 始覺 intellection, the initial or dynamic intellectuality represented in the vajradhātu; hence it is the 因 cause and vajradhātu the 果 effect; though as both are a unity, the reverse may be the rule, the effect being also the cause; it is also likened to 利他 enriching others, as vajradhātu is to 自利 enriching self. Kōbō Daishi, founder of the Yoga or Shingon 眞言 School in Japan, adopted the representation of the ideas in maṇḍalas, or diagrams, as the best way of revealing the mystic doctrine to the ignorant. The garbhadhātu is the womb or treasury of all things, the universe; the 理 fundamental principle, the source; its symbols are a triangle on its base, and an open lotus as representing the sun and Vairocana. In Japan this maṇḍala is placed on the east, typifying the rising sun as source, or 理. The vajradhātu is placed west and represents 智 wisdom or knowledge as derived from 理 the underlying principle, but the two are essential one to the other, neither existing apart. The material and spiritual; wisdom-source and intelligence; essence and substance; and similar complementary ideas are thus portrayed; the garbhadhātu may be generally considered as the static and the vajradhātu as the dynamic categories, which are nevertheless a unity. The garbhadhātu is divided into 三部 three sections representing samādhi or quiescence, wisdom-store, and pity-store, or thought, knowledge, pity; one is called the Buddha-section, the others the Vajra and Lotus sections respectively; the three also typify vimokṣa, prajñā, and dharmakāya, or freedom, understanding, and spirituality. There are three heads of these sections, i. e. Vairocana, Vajrapāṇi, and Avalokiteśvara; each has a mother or source, e. g. Vairocana from Buddha's-eye; and each has a 明王 or emanation of protection against evil; also a śakti or female energy; a germ-letter, etc. The diagram of five Buddhas contains also four bodhisattvas, making nine in all, and there are altogether thirteen 大院 or great courts of various types of ideas, of varying numbers, generally spoken of as 414. Cf. 金剛界; 大日; 兩部.

金剛界


金刚界

see styles
jīn gāng jiè
    jin1 gang1 jie4
chin kang chieh
 kongoukai / kongokai
    こんごうかい
(1) {Buddh} (See 胎蔵界・たいぞうかい・1) Vajradhatu; Diamond Realm; (2) (abbreviation) {Buddh} (See 金剛界曼荼羅・こんごうかいまんだら) Vajradathu Mandala; Diamond Realm Mandala
vajradhātu, 金界 The 'diamond', or vajra, element of the universe; it is the 智 wisdom of Vairocana in its indestructibility and activity; it arises from the garbhadhātu 胎藏界q.v., the womb or store of the Vairocana 理 reason or principles of such wisdom, v. 理智. The two, garbhadhātu and vajradhātu, are shown by the esoteric school, especially in the Japanese Shingon, in two maṇḍalas, i.e. groups or circles, representing in various portrayals the ideas arising from the two, fundamental concepts. vajradhātu is intp. as the 智 realm of intellection, and garbhadhātu as the 理 substance underlying it, or the matrix; the latter is the womb or fundamental reason of all things, and occupies the eastern position as 'cause' of the vajradhātu, which is on the west as the resultant intellectual or spiritual expression. But both are one as are Reason and Wisdom, and Vairocana (the illuminator, the 大日 great sun) presides over both, as source and supply. The vajradhātu represents the spiritual world of complete enlightenment, the esoteric dharmakāya doctrine as contrasted with the exoteric nirmāṇakāya doctrine. It is the sixth element 識 mind, and is symbolized by a triangle with the point downwards and by the full moon, which represents 智 wisdom or understanding; it corresponds to 果 fruit, or effect, garbhadhātu being 因 or cause. The 金剛王五部 or five divisions of the vajradhātu are represented by the Five dhyāni-buddhas, thus: centre 大日Vairocana; east 阿閦 Akṣobhya; south 寶生Ratnasambhava; west 阿彌陀 Amitābha; north 不 空 成就 Amoghasiddhi, or Śākyamuni. They are seated respectively on a lion, an elephant, a horse, a peacock, and a garuda. v. 五佛; also 胎.

十二火天

see styles
shí èr huǒ tiān
    shi2 er4 huo3 tian1
shih erh huo t`ien
    shih erh huo tien
 jūnikaten
The homa-, or fire-spirits; Whose representations, colours, magic words, signs, symbols, and mode of worship are given in the 大日經疏20. Also 十二火尊; 十二種火法. The twelve fire-spirits are: (1) Indra or Vairocana, the discoverer or source of fire, symbolizing 智 knowledge; (2) the moon 行滿 which progresses to fullness, with mercy as root and enlightenment as fruit, i,e. Buddha; (3) the wind, represented as a half-moon, fanner of fame, of zeal, and by driving away dark clouds, of enlightenment; (4) the red rays of the rising sun, rohitaka, his swords (or rays) indicating 議 wisdom; (5) 沒M004101拏 a form half stern, half smiling, sternly driving away the passions and trials; (6) 忿怒 irate, bellowing with open mouth, showing four teeth, flowing locks, one eye closed; (7) 闍吒羅 fire burning within, i.e. the inner witness, or realization; (8) 迄灑耶 the waster, or destroyer of waste and injurious products within, i.e. inner purification; (9) 意生 the producer at will, capable of all variety, resembling Viśvakarman, the Brahmanic Vulcan; (10) 羯羅微 the fire-eater; (11) untraceable; (12) 謨賀那 the completer, also the subduer of demons.

引鬼上門


引鬼上门

see styles
yǐn guǐ shàng mén
    yin3 gui3 shang4 men2
yin kuei shang men
lit. to invite the devil to one's house (idiom); fig. to introduce a potential source of trouble

Variations:
根元
根本

see styles
 nemoto
    ねもと
(1) base (of a plant, tree, pillar, etc.); (part near the) root; roots (of one's hair); (2) root (e.g. of a problem); source

Variations:
儘(P)

see styles
 mama(p); manma; mama
    まま(P); まんま; ママ
(n,adv) (1) (kana only) as it is; as one likes; because; as; (2) (kana only) condition; state; (3) (ママ only) (abbreviation) (kana only) (See 原文ママ・げんぶんママ) sic; sic erat scriptum; the quoted matter has been transcribed exactly as found in the source text

無明法性一體


无明法性一体

see styles
wú míng fǎ xìng yī tǐ
    wu2 ming2 fa3 xing4 yi1 ti3
wu ming fa hsing i t`i
    wu ming fa hsing i ti
 mumyō hosshō ittai
avidyā and the bhūtatathatā are of the same nature, as are ice and water; the ice of avidyā is the water of all things, the source out of which all enlightenment has come.

Variations:
生活の糧
生活のかて

see styles
 seikatsunokate / sekatsunokate
    せいかつのかて
(exp,n) source of one's livelihood; one's bread and butter

Variations:
儘(rK)
侭(rK)

see styles
 mama(p); manma; mama
    まま(P); まんま; ママ
(n,adv) (1) (kana only) as (it is); remaining (in a state); keeping (the same); leaving (unchanged); (n,adv) (2) (kana only) (after a past-tense verb describing a state) with (e.g. one's eyes closed, the light on); while (e.g. standing, alive); as; (3) (kana only) (as 〜に) as (one pleases, one is told, etc.); according to; (4) (ママ only) (indicating that the quoted matter has been transcribed exactly as found in the source text) (See 原文のママ) sic

山中無老虎,猴子稱大王


山中无老虎,猴子称大王

see styles
shān zhōng wú lǎo hǔ , hóu zi chēng dà wáng
    shan1 zhong1 wu2 lao3 hu3 , hou2 zi5 cheng1 da4 wang2
shan chung wu lao hu , hou tzu ch`eng ta wang
    shan chung wu lao hu , hou tzu cheng ta wang
in the country of the blind the one-eyed man is king (idiom); (depending on the source, the last word is either 大王[da4 wang2] or 大王[dai4 wang5])

Variations:
元(P)
本(P)


因(sK)

see styles
 moto
    もと
(1) (esp. 元) origin; source; beginning; (2) (oft. 基) basis; base; foundation; root; (3) (also written as 因, 原) cause; (4) (esp. 素) (raw) material; ingredient; base; mix (e.g. for a cake); (soup) stock; (5) (元 only) (one's) side; (6) (元 only) capital; principal; cost price; (7) root (of a plant); (tree) trunk; (8) part (of a brush, chopsticks, etc.) one holds (with the hand); (9) (See 和歌) first three lines of a waka; (counter) (10) (本 only) counter for plants or trees; (counter) (11) (本 only) counter for falcons (in falconry)

Click here for more one source results from our dictionary

The following table may be helpful for those studying Chinese or Japanese...

Title CharactersRomaji (Romanized Japanese)Various forms of Romanized Chinese
Immovable Mind不動心fu dou shin
fudoushin
fu do shin
Taido躰道tai dou / taidou / tai do
Body and Earth in Unity身土不二shindofuni / shindofuji


Dictionary

Lookup One Source in my Japanese & Chinese Dictionary


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All of our calligraphy wall scrolls are handmade.

When the calligrapher finishes creating your artwork, it is taken to my art mounting workshop in Beijing where a wall scroll is made by hand from a combination of silk, rice paper, and wood.
After we create your wall scroll, it takes at least two weeks for air mail delivery from Beijing to you.

Allow a few weeks for delivery. Rush service speeds it up by a week or two for $10!

When you select your calligraphy, you'll be taken to another page where you can choose various custom options.


A nice Chinese calligraphy wall scroll

The wall scroll that Sandy is holding in this picture is a "large size"
single-character wall scroll.
We also offer custom wall scrolls in small, medium, and an even-larger jumbo size.

A professional Chinese Calligrapher

Professional calligraphers are getting to be hard to find these days.
Instead of drawing characters by hand, the new generation in China merely type roman letters into their computer keyboards and pick the character that they want from a list that pops up.

There is some fear that true Chinese calligraphy may become a lost art in the coming years. Many art institutes in China are now promoting calligraphy programs in hopes of keeping this unique form of art alive.

Trying to learn Chinese calligrapher - a futile effort

Even with the teachings of a top-ranked calligrapher in China, my calligraphy will never be good enough to sell. I will leave that to the experts.

A high-ranked Chinese master calligrapher that I met in Zhongwei

The same calligrapher who gave me those lessons also attracted a crowd of thousands and a TV crew as he created characters over 6-feet high. He happens to be ranked as one of the top 100 calligraphers in all of China. He is also one of very few that would actually attempt such a feat.


Check out my lists of Japanese Kanji Calligraphy Wall Scrolls and Old Korean Hanja Calligraphy Wall Scrolls.

Some people may refer to this entry as One Source Kanji, One Source Characters, One Source in Mandarin Chinese, One Source Characters, One Source in Chinese Writing, One Source in Japanese Writing, One Source in Asian Writing, One Source Ideograms, Chinese One Source symbols, One Source Hieroglyphics, One Source Glyphs, One Source in Chinese Letters, One Source Hanzi, One Source in Japanese Kanji, One Source Pictograms, One Source in the Chinese Written-Language, or One Source in the Japanese Written-Language.

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