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情欲 can be defined as lust, sexual desire, sensual desire, carnal desire, carnal passions, sexual desire, and passion.
The first character means feeling, emotions, passionate, sympathy, affection, love, compassion, tender feelings, and sometimes circumstances or facts.
The second character means desire, longing, appetite, wish, covetousness, greed, passion, desire, and craving.
情欲 is universal in Chinese, Japanese Kanji, and Korean Hanja.
The first character of this word means desire, longing, hunger, covetousness, greed, passion, desire, craving, or wish. The second character means to hope for, ambition, to desire, to aspire, to expect, to gaze (into the distance) or to look for something.
Together, they create a word that means strong desire, while some might translate it as "lust."
Below are some entries from our dictionary that may match your lust desire passion search...
If shown, 2nd row is Simp. Chinese
|Simple Dictionary Definition|
| yù / yu4
| to wish for; to desire; variant of 慾|欲[yu4]
greed; craving; desire; avarice; wants; (surname) Yoku
rājas, passion. Also kāma, desire, love. The Chinese word means to breathe after, aspire to, desire, and is also used as 慾 for lust, passion; it is inter alia intp. as 染愛塵 tainted with the dust (or dirt) of love, or lust. The three desires are for beauty, demeanour, and softness; the five are those of the five physical senses.
| yù / yu4
| desire; appetite; passion; lust; greed
greed; craving; desire; avarice; wants
Passion, inordinate desire, lust, v. 欲; to crave
More info / calligraphy:
Desire / Longing / Craving
| yù qì / yu4 qi4
yü ch`i / yü chi
| Desire-breath, passion-influence, the spirit or influence of desire, lust; desire energy
| ài yù / ai4 yu4
| (1) passion; sexual desire; lust; (2) (Buddhist term) attachment (esp. to one's family or a member of the opposite sex)
Love and desire; love of family; attachment and desire
| aiyoku あいよく
|| (1) passion; sexual desire; lust; (2) (Buddhist term) attachment (esp. to one's family or a member of the opposite sex)
| sè yù / se4 yu4
| lust; sexual appetite
Sexual desire, or passion; sexual attraction to color
| shí èr yīn yuán / shi2 er4 yin1 yuan2
shih erh yin yüan
| Dvādaśaṅga pratītyasamutpāda; the twelve nidānas; v. 尼 and 因; also 十二緣起; 因緣有支; 因緣率連; 因緣棘園; 因緣輪; 因緣重城; 因緣觀; 支佛觀. They are the twelve links in the chain of existence: (1) 無明avidyā, ignorance, or unenlightenment; (2) 行 saṃskāra, action, activity, conception, "dispositions," Keith; (3) 識 vijñāna, consciousness; (4) 名色 nāmarūpa, name and form; (5) 六入 ṣaḍāyatana, the six sense organs, i.e. eye, ear, nose, tongue, body, and mind; (6) 觸 sparśa, contact, touch; (7) 受 vedanā, sensation, feeling; (8) 愛 tṛṣṇā, thirst, desire, craving; (9) 取 upādāna, laying hold of, grasping; (10) 有 bhava, being, existing; (11) 生 jāti, birth; (12) 老死 jarāmaraṇa, old age, death. The "classical formula" reads "By reason of ignorance dispositions; by reason of dispositions consciousness", etc. A further application of the twelve nidānas is made in regard to their causaton of rebirth: (1) ignorance, as inherited passion from the beginningless past ; (2) karma, good and evil, of past lives; (3) conception as a form of perception; (4) nāmarūpa, or body and mind evolving (in the womb); (5) the six organs on the verge of birth; (6) childhood whose intelligence is limited to sparśa, contact or touch; (7) receptivity or budding intelligence and discrimination from 6 or 7 years; (8) thirst, desire, or love, age of puberty; (9) the urge of sensuous existence; (10) forming the substance, bhava, of future karma; (11) the completed karma ready for rebirth; (12) old age and death. The two first are associated with the previous life, the other ten with the present. The theory is equally applicable to all realms of reincarnation. The twelve links are also represented in a chart, at the centre of which are the serpent (anger), boar (ignorance, or stupidity), and dove (lust) representing the fundamental sins. Each catches the other by the tail, typifying the train of sins producing the wheel of life. In another circle the twelve links are represented as follows: (1) ignorance, a blind woman; (2) action, a potter at work, or man gathering fruit; (3) consciousness, a restless monkey; (4) name and form, a boat; (5) sense organs, a house; (6) contact, a man and woman sitting together; (7) sensation, a man pierced by an arrow; (8) desire, a man drinking wine; (9) craving, a couple in union; (10) existence through childbirth; (11) birth, a man carrying a corpse; (12) disease, old age, death, an old woman leaning on a stick. v. 十二因緣論 Pratītya-samutpāda śāstra; twelve limbs of dependent origination
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The following table may be helpful for those studying Chinese or Japanese...
|Title||Characters||Romaji(Romanized Japanese)||Various forms of Romanized Chinese|
|情欲||jouyoku / joyoku||qíng yù / qing2 yu4 / qing yu / qingyu||ch`ing yü / chingyü / ching yü|
|欲望||yokubou / yokubo||yù wàng / yu4 wang4 / yu wang / yuwang||yü wang / yüwang|
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Professional calligraphers are getting to be hard to find these days.
Instead of drawing characters by hand, the new generation in China merely type roman letters into their computer keyboards and pick the character that they want from a list that pops up.
There is some fear that true Chinese calligraphy may become a lost art in the coming years. Many art institutes in China are now promoting calligraphy programs in hopes of keeping this unique form of art alive.
Even with the teachings of a top-ranked calligrapher in China, my calligraphy will never be good enough to sell. I will leave that to the experts.
The same calligrapher who gave me those lessons also attracted a crowd of thousands and a TV crew as he created characters over 6-feet high. He happens to be ranked as one of the top 100 calligraphers in all of China. He is also one of very few that would actually attempt such a feat.
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