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fudoshin
不動心 is one of the five spirits of the warrior (budo) and is often used as a Japanese martial arts tenet.
Under that context, places such as the Budo Dojo define it this way: An unshakable mind and an immovable spirit is the state of fudoshin. It is courage and stability displayed both mentally and physically. Rather than indicating rigidity and inflexibility, fudoshin describes a condition that is not easily upset by internal thoughts or external forces. It is capable of receiving a strong attack while retaining composure and balance. It receives and yields lightly, grounds to the earth, and reflects aggression back to the source.
Other translations of this title include imperturbability, steadfastness, keeping a cool head in an emergency, or keeping one's calm (during a fight).
The first two Kanji alone mean immobility, firmness, fixed, steadfastness, motionless, and idle.
The last Kanji means heart, mind, soul, or essence.
Together, these three Kanji create a title defined as “immovable mind” within the context of Japanese martial arts. However, in Chinese, it would mean “motionless heart,” and in Korean Hanja, “wafting heart” or “floating heart.”
Taidō (The Way of the Body) is a style of Karate practiced in Japan and popular worldwide.
Taidō or 躰道 traces a lineage from Genseiryū (玄制流), which came from Shuri-te (首里手), one of the original martial arts schools of ancient Okinawa.
The first character 躰 is a variant of the original Chinese character 體. In modern Japan, they tend to use 体, a more simple character form. 体 is also the modern Simplified Chinese form of 體.
The 躰 character is correct for this 躰道 martial arts title. But it can be confusing with so many variants out there, not to mention other homophonic Japanese words that also romanize as Taidō or Taidou.
To have a bit more fun with this 躰 character, it has a 身 radical on the left, which sets it apart. The meaning doubles up on the “body” as 身 (shin) is a character that also means body in Japanese and Chinese. On the right is 本, which often means root, stem, origin, source, or fundamental (but can also mean “book” in some contexts). This has deviated from the original 體 which was 骨 (bone) + 豊 (vessel). Hence, the body was your “bone vessel” in ancient Asia.
The meaning of 躰, as well as 體 and 体, is usually translated as the body. When related to the physical body, it can also refer to the torso, trunk, build, physique, or the constitution of a person. As an extension of this, it can also refer to someone's health (good body = good health).
However, depending on the context, it can encompass other meanings such as form, style, system, experience, aspect, corpus, corporeal, substance, or essentials.
The second character, 道, is recognized and well-known as the “Way” and is the same “do” as in Karate-do or Aikido.
身土不二 (Shindofuni) is originally a Buddhist concept or proverb referring to the inseparability of body-mind and geographical circumstances.
This reads, “Body [and] earth [are] not two.”
Other translations or matching ideas include:
Body and land are one.
Body and earth can not be separated.
Body earth sensory curation.
You are what you eat.
Indivisibility of the body and the land (because the body is made from food and food is made from the land).
Going further, this speaks of our human bodies and the land from which we get our food being closely connected. This phrase is often used when talking about natural and organic vegetables coming directly from the farm to provide the healthiest foods in Japan.
Character notes: 身(shin) in this context does not just mean your physical body but a concept including both body and mind.
土 (do) refers to the soil, earth, clay, land, or in some cases, locality. It's not the proper name of Earth, the planet. However, it can refer to the land or realm we live in.
Japanese note: This has been used in Japan, on and off, since 1907 as a slogan for a governmental healthy eating campaign (usually pronounced as shindofuji instead of the original shindofuni in this context). It may have been hijacked from Buddhism for this propaganda purpose, but at least this is “healthy propaganda.”
Korean note: The phrase 身土不二 was in use by 1610 A.D. in Korea, where it can be found in an early medical journal.
In modern South Korea, it's written in Hangul as 신토불이. Korea used Chinese characters (same source as Japanese Kanji) as their only written standard form of the language until about a hundred years ago. Therefore, many Koreans will recognize this as a native phrase and concept.
See Also: Strength and Love in Unity
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Below are some entries from our dictionary that may match your One Source search...
Characters If shown, 2nd row is Simp. Chinese |
Pronunciation Romanization |
Simple Dictionary Definition |
心 see styles |
xīn xin1 hsin haato / hato ハート |
More info & calligraphy: Heart / Mind / Spirit(1) (See 心・こころ・1) heart; mind; spirit; vitality; inner strength; (2) bottom of one's heart; core (of one's character); nature; (3) (usu. written as 芯) (See 芯・2) centre; center; core; heart; (4) (See 心臓・1) heart (organ); (5) {astron} (See 二十八宿) Chinese "Heart" constellation (one of the 28 mansions); (6) (archaism) (child. language) friend; (given name) Haato hṛd, hṛdaya 汗栗太 (or 汗栗馱); 紀哩馱 the heart, mind, soul; citta 質多 the heart as the seat of thought or intelligence. In both senses the heart is likened to a lotus. There are various definitions, of which the following are six instances: (1) 肉團心 hṛd, the physical heart of sentient or nonsentient living beings, e. g. men, trees, etc. (2) 集起心 citta, the ālayavijñāna, or totality of mind, and the source of all mental activity. (3) 思量心 manas, the thinking and calculating mind; (4) 緣慮心; 了別心; 慮知心; citta; the discriminating mind; (5) 堅實心 the bhūtatathatā mind, or the permanent mind; (6) 積聚精要心 the mind essence of the sutras. |
本 see styles |
běn ben3 pen yanakamoto やなかもと |
More info & calligraphy: Ben(1) book; volume; script; (prefix) (2) this; present; current; ... in question; ... at issue; (prefix) (3) main; head; principal; (prefix) (4) real; genuine; regular; proper; (counter) (5) counter for long, cylindrical things; counter for films, TV shows, etc.; counter for goals, home runs, etc.; counter for telephone calls; (surname) Yanakamoto Radical, fundamental, original, principal, one's own; the Buddha himself, contrasted with 蹟 chi, traces left by him among men to educate them; also a volume of a book. |
宗 see styles |
zōng zong1 tsung motoi もとい |
school; sect; purpose; model; ancestor; clan; to take as one's model (in academic or artistic work); classifier for batches, items, cases (medical or legal), reservoirs (1) (rare) origin; source; (2) (rare) virtuous ancestor; (given name) Motoi Ancestors, ancestral; clan; class, category. kind; school, sect; siddhānta, summary, main doctrine, syllogism, proposition, conclusion, realization. Sects are of two kinds: (1) those founded on principles having historic continuity, as the twenty sects of the Hīnayāna, the thirteen sects of China, and the fourteen sects of Japan: (2) those arising from an individual interpretation of the general teaching of Buddhism, as the sub-sects founded by Yongming 永明 (d. 975), 法相宗, 法性宗, 破相宗, or those based on a peculiar interpretation of one of the recognized sects, as the Jōdo-shinshū 淨土眞宗 found by Shinran-shōnin. There are also divisions of five, six, and ten, which have reference to specific doctrinal differences. Cf. 宗派. |
根 see styles |
gēn gen1 ken nemawari ねまわり |
root; basis; classifier for long slender objects, e.g. cigarettes, guitar strings; CL:條|条[tiao2]; radical (chemistry) (1) root (of a plant); (2) root (of a tooth, hair, etc.); center (of a pimple, etc.); (3) root (of all evil, etc.); source; origin; cause; basis; (4) one's true nature; (5) (fishing) reef; (personal name) Nemawari mūla, a root, basis, origin; but when meaning an organ of sense, indriyam, a 'power', 'faculty of sense, sense, organ of sense'. M.W. A root, or source; that which is capable of producing or growing, as the eye is able to produce knowledge, as faith is able to bring forth good works, as human nature is able to produce good or evil karma. v. 五根 and 二十二根. |
三心 see styles |
sān xīn san1 xin1 san hsin sanshin さんしん |
(given name) Sanshin The three minds, or hearts; various groups are given: (1) Three assured ways of reaching the Pure Land, by (a) 至誠心 perfect sincerity; (b) 深 profound resolve for it; (c) 廻向接發願心 resolve on demitting one's merits to others. (2) (a) 根本心 The 8th or ālaya-vijñāna mind, the storehouse, or source of all seeds of good or evil; (b) 依本 the 7th or mano-vijñāna mind, the mediating cause of all taint; (c) 起事心 the ṣaḍāyatana-vijñāna mind, the immediate influence of the six senses. (3) (a) 入心 (b) 住心 (c) 出心 The mind entering into a condition, staying there, departing. (4) A pure, a single, and an undistracted mind. There are other groups. |
出先 see styles |
desaki でさき |
(1) one's destination; place where someone is going; place where someone has gone; (2) source (of an object); origin; (3) (abbreviation) (See 出先機関) branch office; (surname) Desaki |
出場 出场 see styles |
chū chǎng chu1 chang3 ch`u ch`ang chu chang deba でば |
(of a performer) to come onto the stage to perform; (of an athlete) to enter the arena to compete; (fig.) to enter the scene (e.g. a new product); (of an examinee etc) to leave the venue (1) one's time (e.g. to go on stage); one's turn; (2) source; origin; place of production; (surname) Deba |
參校 参校 see styles |
cān jiào can1 jiao4 ts`an chiao tsan chiao |
to proofread; to revise one or more editions of a text using an authoritative edition as a source book; to editorially revise a text |
所出 see styles |
suǒ chū suo3 chu1 so ch`u so chu shoshutsu しょしゅつ |
one's birthplace; source that which is exited from |
投映 see styles |
tóu yìng tou2 ying4 t`ou ying tou ying |
(of a light source) to cast one's light on; to project (an image) |
法藏 see styles |
fǎ zàng fa3 zang4 fa tsang houzou / hozo ほうぞう |
(personal name) Houzou Dharma-store; also 佛法藏; 如來藏 (1) The absolute, unitary storehouse of the universe, the primal source of all things. (2) The Treasury of Buddha's teaching the sutras, etc. (3) Any Buddhist library. (4) Dharmākara, mine of the Law; one of the incarnations of Amitābha. (5) Title of the founder of the Huayan School 賢首法藏Xianshou Fazang. |
眞如 see styles |
zhēn rú zhen1 ru2 chen ju shinnyo しんにょ |
(surname) Shinnyo bhūtatathatā, 部多多他多. The眞 is intp. as 眞實 the real, 如 as 如常 thus always or eternally so; i.e. reality as contrasted with 虛妄 unreality, or appearance, and 不變不改 unchanging or immutable as contrasted with form and phenomena. It resembles the ocean in contrast with the waves. It is the eternal, impersonal, unchangeable reality behind all phenomena. bhūta is substance, that which exists; tathatā is suchness, thusness, i.e. such is its nature. The word is fundamental to Mahāyāna philosophy, implying the absolute, the ultimate source and character of all phenomena, it is the All. It is also called 自性淸淨心 self-existent pure Mind; 佛性 Buddha-nature; 法身 dharmakāya; 如來藏 tathāgata-garbha, or Buddha-treasury; 實相 reality; 法界 Dharma-realm; 法性Dharma-nature; 圓成實性 The complete and perfect real nature, or reality. There are categories of 1, 2, 3, 7, 10, and 12 in number: (1) The undifferentiated whole. (2) There are several antithetical classes, e.g. the unconditioned and the conditioned; the 空 void, static, abstract, noumenal, and the 不 空 not-void, dynamic, phenomenal; pure, and affected (or infected); undefiled (or innocent), i.e. that of Buddhas, defiled, that of all beings; in bonds and free; inexpressible, and expressible in words. (3) 無相 Formless; 無生 uncreated; 無性 without nature, i.e. without characteristics or qualities, absolute in itself. Also, as relative, i.e. good, bad, and indeterminate. (7, 10, 12) The 7 are given in the 唯識論 8; the 10 are in two classes, one of the 別教 cf. 唯識論 8; the other of the 圓教, cf. 菩提心義 4; the 12 are given in the Nirvana Sutra. |
私多 see styles |
sī duō si1 duo1 ssu to shita |
私陀; 悉陀; 徒多; 枲多 Sītā. Described as the 'cold' river; one of the four great rivers flowing from the Anavatpta or Anavadata Lake 阿耨達池 in Tibet. One account makes it 'an eastern outflux' which subsequently becomes the Yellow River. It is also said to issue from the west. Again, 'the Ganges flows eastward, the Indus south, Vatsch (Oxus) west, Sītā north.' Vatsch = Vākṣu. 'According to Xuanzang, however, it is the northern outflux of the Sirikol [Sarikkol] Lake (Lat. 38°20′N., Long. 74°E.) now called Yarkand daria, which flows into Lake Lop, thence underneath the desert of Gobi, and reappears as the source of the Huanghe.' Eitel. According to Richard, the Huanghe 'rises a little above two neighbouring lakes of Khchara (Charingnor) and Khnora (Oring-nor). Both are connected by a channel and are situated at an elevation of 14,000 feet. It may perhaps be at first confounded with Djaghing-gol, a river 110 miles long, which flows from the south and empties into the channel joining the two lakes'. |
自性 see styles |
zì xìng zi4 xing4 tzu hsing jishou / jisho じしょう |
{Buddh} intrinsic nature; one's own distinct nature Own nature; of (its) own nature. As an intp. of pradhāna (and resembling 冥性) in the Sāṅkhya philosophy it is 'prakṛti, the Originant, primary or original matter or rather the primary germ out of which all material appearances are evolved, the first evolver or source of the material world (hence in a general acceptation 'nature' or rather 'matter' as opposed to purusha, or 'spirit')'. M. W. As 莎發斡 svabhāva, it is 'own state, essential or inherent property, innate or peculiar disposition, natural state or constitution, nature'. M. W. The self-substance, self-nature, or unchanging character of anything. |
五種藏 五种藏 see styles |
wǔ zhǒng zàng wu3 zhong3 zang4 wu chung tsang goshu zō |
The five 'stores', or the five differentiations of the one Buddha-nature; (1) 如來藏 the Tathāgata-nature, which is the fundamental universal nature possessed by all the living: (2) 正法藏 the source or treasury of all right laws and virtues: (3) 法身藏 the storehouse of the dharmakāya obtained by all saints: (4) 出世藏 the eternal spiritual nature, free from earthly errors; (5) 自性淸淨藏 the storehouse of the pure Buddha-nature. Another similar group is 如來藏, 法界藏, 法身藏, 出世間上上藏, and 自性淸淨藏. |
出場所 see styles |
debasho でばしょ |
(1) one's time (e.g. to go on stage); one's turn; (2) source; origin; place of production |
清一色 see styles |
qīng yī sè qing1 yi1 se4 ch`ing i se ching i se chiniisoo / chinisoo チンイーソー |
(mahjong) flush; a complete hand where all tiles are of the same suit; (fig.) uniformly; each and every one (1) {mahj} full flush (chi:); winning hand containing only tiles of one suit; (2) homogeneity (e.g. manuf. using products from one source) |
無熱池 无热池 see styles |
wú rè chí wu2 re4 chi2 wu je ch`ih wu je chih munetsu chi |
The lake without heat, or cold lake, called Mānasarovara, or Mānasa-saro-vara, 'excellent mānasa lake,' or modern Manasarovar, 31° N., 81° 3 E., 'which overflows at certain seasons and forms one lake with' Rakas-tal, which is the source of the Sutlej. It is under the protection of the nāga-king Anavatapta and is also known by his name. It is said to lie south of the Gandha-mādana mountains, and is erroneously reputed as the source of the four rivers Ganges, Indus, Śītā (Tārīm River), and Oxus. |
Variations: |
kate; ryou; karite(ok) / kate; ryo; karite(ok) かて; りょう; かりて(ok) |
(1) food; provisions; (2) (かて only) nourishment (mental, spiritual, etc.); sustenance (e.g. of one's life); source of encouragement |
胎藏界 see styles |
tāi zàng jiè tai1 zang4 jie4 t`ai tsang chieh tai tsang chieh taizō kai |
Garbhadhātu, or Garbhakośa-(dhātu), the womb treasury, the universal source from which all things are produced; the matrix; the embryo; likened to a womb in which all of a child is conceived— its body, mind, etc. It is container and content; it covers and nourishes; and is the source of all supply. It represents the 理性 fundamental nature, both material elements and pure bodhi, or wisdom in essence or purity; 理 being the garbhadhātu as fundamental wisdom, and 智 acquired wisdom or knowledge, the vajradhātu. It also represents the human heart in its innocence or pristine purity, which is considered as the source of all Buddha-pity and moral knowledge. And it indicates that from the central being in the maṇḍala, viz. the Sun as symbol of Vairocana, there issue all the other manifestations of wisdom and power, Buddhas, bodhisattvas, demons, etc. It is 本覺 original intellect, or the static intellectuality, in contrast with 始覺 intellection, the initial or dynamic intellectuality represented in the vajradhātu; hence it is the 因 cause and vajradhātu the 果 effect; though as both are a unity, the reverse may be the rule, the effect being also the cause; it is also likened to 利他 enriching others, as vajradhātu is to 自利 enriching self. Kōbō Daishi, founder of the Yoga or Shingon 眞言 School in Japan, adopted the representation of the ideas in maṇḍalas, or diagrams, as the best way of revealing the mystic doctrine to the ignorant. The garbhadhātu is the womb or treasury of all things, the universe; the 理 fundamental principle, the source; its symbols are a triangle on its base, and an open lotus as representing the sun and Vairocana. In Japan this maṇḍala is placed on the east, typifying the rising sun as source, or 理. The vajradhātu is placed west and represents 智 wisdom or knowledge as derived from 理 the underlying principle, but the two are essential one to the other, neither existing apart. The material and spiritual; wisdom-source and intelligence; essence and substance; and similar complementary ideas are thus portrayed; the garbhadhātu may be generally considered as the static and the vajradhātu as the dynamic categories, which are nevertheless a unity. The garbhadhātu is divided into 三部 three sections representing samādhi or quiescence, wisdom-store, and pity-store, or thought, knowledge, pity; one is called the Buddha-section, the others the Vajra and Lotus sections respectively; the three also typify vimokṣa, prajñā, and dharmakāya, or freedom, understanding, and spirituality. There are three heads of these sections, i. e. Vairocana, Vajrapāṇi, and Avalokiteśvara; each has a mother or source, e. g. Vairocana from Buddha's-eye; and each has a 明王 or emanation of protection against evil; also a śakti or female energy; a germ-letter, etc. The diagram of five Buddhas contains also four bodhisattvas, making nine in all, and there are altogether thirteen 大院 or great courts of various types of ideas, of varying numbers, generally spoken of as 414. Cf. 金剛界; 大日; 兩部. |
金剛界 金刚界 see styles |
jīn gāng jiè jin1 gang1 jie4 chin kang chieh kongoukai / kongokai こんごうかい |
(1) {Buddh} (See 胎蔵界・たいぞうかい・1) Vajradhatu; Diamond Realm; (2) (abbreviation) {Buddh} (See 金剛界曼荼羅・こんごうかいまんだら) Vajradathu Mandala; Diamond Realm Mandala vajradhātu, 金界 The 'diamond', or vajra, element of the universe; it is the 智 wisdom of Vairocana in its indestructibility and activity; it arises from the garbhadhātu 胎藏界q.v., the womb or store of the Vairocana 理 reason or principles of such wisdom, v. 理智. The two, garbhadhātu and vajradhātu, are shown by the esoteric school, especially in the Japanese Shingon, in two maṇḍalas, i.e. groups or circles, representing in various portrayals the ideas arising from the two, fundamental concepts. vajradhātu is intp. as the 智 realm of intellection, and garbhadhātu as the 理 substance underlying it, or the matrix; the latter is the womb or fundamental reason of all things, and occupies the eastern position as 'cause' of the vajradhātu, which is on the west as the resultant intellectual or spiritual expression. But both are one as are Reason and Wisdom, and Vairocana (the illuminator, the 大日 great sun) presides over both, as source and supply. The vajradhātu represents the spiritual world of complete enlightenment, the esoteric dharmakāya doctrine as contrasted with the exoteric nirmāṇakāya doctrine. It is the sixth element 識 mind, and is symbolized by a triangle with the point downwards and by the full moon, which represents 智 wisdom or understanding; it corresponds to 果 fruit, or effect, garbhadhātu being 因 or cause. The 金剛王五部 or five divisions of the vajradhātu are represented by the Five dhyāni-buddhas, thus: centre 大日Vairocana; east 阿閦 Akṣobhya; south 寶生Ratnasambhava; west 阿彌陀 Amitābha; north 不 空 成就 Amoghasiddhi, or Śākyamuni. They are seated respectively on a lion, an elephant, a horse, a peacock, and a garuda. v. 五佛; also 胎. |
十二火天 see styles |
shí èr huǒ tiān shi2 er4 huo3 tian1 shih erh huo t`ien shih erh huo tien jūnikaten |
The homa-, or fire-spirits; Whose representations, colours, magic words, signs, symbols, and mode of worship are given in the 大日經疏20. Also 十二火尊; 十二種火法. The twelve fire-spirits are: (1) Indra or Vairocana, the discoverer or source of fire, symbolizing 智 knowledge; (2) the moon 行滿 which progresses to fullness, with mercy as root and enlightenment as fruit, i,e. Buddha; (3) the wind, represented as a half-moon, fanner of fame, of zeal, and by driving away dark clouds, of enlightenment; (4) the red rays of the rising sun, rohitaka, his swords (or rays) indicating 議 wisdom; (5) 沒M004101拏 a form half stern, half smiling, sternly driving away the passions and trials; (6) 忿怒 irate, bellowing with open mouth, showing four teeth, flowing locks, one eye closed; (7) 闍吒羅 fire burning within, i.e. the inner witness, or realization; (8) 迄灑耶 the waster, or destroyer of waste and injurious products within, i.e. inner purification; (9) 意生 the producer at will, capable of all variety, resembling Viśvakarman, the Brahmanic Vulcan; (10) 羯羅微 the fire-eater; (11) untraceable; (12) 謨賀那 the completer, also the subduer of demons. |
引鬼上門 引鬼上门 see styles |
yǐn guǐ shàng mén yin3 gui3 shang4 men2 yin kuei shang men |
lit. to invite the devil to one's house (idiom); fig. to introduce a potential source of trouble |
Variations: |
nemoto ねもと |
(1) base (of a plant, tree, pillar, etc.); (part near the) root; roots (of one's hair); (2) root (e.g. of a problem); source |
Variations: |
mama(p); manma; mama まま(P); まんま; ママ |
(n,adv) (1) (kana only) as it is; as one likes; because; as; (2) (kana only) condition; state; (3) (ママ only) (abbreviation) (kana only) (See 原文ママ・げんぶんママ) sic; sic erat scriptum; the quoted matter has been transcribed exactly as found in the source text |
無明法性一體 无明法性一体 see styles |
wú míng fǎ xìng yī tǐ wu2 ming2 fa3 xing4 yi1 ti3 wu ming fa hsing i t`i wu ming fa hsing i ti mumyō hosshō ittai |
avidyā and the bhūtatathatā are of the same nature, as are ice and water; the ice of avidyā is the water of all things, the source out of which all enlightenment has come. |
Variations: |
seikatsunokate / sekatsunokate せいかつのかて |
(exp,n) source of one's livelihood; one's bread and butter |
Variations: |
mama(p); manma; mama まま(P); まんま; ママ |
(n,adv) (1) (kana only) as (it is); remaining (in a state); keeping (the same); leaving (unchanged); (n,adv) (2) (kana only) (after a past-tense verb describing a state) with (e.g. one's eyes closed, the light on); while (e.g. standing, alive); as; (3) (kana only) (as 〜に) as (one pleases, one is told, etc.); according to; (4) (ママ only) (indicating that the quoted matter has been transcribed exactly as found in the source text) (See 原文のママ) sic |
山中無老虎,猴子稱大王 山中无老虎,猴子称大王 see styles |
shān zhōng wú lǎo hǔ , hóu zi chēng dà wáng shan1 zhong1 wu2 lao3 hu3 , hou2 zi5 cheng1 da4 wang2 shan chung wu lao hu , hou tzu ch`eng ta wang shan chung wu lao hu , hou tzu cheng ta wang |
in the country of the blind the one-eyed man is king (idiom); (depending on the source, the last word is either 大王[da4 wang2] or 大王[dai4 wang5]) |
Variations: |
moto もと |
(1) (esp. 元) origin; source; beginning; (2) (oft. 基) basis; base; foundation; root; (3) (also written as 因, 原) cause; (4) (esp. 素) (raw) material; ingredient; base; mix (e.g. for a cake); (soup) stock; (5) (元 only) (one's) side; (6) (元 only) capital; principal; cost price; (7) root (of a plant); (tree) trunk; (8) part (of a brush, chopsticks, etc.) one holds (with the hand); (9) (See 和歌) first three lines of a waka; (counter) (10) (本 only) counter for plants or trees; (counter) (11) (本 only) counter for falcons (in falconry) |
The following table may be helpful for those studying Chinese or Japanese...
Title | Characters | Romaji (Romanized Japanese) | Various forms of Romanized Chinese | |
Immovable Mind | 不動心 | fu dou shin fudoushin fu do shin | ||
Taido | 躰道 | tai dou / taidou / tai do | ||
Body and Earth in Unity | 身土不二 | shindofuni / shindofuji |
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All of our calligraphy wall scrolls are handmade.
When the calligrapher finishes creating your artwork, it is taken to my art mounting workshop in Beijing where a wall scroll is made by hand from a combination of silk, rice paper, and wood.
After we create your wall scroll, it takes at least two weeks for air mail delivery from Beijing to you.
Allow a few weeks for delivery. Rush service speeds it up by a week or two for $10!
When you select your calligraphy, you'll be taken to another page where you can choose various custom options.
The wall scroll that Sandy is holding in this picture is a "large size"
single-character wall scroll.
We also offer custom wall scrolls in small, medium, and an even-larger jumbo size.
Professional calligraphers are getting to be hard to find these days.
Instead of drawing characters by hand, the new generation in China merely type roman letters into their computer keyboards and pick the character that they want from a list that pops up.
There is some fear that true Chinese calligraphy may become a lost art in the coming years. Many art institutes in China are now promoting calligraphy programs in hopes of keeping this unique form
of art alive.
Even with the teachings of a top-ranked calligrapher in China, my calligraphy will never be good enough to sell. I will leave that to the experts.
The same calligrapher who gave me those lessons also attracted a crowd of thousands and a TV crew as he created characters over 6-feet high. He happens to be ranked as one of the top 100 calligraphers in all of China. He is also one of very few that would actually attempt such a feat.
Check out my lists of Japanese Kanji Calligraphy Wall Scrolls and Old Korean Hanja Calligraphy Wall Scrolls.
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