Category: Japanese Art
Painting: 29cm x 41cm ≈ 11½" x 16"
Silk Scroll: 38.2cm x 100cm ≈ 15" x 39¼"
Width at Wooden Knobs: 47.2cm ≈ 18½"Information about caring for your new Wall Scroll
Takeda Nobushige is known as one of the "Twenty-Four Generals of Takeda Shingen" or the "Kai General".
Close up view of the artwork mounted to this silk brocade wall scroll
This is a mechanically-printed reproduction of a very old Japanese woodblock print. This was made months ago, rather than centuries ago.
Original artist: Utagawa Kuniyoshi (歌川 国芳) (1797-1861).
Original woodblock was created in Japan, around 1853.
Excerpt from Wikipedia about Takeda Nobushige:
Takeda Nobushige (1525-1561) was a samurai of Japan's Sengoku period, and younger brother of Takeda Shingen. Takeda Nobushige held the favor of their father, and was meant to inherit the Takeda lands, wealth and power, becoming head of the clan. However, Shingen rebelled against their father and seized the lands and power for himself. Nobushige nevertheless fought alongside his brother who relied on him for support, He is famous not only for his strategic insight but also his wisdom; he wrote among other things Kyūjūkyū Kakun, a set of 99 short rules for Takeda clan members, some of which are erroneously attributed to Shingen himself from time to time. He is also known as Takeda Tenkyū (Tenkyū being another rank he held).
Nobushige became an important Takeda general and led large forces on several occasions. In 1544, Shingen had a rebellion on his hands. As part of his punitive effort he sent Nobushige to capture Fujisawa Yorichika's Kōjinyama castle. (He probably succeeded, though sources differ). Katsurao castle, main castle of Murakami Yoshikiyo, fell to Nobushige and Takeda Yoshinobu in 1553. This drove Yoshikiyo to Uesugi Kenshin and was really the last significant act before the start of the Kawanakajima campaigns proper.
Contrary to popular belief, woodblock printing (and in a way, the first printing press) was invented in China. Both artwork and whole books were produced in China using the woodblock print technique. Much of this artwork and printed books made their way to Japan. Emulating the methods and adding to the style, Japanese artists took woodblock printing to the next level.
In Japan, wood block prints are known as or "Moku Hanga". Most were produced during the Edo period (1603–1867). To put that in prospective, that's from before what is now the USA was even a British colony, to just after the Civil War. Some artists continued creating prints into the early 1900s.
At that time, Japanese artists would create "template paintings" with detailed images of "everyday life" scenes of Japan. Some of these "everyday life" or (Ukiyo-e), which translates as "Floating World" images, depict battling Samurai, beheadings, and even prostitution. This leads you to believe that "everyday life", was rather exciting in ancient Japan. However, most Ukiyo-e prints were more tame scenes of everything from women washing clothes, to men writing poetry.
After creating the template, the artist would then have another artisan carve large blanks of wood with those images. The carved wood blocks were then given to yet another artisan, known as an "inker". The inker would then carefully apply wet ink or colorful paint to the various carved surfaces. A sheet of handmade paper was then pressed over the inked woodblock to create the final print. The process was laborious, but not as tedious as hand-painting hundreds of copies from scratch.
If this was an "original" Japanese woodblock print, dating back to the Edo period, the price would be anywhere from $800 to $20,000.
Just to be clear again: This is a reproduction.
The quality of this reproduction is very good, but a true expert will spot this as a reproduction after examining it for a few moments.
I use handmade paper and German inks to mechanically print a faithful recreation. I spend hours making sure the colors are vibrant, and touching up areas that might be damaged or missing from the old original print. The result is very close to what the woodblock print would look like if you could go back in time to the Edo period, and buy it from the artist's studio in old Japan.
For years I tried to find a printer that could handle handmade xuan paper without wrinkling, jamming, or cloggin print heads. After trying and buying several printers that did not work, I finally found the best choice was a HP DesignJet z6100 printer with a price tag of around $15000 new! I have to use this printer in the USA to create the print, as I can't get a license for such a machine in China (The Chinese government fears that I will make counterfeit Chinese currency, or Pro-Democracy propaganda posters with it).
After carefully printing and inspecting this artwork, I sent this raw print to my workshop in Beijing where it was built into a handmade wall scroll. This makes it ready-to-hang (no expensive framing needed), and gives the whole piece a very traditional Asian look.
Because the artist of this piece is long ago passed away, and the original artwork is over 100 years old, there is no copyright. However, in some cases, I have paid a license fee to the owner of the original Japanese woodblock print for access to create the digitized image.
All of this effort on my part means you get a really beautiful Japanese woodblock print reproduction, for a very affordable price.
This item was listed or modified
Dec 3rd, 2014
Gary's random little things about China:
If you order Peking Roast Duck, you should do so only in Beijing, China (anywhere else, it's just not the same).
A hot tip: Always ask how long it will take before the duck is served.
If they tell you any timeframe less than 30 minutes, change your mind and order the Kung Pao Chicken (Gong Bao Ji Ding) instead.
The reason: If they can serve Beijing Roast Duck in less than 30 minutes, that means you are getting "pre-cooked" duck.
If you have to "duck the duck", next time look for a restaurant with ducks hanging over an open wood fire.