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This simply means "mother and daughter" kind of as a unit, or as if mother and daughter are a whole together.
母女 is an unusual selection for a calligraphy wall scroll, and can be read many different ways. Your native Asian friends might wonder what you are trying to say. They might even read it as meaning "a mother and daughter without a dad".
This entry was added to our database for a customer's special request. It has the same meaning in Chinese Characters and Korean Hanja.
See Also: Mother and Son
This simply means "mother and daughter" in Japanese Kanji.
母娘 is an unusual selection for a calligraphy wall scroll, and can be read many different ways. Your native Japanese friends might wonder what you are trying to say.
Note: This will not make sense in Chinese.
See Also: Mother and Son
This Kanji represents a bond, as in the bond between mother and daughter, father and son, family ties, or a family bond.
絆 is the kind of character that says, no matter what happens (difficult times), we have this bond that cannot be broken.
If you go to the Japanese dictionary, the definition is: bonds (between people); (emotional) ties; relationship; connection; link; tether; fetters.
Read this before ordering...
This Kanji is best if your audience is Japanese. While this is also a Chinese character, it has a completely different meaning in Chinese (it means to hinder or stumble in Chinese). it’s a very rare character in Korean Hanja but does mean bond in Korean (used in Korean words for certain kinds of glue and sticking plaster).
This simply means "mother and son", or the essence of the relationship and bond between mother and son.
母子 is really a single word that expresses this idea (showing how important or significant this bond is).
母子 is not the most common choice for a wall scroll, it is acceptable if you feel this term is important to you.
This in-stock artwork might be what you are looking for, and ships right away...
Gallery Price: $60.00
Your Price: $33.88
The following table may be helpful for those studying Chinese or Japanese...
|Title||Characters||Romaji (Romanized Japanese)||Various forms of Romanized Chinese|
|Mother and Daughter||母女||mǔ nǚ / mu3 nv3 / mu nv / munv||mu nü / munü|
|Mother and Daughter||母娘||haha musume|
|kizuna||bàn / ban4 / ban||pan|
|Mother and Son||母子||bo shi / boshi||mǔ zǐ / mu3 zi3 / mu zi / muzi||mu tzu / mutzu|
|In some entries above you will see that characters have different versions above and below a line.|
In these cases, the characters above the line are Traditional Chinese, while the ones below are Simplified Chinese.
Below are some entries from our dictionary that may match your mother and daughter search...
If shown, 2nd row is Simp. Chinese
|Simple Dictionary Definition|
| mǔ nǚ / mu3 nu:3
|oyako / おやこ||
mother and daughter
| niáng / niang2
musume / むすめ
mother; young lady; (coll.) effeminate
(1) daughter; (2) girl (i.e. a young, unmarried woman)
Lady, wife, mother, aunt; girl
| pó xí / po2 xi2
p`o hsi / po hsi
mother-in-law and daughter-in-law
|yomeshuutome / yomeshutome / よめしゅうとめ||
(noun - becomes adjective with の) daughter-in-law and mother-in-law (relationship, conflict, etc.)
| wén shū / wen2 shu1
Monju / もんじゅ
Manjushri, the Bodhisattva of keen awareness
(Buddhist term) Manjushri; Manjusri; Bodhisattva that represents transcendent wisdom; (p,s,f) Monju
(文殊師利) Mañjuśrī 滿殊尸利 -later 曼殊室利. 文殊 is also used for Mañjunātha, Mañjudeva, Mañjughoṣa, Mañjuṣvara, et al. T., hjamdpal; J., Monju. Origin unknown; presumably, like most Buddhas and bodhisattvas, an idealization of a particular quality, in his case of Wisdom. Mañju is beautiful, Śrī; good fortune, virtue, majesty, lord, an epithet of a god. Six definitions are obtained from various scriptures: 妙首 (or 頭 ) wonderful or beautiful) head; 普首 universal head; 濡首 glossy head (probably a transliteration); 敬首 revered head; 妙德 wonderful virtue (or power); 妙吉祥 wonderfully auspicious; the last is a later translation in the 西域記. As guardian of wisdom 智慧 he is often placed on Śākyamuni's left, with 普顯 on the right as guardian of law 理, the latter holding the Law, the former the wisdom or exposition of it; formerly they held the reverse positions. He is often represented with five curls or waves to his hair indicating the 五智 q. v. or the five peaks; his hand holds the sword of wisdom and he sits on a lion emblematic of its stern majesty: but he has other forms. He is represented as a youth, i. e. eternal youth. His present abode is given as east of the universe, known as 淸涼山 clear and cool mountain, or a region 寶住 precious abode, or Abode of Treasures, or 寶氏 from which he derives one of his titles, 寶相如來. One of his dhāraṇīs prophesies China as his post-nirvāṇa realm. In past incarnations he is described as being the parent of many Buddhas and as having assisted the Buddha into existence; his title was 龍種上佛 the supreme Buddha of the nāgas, also 大身佛 or 神仙佛; now his title is 歡喜藏摩尼寶精佛 The spiritual Buddha who joyfully cares for the jewel: and his future title is to be 普現佛 Buddha universally revealed. In the 序品 Introductory Chapter of the Lotus Sutra he is also described as the ninth predecessor or Buddha-ancestor of Śākyamuni. He is looked on as the chief of the Bodhisattvas and represents them, as the chief disciple of the Buddha, or as his son 法王子. Hīnayāna counts Śāriputra as the wisest of the disciples, Mahāyāna gives Mañjuśrī the chief place, hence he is also styled 覺母 mother, or begetter of understanding. He is shown riding on either a lion or a peacock, or sitting on a white lotus; often he holds a book, emblem of wisdom, or a blue lotus; in certain rooms of a monastery he is shown as a monk; and he appears in military array as defender of the faith. His signs, magic words, and so on, are found in various sutras. His most famous centre in China is Wu-tai shan in Shansi. where he is the object of pilgrimages, especially of Mongols. The legends about him are many. He takes the place in Buddhism of Viśvakarman as Vulcan, or architect, of the universe. He is one of the eight Dhyāni-bodhisattvas, and sometimes has the image of Akṣobhya in his crown. He was mentioned in China as early as the fourth century and in the Lotus Sutra he frequently appears, especially as the converter of the daughter of the Dragon-king of the Ocean. He has five messengers 五使者 and eight youths 八童子 attending on him. His hall in the Garbhadhātu maṇḍala is the seventh, in which his group numbers twenty-five. His position is northeast. There are numerous sutras and other works with his name as title, e. g. 文殊師利問菩提經 Gayaśīrṣa sūtra, tr. by Kumārajīva 384-417: and its 論 or .Tīkā of Vasubandhu, tr. by Bodhiruci 535. see list in B. N; Mañjuśrī
|oyakodon;oyakodonburi / おやこどん;おやこどんぶり||(1) oyakodon; chicken and egg on rice; (2) (vulgar) (slang) sexual relationship with both a mother and daughter|
| xí fù áo chéng pó / xi2 fu4 ao2 cheng2 po2
hsi fu ao ch`eng p`o / hsi fu ao cheng po
lit. even a submissive daughter-in-law will one day become a domineering mother-in-law (idiom); fig. the oppressed will become the oppressor; what goes around comes around
|oyakodon;oyakodonburi / おやこどん;おやこどんぶり||(1) (親子丼 only) oyakodon; chicken and egg on rice; (2) (vulgar) (slang) threesome including a mother and her daughter|
|konohahanishitekonokoari / このははにしてこのこあり||
(expression) (proverb) (See この親にしてこの子あり) the apple doesn't fall far from the tree; like mother, like daughter; like mother, like son
|shouointohossurebamazuumaoiyo / shoointohossurebamazumaoiyo / しょうをいんとほっすればまずうまをいよ||
(expression) (proverb) do not shoot straight for the top; he that would the daughter win, must with the mother first begin; if you want to shoot the general, first shoot his horse
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Professional calligraphers are getting to be hard to find these days.
Instead of drawing characters by hand, the new generation in China merely type roman letters into their computer keyboards and pick the character that they want from a list that pops up.
There is some fear that true Chinese calligraphy may become a lost art in the coming years. Many art institutes in China are now promoting calligraphy programs in hopes of keeping this unique form of art alive.
Even with the teachings of a top-ranked calligrapher in China, my calligraphy will never be good enough to sell. I will leave that to the experts.
The same calligrapher who gave me those lessons also attracted a crowd of thousands and a TV crew as he created characters over 6-feet high. He happens to be ranked as one of the top 100 calligraphers in all of China. He is also one of very few that would actually attempt such a feat.
Check out my lists of Japanese Kanji Calligraphy Wall Scrolls and Old Korean Hanja Calligraphy Wall Scrolls.
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