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Separately, the first character here does mean "danger" or "to endanger" and the second character can mean "opportunity."
However, I want to debunk a myth that was propagated by some westerners who did not have a clear understanding of Asian languages...
While often, Chinese/Japanese/Korean compound words (words of two or more characters) are the sum of their parts, this is not always the case. The compound is often understood with a completely different meaning than the two characters individually.
Many have said that the Chinese/Japanese/Korean word for Crisis is made up of the characters for "danger" and "opportunity." This is true when phrased this way.
However, it's not absolutely correct to say that "danger + opportunity = crisis" in Asian cultures.
If I tell you that...
Bovine creature + Guy behind the plate in baseball = Locomotive protection
...you would think I was mad. But consider that "cow + catcher = cowcatcher," which is the device that used to be found on steam engines to protect them if they hit an animal on the tracks. When we hear the word "cowcatcher" we don't separate the words into their individual meanings (necessarily).
The same is true with the word for crisis in Chinese/Japanese/Korean. While you can separate the characters, few Asian people would automatically do so in their minds.
The final answer:
It is a half-truth to say, "danger plus opportunity equals crisis" in Chinese/Japanese/Korean. Use this statement and concept with caution.
Also, the second character can mean "secret" or "machine" depending on context so I guess you have to say "a dangerous machine = crisis" or "danger + a secret = crisis." Both of these are only slightly more ridiculous than the first premise.
PS: This is probably not a great word for a scroll, unless you have a special use for it.
The following table may be helpful for those studying Chinese or Japanese...
|Title||Characters||Romaji(Romanized Japanese)||Various forms of Romanized Chinese|
|Crisis equals Danger plus Opportunity?||危機|
|kiki||wēi jī / wei1 ji1 / wei ji / weiji||wei chi / weichi|
|In some entries above you will see that characters have different versions above and below a line.|
In these cases, the characters above the line are Traditional Chinese, while the ones below are Simplified Chinese.
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When the calligrapher finishes creating your artwork, it is taken to my art mounting workshop in Beijing where a wall scroll is made by hand from a combination of silk, rice paper, and wood.
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The wall scroll that Sandy is holding in this picture is a "large size"
single-character wall scroll.
We also offer custom wall scrolls in small, medium, and an even-larger jumbo size.
Professional calligraphers are getting to be hard to find these days.
Instead of drawing characters by hand, the new generation in China merely type roman letters into their computer keyboards and pick the character that they want from a list that pops up.
There is some fear that true Chinese calligraphy may become a lost art in the coming years. Many art institutes in China are now promoting calligraphy programs in hopes of keeping this unique form of art alive.
Even with the teachings of a top-ranked calligrapher in China, my calligraphy will never be good enough to sell. I will leave that to the experts.
The same calligrapher who gave me those lessons also attracted a crowd of thousands and a TV crew as he created characters over 6-feet high. He happens to be ranked as one of the top 100 calligraphers in all of China. He is also one of very few that would actually attempt such a feat.
Check out my lists of Japanese Kanji Calligraphy Wall Scrolls and Old Korean Hanja Calligraphy Wall Scrolls.
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