Sparrows and Plum Blossoms Welcome the Spring
Chinese Painting

Sparrows and Plum Blossoms Welcome the Spring

This is a great scroll featuring two beautiful birds and flowering branches of plum blossoms.

The title in Chinese is "Mei Que Ying Chun".

Mei = Plum Blossom

Que = Sparrows

Ying = Welcomes / Brings (the)

Chun = Spring

In Chinese culture, plum blossoms represent the strength and beauty of a woman, because they can bloom in the harsh winter, bringing beauty to the world, while thriving in difficult circumstances.

Some believe that putting these images on your wall, will bring you happiness and joy, as well as a compliment to the lady of the house. I would just buy it because it is a beautiful hand-painted artwork.

The inscription and signature read, "辛卯年 秋月 碩生" which translates roughly as, "8th-Heavenly-Stem [of the] 4th-Earthly-Branch Year (An indication this was painted in 2011), [under an] Autumn moon, Shou Sheng".

---

I stand behind this art 100%

If you are not completely delighted, I will refund everything, including shipping costs, and even pay your postage to return this artwork to me. It's that good.

---

About the Artist Kang Shuo Sheng

The artist's name is 康碩生 (Kang Shuo-Sheng). Sometime in the Spring of 2012, I met him in Jinan city which is the capital of Shandong Province in northern China. I loved the detail of his work and picked up a few of his pieces. I often keep good ones like this around for my personal decorating, when I am called to decorate a fancy Chinese restaurant. I've had some of these sealed away in a flat file drawer for more than a few years. I guess it's time, like fine wine, to release these to the public.

Kang Shuo-Sheng was born in 1952 in Shandong province. From a young age, he had great interest in traditional Chinese painting style. His formal art studies began in 1978 at the Shandong Art Institute. His specialty quickly became bird and flower paintings.

Soon after, he opened his own studio and has quite a following in Shandong, and the rest of northern China. After a fellowship at the Tianjin Art Institute in 2001, he developed an interest in emulating the art styles seen during the Yuan, Ming, and early Qing dynasties.