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Experience the profound presence of Nichiren Buddhism with this fine art giclée reproduction of a historic Nichiren Shu (日蓮宗) Gohonzon (御本尊), believed to have been inscribed around 1900 during the Meiji era. Revered as both a mandala of devotion and a masterpiece of Japanese calligraphy, this sacred image bridges over a century of Buddhist practice and tradition.
In Nichiren Buddhism, the Gohonzon is more than calligraphy—it is a spiritual mandala embodying the Lotus Sutra’s essence: Nam Myōhō Renge Kyō (南無妙法蓮華経). Surrounded by protective deities, bodhisattvas, and enlightened beings, the central inscription represents the awakening of Buddha nature within all living beings. For practitioners, it is a mirror of enlightenment; for admirers of art, it is a timeless symbol of harmony and wisdom.
This Gohonzon originates from the Nichiren Shu tradition, the oldest and most direct lineage of Nichiren’s teachings. Inscribed during Japan’s Meiji period (1868–1912), a transformative era of modernization and cultural exchange, it reflects the enduring continuity of Nichiren’s vision through times of change. The year 1900 situates it firmly within a time when Japanese temples were working to preserve and transmit authentic Buddhist practices worldwide.
Written in dynamic, flowing brush calligraphy, the composition radiates balance, depth, and spiritual strength.
The interwoven characters draw the eye inward, symbolizing the interconnectedness of all beings and the eternal Dharma.
Each print is carefully produced using archival-quality giclée techniques, faithfully capturing the depth of the original ink on handmade parchment-style paper.
For Practitioners: Provides a focal point for chanting Nam Myōhō Renge Kyō, meditation, or daily Buddhist practice.
For Collectors: A historically authentic example of Nichiren Shu mandala art, offering a tangible connection to 19th–20th century Japanese Buddhism.
For Aesthetics: Its bold black calligraphy against warm parchment tones creates a striking centerpiece in meditation spaces, altars, or art collections.
• Faithful fine art giclée reproduction of a Nichiren Shu Gohonzon, circa 1900 (Meiji Era)
• Printed on premium archival paper with long-lasting pigments
• Each print retains the texture, depth, and authenticity of traditional Japanese calligraphy
• Available in multiple sizes, making it ideal for home practice, galleries, or sacred spaces
This reproduction unites spiritual devotion and Japanese artistic heritage—a rare opportunity to bring home a piece of Buddhist history that continues to inspire across generations.
Each giclée print is created with care on traditional Asian fine art papers chosen for their beauty and character. I print using a professional Canon imagePROGRAF giclée printer with archival pigment inks rated to last a lifetime (90+ years if properly cared for).
I charge less than big-box print sellers like AllPosters.com, yet I use far finer materials — handmade papers from Japan, Korea, and China combined with the best archival inks. More importantly, you’re buying from an Asian art enthusiast who pours genuine passion into every print.
I offer standard U.S. frame sizes 11x17" and 16x24" as well as European A3 and A2 for this print. I like the 11x17" size because it's easy and economical to frame with off-the-shelf options from stores like Michaels (use a coupon and you’ll find frames starting at $16 for 11x17). If you need a different size, as long as we can keep roughly the same aspect, I can customize for you.
Handmade Grass Fiber
My favorite paper is Grass Fiber Paper, known in Chinese as Picaozhi (皮草纸). This is a handmade xuān paper (宣紙) that blends rice straw and fibers for a beautifully organic look. The name literally means “leather grass paper,” reflecting its warm tone and grassy textures.
The best xuan paper comes from workshops in Anhui province, made from Wingceltis bark and rice straw. Wingceltis belongs to the hemp family, which explains the strength and longevity of this paper — centuries-old artworks on xuan paper still hang in museums today.
Because a single layer of xuan paper is thin, I carefully dry-mount each print to a second sheet in my studio. This makes the artwork easier to frame while keeping it flexible enough to roll for safe shipping.
Museum-Quality Cotton Rag Paper
White Fiber Mulberry (Unryu "Dragon Cloud")
For a brighter look, I offer White Fiber Mulberry, called Unryu in Japanese, or “Cloud Dragon.” Its distinctive swirling white fibers create a luminous, cloud-like texture across the paper’s surface.
If you prefer a heavier, textured paper without fibers, I also stock Cotton Rag Paper made in the USA.
Here is a print in a rustic wooden frame without matting.
You can also mount this in a frame with pre-cut matting.
Here is a close up of this print on “Dragon Cloud” Unryu paper.
Here is a close up showing the texture of the 皮草之 or “Leather Grass Fiber” paper.
Fresh prints, straight from the press.
I love making these prints, and I believe they look even better in person than on the website. But if you don’t love your print when it arrives, just return it within 30 days for a full refund — no questions asked.
I also create custom work. Want different characters, or a design adjusted to fit your vision? Small edits are usually free, while larger projects may require a custom quote. I can also print your own high-resolution image.
Photographer Jeremy Cowart with the Canon imagePROGRAF printer I use.
It took a few years — and some expensive mistakes — to find the perfect giclée printer. My first handled delicate Asian papers beautifully, but its dye inks faded too quickly. My next, a huge HP DesignJet, cost nearly $7000 and constantly jammed. I finally invested in a Canon imagePROGRAF PRO-2000, and it’s been worth every penny.
This professional printer has 18,432 nozzles firing over 32 million droplets per second, using a 12-color Lucia Pro pigment ink system for unmatched precision, depth, and color range. These inks are archival, UV-resistant, and rated to last more than 90 years. With care, your print will provide a lifetime of enjoyment.