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Diversity in Chinese / Japanese...

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qiān chā wàn bié
sen sa man betsu
Diversity Scroll

千差萬別 is used to describe "manifold diversity".

It literally means, "A thousand differences and ten thousand distinctions".

Other translations include: an infinite variety of; multifarious; being extremely varied and wide-ranging.

The third character is written differently in Japanese, so if you order this from the Japanese master calligrapher it will look like 千差万別 instead of 千差萬別.

The following table may be helpful for those studying Chinese or Japanese...

Title CharactersRomaji (Romanized Japanese)Various forms of Romanized Chinese
千差万别 / 千差万別
sen sa man betsu
qiān chā wàn bié
qian1 cha1 wan4 bie2
qian cha wan bie
ch`ien ch`a wan pieh
chien cha wan pieh
In some entries above you will see that characters have different versions above and below a line.
In these cases, the characters above the line are Traditional Chinese, while the ones below are Simplified Chinese.

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Below are some entries from our dictionary that may match your diversity search...


If shown, 2nd row is Simp. Chinese

Simple Dictionary Definition



see styles
qiān chā wàn bié / qian1 cha1 wan4 bie2
ch`ien ch`a wan pieh / chien cha wan pieh
 sensha manbetsu
Diversity Scroll
manifold diversity
a thousand differences and ten thousand distinctions

see styles
/ yi4
 i / い
different; other; hetero-; unusual; strange; surprising; to distinguish; to separate; to discriminate
(noun or adjectival noun) (1) difference (of opinion); (adjectival noun) (2) strange; odd; unusual; (prefix) (3) different
pṛthak. Different, separate, unlike, not the same; diverse, diversity; strange; heterodox; extraordinary; to differ


see styles
yī xiàng / yi1 xiang4
i hsiang
lakṣana. One aspect, form, or side; ekatva, unity as contrasted with diversity; monism; the bhūtatathatā; the one mind in all things; cf. 一異; one aspect


see styles
sān shēn / san1 shen1
san shen
 sanjin;sanshin / さんじん;さんしん
{Buddh} trikaya (three bodies of the Buddha); (surname) Sanmi
trikāya. 三寶身 The threefold body or nature of a Buddha, i.e. the 法, 報, and 化身, or dharmakāya, sambhogakāya, and nirmāṇakāya. The three are defined as 自性, 受用, and 變化, the Buddha-body per se, or in its essential nature; his body of bliss, which he "receives" for his own "use" and enjoyment; and his body of transformation, by which he can appear in any form; i.e. spiritual, or essential; glorified; revealed. While the doctrine of the trikāya is a Mahāyāna concept, it partly results from the Hīnayāna idealization of the earthly Buddha with his thirty-two signs, eighty physical marks, clairvoyance, clairaudience, holiness, purity, wisdom, pity, etc. Mahāyāna, however, proceeded to conceive of Buddha as the Universal, the All, with infinity of forms, yet above all our concepts of unity or diversity. To every Buddha Mahāyāna attributed a three-fold body: that of essential Buddha; that of joy or enjoyment of the fruits of his past saving labours; that of power to transform himself at will to any shape for omnipresent salvation of those who need him. The trinity finds different methods of expression, e.g. Vairocana is entitled 法身, the embodiment of the Law, shining everywhere, enlightening all; Locana is 報身; c.f. 三賓, the embodiment of purity and bliss; Śākyamuni is 化身 or Buddha revealed. In the esoteric sect they are 法 Vairocana, 報 Amitābha, and 化 Śākyamuni. The 三賓 are also 法 dharma, 報 saṅgha, 化 buddha. Nevertheless, the three are considered as a trinity, the three being essentially one, each in the other. (1) 法身 Dharmakāya in its earliest conception was that of the body of the dharma, or truth, as preached by Śākyamuni; later it became his mind or soul in contrast with his material body. In Mādhyamika, the dharmakāya was the only reality, i.e. the void, or the immateria1, the ground of all phenomena; in other words, the 眞如 the tathāgatagarbha, the bhūtatathatā. According to the Huayan (Kegon) School it is the 理or noumenon, while the other two are氣or phenomenal aspects. "For the Vijñānavāda... the body of the law as highest reality is the void intelligence, whose infection (saṃkleҫa) results in the process of birth and death, whilst its purification brings about Nirvāṇa, or its restoration to its primitive transparence" (Keith). The "body of the law is the true reality of everything". Nevertheless, in Mahāyāna every Buddha has his own 法身; e.g. in the dharmakāya aspect we have the designation Amitābha, who in his saṃbhogakāya aspect is styled Amitāyus. (2) 報身Sambhogakāya, a Buddha's reward body, or body of enjoyment of the merits he attained as a bodhisattva; in other words, a Buddha in glory in his heaven. This is the form of Buddha as an object of worship. It is defined in two aspects, (a) 自受用身 for his own bliss, and (b) 他受用身 for the sake of others, revealing himself in his glory to bodhisattvas, enlightening and inspiring them. By wisdom a Buddha's dharmakāya is attained, by bodhisattva-merits his saṃbhogakāya. Not only has every Buddha all the three bodies or aspects, but as all men are of the same essence, or nature, as Buddhas, they are therefore potential Buddhas and are in and of the trikāya. Moreover, trikāya is not divided, for a Buddha in his 化身 is still one with his 法身 and 報身, all three bodies being co-existent. (3) 化身; 應身; 應化身 nirmāṇakāya, a Buddha's transformation, or miraculous body, in which he appears at will and in any form outside his heaven, e.g. as Śākyamuni among men; three bodies [of the Buddha]


see styles
bù tóng / bu4 tong2
pu t`ung / pu tung
 fudou / fudo / ふどう
different; distinct; not the same; not alike
(adj-na,adj-no,n) difference; diversity; irregularity; disorder
not the same


see styles
liù xiàng / liu4 xiang4
liu hsiang
The six characteristics found in everything— hole and parts, unity and diversity, entirety and (its) fractions; six characteristics of conditioned phenomena



see styles
liù jié / liu4 jie2
liu chieh
A cloth or cord tied in six consecutive double loops and knots. The cloth represents the fundamental unity, the knots the apparent diversity. v. 楞伽經 5; six knots



see styles
yuán wèi / yuan2 wei4
yüan wei
The perfect status, the position of the 'perfect' school, perfect unity which embraces all diversity; En'i


see styles
duō yuán / duo1 yuan2
to yüan
 tagen / たげん
poly-; multi-; multielement; multivariant; multivariate (math.)
(noun - becomes adjective with の) (See 多元的・たげんてき) pluralism; diversity; (surname) Tamoto



see styles
duō yàng / duo1 yang4
to yang
diverse; diversity; manifold


see styles
fǎ shēn / fa3 shen1
fa shen
 hosshin;houshin / hosshin;hoshin / ほっしん;ほうしん
{Buddh} (See 三身) dharmakaya (dharma body, Buddhism's highest form of existence); (surname) Hotsushin
dharmakāya, embodiment of Truth and Law, the "spiritual" or true body; essential Buddhahood; the essence of being; the absolute, the norm of the universe; the first of the trikāya, v.三身. The dharmakāya is divided into 總 unity and 別 diversity; as in the noumenal absolute and phenomenal activities, or potential and dynamic; but there are differences of interpretation, e.g. as between the 法相 and 法性 schools. Cf. 法身體性. There are many categories of the dharmakāya. In the 2 group 二法身 are five kinds: (1) 理 "substance" and 智 wisdom or expression; (2) 法性法身 essential nature and 應化法身 manifestation; the other three couples are similar. In the 3 group 三法身 are (1) the manifested Buddha, i.e. Śākyamuni; (2) the power of his teaching, etc.; (3) the absolute or ultimate reality. There are other categories; dharma-body



see styles
tǐ xiàng / ti3 xiang4
t`i hsiang / ti hsiang
Substance and phenomena or characteristics, substance being unity and phenomena diversity; essence and characteristics


see styles
yī dāo qiē / yi1 dao1 qie1
i tao ch`ieh / i tao chieh
lit. to cut all at one stroke (idiom); to impose uniformity; one solution fits a diversity of problems; one size fits all



see styles
yuán dùn guān / yuan2 dun4 guan1
yüan tun kuan
 endon kan
(圓頓止觀) as given in the 摩訶止觀 is the concentration, or mental state, in which is perceived, at one and the same time, the unity in the diversity and the diversity in the unity, a method ascribed by Tiantai to the Lotus Sūtra; v. above; perfect and sudden contemplation


see styles
duō yuán xìng / duo1 yuan2 xing4
to yüan hsing


see styles
 tayousei / tayose / たようせい diversity; variety



see styles
duō yàng xìng / duo1 yang4 xing4
to yang hsing
variegation; diversity



see styles
yī xiàng wú xiàng / yi1 xiang4 wu2 xiang4
i hsiang wu hsiang
 issō musō
One-ness means none-ness; in ultimate unity, or the unity of the absolute, there is no diversity; one mark implies no marks



see styles
bù yī bù yì / bu4 yi1 bu4 yi4
pu i pu i
 fuichi fui
Neither unity nor diversity, or doctrine of the 中論, v. 八不; neither the same nor different


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 sentaibanyou / sentaibanyo / せんたいばんよう (yoji) great diversity of form


see styles
duō zī duō cǎi / duo1 zi1 duo1 cai3
to tzu to ts`ai / to tzu to tsai
diversity (of forms and colors)


see styles
 tashutayou / tashutayo / たしゅたよう (adj-na,adj-no,n) (yoji) a great variety of; diversity



see styles
běn mén běn zūn / ben3 men2 ben3 zun1
pen men pen tsun
 honmon honzon
The especial honoured one of the Nichiren sect, Svādi-devatā, the Supreme Being, whose maṇḍala is considered as the symbol of the Buddha as infinite, eternal, universal. The Nichiren sect has a meditation 本門事觀 on the universality of the Buddha and the unity in the diversity of all his phenomena, the whole truth being embodied in the Lotus Sutra, and in its title of five words, 妙法蓮華經 Wonderful-Law Lotus-Flower Sutra, which are considered to be the embodiment of the eternal, universal Buddha. Their repetition preceded by 南無 Namah ! is equivalent to the 歸命 of other Buddhists; originally venerated one


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 tayouseikaiseki / tayosekaiseki / たようせいかいせき diversity analysis


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 daibaashiti / daibashiti / ダイバーシティ diversity; (place-name) DiverCity Tokyo Plaza


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 seibutsutayouseijouyaku / sebutsutayosejoyaku / せいぶつたようせいじょうやく Convention on Biological Diversity; CBD


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 seibutsugakutekitayousei / sebutsugakutekitayose / せいぶつがくてきたようせい (See 生物多様性) biological diversity; biodiversity


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 daibaashitii / daibashiti / ダイバーシティー diversity


see styles
 daibaashitiihoushiki / daibashitihoshiki / ダイバーシティーほうしき diversity receiving system


see styles
 daibaashiti;daibaashitii / daibashiti;daibashiti / ダイバーシティ;ダイバーシティー diversity

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A nice Chinese calligraphy wall scroll

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single-character wall scroll.
We also offer custom wall scrolls in small, medium, and an even-larger jumbo size.

A professional Chinese Calligrapher

Professional calligraphers are getting to be hard to find these days.
Instead of drawing characters by hand, the new generation in China merely type roman letters into their computer keyboards and pick the character that they want from a list that pops up.

There is some fear that true Chinese calligraphy may become a lost art in the coming years. Many art institutes in China are now promoting calligraphy programs in hopes of keeping this unique form of art alive.

Trying to learn Chinese calligrapher - a futile effort

Even with the teachings of a top-ranked calligrapher in China, my calligraphy will never be good enough to sell. I will leave that to the experts.

A high-ranked Chinese master calligrapher that I met in Zhongwei

The same calligrapher who gave me those lessons also attracted a crowd of thousands and a TV crew as he created characters over 6-feet high. He happens to be ranked as one of the top 100 calligraphers in all of China. He is also one of very few that would actually attempt such a feat.

Check out my lists of Japanese Kanji Calligraphy Wall Scrolls and Old Korean Hanja Calligraphy Wall Scrolls.

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