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陰陽 literally means yin and yang in written form (versus the common yin-yang symbol). The first character has the element of the moon, while the second character has the element of the sun so that you can see, even in written form, they suggest the balance of opposites (of night and day). You could also translate this title as “sun and moon.”
Note: This title is often misspelled as Ying Yang instead of Yin Yang.
See Also: Taoism
Drill a hole in the wall to get light to read by.
鑿壁偷光 is a Chinese proverb that means “Bore a hole in the wall to make use of the neighbor's light to study.”
This is a nice gift for a very studious person.
Kuang Heng was born during the Western Han period. He has been very fond of reading ever since he was young. However, he could not attend school since his family was poor, and he had to borrow books from people to learn.
To borrow these books, he normally did chores for people who had them. When he became older, he had to work in the field from sunrise to sunset since his family's financial situation did not improve. Thus, he tried to study at night, but he had no lamp.
One day, he noticed the light from the neighbor's house coming through a crack in the wall. This made him very happy, so he dug a larger hole from the crack and read in the light that shone through. This diligent study eventually made him an accomplished person.
Many things have opposite properties. The water you drink can also drown you. Pork may nourish you and keep you alive but under-cook it and it could kill you. Potassium nitrate is often used as a fertilizer to grow the food that sustains us but it's also been used as an explosive to topple buildings and destroy us.
This concept is easily associated with “yin yang” where an element has two opposite properties that are as different as night and day.
This proverb's meaning can be summed up this way: “Anything that can lead you to success may also contain great risks.”
This phrase is known in literary circles by Korean people (scholars or literature). It is therefore also a valid proverb in Korean Hanja, though most Koreans would not be able to make sense of it.
Please note that there is an unwritten rule when the same character appears twice in the same phrase, the calligrapher will alter the appearance so that no two characters are exactly alike in the same piece. This calligraphy has two repeating characters that will be written differently than they appear here.
This poem was written almost 1200 years ago during the Tang dynasty.
It depicts traveling up a place known as Cold Mountain, where some hearty people have built their homes. The traveler is overwhelmed by the beauty of the turning leaves of the maple forest that surrounds him just as night overtakes the day, and darkness prevails. His heart implores him to stop, and take in all of the beauty around him.
First, before you get to the full translation, I must tell you that Chinese poetry is a lot different than what we have in the west. Chinese words simply don't rhyme in the same way that English or other western languages do. Chinese poetry depends on rhythm and a certain beat of repeated numbers of characters.
I have done my best to translate this poem keeping a certain feel of the original poet. But some of the original beauty of the poem in its original Chinese will be lost in translation.
Far away on Cold Mountain, a stone path leads upwards.
Among white clouds, people's homes reside.
Stopping my carriage I must, as to admire the maple forest at nights fall.
In awe of autumn leaves showing more red than even flowers of early spring.
Hopefully, this poem will remind you to stop, and “take it all in” as you travel through life.
The poet's name is “Du Mu” in Chinese that is: .
The title of the poem, “Mountain Travels” is:
You can have the title, poet's name, and even “Tang Dynasty” written as an inscription on your custom wall scroll if you like.
More about the poet:
Dumu lived from 803-852 AD and was a leading Chinese poet during the later part of the Tang dynasty.
He was born in Chang'an, a city in central China and the former capital of the ancient Chinese empire in 221-206 BC. In present-day China, his birthplace is currently known as Xi'an, the home of the Terracotta Soldiers.
He was awarded his Jinshi degree (an exam administered by the emperor's court which leads to becoming an official of the court) at the age of 25 and went on to hold many official positions over the years. However, he never achieved a high rank, apparently because of some disputes between various factions, and his family's criticism of the government. His last post in the court was his appointment to the office of Secretariat Drafter.
During his life, he wrote scores of narrative poems, as well as a commentary on the Art of War and many letters of advice to high officials.
His poems were often very realistic and often depicted everyday life. He wrote poems about everything, from drinking beer in a tavern to weepy poems about lost love.
The thing that strikes you most is the fact even after 1200 years, not much has changed about the beauty of nature, toils, and troubles of love and beer drinking.
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Below are some entries from our dictionary that may match your day and night search...
Characters If shown, 2nd row is Simp. Chinese |
Pronunciation Romanization |
Simple Dictionary Definition |
お休み see styles |
oyasumi おやすみ |
More info & calligraphy: Good Night |
晦 see styles |
huì hui4 hui kai みそか |
(bound form) last day of a lunar month; (bound form) dark; gloomy; (literary) night last day of the month; (archaism) last day of the month The last day of the moon; night; dark, obscure; unlucky. |
二鼠 see styles |
èr shǔ er4 shu3 erh shu niso |
The black and white rats - night and day. |
五時 五时 see styles |
wǔ shí wu3 shi2 wu shih goji |
(五時教) The five periods or divisions of Śākyamuni's teaching. According to Tiantai they are (1) 華嚴時 the Avataṃsaka or first period in three divisions each of seven days, after his enlightenment, when he preached the content, of this sutra; (2) 鹿苑時 the twelve years of his preaching the Āgamas 阿含 in the Deer Park; (3) 方等時 the eight years of preaching Mahāyāna-cum-Hīnayāna doctrines, the vaipulya period; (4) 般若時 the twenty-two years of his preaching the prajñā or wisdom sutras; (5) 法華涅槃時 the eight years of his preaching the Lotus Sutra and, in a day and a night, the Nirvana Sutra. According to the Nirvana School (now part of the Tiantai) they are (1) 三乘別教 the period when the differentiated teaching began and the distinction of the three vehicles, as represented by the 四諦 Four Noble Truths for śrāvakas, the 十二因緣 Twelve Nidānas for pratyekabuddhas, and the 六度 Six Pāramitās for bodhisattvas; (2) 三乘通教 the teaching common to all three vehicles, as seen in the 般若經; (3) 抑揚教 the teaching of the 維摩經, the 思益梵天所問經, and other sutras olling the bodhisattva teaching at the expense of that for śrāvakas; (4) 同歸教 the common objective teaching calling all three vehicles, through the Lotus, to union in the one vehicle; (5) 常住教 the teaehmg of eternal life i. e. the revelation through the Nirvana sutra of the eternity of Buddhahood; these five are also called 有相; 無相; 抑揚; 曾三歸—; and 圓常. According to 劉虬 Liu Chiu of the 晉 Chin dynasty, the teaching is divided into 頓 immediate and 漸 gradual attainment, the latter having five divisions called 五時教 similar to those of the Tiantai group. According to 法寶 Fabao of the Tang dynasty the five are (1) 小乘; (2) 般着 or 大乘; (3) 深密 or 三乘; (4) 法華 or 一乘; (5) 涅槃 or 佛性教. |
元夕 see styles |
genseki げんせき |
(See 元宵) night of the 15th day of the first month in the lunar calendar |
元宵 see styles |
yuán xiāo yuan2 xiao1 yüan hsiao genshou / gensho げんしょう |
Lantern Festival; night of the 15th of the first lunar month; see also 元夜[yuan2 ye4]; sticky rice dumplings night of the 15th day of the first month in the lunar calendar |
兩鼠 两鼠 see styles |
liǎng shǔ liang3 shu3 liang shu ryōso |
The two rats (or black and white mice), night and day. |
八時 八时 see styles |
bā shí ba1 shi2 pa shih hachiji |
An Indian division of the day into eight "hours", four for day and four for night. |
六時 六时 see styles |
liù shí liu4 shi2 liu shih rokuji ろくじ |
(1) six o'clock; (2) (Buddhist term) six periods of a day (morning, midday, afternoon, evening, midnight, late night) The six 'hours' or periods in a day, three for night and three for day, i. e. morning noon, evening; night, midnight, and dawn. Also, the six divisions of the year, two each of spring, summer, and winter. |
兼行 see styles |
tomoyuki ともゆき |
(n,vs,vi) (1) working twice as hard; working day and night; (noun, transitive verb) (2) doing simultaneously; (personal name) Tomoyuki |
刁斗 see styles |
diāo dǒu diao1 dou3 tiao tou |
soldier's copper saucepan, used for cooking food by day and for sounding the night watches during the hours of darkness (in ancient times) |
十二 see styles |
shí èr shi2 er4 shih erh tooji とおじ |
twelve; 12 12; twelve; (given name) Tooji dvātriṃśa. Thirty-two. 三十二應 (or 三十二身) The thirty-two forms of Guanyin, and of Puxian, ranging from that of a Buddha to that of a man, a maid, a rakṣas; similar to the thirty-three forms named in the Lotus Sūtra. 三十二相三十二大人相 dvātriṃśadvaralakṣaṇa. The thirty-two lakṣaṇas, or physical marks of a cakravartī, or 'wheel-king', especially of the Buddha, i. e. level feet, thousand-spoke wheel-sign on feet, long slender fingers, pliant hands and feet, toes and fingers finely webbed, full-sized heels, arched insteps, thighs like a royal stag, hands reaching below the knees well-retracted male organ, height and stretch of arms equal, every hair-root dark coloured, body hair graceful and curly, golden-hued body, a 10 ft. halo around him, soft smooth skin, the 七處, i. e. two soles, two palms, two shoulders, and crown well rounded, below the armpits well-filled, lion-shaped body, erect, full shoulders, forty teeth, teeth white even and close, the four canine teeth pure white, lion-jawed, saliva improving the taste of all food, tongue long and broad, voice deep and resonant, eyes deep blue, eyelashes like a royal bull, a white ūrnā or curl between the eyebrows emitting light, an uṣṇīṣa or fleshy protuberance on the crown. These are from the 三藏法數 48, with which the 智度論 4, 涅盤經 28, 中阿含經, 三十ニ相經 generally agree. The 無量義經 has a different list. 三十二相經 The eleventh chapter of the 阿含經. 三十二相經願 The twenty-first of Amitābha's vows, v. 無量壽經. 三十三 trayastriṃśat. Thirty-three. 三十三天忉利天; 憺梨天, 多羅夜登陵舍; 憺利夜登陵奢; 憺利耶憺利奢 Trayastriṃśas. The Indra heaven, the second of the six heavens of form. Its capital is situated on the summit of Mt. Sumeru, where Indra rules over his thirty-two devas, who reside on thirty-two peaks of Sumeru, eight in each of the four directons. Indra's capital is called 殊勝 Sudarśana, 喜見城 Joy-view city. Its people are a yojana in height, each one's clothing weighs 六鐵 (1; 4 oz. ), and they live 1, 000 years, a day and night being equal to 100 earthly years. Eitel says Indra's heaven 'tallies in all its details with the Svarga of Brahminic mythology' and suggests that 'the whole myth may have an astronomical meaning', or be connected, with 'the atmosphere with its phenomena, which strengthens Koeppen's hypothesis explaining the number thirty-three as referring to the eight Vasus, eleven Rudras, twelve Ādityas, and two Aśvins of Vedic mythology'. In his palace called Vaijayanta 'Indra is enthroned with 1, 000 eyes with four arms grasping the vajra. There he revels in numberless sensual pleasures together with his wife Śacī... and with 119, 000 concubines with whom he associates by means of transformation'.; dvādaśa, twelve. |
半齋 半斋 see styles |
bàn zhāi ban4 zhai1 pan chai hansai |
Half a day's fast, i. e.. fasting all day but eating at night. |
命藤 see styles |
mìng téng ming4 teng2 ming t`eng ming teng myōtō |
The rope of life (gnawed by the two rats, i. e. night and day). |
四蛇 see styles |
sì shé si4 she2 ssu she shida |
idem 四毒蛇. The Fanyimingyi under this heading gives the parable of a man who fled from the two bewildering forms of life and death, and climbed down a rope (of life) 命根, into the well of impermanence 無常, where two mice, night and day, gnawed the rattan rope; on the four sides four snakes 四蛇 sought to poison him, i. e. the 四大 or four elements of his physical nature); below were three dragons 三毒龍 breathing fire and trying to seize him. On looking up he saw that two 象 elephants (darkness and light) had come to the mouth of the well; he was in despair, when a bee flew by and dropped some honey (the five desires 五欲) into his mouth, which he ate and entirely forgot his peril. |
夙夜 see styles |
sù yè su4 ye4 su yeh shakuya しゃくや |
morning and night; always; at all times (n,adv) from morning till night; day and night; always; (personal name) Shakuya since long ago |
夜昼 see styles |
yoruhiru よるひる |
(adv,n) day and night; (place-name) Yoruhiru |
宿忌 see styles |
sù jì su4 ji4 su chi shukuki |
The night before a fast-day. |
幽明 see styles |
yōu - míng you1 - ming2 yu - ming yuumei / yume ゆうめい |
the hidden and the visible; that which can be seen and that which cannot; darkness and light; night and day; wisdom and ignorance; evil and good; the living and the dead; men and ghosts semidarkness; deep and strange; hades; the present and the other world; dark and light; (given name) Yūmei darkness and light |
待宵 see styles |
matsuyoi まつよい |
(1) (archaism) night where one waits for someone who is supposed to come; (2) (archaism) night of the 14th day of the eight month of the lunar calendar |
日夕 see styles |
nisseki にっせき |
(adv,n) day and night; nightfall |
日夜 see styles |
rì yè ri4 ye4 jih yeh higurashi ひぐらし |
day and night; around the clock (adv,n) day and night; around the clock; always; constantly; (surname) Higurashi daily |
旦夕 see styles |
tanseki たんせき |
(n,adv) (1) on the brink of; (n,adv) (2) morning and evening; day and night |
昼夜 see styles |
chuuya / chuya ちゅうや |
(n,adv,adj-no) day and night |
時分 时分 see styles |
shí fēn shi2 fen1 shih fen jibun じぶん |
time; period during the day; one of the 12 two-hour periods enumerated by the earthly branches 地支 (1) time; hour; season; (2) suitable time; opportunity; chance Time-division of the day, variously made in Buddhist works: (1) Three periods each of day and night. (2) Eight periods of day and night, each divided into four parts. (3) Twelve periods, each under its animal, as in China. (4) Thirty hours, sixty hours, of varying definition. |
時宗 时宗 see styles |
shí zōng shi2 zong1 shih tsung tokimune ときむね |
Jishū sect (of Buddhism); (surname, given name) Tokimune 六時往生宗 A Japanese sect, whose members by dividing day and night into six periods of worship seek immortality. |
晝夜 昼夜 see styles |
zhòu yè zhou4 ye4 chou yeh chūya |
day and night; period of 24 hours; continuously, without stop day and night |
晨昏 see styles |
chén hūn chen2 hun1 ch`en hun chen hun |
morning and twilight; day and night |
月鼠 see styles |
yuè shǔ yue4 shu3 yüeh shu tsuki no nezumi |
The moon rat, one of the two rats, black and white, that gnaw the cord of life, i. e. night and day. |
朝晩 see styles |
asaban あさばん |
(n,adv) (1) morning and evening; (adverb) (2) all the time; always; every day; day and night |
The following table may be helpful for those studying Chinese or Japanese...
Title | Characters | Romaji (Romanized Japanese) | Various forms of Romanized Chinese | |
Yin Yang | 陰陽 阴阳 | in you / inyou / in yo | yīn yáng / yin1 yang2 / yin yang / yinyang | |
Diligent Study Proverb | 鑿壁偷光 凿壁偷光 | záo bì tōu guāng zao2 bi4 tou1 guang1 zao bi tou guang zaobitouguang | tsao pi t`ou kuang tsaopitoukuang tsao pi tou kuang |
|
Not Only Can Water Float A Boat, It Can Sink It Also | 水能載舟亦能覆舟 水能载舟亦能覆舟 | shuǐ néng zài zhōu yì néng fù zhōu shui3 neng2 zai4 zhou1 yi4 neng2 fu4 zhou1 shui neng zai zhou yi neng fu zhou | shui neng tsai chou i neng fu chou | |
Mountain Travels Poem by Dumu | 遠上寒山石徑斜白雲生處有人家停車坐愛楓林晚霜葉紅於二月花 远上寒山石径斜白云生处有人家停车坐爱枫林晚霜叶红于二月花 | yuǎn shàng hán shān shí jìng xiá bái yún shēng chù yǒu rén jiā tíng chē zuò ài fēng lín wǎn shuàng yè hóng yú èr yuè huā yuan3 shang4 han2 shan1 shi2 jing4 xia2 bai2 yun2 sheng1 chu4 you3 ren2 jia1 ting2 che1 zuo4 ai4 feng1 lin2 wan3 shuang4 ye4 hong2 yu2 er4 yue4 hua1 yuan shang han shan shi jing xia bai yun sheng chu you ren jia ting che zuo ai feng lin wan shuang ye hong yu er yue hua | yüan shang han shan shih ching hsia pai yün sheng ch`u yu jen chia t`ing ch`e tso ai feng lin wan shuang yeh hung yü erh yüeh hua yüan shang han shan shih ching hsia pai yün sheng chu yu jen chia ting che tso ai feng lin wan shuang yeh hung yü erh yüeh hua |
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In some entries above you will see that characters have different versions above and below a line. In these cases, the characters above the line are Traditional Chinese, while the ones below are Simplified Chinese. |
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Professional calligraphers are getting to be hard to find these days.
Instead of drawing characters by hand, the new generation in China merely type roman letters into their computer keyboards and pick the character that they want from a list that pops up.
There is some fear that true Chinese calligraphy may become a lost art in the coming years. Many art institutes in China are now promoting calligraphy programs in hopes of keeping this unique form
of art alive.
Even with the teachings of a top-ranked calligrapher in China, my calligraphy will never be good enough to sell. I will leave that to the experts.
The same calligrapher who gave me those lessons also attracted a crowd of thousands and a TV crew as he created characters over 6-feet high. He happens to be ranked as one of the top 100 calligraphers in all of China. He is also one of very few that would actually attempt such a feat.
Check out my lists of Japanese Kanji Calligraphy Wall Scrolls and Old Korean Hanja Calligraphy Wall Scrolls.
Some people may refer to this entry as Day and Night Kanji, Day and Night Characters, Day and Night in Mandarin Chinese, Day and Night Characters, Day and Night in Chinese Writing, Day and Night in Japanese Writing, Day and Night in Asian Writing, Day and Night Ideograms, Chinese Day and Night symbols, Day and Night Hieroglyphics, Day and Night Glyphs, Day and Night in Chinese Letters, Day and Night Hanzi, Day and Night in Japanese Kanji, Day and Night Pictograms, Day and Night in the Chinese Written-Language, or Day and Night in the Japanese Written-Language.
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