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This energy flow is a fundamental concept of traditional Asian culture.
氣 is romanized as "Qi" or "Chi" in Chinese, "Gi" in Korean, and "Ki" in Japanese.
Chi is believed to be part of everything that exists, as in "life force" or "spiritual energy". It is most often translated as "energy flow," or literally as "air" or "breath". Some people will simply translate this as "spirit" but you have to take into consideration the kind of spirit we're talking about. I think this is weighted more toward energy than spirit.
The character itself is a representation of steam (or breath) rising from rice. To clarify, the character for rice is shown to the right.
Steam was apparently seen as visual evidence of the release of "life energy" when this concept was first developed. The Qi / Chi / Ki character is still used in compound words to mean steam or vapor.
The etymology of this character is a bit complicated. It's suggested that the first form of this character from bronze script (about 2500 years ago) looked like one the symbols shown to the right.
However, it was easy to confuse this with the character for the number three. So the rice radical was added by 221 B.C. (the exact time of this change is debated). This first version with the rice radical is shown to the right.
The idea of Qi / Chi / Ki is really a philosophical concept. It's often used to refer to the "flow" of metaphysical energy that sustains living beings. Yet there is much debate that has continued for thousands of years as to whether Qi / Chi / Ki is pure energy, or consists partially, or fully of matter.
You can also see the character for Qi / Chi / Ki in common compound words such as Tai Chi / Tai Qi, Aikido, Reiki and Qi Gong / Chi Kung.
In the modern Japanese Kanji, the rice radical has been changed into two strokes that form an X.
The original and traditional Chinese form is still understood in Japanese but we can also offer that modern Kanji form in our custom calligraphy. If you want this Japanese Kanji, please click on the character to the right, instead of the “Select and Customize” button above.
More language notes: This is pronounced like “chee” in Mandarin Chinese, and like “key” in Japanese.
This is also the same way to write this in Korean Hanja where it is Romanized as “gi” and pronounced like “gee” but with a real G-sound, not a J-sound.
Though Vietnamese no longer use Chinese characters in their daily language, this character is still widely known in Vietnam.
神 is the simplest way to write spirit in Chinese, Japanese Kanji, and old Korean.
This single character alone will conjure up ideas of the spiritual world. 神 can also be translated as "vital awareness" as in the fact that one must know they exist to exist (I think, therefore, I am).
Other translations include:
God, deity, mysterious, divine essence, lively, spiritual being, divinity, supernatural, soul, mind, nerves, and energy. In some extended context it can mean genius or unusual.
Japanese romanizations vary a lot when this character is combined into other words. However, shin is the original pronunciation taken from Chinese into Japanese. You'll also see it romanized as kami, gami, jin, and a few others, depending on context.
氣力 can mean any of the words in the title above, and in some context, can also mean, effort, will-power, or talent. 氣力 refers mostly to physical strength (as opposed to mental or spiritual).
In modern Japan, they use a simplified first character for this word. If you want to order this title with that special Japanese version, click on the character to the right instead of the button above.
靈 is spirit or soul in Chinese, Japanese Kanji, and old Korean Hanja.
If you look in the dictionary, you'll also find definitions for this character like:
quick; alert; efficacious; effective; departed soul; coffin; spiritual; energy; effective; clever.
Below are some entries from our dictionary that may match your spiritual energy search...
If shown, 2nd row is Simp. Chinese
|Simple Dictionary Definition|
| dào / dao4
douzaki / dozaki どうざき
dou / do どう
| road; path; CL:條|条[tiao2],股[gu3]; principle; truth; morality; reason; skill; method; Dao (of Daoism); to say; to speak; to talk; classifier for long thin things (rivers, cracks etc), barriers (walls, doors etc), questions (in an exam etc), commands, courses in a meal, steps in a process; (old) administrative division (similar to province in Tang times)
(1) road; street; way; path; course; route; lane; (2) distance; ways (e.g. "a long ways"); (3) the way (of proper conduct, etc.); one's way; morals; (4) teachings (esp. Confucian or Buddhist); dogma; (5) field (of medicine, etc.); subject; (6) way; method; means; (1) (abbreviation) road; (2) way; (3) Buddhist teachings; (4) Taoism; (5) modern administrative region of Japan (Hokkaido); (6) historical administrative region of Japan (Tokaido, Tosando, etc.); (7) province (Tang-era administrative region of China); (8) province (modern administrative region of Korea); (1) (archaism) way; road; (suffix noun) (2) way to ...; road to ...; (personal name) Wataru; (given name) Motoi; (personal name) Michihiro; (surname) Michizaki; (surname, female given name) Michi; (given name) Makoto; (female given name) Fumi; (given name) Naoshi; (surname) Douzaki; (surname) Dou; (female given name) Tooru; (given name) Tadasu; (given name) Tadashi; (female given name) Tao; (personal name) Susumu; (given name) Osamu
mārga. A way, road; the right path; principle, Truth, Reason, Logos, Cosmic energy; to lead; to say. The way of transmigration by which one arrives at a good or bad existence; any of the six gati, or paths of destiny. The way of bodhi, or enlightenment leading to nirvāṇa through spiritual stages. Essential nirvāṇa, in which absolute freedom reigns. For the eightfold noble path v. 八聖道.; The two Ways: (1) (a) 無礙道 or 無間道 The open or unhindered way, or the way of removing all obstacles or intervention, i. e. all delusion; (b) 解脫道 the way of release, by realization of truth. (2) (a) 難行道 The hard way of "works", i. e. by the six pāramitā and the disciplines. (b) 易行道 the easy way salvation, by the invocation of Amitābha. (3) (a) 有漏道 The way of reincarnation or mortality; (b) 無漏 the enlightened way of escape from the miseries of transmigration. (4) (a) 教道 The way of instruction; (b) 證道 the way of realization. (5) The two lower excretory organs.
More info / calligraphy:
Daoism / Taoism
| líng / ling2
| quick; alert; efficacious; effective; to come true; spirit; departed soul; coffin
Spirit, spiritual, energy, effective, clever; spirit (of the dead)
More info / calligraphy:
Spirit / Soul
| wǔ gēn / wu3 gen1
| pañcendriyāṇi. (1) The five roots, i. e. the five organs of the senses: eyes, ears, nose, tongue, and body as roots of knowing. (2) The five spiritual organs pr positive agents: 信 faith, 精進 energy, 念 memory, 定 visionary meditation, 慧 wisdom. The 五力 q. v. are regarded as negative agents; five faculties
| tāi cáng jiè / tai1 cang2 jie4
t`ai ts`ang chieh / tai tsang chieh
| Garbhadhātu, or Garbhakośa-(dhātu), the womb treasury, the universal source from which all things are produced; the matrix; the embryo; likened to a womb in which all of a child is conceived— its body, mind, etc. It is container and content; it covers and nourishes; and is the source of all supply. It represents the 理性 fundamental nature, both material elements and pure bodhi, or wisdom in essence or purity; 理 being the garbhadhātu as fundamental wisdom, and 智 acquired wisdom or knowledge, the vajradhātu. It also represents the human heart in its innocence or pristine purity, which is considered as the source of all Buddha-pity and moral knowledge. And it indicates that from the central being in the maṇḍala, viz. the Sun as symbol of Vairocana, there issue all the other manifestations of wisdom and power, Buddhas, bodhisattvas, demons, etc. It is 本覺 original intellect, or the static intellectuality, in contrast with 始覺 intellection, the initial or dynamic intellectuality represented in the vajradhātu; hence it is the 因 cause and vajradhātu the 果 effect; though as both are a unity, the reverse may be the rule, the effect being also the cause; it is also likened to 利他 enriching others, as vajradhātu is to 自利 enriching self. Kōbō Daishi, founder of the Yoga or Shingon 眞言 School in Japan, adopted the representation of the ideas in maṇḍalas, or diagrams, as the best way of revealing the mystic doctrine to the ignorant. The garbhadhātu is the womb or treasury of all things, the universe; the 理 fundamental principle, the source; its symbols are a triangle on its base, and an open lotus as representing the sun and Vairocana. In Japan this maṇḍala is placed on the east, typifying the rising sun as source, or 理. The vajradhātu is placed west and represents 智 wisdom or knowledge as derived from 理 the underlying principle, but the two are essential one to the other, neither existing apart. The material and spiritual; wisdom-source and intelligence; essence and substance; and similar complementary ideas are thus portrayed; the garbhadhātu may be generally considered as the static and the vajradhātu as the dynamic categories, which are nevertheless a unity. The garbhadhātu is divided into 三部 three sections representing samādhi or quiescence, wisdom-store, and pity-store, or thought, knowledge, pity; one is called the Buddha-section, the others the Vajra and Lotus sections respectively; the three also typify vimokṣa, prajñā, and dharmakāya, or freedom, understanding, and spirituality. There are three heads of these sections, i. e. Vairocana, Vajrapāṇi, and Avalokiteśvara; each has a mother or source, e. g. Vairocana from Buddha's-eye; and each has a 明王 or emanation of protection against evil; also a śakti or female energy; a germ-letter, etc. The diagram of five Buddhas contains also four bodhisattvas, making nine in all, and there are altogether thirteen 大院 or great courts of various types of ideas, of varying numbers, generally spoken of as 414. Cf. 金剛界; 大日; 兩部; womb-container world
| wǔ zhì rú lái / wu3 zhi4 ru2 lai2
wu chih ju lai
| 五智五佛; 五佛; 五如來 The five Dhyāni-Buddhas, or Wisdom-Tathāgatas of the Vajradhātu 金剛界, idealizations of five aspects of wisdom; possibly of Nepalese origin. The Wisdom Buddha represents the dharmakāya or Buddha-mind, also the Dharma of the triratna, or trinity. Each evolves one of the five colours, one of the five senses, a Dhyani-bodhisattva in two forms onegracious, the other fierce, and a Mānuṣi-Buddha; each has his own śakti, i. e. feminine energy or complement; also his own bīja, or germ-sound 種子or 印 seal, i. e. 眞言 real or substantive word, the five being for 大日 aṃ, for 阿閦 hūṃ, for 寶生 ? hrīḥ, for 彌陀 ? aḥ, for 不 空 ? āḥ. The five are also described as the emanations or forms of an Ādi-Buddha, Vajrasattva; the four are considered by others to be emanations or forms of Vairocana as theSupreme Buddha. The five are not always described as the same, e. g. they may be 藥師 (or 王) Bhaiṣajya, 多寶 Prabhūtaratna, Vairocana, Akṣobhya, andeither Amoghasiddhi or Śākyamuni. Below is a classified list of the generally accepted five with certain particulars connected with them, butthese differ in different places, and the list can only be a general guide. As to the Dhyāni-bodhisattvas, each Buddha evolves three forms 五佛生五菩薩, 五金剛, 五忿怒, i. e. (1) a bodhisattva who represents the Buddha's dharmakāya, or spiritual body; (2) a vajra ordiamond form who represents his wisdom in graciousness; and (3) a fierce or angry form, the 明王 who represents his power against evil. (1) Vairocanaappears in the three forms of 轉法輪菩薩 Vajra-pāramitā Bodhisattva, 遍照金剛 Universally Shining Vajrasattva, and 不動明王 Ārya-Acalanātha Rāja; (2) Akṣobhya's three forms are 虛空藏 Ākāśagarbha, 如意 complete power, and 軍荼利明王 Kuṇḍalī-rāja; (3 ) Ratnasaṃbhava's are 普賢 Samantabhadra, 薩埵Sattvavajra, and 孫婆 or 降三世明王 Trailokyavijayarāja; (4) Amitābha's are 觀世音 Avalokiteśvara, 法金剛 Dharmarāja, and 馬頭明王 Hayagrīva, thehorse-head Dharmapāla; (5) Amoghasiddhi's are 彌勒 Maitreya, 業金剛Karmavajra, and 金剛夜叉 Vajrayakṣa. The above Bodhisattvas differ from those in the following list:|
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When you select your calligraphy, you'll be taken to another page where you can choose various custom options.
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Professional calligraphers are getting to be hard to find these days.
Even with the teachings of a top-ranked calligrapher in China, my calligraphy will never be good enough to sell. I will leave that to the experts.
The same calligrapher who gave me those lessons also attracted a crowd of thousands and a TV crew as he created characters over 6-feet high. He happens to be ranked as one of the top 100 calligraphers in all of China. He is also one of very few that would actually attempt such a feat.
Some people may refer to this entry as Spiritual Energy Kanji, Spiritual Energy Characters, Spiritual Energy in Mandarin Chinese, Spiritual Energy Characters, Spiritual Energy in Chinese Writing, Spiritual Energy in Japanese Writing, Spiritual Energy in Asian Writing, Spiritual Energy Ideograms, Chinese Spiritual Energy symbols, Spiritual Energy Hieroglyphics, Spiritual Energy Glyphs, Spiritual Energy in Chinese Letters, Spiritual Energy Hanzi, Spiritual Energy in Japanese Kanji, Spiritual Energy Pictograms, Spiritual Energy in the Chinese Written-Language, or Spiritual Energy in the Japanese Written-Language.