About These High-Quality Prints:
Each giclée print is created with care on traditional Asian fine art papers chosen for their beauty and character. I print using a professional Canon imagePROGRAF giclée printer with archival pigment inks rated to last a lifetime (90+ years if properly cared for).
I charge less than big-box print sellers like AllPosters.com, yet I use far finer materials — handmade papers from Japan, Korea, and China combined with the best archival inks. More importantly, you’re buying from an Asian art enthusiast who pours genuine passion into every print.
Size Info:
I offer standard U.S. frame size 11x17" for this print. This 11x17" size is easy to frame with off-the-shelf options from stores like Michaels (use a coupon and you’ll find frames starting at $16 for 11x17). If you need a different U.S. or international size, as long as we can keep the same aspect, I can customize for you.
About Paper Choices:
White Unryu Paper (雲龍)
White Unryu, meaning “Cloud Dragon,” is a luminous mulberry fiber paper prized in Japan for its flowing white strands.
These swirling fibers resemble drifting clouds across a bright sky, giving each sheet an airy, meditative quality.
Soft to the touch yet strong and resilient, Unryu adds a subtle depth that enhances the richness of the ink.
When printed with sacred calligraphy, the fibers seem to shimmer like threads of light, making this paper a poetic companion for Buddhist art.
Leather Grass-Fiber Paper (皮草纸)
Leather Grass Fiber Paper, known as Picaozhi (皮草纸), is handmade from a blend of rice straw and bark fibers, giving it an organic, earthy texture.
The name evokes the strength of leather and the natural elegance of wild grasses.
Warm in tone and rich in surface character, this paper echoes centuries-old traditions of Chinese and Japanese xuan paper used for calligraphy and sutra copying.
Each sheet bears a unique pattern of fibers, making every print a singular work of art.
It is an ideal choice for those who want their Gohonzon to radiate both spiritual dignity and natural beauty.
Museum-Quality Cotton Rag Paper
If you prefer a heavier, textured paper without fibers, I also stock Cotton Rag Paper made in the USA.
Here is a print in a rustic wooden frame without matting.
You can also mount this in a frame with pre-cut matting.
Here is a close up of this print on White Fiber Mulberry or “Dragon Cloud” Unryu paper.
Here is a close up showing the texture of the 皮草之 or “Leather Grass Fiber” paper.
Fresh prints, straight from the press.
Satisfaction Guaranteed!
I love making these prints, and I believe they look even better in person than on the website. But if you don’t love your print when it arrives, just return it within 30 days for a full refund — no questions asked.
What About Custom Prints?
I also create custom work. Want different characters, or a design adjusted to fit your vision? Small edits are usually free, while larger projects may require a custom quote. I can also print your own high-resolution image.
Want to Know More About the Printer?
Photographer Jeremy Cowart with the Canon imagePROGRAF printer I use.
It took a few years — and some expensive mistakes — to find the perfect giclée printer. My first handled delicate Asian papers beautifully, but its dye inks faded too quickly. My next, a huge HP DesignJet, cost nearly $7000 and constantly jammed. I finally invested in a Canon imagePROGRAF PRO-2000, and it’s been worth every penny.
This professional printer has 18,432 nozzles firing over 32 million droplets per second, using a 12-color Lucia Pro pigment ink system for unmatched precision, depth, and color range. These inks are archival, UV-resistant, and rated to last more than 90 years. With care, your print will provide a lifetime of enjoyment.
