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<1234>| Characters | Pronunciation Romanization |
Simple Dictionary Definition | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
身中 see styles |
shinchuu / shinchu しんちゅう |
within one's body | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
身内 see styles |
miuchi みうち |
(1) relatives; one's family; (2) friends; members of the same organization; (3) followers; henchmen; (4) one's whole body; (surname) Miuchi | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
身分 see styles |
shēn fèn shen1 fen4 shen fen mibun みぶん |
variant of 身份[shen1 fen4] (1) (social) standing; status; position; rank; (2) identity; birth; origin; (3) one's circumstances; one's means parts of the body |
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身命 see styles |
shēn mìng shen1 ming4 shen ming shinmei; shinmyou / shinme; shinmyo しんめい; しんみょう |
one's life Body and life; bodily life. |
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身業 身业 see styles |
shēn yè shen1 ye4 shen yeh shingō |
The karma operating in the body; the body as representing the fruit of action in previous existence. One of the three karmas, the other two referring to speech and thought. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
身法 see styles |
shēn fǎ shen1 fa3 shen fa |
pose or motion of one's body in martial arts | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
身空 see styles |
misora みそら |
body; one's fortune | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
身見 身见 see styles |
shēn jiàn shen1 jian4 shen chien shinken |
satkāyadṛṣṭi; the illusion that the body, or self, is real and not simply a compound of the five skandhas; one of the five wrong views 五見. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
身證 身证 see styles |
shēn zhèng shen1 zheng4 shen cheng shinshō |
experiencing (in, with) one's body | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
身車 身车 see styles |
shēn chē shen1 che1 shen ch`e shen che shinsha |
The body as the vehicle which, according with previous karma, carries one into the paths of transmigration. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
身通 see styles |
shēn tōng shen1 tong1 shen t`ung shen tung shintsū |
The power to transfer the body through space at will, one of the marks of the Buddha. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
身體 身体 see styles |
shēn tǐ shen1 ti3 shen t`i shen ti shintai |
the body; one's health body |
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轉體 转体 see styles |
zhuǎn tǐ zhuan3 ti3 chuan t`i chuan ti |
to roll over; to turn over (one's body) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
通身 see styles |
tōng shēn tong1 shen1 t`ung shen tung shen tsūshin |
to one's entire body | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
運行 运行 see styles |
yùn xíng yun4 xing2 yün hsing unkou / unko うんこう |
(of celestial bodies etc) to move along one's course; (fig.) to function; to be in operation; (of a train service etc) to operate; to run; (of a computer) to run (n,vs,vt,vi) (1) operation (of a bus or train service); service; running; (n,vs,vi) (2) movement (of a heavenly body); motion; revolution; (personal name) Kazuyuki |
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隨身 随身 see styles |
suí shēn sui2 shen1 sui shen zuishin |
to (carry) on one's person; to (take) with one through the body |
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頂相 顶相 see styles |
dǐng xiàng ding3 xiang4 ting hsiang |
The protuberance on the Buddha's brow, one of the thirty-two marks of a Buddha; also an image, or portrait of the upper half of the body. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
骨肉 see styles |
gǔ ròu gu3 rou4 ku jou kotsuniku こつにく |
blood relation; kin; one's flesh and blood (1) one's own flesh and blood; blood relative; kinsman; (2) flesh and bone; (one's) body |
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そう身 see styles |
soumi / somi そうみ soushin / soshin そうしん |
(noun - becomes adjective with の) (1) slim figure; lean figure; (2) weight reduction; one's whole body | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
三平等 see styles |
sān píng děng san1 ping2 deng3 san p`ing teng san ping teng mihira みひら |
(place-name, surname) Mihira The esoteric doctrine that the three— body, mouth, and mind— are one and universal. Thus in samādhi the Buddha "body" is found everywhere and in everything (pan-Buddha), every sound becomes a "true word", dhāraṇī or potent phrase, and these are summed up in mind, which being universal is my mind and my mind it, 入我我入 it in me and I in it. Other definitions of the three are 佛, 法, 儈 the triratna; and 心, 佛, 衆生 mind, Buddha, and the living. Also 三三昧. Cf. 三密. v. 大日經 1. |
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下半身 see styles |
xià bàn shēn xia4 ban4 shen1 hsia pan shen kahanshin(p); shimohanshin かはんしん(P); しもはんしん |
lower half of one's body; Lower Body (Chinese poetry movement of the early 21st century) (See 上半身) lower half of the body |
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両墓制 see styles |
ryoubosei / ryobose りょうぼせい |
(hist) double-grave system; system of having one grave for the body and a separate one for prayers and services | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
五念門 五念门 see styles |
wǔ niàn mén wu3 nian4 men2 wu nien men gonenmon ごねんもん |
{Buddh} five gates of mindfulness: worship, praise, vows, observation, prayers for the dead The five devotional gates of the Pure-land sect: (1) worship of Amitābha with the 身 body; (2) invocation with the 口 mouth; (3) resolve with the 意 mind to be reborn in the Pure-land; (4) meditation on the glories of that land, etc.; (5) resolve to bestow one's merits, e. g. works of supererogation, on all creatures. |
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伏せる see styles |
fuseru ふせる |
(transitive verb) (1) to turn over (face down); to lay face down; to lay upside down; (transitive verb) (2) to point downwards (eyes, head, etc.); to cast down (eyes); (v1,vt,vi) (3) to lie (one's body) face down; to lie flat (on the ground); (transitive verb) (4) to conceal; to hide; to keep secret; to place in hiding (e.g. troops for an ambush); (v5r,vi) (5) (usu. 臥せる) (See 臥せる・ふせる) to lie down; to retire; to go to bed (with an illness) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
体ごと see styles |
karadagoto からだごと |
(adverb) bodily; with all one's weight; with one's whole body | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
光膀子 see styles |
guāng bǎng zi guang1 bang3 zi5 kuang pang tzu |
bare upper body; bare-chested; to bare one's chest | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
共命鳥 共命鸟 see styles |
gòng mìng niǎo gong4 ming4 niao3 kung ming niao gumyō chō |
命命鳥; 生生鳥 jīvajīva, or jīvañjīva, a bird said to have two heads on one body, i. e. mind and perception differing, but the karma one. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
冷え物 see styles |
hiemono ひえもの |
(1) something cold (esp. a body); (2) something used to cool one's stomach | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
冷え者 see styles |
hiemono ひえもの |
(1) something cold (esp. a body); (2) something used to cool one's stomach | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
凍える see styles |
kogoeru こごえる |
(v1,vi) to freeze (of one's body); to be frozen; to become numb (with cold); to be chilled | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
出家人 see styles |
chū jiā rén chu1 jia1 ren2 ch`u chia jen chu chia jen |
monk; nun (Buddhist or Daoist) One who has left home and become a monk or nun. Two kinds are named: (1) 身出家 one who physically leaves home, and (2) 心出家 one who does so in spirit and conduct. A further division of four is: (1 ) one who physically leaves home, but in spirit remains with wife and family; (2) one who physically remains at home but whose spirit goes forth; (3) one who leaves home, body and spirit; and (4) one who, body and mind, refuses to leave home. |
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前振り see styles |
maefuri まえふり |
(1) (See 前置き) preface; introduction; (2) lead in (to a joke, question, etc.); lead up; (3) (abbreviation) (See 前振込み) payment in advance (by bank transfer); (4) swinging (one's body) forward | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
十四難 十四难 see styles |
shí sì nán shi2 si4 nan2 shih ssu nan jūshi nan |
The fourteen difficult questions of the "heretics" to which the Buddha made no reply, for, as it is said, the questions were no more properly put than if one asked " How much milk can you get from cow's horn?" They are forms of: All is permanent, impermanent, both or neither; all changes, changes not, both, neither; at death a spirit departs, does not, both, neither; after death we have the same body (or personality) and spirit, or body and spirit are different. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
四念處 四念处 see styles |
sì niàn chù si4 nian4 chu4 ssu nien ch`u ssu nien chu shinenjo |
Four objects on which memory or the thought should dwell— the impurity of the body, that all sensations lead to suffering, that mind is impermanent, and that there is no such thing as an ego. There are other categories for thought or meditation.; (四念處觀); 四念住 smṛtyupasthāna. The fourfold stage of mindfulness, thought, or meditation that follows the 五停心觀 five-fold procedure for quieting the mind. This fourfold method, or objectivity of thought, is for stimulating the mind in ethical wisdom. It consists of contemplating (1) 身 the body as impure and utterly filthy; (2) 受 sensation, or consciousness, as always resulting in suffering; (3) 心 mind as impermanent, merely one sensation after another; (4) 法 things in general as being dependent and without a nature of their own. The four negate the ideas of permanence, joy, personality, and purity 常, 樂, 我, and 淨, i. e. the four 顚倒, but v. 四德. They are further subdivided into 別 and 總 particular and general, termed 別相念處 and 總相念處, and there are further subdivisions. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
土木身 see styles |
tǔ mù shēn tu3 mu4 shen1 t`u mu shen tu mu shen |
one's body as wood and earth; undecorated; unvarnished (truth) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
寄り身 see styles |
yorimi よりみ |
{sumo} pushing an opponent out with one's body | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
廣博身 广博身 see styles |
guǎng bó shēn guang3 bo2 shen1 kuang po shen kōhaku shin |
The one whose body fills space, Vairocana. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
弊える see styles |
tsuieru ついえる |
(v1,vi) (1) to fall apart; to collapse; to become useless; (2) to be completely defeated (in battle); to be wiped out; (3) (archaism) to fall apart (one's body or health) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
打挺兒 打挺儿 see styles |
dǎ tǐng r da3 ting3 r5 ta t`ing r ta ting r |
to arch one's body and fling one's head back | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
止觀論 止观论 see styles |
zhǐ guān lùn zhi3 guan1 lun4 chih kuan lun Shikanron |
摩訶止觀論 The foundation work on Tiantai's modified form of samādhi, rest of body for clearness of vision. It is one of the three foundation works of the Tiantai School: was delivered by 智顗 Zhiyi to his disciple 章安 Chāgan who committed it to writing. The treatises on it are numerous. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
死に身 see styles |
shinimi しにみ |
(1) at the risk of one's life; (2) (See 生き身・1) dead body | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
沈める see styles |
shizumeru しずめる |
(transitive verb) (1) to sink (e.g. a ship); to submerge; (transitive verb) (2) to lower (e.g. one's body into a chair); (transitive verb) (3) to floor (an opponent) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
沐する see styles |
mokusuru もくする |
(vs-s,vi) (1) (archaism) to wash one's hair or body; to bathe in water; (vs-s,vi) (2) (archaism) to receive (a favor, blessing, benefit) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
潰える see styles |
tsuieru ついえる |
(v1,vi) (1) to fall apart; to collapse; to become useless; (2) to be completely defeated (in battle); to be wiped out; (3) (archaism) to fall apart (one's body or health) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
無生身 无生身 see styles |
wú shēng shēn wu2 sheng1 shen1 wu sheng shen mushō shin |
The immortal one, i.e. the dharmakāya. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
煩悩魔 see styles |
bonnouma / bonnoma ぼんのうま |
{Buddh} (See 四魔) demon of ill desires that injures one's body and mind | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
片まひ see styles |
katamahi かたまひ |
hemiplegia (paralysis on one side of the body) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
片麻痺 see styles |
katamahi かたまひ |
hemiplegia (paralysis on one side of the body) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
縮める see styles |
chijimeru ちぢめる |
(transitive verb) (1) to shorten; to reduce; to condense; to shrink; (transitive verb) (2) to crumple (fabric); to wrinkle; (transitive verb) (3) to make (one's body) smaller; to draw in (one's legs); to duck (one's head) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
肉菩薩 肉菩萨 see styles |
ròu pú sà rou4 pu2 sa4 jou p`u sa jou pu sa niku bosatsu |
One who becomes a bodhisattva in the physical body, in the present life. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
胎藏界 see styles |
tāi zàng jiè tai1 zang4 jie4 t`ai tsang chieh tai tsang chieh taizō kai |
Garbhadhātu, or Garbhakośa-(dhātu), the womb treasury, the universal source from which all things are produced; the matrix; the embryo; likened to a womb in which all of a child is conceived— its body, mind, etc. It is container and content; it covers and nourishes; and is the source of all supply. It represents the 理性 fundamental nature, both material elements and pure bodhi, or wisdom in essence or purity; 理 being the garbhadhātu as fundamental wisdom, and 智 acquired wisdom or knowledge, the vajradhātu. It also represents the human heart in its innocence or pristine purity, which is considered as the source of all Buddha-pity and moral knowledge. And it indicates that from the central being in the maṇḍala, viz. the Sun as symbol of Vairocana, there issue all the other manifestations of wisdom and power, Buddhas, bodhisattvas, demons, etc. It is 本覺 original intellect, or the static intellectuality, in contrast with 始覺 intellection, the initial or dynamic intellectuality represented in the vajradhātu; hence it is the 因 cause and vajradhātu the 果 effect; though as both are a unity, the reverse may be the rule, the effect being also the cause; it is also likened to 利他 enriching others, as vajradhātu is to 自利 enriching self. Kōbō Daishi, founder of the Yoga or Shingon 眞言 School in Japan, adopted the representation of the ideas in maṇḍalas, or diagrams, as the best way of revealing the mystic doctrine to the ignorant. The garbhadhātu is the womb or treasury of all things, the universe; the 理 fundamental principle, the source; its symbols are a triangle on its base, and an open lotus as representing the sun and Vairocana. In Japan this maṇḍala is placed on the east, typifying the rising sun as source, or 理. The vajradhātu is placed west and represents 智 wisdom or knowledge as derived from 理 the underlying principle, but the two are essential one to the other, neither existing apart. The material and spiritual; wisdom-source and intelligence; essence and substance; and similar complementary ideas are thus portrayed; the garbhadhātu may be generally considered as the static and the vajradhātu as the dynamic categories, which are nevertheless a unity. The garbhadhātu is divided into 三部 three sections representing samādhi or quiescence, wisdom-store, and pity-store, or thought, knowledge, pity; one is called the Buddha-section, the others the Vajra and Lotus sections respectively; the three also typify vimokṣa, prajñā, and dharmakāya, or freedom, understanding, and spirituality. There are three heads of these sections, i. e. Vairocana, Vajrapāṇi, and Avalokiteśvara; each has a mother or source, e. g. Vairocana from Buddha's-eye; and each has a 明王 or emanation of protection against evil; also a śakti or female energy; a germ-letter, etc. The diagram of five Buddhas contains also four bodhisattvas, making nine in all, and there are altogether thirteen 大院 or great courts of various types of ideas, of varying numbers, generally spoken of as 414. Cf. 金剛界; 大日; 兩部. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
胴当て see styles |
douate / doate どうあて |
slip-guard (on one side of the body of a shamisen) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
胴掛け see styles |
dougake / dogake どうがけ doukake / dokake どうかけ |
slip-guard (on one side of the body of a shamisen) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
自他身 see styles |
zì tā shēn zi4 ta1 shen1 tzu t`a shen tzu ta shen jita shin |
one's body and others' bodies | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
自己身 see styles |
zì jǐ shēn zi4 ji3 shen1 tzu chi shen jiko shin |
one's own body | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
落とす see styles |
otosu おとす |
(transitive verb) (1) to drop; to lose; to let fall; to shed (light); to cast (one's gaze); to pour in (liquid); to leave behind; (2) to clean off (dirt, makeup, paint, etc.); to remove (e.g. stains or facial hair); to lose; to spend money at a certain place; to omit; to leave out; to secretly let escape; (3) to lose (a match); to reject (an applicant); to fail (a course); to defeat (in an election); (4) to lower (e.g. shoulders or voice); to lessen (e.g. production or body weight); to worsen (quality); to reduce (e.g. rank or popularity); to speak badly of; to make light of; to fall into straitened circumstances; (5) to fall into (e.g. a dilemma or sin); to make one's own; to have one's bid accepted; to force surrender; to take (e.g. an enemy camp or castle); to forcefully convince; to press for a confession; to deal with; (6) (computer terminology) to download; to copy from a computer to another medium; (7) (martial arts term) to make someone swoon (judo); (8) to finish a story (e.g. with the punch line); (9) to finish (a period, e.g. of fasting) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
虫食む see styles |
mushibamu むしばむ |
(v5m,vi) (1) to be worm-eaten; to be eaten by worms; (2) to affect adversely; to spoil; to ruin; to undermine; to gnaw at (one's heart, body, etc.); to eat into; to destroy | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
裸一貫 see styles |
hadakaikkan はだかいっかん |
having nothing except one's body; having empty pockets; being penniless | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
詰開き see styles |
tsumebiraki つめびらき tsumehiraki つめひらき |
(noun - becomes adjective with の) (1) bargaining; negotiation; (2) turning one's body to the left or right and standing (when leaving the presence of nobility, etc.); (3) sailing close-hauled; sailing on a close reach | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
變化身 变化身 see styles |
biàn huà shēn bian4 hua4 shen1 pien hua shen hengeshin |
The nirmāṇakāya, i.e. transformation-body, or incarnation-body, one of the 三身 trikāya, q.v. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
身うち see styles |
miuchi みうち |
(1) relatives; one's family; (2) friends; members of the same organization; (3) followers; henchmen; (4) one's whole body | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
身一つ see styles |
mihitotsu みひとつ |
(usu. as 身一つで) one's body alone; having nothing except one's body; just oneself (with no belongings) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
身淨慢 see styles |
shēn jìng màn shen1 jing4 man4 shen ching man shinjō man |
pride in the purity of one's body | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
身熟し see styles |
migonashi みごなし |
one's carriage; one's demeanor; agility; body movements | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
部分浴 see styles |
bubunyoku ぶぶんよく |
partial bath (e.g. foot bath, hip bath); bathing only one part of the body | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
えび反り see styles |
ebizori えびぞり |
holding out one or both hands and arching one's body backward like a shrimp (in kabuki, represents being overwhelmed by someone's power) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
くねらす see styles |
kunerasu くねらす |
(transitive verb) (See くねる) to wriggle; to twist (one's body); to writhe | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
一心同体 see styles |
isshindoutai / isshindotai いっしんどうたい |
(yoji) being one in body and soul; of one flesh; two hearts beating as one | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
一月三身 see styles |
yī yuè sān shēn yi1 yue4 san1 shen1 i yüeh san shen ichigatsu sanshin |
The allegorical trikāya or three bodies of the moon, i.e. form as 法身, its light as 報身, its reflection as 應身; the Buddha-truth 法 has also its 體 body, its light of wisdom 智, and its application or use 用, but all three are one, or a trinity; see trikāya, 三身. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
一眞法界 see styles |
yī zhēn fǎ jiè yi1 zhen1 fa3 jie4 i chen fa chieh isshinhokkai |
The dharma realm of the one reality, i.e. of the bhūtatathatā, complete in a speck of dust as in a universe; such is the dharmakāya, or spiritual body of all Buddhas, eternal, above terms of being, undefinable, neither immanent nor transcendent, yet the one reality, though beyond thought. It is the fundamental doctrine of the 華嚴宗. The 法界 is 諸佛平等法身, 從本以來不生不滅, 非空非有, 離名離相, 無內無外, 惟一眞實, 不可思議, 是名一眞法界; see 三藏法數 4. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
一篋四蛇 一箧四蛇 see styles |
yī qiè sì shé yi1 qie4 si4 she2 i ch`ieh ssu she i chieh ssu she ikkyō shi ja |
Four snakes in one basket, i.e. the four passions in one body, cf. 四大. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
一體三寶 一体三宝 see styles |
yī tǐ sān bǎo yi1 ti3 san1 bao3 i t`i san pao i ti san pao ittai no sanbō |
In the one body of the saṅgha is the whole triratna, Buddha, Dharma, and saṅgha. Also, Mind, Buddha, and the living, these three are without differentiation, 心佛與衆生是三無差別, i.e. are all one. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
七處八會 七处八会 see styles |
qī chù bā huì qi1 chu4 ba1 hui4 ch`i ch`u pa hui chi chu pa hui shichisho hachie |
The eight assemblies in seven different places, at which the sixty sections of the 華嚴經 Avataṃsaka-sūtra are said to have been preached; the same sutra in eighty sections is accredited to the 七處九會. 七處平等相 One of the thirty-two signs on the Budda's body—the perfection of feet, hands, shoulders, and head. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
不惜身命 see styles |
bù xí shēn mìng bu4 xi2 shen1 ming4 pu hsi shen ming fushakushinmyou / fushakushinmyo ふしゃくしんみょう |
(yoji) {Buddh} (See 可惜身命) devoting one's body and soul to Buddhist teachings; unsparing devotion to Buddhism The bodhisattva virtue of not sparing one's life (for the sake of bodhi). |
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五勞七傷 五劳七伤 see styles |
wǔ láo qī shāng wu3 lao2 qi1 shang1 wu lao ch`i shang wu lao chi shang |
(TCM) "five strains and seven impairments", five referring to the five viscera 五臟|五脏[wu3 zang4], and seven to adverse effects on one's body as a result of: overeating (spleen), anger (liver), moisture (kidney), cold (lung), worry (heart), wind and rain (outer appearance) and fear (mind) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
五智如來 五智如来 see styles |
wǔ zhì rú lái wu3 zhi4 ru2 lai2 wu chih ju lai gochi nyorai |
五智五佛; 五佛; 五如來 The five Dhyāni-Buddhas, or Wisdom-Tathāgatas of the Vajradhātu 金剛界, idealizations of five aspects of wisdom; possibly of Nepalese origin. The Wisdom Buddha represents the dharmakāya or Buddha-mind, also the Dharma of the triratna, or trinity. Each evolves one of the five colours, one of the five senses, a Dhyani-bodhisattva in two forms onegracious, the other fierce, and a Mānuṣi-Buddha; each has his own śakti, i. e. feminine energy or complement; also his own bīja, or germ-sound 種子or 印 seal, i. e. 眞言 real or substantive word, the five being for 大日 aṃ, for 阿閦 hūṃ, for 寶生 ? hrīḥ, for 彌陀 ? aḥ, for 不 空 ? āḥ. The five are also described as the emanations or forms of an Ādi-Buddha, Vajrasattva; the four are considered by others to be emanations or forms of Vairocana as theSupreme Buddha. The five are not always described as the same, e. g. they may be 藥師 (or 王) Bhaiṣajya, 多寶 Prabhūtaratna, Vairocana, Akṣobhya, andeither Amoghasiddhi or Śākyamuni. Below is a classified list of the generally accepted five with certain particulars connected with them, butthese differ in different places, and the list can only be a general guide. As to the Dhyāni-bodhisattvas, each Buddha evolves three forms 五佛生五菩薩, 五金剛, 五忿怒, i. e. (1) a bodhisattva who represents the Buddha's dharmakāya, or spiritual body; (2) a vajra ordiamond form who represents his wisdom in graciousness; and (3) a fierce or angry form, the 明王 who represents his power against evil. (1) Vairocanaappears in the three forms of 轉法輪菩薩 Vajra-pāramitā Bodhisattva, 遍照金剛 Universally Shining Vajrasattva, and 不動明王 Ārya-Acalanātha Rāja; (2) Akṣobhya's three forms are 虛空藏 Ākāśagarbha, 如意 complete power, and 軍荼利明王 Kuṇḍalī-rāja; (3 ) Ratnasaṃbhava's are 普賢 Samantabhadra, 薩埵Sattvavajra, and 孫婆 or 降三世明王 Trailokyavijayarāja; (4) Amitābha's are 觀世音 Avalokiteśvara, 法金剛 Dharmarāja, and 馬頭明王 Hayagrīva, thehorse-head Dharmapāla; (5) Amoghasiddhi's are 彌勒 Maitreya, 業金剛Karmavajra, and 金剛夜叉 Vajrayakṣa. The above Bodhisattvas differ from those in the following list:
Arrival of the five wise Buddhas |
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五臓六腑 see styles |
gozouroppu / gozoroppu ごぞうろっぷ |
(1) (yoji) (See 五臓,六腑) the five viscera and the six internal organs; (2) (yoji) inside one's body; in one's heart | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
以身報國 以身报国 see styles |
yǐ shēn bào guó yi3 shen1 bao4 guo2 i shen pao kuo |
to give one's body for the nation (idiom); to spend one's whole life in the service of the country | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
仰屋著書 仰屋著书 see styles |
yǎng wū zhù shū yang3 wu1 zhu4 shu1 yang wu chu shu |
lit. to stare at the ceiling while writing a book (idiom); to put one's whole body and soul into a book | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
住定菩薩 住定菩萨 see styles |
zhù dìng pú sà zhu4 ding4 pu2 sa4 chu ting p`u sa chu ting pu sa jūjō (no) bosatsu |
A bodhisattva firmly fixed, or abiding in certainty. After a bodhisattva has completed three great asaṁkhyeyakalpas he has still one hundred great kalpas to complete. This period is called abiding in fixity or firmness, divided into six kinds: certainty of being born in a good gati, in a noble family, with a good body, a man, knowing the abiding places of his transmigrations, knowing the abiding character of his good works. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
体を許す see styles |
karadaoyurusu からだをゆるす |
(exp,v5s) to give oneself to (esp. of a woman to a man); to surrender one's body | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
全身全霊 see styles |
zenshinzenrei / zenshinzenre ぜんしんぜんれい |
(yoji) complete devotion; body and soul; one's best | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
前俯後仰 前俯后仰 see styles |
qián fǔ hòu yǎng qian2 fu3 hou4 yang3 ch`ien fu hou yang chien fu hou yang |
to rock one's body backward and forward; to be convulsed (with laughter etc) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
勞心勞力 劳心劳力 see styles |
láo xīn láo lì lao2 xin1 lao2 li4 lao hsin lao li |
to tax one's mind and body; demanding (work); dedicated (worker); hard-working | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
十六菩薩 十六菩萨 see styles |
shí liù pú sà shi2 liu4 pu2 sa4 shih liu p`u sa shih liu pu sa jūroku bosatsu |
十六大士 (or 十六正士) The sixteen bodhisattvas; there are two groups, one of the 顯教 exoteric, one of the 密教 esoteric cults; the exoteric list is indefinite; the esoteric has two lists, one is of four bodhisattvas to each of the Buddhas of the four quarters of the Diamond Realm; the other is of the sixteen who represent the body of bodhisattvas in a 賢 kalpa, such as the present: E. 彌勒, 不空, 除憂, 除惡; S. 香象, 大精進, 虛 空藏智幢; W. 無量光, 賢護, 網明, 月光; N. 無量意 (文殊), 辨積, 金剛藏普賢. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
半身不遂 see styles |
bàn shēn bù suí ban4 shen1 bu4 sui2 pan shen pu sui |
paralysis of one side of the body; hemiplegia | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
半身不随 see styles |
hanshinfuzui はんしんふずい |
(noun - becomes adjective with の) (yoji) hemiplegia (paralysis on one side of the body) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
半身麻痺 see styles |
hanshinmahi はんしんまひ |
{med} (See 片麻痺) hemiplegia (paralysis on one side of the body) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
口嫌體直 口嫌体直 see styles |
kǒu xián tǐ zhí kou3 xian2 ti3 zhi2 k`ou hsien t`i chih kou hsien ti chih |
your lips say one thing, but your body language reveals what you really think (four-character version of 口嫌體正直|口嫌体正直[kou3 xian2 ti3 zheng4 zhi2]) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
可惜身命 see styles |
atarashinmyou / atarashinmyo あたらしんみょう |
(yoji) valuing one's body and life; holding one's life dear | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
四階成道 四阶成道 see styles |
sì jiē chéng dào si4 jie1 cheng2 dao4 ssu chieh ch`eng tao ssu chieh cheng tao shikai jōdō |
(or 四階成佛) The four Hīnayāna steps for attaining Buddhahood, i. e. the myriad deeds of the three asaṃkhyeya kalpas; the continually good karma of a hundred great kalpas; in the final body the cutting off of the illusions of the lower eight states; and the taking of one's seat on the bodhi-plot for final enlightenment, and the cutting off of the thirty-four forms of delusive thought. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
大自在天 see styles |
dà zì zài tiān da4 zi4 zai4 tian1 ta tzu tsai t`ien ta tzu tsai tien daijizaiten だいじざいてん |
{Buddh} Mahesvara (Shiva in the Buddhist pantheon) Maheśvara, 摩醯首濕伐羅 or Śiva, lord of the present chiliocosm, or universe; he is described under two forms, one as the prince of demons, the other as divine, i.e. 毘舍闍 Piśācamaheśvara and 淨居 Śuddhāvāsa- or Śuddhodanamaheśvara. As Piśāca, head of the demons, he is represented with three eyes and eight arms, and riding on a white bull; a bull or a linga being his symbol. The esoteric school takes him for the transformation body of Vairocana, and as appearing in many forms, e.g. Viṣṇu, Nārāyana (i.e. Brahmā), etc. His wife (śakti) is Bhīmā, or 大自在天婦. As Śuddhāvāsa, or Pure dwelling, he is described as a bodhisattva of the tenth or highest degree, on the point of entering Buddhahood. There is dispute as to whether both are the same being, or entirely different. The term also means the sixth or highest of the six desire heavens. |
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実になる see styles |
mininaru みになる |
(irregular kanji usage) (Godan verb with "ru" ending) to do one good; to be beneficial; to be good for the body; to be helpful | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
心身一如 see styles |
shinjinichinyo しんじんいちにょ shinshinichinyo しんしんいちにょ |
(yoji) body and mind as one; mind-body unity | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
手舞足蹈 see styles |
shǒu wǔ zú dǎo shou3 wu3 zu2 dao3 shou wu tsu tao |
lit. to move one's hands and feet about (idiom); fig. to dance about; to express one's feelings in body language; to gesture animatedly; (TCM) involuntary movements of the limbs | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
抹土塗灰 抹土涂灰 see styles |
mǒ tǔ tú huī mo3 tu3 tu2 hui1 mo t`u t`u hui mo tu tu hui matsudo zukai |
to daub one's body with mud and ash | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
捨身求法 舍身求法 see styles |
shě shēn qiú fǎ she3 shen1 qiu2 fa3 she shen ch`iu fa she shen chiu fa |
to abandon one's body in the search for Buddha's truth (idiom) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
法身體性 法身体性 see styles |
fǎ shēn tǐ xìng fa3 shen1 ti3 xing4 fa shen t`i hsing fa shen ti hsing hōshin taishō |
The embodiment, totality, or nature of the dharmakāya. In Hīnayāna the Buddha-nature in its 理 or absolute side is described as not discussed, being synonymous with the 五分 five divisions of the commandments, meditation, wisdom, release, and doctrine, 戒, 定, 慧, 解脫, and 知見. In the Mahāyāna the 三論宗 defines the absolute or ultimate reality as the formless which contains all forms, the essence of being, the noumenon of the other two manifestations of the triratna. The 法相宗 defines it as (a) the nature or essence of the whole triratna; (b) the particular form of the Dharma in that trinity. The One-Vehicle schools represented by the 華嚴宗, 天台, etc., consider it to be the bhūtatathatā, 理 and 智 being one and undivided. The Shingon sect takes the six elements-earth, water, fire, air, space, mind-as the 理 or fundamental dharmakāya and the sixth, mind, intelligence, or knowledge, as the 智 Wisdom dharmakāya. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
海老反り see styles |
ebizori えびぞり |
holding out one or both hands and arching one's body backward like a shrimp (in kabuki, represents being overwhelmed by someone's power) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
消え入る see styles |
kieiru / kieru きえいる |
(v5r,vi) (1) to vanish gradually (e.g. of a voice); to trail off; to die away; to dwindle; (v5r,vi) (2) to feel one's soul leaving one's body (from embarrassment, grief, etc.); to feel faint; to feel numb; to feel as though one is going to die |
Entries with 2nd row of characters: The 2nd row is Simplified Chinese.
This page contains 100 results for "One Body" in Chinese and/or Japanese.Information about this dictionary:
Apparently, we were the first ones who were crazy enough to think that western people might want a combined Chinese, Japanese, and Buddhist dictionary.
A lot of westerners can't tell the difference between Chinese and Japanese - and there is a reason for that. Chinese characters and even whole words were borrowed by Japan from the Chinese language in the 5th century. Much of the time, if a word or character is used in both languages, it will have the same or a similar meaning. However, this is not always true. Language evolves, and meanings independently change in each language.
Example: The Chinese character 湯 for soup (hot water) has come to mean bath (hot water) in Japanese. They have the same root meaning of "hot water", but a 湯屋 sign on a bathhouse in Japan would lead a Chinese person to think it was a "soup house" or a place to get a bowl of soup. See this: Japanese Bath House
This dictionary uses the EDICT and CC-CEDICT dictionary files.
EDICT data is the property of the Electronic Dictionary Research and Development Group, and is used in conformance with the Group's
license.
Chinese Buddhist terms come from Dictionary of Chinese Buddhist Terms by William Edward Soothill and Lewis Hodous. This is commonly referred to as "Soothill's'". It was first published in 1937 (and is now off copyright so we can use it here). Some of these definitions may be misleading, incomplete, or dated, but 95% of it is good information. Every professor who teaches Buddhism or Eastern Religion has a copy of this on their bookshelf. We incorporated these 16,850 entries into our dictionary database ourselves (it was lot of work).
Combined, these cover 1,007,753 Japanese, Chinese, and Buddhist characters, words, idioms, names, placenames, and short phrases.
Just because a word appears here does not mean it is appropriate for a tattoo, your business name, etc. Please consult a professional before doing anything stupid with this data.
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No warranty as to the correctness, potential vulgarity, or clarity is expressed or implied. We did not write any of these definitions (though we occasionally act as a contributor/editor to the CC-CEDICT project). You are using this dictionary for free, and you get what you pay for.
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