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Simple Dictionary Definition |
佛 see styles |
fú fu2 fu hotoke ほとけ |
More info & calligraphy: Buddhism / Buddha(surname) Hotoke Buddha, from budh to "be aware of", "conceive", "observe", "wake"; also 佛陀; 浮圖; 浮陀; 浮頭; 浮塔; 勃陀; 勃馱; 沒馱; 母馱; 母陀; 部陀; 休屠. Buddha means "completely conscious, enlightened", and came to mean the enlightener. he Chinese translation is 覺 to perceive, aware, awake; and 智 gnosis, knowledge. There is an Eternal Buddha, see e.g. the Lotus Sutra, cap. 16, and multitudes of Buddhas, but the personality of a Supreme Buddha, an Ādi-Buddha, is not defined. Buddha is in and through all things, and some schools are definitely Pan-Buddhist in the pantheistic sense. In the triratna 三寳 commonly known as 三寳佛, while Śākyamuni Buddha is the first "person" of the Trinity, his Law the second, and the Order the third, all three by some are accounted as manifestations of the All-Buddha. As Śākyamuni, the title indicates him as the last of the line of Buddhas who have appeared in this world, Maitreya is to be the next. As such he is the one who has achieved enlightenment, having discovered the essential evil of existence (some say mundane existence, others all existence), and the way of deliverance from the constant round of reincarnations; this way is through the moral life into nirvana, by means of self-abnegation, the monastic life, and meditation. By this method a Buddha, or enlightened one, himself obtains Supreme Enlightenment, or Omniscience, and according to Māhāyanism leads all beings into the same enlightenment. He sees things not as they seem in their phenomenal but in their noumenal aspects, as they really are. The term is also applied to those who understand the chain of causality (twelve nidānas) and have attained enlightenment surpassing that of the arhat. Four types of the Buddha are referred to: (1) 三藏佛the Buddha of the Tripiṭaka who attained enlightenment on the bare ground under the bodhi-tree; (2) 通佛the Buddha on the deva robe under the bodhi-tree of the seven precious things; (3) 別佛the Buddha on the great precious Lotus throne under the Lotus realm bodhi-tree; and (4) 圓佛the Buddha on the throne of Space in the realm of eternal rest and glory where he is Vairocana. The Hīnayāna only admits the existence of one Buddha at a time; Mahāyāna claims the existence of many Buddhas at one and the same time, as many Buddhas as there are Buddha-universes, which are infinite in number. |
念 see styles |
niàn nian4 nien nen ねん |
More info & calligraphy: Mindfulness(1) (esp. 〜の念) sense; idea; thought; feeling; (2) desire; concern; (3) (esp. 念に〜、念の／が〜) attention; care; (personal name) Nen smṛti. Recollection, memory; to think on, reflect; repeat, intone; a thought; a moment. |
意 see styles |
yì yi4 i kokoro こころ |
More info & calligraphy: Idea / Thought / Meaning(1) feelings; thoughts; (2) meaning; (personal name) Kokoro Manas, the sixth of the ṣaḍāyatanas or six means of perception, i.e. sight, hearing, smell, taste, touch, and mind. Manas means "mind (in its widest sense as applied to all the mental powers), intellect, intelligence, understanding, perception, sense, conscience, will". M.W. It is "the intellectual function of consciousness", Keith. In Chinese it connotes thought, idea, intention, meaning, will; but in Buddhist terminology its distinctive meaning is mind, or the faculty of thought. |
法 see styles |
fǎ fa3 fa minori みのり |
More info & calligraphy: Dharma / The Law(n,n-suf) (1) law; act; principle; (n,n-suf) (2) method; (n,n-suf) (3) {gramm} mood; (n,n-suf) (4) {Buddh} dharma; law; (female given name) Minori Dharma, 達磨; 曇無 (or 曇摩); 達摩 (or 達謨) Law, truth, religion, thing, anything Buddhist. Dharma is 'that which is held fast or kept, ordinance, statute, law, usage, practice, custom'; 'duty'; 'right'; 'proper'; 'morality'; 'character'. M. W. It is used in the sense of 一切 all things, or anything small or great, visible or invisible, real or unreal, affairs, truth, principle, method, concrete things, abstract ideas, etc. Dharma is described as that which has entity and bears its own attributes. It connotes Buddhism as the perfect religion; it also has the second place in the triratna 佛法僧, and in the sense of 法身 dharmakāya it approaches the Western idea of 'spiritual'. It is also one of the six media of sensation, i. e. the thing or object in relation to mind, v. 六塵. |
火 see styles |
huǒ huo3 huo hi ひ |
More info & calligraphy: Firefire; flame; blaze Fire, flame. Śikhin 尸棄; 式棄, which means fire in the sense of flame, is the name of the 999th Buddha of the kalpa preceding this. |
無 无 see styles |
wú wu2 wu non のん |
More info & calligraphy: Nothing / Nothingness(1) nothing; naught; nought; nil; zero; (prefix) (2) un-; non-; (prefix) (1) un-; non-; (2) bad ...; poor ...; (female given name) Non Sanskrit a, or before a vowel an, similar to English un-, in- in a negative sense; not no, none, non-existent, v. 不, 非, 否; opposite of 有. |
西 see styles |
xī xi1 hsi nishihama にしはま |
More info & calligraphy: West(1) {mahj} west wind tile (chi: xī); (2) {mahj} winning hand with a pung (or kong) of west wind tiles; (surname) Nishihama paścima, 跛室制麽; west; it is largely used in the limited sense of Kashmir in such terms as 西方 the west, or western regions; but it is also much used for the western heavens of Amitābha; 西天 is India, the western 天竺國. |
香 see styles |
xiāng xiang1 hsiang yuka ゆか |
More info & calligraphy: Fragrant / Good Smell(See 御香) incense; (female given name) Yuka (竹; 象) Incense made in coils and burnt to measure the time; also 香盤; 香印.; gandha. Fragrance; incense; the sense of smell, i.e. one of the ṣaḍāyātana, six senses. Incense is one of the 使 Buddha's messengers to stimulate faith and devotion. |
乞灑 乞洒 see styles |
qǐ sǎ qi3 sa3 ch`i sa chi sa kisha |
More info & calligraphy: Ksaya / Omega / Finality |
人情 see styles |
rén qíng ren2 qing2 jen ch`ing jen ching ninjou / ninjo にんじょう |
More info & calligraphy: Empathy / Humanity(1) humanity; empathy; kindness; sympathy; (2) human nature; common sense; customs and manners human emotions |
侘寂 see styles |
wabisabi わびさび |
More info & calligraphy: Wabi Sabi |
善心 see styles |
shàn xīn shan4 xin1 shan hsin yoshinaka よしなか |
More info & calligraphy: Good Heartvirtue; moral sense; conscience; (given name) Yoshinaka A good heart, or mind. |
工兵 see styles |
gōng bīng gong1 bing1 kung ping kouhei / kohe こうへい |
More info & calligraphy: Military Engineeringcombat engineer; military engineer; combat engineering; military engineering |
廉恥 廉耻 see styles |
lián chǐ lian2 chi3 lien ch`ih lien chih renchi れんち |
More info & calligraphy: Sense of Shame / Sense of Honor / Integrity / Modesty (Korean)sense of honour (honor) |
感知 see styles |
gǎn zhī gan3 zhi1 kan chih kanchi かんち |
More info & calligraphy: Perception(noun, transitive verb) perception; sensing; noticing |
放心 see styles |
fàng xīn fang4 xin1 fang hsin houshin / hoshin ほうしん |
More info & calligraphy: No Worries(n,vs,vi) (1) absentmindedness; preoccupation; being in a daze; (n,vs,vi) (2) (dated) setting one's mind at ease; ceasing to worry; relief; (n,vs,vi) (3) (archaism) (Mencian philosophical term; contrast with 良心) loss of one's moral sense; straying from virtue absentmindedness |
智恵 see styles |
norie のりえ |
More info & calligraphy: Wisdom / Intelligence |
智慧 see styles |
zhì huì zhi4 hui4 chih hui tomoe ともえ |
More info & calligraphy: Wisdom(1) wisdom; wit; sagacity; sense; intelligence; (2) (Buddhist term) prajna (insight leading to enlightenment); (female given name) Tomoe jñāna as 智 knowledge and prajñā as 慧 discernment, i.e. knowledge of things and realization of truth; in general knowledge and wisdom; but sometimes implying mental and moral wisdom. |
知恵 see styles |
tomoe ともえ |
More info & calligraphy: Wisdom |
義理 义理 see styles |
yì lǐ yi4 li3 i li yoshimasa よしまさ |
More info & calligraphy: Giri(noun - becomes adjective with の) (1) duty; sense of duty; honor; honour; decency; courtesy; debt of gratitude; social obligation; (can be adjective with の) (2) in-law; relation by marriage; (given name) Yoshimasa reason |
虛空 虚空 see styles |
xū kōng xu1 kong1 hsü k`ung hsü kung kokū |
More info & calligraphy: Nothingness / Empty / Voidśūnya; empty, void, space; ākāśa, in the sense of space, or the ether; gagana, the sky, atmosphere, heaven; kha, space, sky, ether, 虛 is defined as that which is without shape or substantiality, 空 as that which has no resistance. The immaterial universe behind all phenomena. |
第六感 see styles |
dì liù gǎn di4 liu4 gan3 ti liu kan dairokkan だいろっかん |
More info & calligraphy: Sixth Sense / Intuitionthe sixth sense; intuition; hunch |
侘び寂び see styles |
wabisabi わびさび |
More info & calligraphy: Wabi Sabi |
物の哀れ see styles |
mononoaware もののあわれ mononoahare もののあはれ |
More info & calligraphy: Mono no Aware |
笑いの壺 see styles |
warainotsubo わらいのつぼ |
More info & calligraphy: Sense of Humor |
假 see styles |
jià jia4 chia ke |
vacation To borrow, pretend, assume, suppose; unreal, false, fallacious. In Buddhism it means empirical; nothing is real and permanent, all is temporal and merely phenomenal, fallacious, and unreal; hence the term is used in the sense of empirical, phenomenal, temporal, relative, unreal, seeming, fallacious, etc. The three fundamental propositions or 三諦 are 空假中 the void, or noumenon; the empirical, or phenomenal; and the mean. |
冥 see styles |
míng ming2 ming mei / me めい |
dark; deep; stupid; the underworld (female given name) Mei Darkness, obscurity; deep. Hades; used chiefly in the sense of 無知 ignorance, profound, secret, invisible, e.g. as opposed to 顯 open, manifest. |
勘 see styles |
kān kan1 k`an kan satoru さとる |
to investigate; to survey; to collate perception; intuition; the sixth sense; (given name) Satoru To investigate, examine, collate. |
匂 see styles |
kaoru かおる |
(irregular okurigana usage) (1) odour; odor; scent; smell; stench; (2) aura; whiff; smacks of ...; sense; flavour; flavor; (m,f) Kaoru |
味 see styles |
wèi wei4 wei mi み |
taste; smell; (fig.) (noun suffix) feel; quality; sense; (TCM) classifier for ingredients of a medicine prescription (1) (sense of) taste; (counter) (2) counter for kinds of food, drink or medicine rasa. Taste, flavour; the sense of taste. One of the six sensations. |
咒 see styles |
zhòu zhou4 chou ju じゅ |
incantation; magic spell; curse; malediction; to revile; to put a curse on sb (1) spell; curse; (2) (Buddhist term) dharani; mantra dhāraṇī 陀羅尼; mantra; an incantation, spell, oath, curse; also a vow with penalties for failure. Mystical, or magical, formulae employed in Yoga. In Lamaism they consist of sets of Tibetan words connected with Sanskrit syllables. In a wider sense dhāraṇī is a treatise with mystical meaning, or explaining it. |
唵 see styles |
ǎn an3 an on おん |
(interjection) oh!; (dialect) to stuff something in one's mouth; (used in buddhist transliterations) om (interjection) (See オーム) om (ritual chant in Hinduism, etc.); aum oṃ; auṃ; 'a word of solemn affirmation and respectful assent (sometimes translated by yes, verily, so be it, and in this sense compared with Amen). 'M. W. It is 'the mystic name for the Hindu triad', and has other significations. It was adopted by Buddhists, especially by the Tantric school, as a mystic spell, and as an object of meditation. It forms the first syllable of certain mystical combinations, e. g. 唵?呢叭 061971 吽 oṃ maṇi padme huṃ, which is a formula of the Lamaistic branch, said to be a prayer to Padmapani; each of the six syllables having its own mystic power of salvation from the lower paths of transmigration, etc.; the formula is used in sorcery, auguries, etc.; other forms of it are 唵?呢鉢頭迷吽; 唵麽抳鉢訥銘吽. |
境 see styles |
jìng jing4 ching sakae さかえ |
border; place; condition; boundary; circumstances; territory (1) border; boundary; (2) turning point; watershed; (3) area; region; spot; space; environment; (4) psychological state; mental state; (1) border; boundary; (2) area; region; spot; space; environment; (3) psychological state; mental state; (4) (Buddhist term) cognitive object; something perceptible by the sense organs or mind; (surname) Sakae viṣaya; artha; gocara. A region, territory, environment, surroundings, area, field, sphere, e.g. the sphere of mind, the sphere of form for the eye, of sound for the ear, etc.; any objective mental projection regarded as reality. |
如 see styles |
rú ru2 ju yuki ゆき |
as; as if; such as {Buddh} (See 真如) tathata (the ultimate nature of all things); (female given name) Yuki tathā 多陀; 但他 (or 怛他), so, thus, in such manner, like, as. It is used in the sense of the absolute, the 空 śūnya, which is 諸佛之實相 the reality of all Buddhas; hence 如 ru is 賃相 the undifferentiated whole of things, the ultimate reality; it is 諸法之性 the nature of all things, hence it connotes 法性 faxing which is 眞實之際極 the ultimate of reality, or the absolute, and therefore connotes 實際 ultimate reality. The ultimate nature of all things being 如 ru, the one undivided same, it also connotes 理 li, the principle or theory behind all things, and this 理 li universal law, being the 眞實 truth or ultimate reality; 如 ru is termed 眞如 bhūtatathatā, the real so, or suchness, or reality, the ultimate or the all, i. e. the 一如 yiru. In regard to 如 ju as 理 li the Prajñā-pāramitā puṇḍarīka makes it the 中 zhong, neither matter nor nothingness. It is also used in the ordinary sense of so, like, as (cf yathā). |
微 see styles |
wēi wei1 wei honoka ほのか |
tiny; miniature; slightly; profound; abtruse; to decline; one millionth part of; micro-; Taiwan pr. [wei2] (noun or adjectival noun) (1) minuteness; (numeric) (2) one millionth; (female given name) Honoka sūkṣma. Minute, small, slight; abstruse, subtle; disguised; not; used in the sense of a molecule seven times larger than 極微 an atom; translit. vi, bi. |
感 see styles |
gǎn gan3 kan kan かん |
to feel; to move; to touch; to affect; feeling; emotion; (suffix) sense of ~ (n,n-suf) (1) feeling; sensation; emotion; admiration; impression; (2) (abbreviation) {ling} (part of speech tag used in dictionaries) (See 感動詞) interjection; (given name) Kan To influence, move. |
憾 see styles |
hàn han4 han ikumi いくみ |
regret (sense of loss or dissatisfaction) (personal name) Ikumi to resent |
根 see styles |
gēn gen1 ken nemawari ねまわり |
root; basis; classifier for long slender objects, e.g. cigarettes, guitar strings; CL:條|条[tiao2]; radical (chemistry) (1) root (of a plant); (2) root (of a tooth, hair, etc.); center (of a pimple, etc.); (3) root (of all evil, etc.); source; origin; cause; basis; (4) one's true nature; (5) (fishing) reef; (personal name) Nemawari mūla, a root, basis, origin; but when meaning an organ of sense, indriyam, a 'power', 'faculty of sense, sense, organ of sense'. M.W. A root, or source; that which is capable of producing or growing, as the eye is able to produce knowledge, as faith is able to bring forth good works, as human nature is able to produce good or evil karma. v. 五根 and 二十二根. |
汚 污 see styles |
wū wu1 wu yogore; yogore よごれ; ヨゴレ |
variant of 污[wu1] (kana only) (See 汚鮫・よごれざめ,オーシャニックホワイトティップシャーク) oceanic whitetip shark (Carcharhinus longimanus) Filthy, impure. kleśa; contamination of attachment to the pleasures of sense, to heretical views, to moral and ascetic practices regarded as adequate to salvation, to the belief in the self, all which cause misery.; Impure; to defile. |
漏 see styles |
lòu lou4 lou ro |
to leak; to divulge; to leave out by mistake; waterclock or hourglass (old) āsrava, 'flowing, running, discharge; distress, pain, affliction.' M.W. It is defined as another term for 煩惱 q.v.; also as the discharge, or outflow, from the organs of sense, wherever those exist, hence it is applied to the passions and their filth; impure efflux from the mind, v. 欲有; also to the leakage or loss thereby of the 正道 truth; also to the stream of transmigration. |
相 see styles |
xiàng xiang4 hsiang tasuku たすく |
appearance; portrait; picture; government minister; (physics) phase; (literary) to appraise (esp. by scrutinizing physical features); to read sb's fortune (by physiognomy, palmistry etc) (1) aspect; appearance; look; (2) physiognomy (as an indication of one's fortune); (3) {gramm} aspect; (4) {physics;chem} phase (e.g. solid, liquid and gaseous); (given name) Tasuku lakṣana 攞乞尖拏. Also, nimitta. A 'distinctive mark, sign', 'indication, characteristic', 'designation'. M. W. External appearance; the appearance of things; form; a phenomenon 有爲法 in the sense of appearance; mutual; to regard. The four forms taken by every phenomenon are 生住異滅 rise, stay, change, cease, i. e. birth, life, old age, death. The Huayan school has a sixfold division of form, namely, whole and parts, together and separate, integrate and disintegrate. A Buddha or Cakravartī is recognized by his thirty-two lakṣana , i. e. his thirty-two characteristic physiological marks. |
耳 see styles |
ěr er3 erh mimi みみ |
ear; handle (archaeology); and that is all (Classical Chinese) (1) ear; (2) hearing; (3) ear (for music, etc.); (4) edge; crust; heel (of bread or cheese); selvedge (of woven fabric); selvage; (5) ear (of a pot, jug, etc.); handle; (surname, female given name) Mimi śrotra, the ear, one of the 六根 six organs of sense, hence 耳入 is one of the twelve 入, as 耳處 is one of the twelve 處. |
自 see styles |
zì zi4 tzu mizu みず |
(bound form) self; oneself; from; since; naturally; as a matter of course (prefix) (1) self-; (prefix) (2) (See 至) from (a time or place); (female given name) Mizu sva, svayam; the self, one' s own, personal; of itself, naturally, of course; also, from (i. e. from the self as central). 自 is used as the opposite of 他 another, other's, etc., e. g. 自力 (in) one's own strength as contrasted with 他力 the strength of another, especially in the power to save of a Buddha or Bodhisattva. It is also used in the sense of ātman 阿怛摩 the self, or the soul. |
臭 see styles |
xiù xiu4 hsiu shuu / shu しゅう |
sense of smell; smell bad (suffix) (1) (See カビ臭) -smell; stinking of; (suffix) (2) smacking of; hinting of Stink, stinking; smell. |
色 see styles |
shǎi shai3 shai shiki しき |
(coll.) color; used in 色子[shai3 zi5] (counter) counter for colours; (female given name) Shiki rūpa, outward appearance, form, colour, matter, thing; the desirable, especially feminine attraction. It is defined as that which has resistance; or which changes and disappears, i. e. the phenomenal; also as 顯, 形 and 表色 colour and quality, form or the measurable, and mode or action. There are divisions of two, i. e. inner and outer, as the organs and objects of sense; also colour and form; of three, i. e. the visible object, e. g. colour, the invisible object, e. g. sound, the invisible and immaterial; of eleven, i. e. the five organs and five objects of sense and the immaterial object; of fourteen, the five organs and five objects of sense and the four elements, earth, water, fire, air. rūpa is one of the six bāhya-āyatana, the 六塵; also one of the five skandhas, 五蘊, i. e. the 色身. Keith refers to rūpa as 'material form or matter which is underived (no-utpādā) and which is derived (utpādā)', the underived or independent being the tangible; the derived or dependent being the senses, e. g. of hearing; most of their objects, e. g. sound; the qualities or faculties of feminity, masculinity, vitality; intimation by act and speech, space; qualities of matter, e. g. buoyancy and physical nutriment. |
著 着 see styles |
zhù zhu4 chu akira あきら |
to make known; to show; to prove; to write; book; outstanding (1) (written) work; book; (suffix) (2) (after an author's name) (written) by; (3) (obsolete) clearness; obviousness; conspicuousness; (personal name) Akira To manifest, display, publish, fix; interchanged with 着. In a Buddhist sense it is used for attachment to anything, e.g. the attachment of love, desire, greed, etc.; To cover, put on; cause; place; complete; ought, must. |
蘊 蕴 see styles |
yùn yun4 yün osamu おさむ |
to accumulate; to hold in store; to contain; to gather together; to collect; depth; inner strength; profundity (given name) Osamu skandha, v. 塞; older tr. 陰, intp. as that which covers or conceals, implying that physical and mental forms obstruct realization of the truth; while the tr. 蘊, implying an accumulation or heap, is a nearer connotation to skandha, which, originally meaning the shoulder, becomes stem, branch, combination, the objects of sense, the elements of being or mundane consciousness. The term is intp. as the five physical and mental constituents, which combine to form the intelligent 性 or nature; rūpa, the first of the five, is considered as physical, the remaining four as mental; v. 五蘊. The skandhas refer only to the phenomenal, not to the 無爲 non-phenomenal. |
處 处 see styles |
chù chu4 ch`u chu tokoro ところ |
(bound form) place; locality; (bound form) part; aspect; (bound form) office; department; bureau; classifier for locations: spot, point (out-dated kanji) (n,suf) (1) place; spot; scene; site; (2) (kana only) address; (3) (kana only) district; area; locality; (4) (kana only) one's house; (5) (kana only) point; aspect; side; facet; (6) (kana only) passage (in text); part; (7) (kana only) space; room; (8) (kana only) thing; matter; (9) (kana only) whereupon; as a result; (10) (kana only) about to; on the verge of; (11) (kana only) was just doing; was in the process of doing; have just done; just finished doing; (surname) Tokoro To dwell, abide; fix, decide, punish; a place, state. āyatana, 阿耶怛那, also tr. 入, place or entrance of the sense, both the organ and the sensation, or sense datum; hence the 十二處 twelve āyatana, i. e. six organs, and six sense data that enter for discrimination. |
裏 里 see styles |
lǐ li3 li urasaki うらさき |
variant of 裡|里[li3] (1) (ant: 表・おもて・1) opposite side; bottom; other side; side hidden from view; undersurface; reverse side; (2) rear; back; behind; (3) lining; inside; (4) in the shadows; behind the scenes; offstage; behind (someone's) back; (5) more (to something than meets the eye); hidden side (e.g. of one's personality); unknown circumstances; different side; (6) (See 裏付け) proof; (7) (See 裏をかく・1) opposite (of a prediction, common sense, etc.); contrary; (8) inverse (of a hypothesis, etc.); (9) {baseb} (ant: 表・おもて・7) bottom (of an inning); last half (of an inning); (surname) Urasaki back |
見 见 see styles |
xiàn xian4 hsien miru みる |
to appear; also written 現|现[xian4] (n-suf,n) (1) looking; viewing; (expression) (2) (colloquialism) (kana only) (after the -te form of a verb; irreg. imperative conj. of 見る) (See 見る・5) (please) try (to); (female given name) Miru darśana, 捺喇捨曩; also dṛṣṭi; seeing, discerning, judgment, views, opinions; it is thinking, reasoning, discriminating, selecting truth, including the whole process of deducing conclusions from premises. It is commonly used in the sense of wrong or heterodox views or theories, i. e. 邪見 or 有見, especially such as viewing the seeming as real and the ego as real. There are groups of two, four, five, seven, ten and sixty-two kinds of 見. |
訳 see styles |
yì yi4 i wake(p); wake(sk) わけ(P); ワケ(sk) |
Japanese variant of 譯|译[yi4] (1) reason; cause; grounds; (2) meaning; sense; (3) (good) sense; reason; (4) circumstances; case; (5) (romantic) relationship; love affair |
謂 谓 see styles |
wèi wei4 wei ii / i いい |
to speak; to say; to name; to designate; meaning; sense (kana only) (usu. as 〜のいい) what was said; what it means; origin of a story (or tradition, etc.) say |
識 识 see styles |
zhì zhi4 chih tsuguhide つぐひで |
to record; to write a footnote (1) acquaintanceship; (2) {Buddh} vijnana; consciousness; (3) (after a signature) written by ...; (personal name) Tsuguhide vijñāna, "the art of distinguishing, or perceiving, or recognizing, discerning, understanding, comprehending, distinction, intelligence, knowledge, science, learning . . . wisdom." M.W. parijñāna, "perception, thorough knowledge," etc. M.W. It is intp. by 心 the mind, mental discernment, perception, in contrast with the object discerned; also by 了別 understanding and discrimination. There are classifications of 一識 that all things are the one mind, or are metaphysical; 二識 q. v. discriminating the ālaya-vijñāna or primal undivided condition from the mano-vijñāna or that of discrimination; 三識 in the Laṅkāvatāra Sutra, fundamental, manifested and discriminate; 五識 q.v. in the 起信論, i.e. 業, 轉, 現, 知, and 相續識; 六識 the perceptions and discernings of the six organs of sense; also of 8, 9, 10, and 11 識. The most important is the eight of the 起信論, i.e. the perceptions of the six organs of sense, eye, ear, nose, tongue, body (or touch), and mind, together with manas, intp. as 意識 the consciousness of the previous moment, on which the other six depend; the eighth is the ālaya-vijñāna, v. 阿賴耶, in which is contained the seed or stock of all phenomena and which 無沒 loses none, or nothing, is indestructible; a substitute for the seventh is ādāna 'receiving' of the 唯識, which is intp. as 無解 undiscriminated, or indefinite perception; there is a difference of view between the 相 and the 性 schools in regard to the seventh and eight 識; and the latter school add a ninth called the amala, or pure vijñāna, i.e. the non-phenomenal 眞如識. The esoterics add that all phenomena are mental and all things are the one mind, hence the one mind is 無量識 unlimited mind or knowledge, every kind of knowledge, or omniscience. vijñāna is one of the twelve nidānas.; Ālaya-vijñāna and mano-vijñāna; i. e. 阿梨耶 | and 分別事 |; v. 識. |
跫 see styles |
qióng qiong2 ch`iung chiung ashioto あしおと |
sound of footsteps (1) (sound of) footsteps; (2) sense or sign that something is approaching |
量 see styles |
liàng liang4 liang ryou / ryo りょう |
capacity; quantity; amount; to estimate; abbr. for 量詞|量词[liang4 ci2], classifier (in Chinese grammar); measure word (n,n-suf) (1) quantity; amount; volume; capacity; portion (of food); (2) (See 度量・1) generosity; magnanimity; tolerance; (3) pramana (means by which one gains accurate and valid knowledge; in Indian philosophy); (surname, female given name) Ryō pramāṇa. Measure, capacity, length, ability; to measure, deliberate; a syllogism in logic, v. 比量. A syllogism, consisting of 宗 pratijñā, proposition; 因 hetu, reason; 喩 udāharaṇa, example; but the syllogism varies in the number of its avayava, or members. There are other divisions from 2 to 6, e.g. 現量 and 比量 direct or sense inferences, and comparative or logical inferences; to these are added 聖教量 arguments based on authority; 譬喩量 analogy; 義准 postulation, or general assent; and 無體 negation, or non-existence. |
鼻 see styles |
bí bi2 pi hanasaki はなさき |
nose nose; (surname) Hanasaki ghrāṇa. The nose; one of the five 根 indryas; the organ of smell; one of the six vijñānas (六識) or perceptions, the sense of smell; translit. vai, vi. |
ＣＥ see styles |
shii ii; shiiii(sk) / shi i; shii(sk) シー・イー; シーイー(sk) |
(See コンカレントエンジニアリング) concurrent engineering; CE |
ＥＣ see styles |
ii shii; iishii(sk) / i shi; ishi(sk) イー・シー; イーシー(sk) |
(1) European Community; EC; (2) (See エレクトロニックコマース) e-commerce; electronic commerce; (3) (See 緊急避妊) emergency contraception; (4) engineering constructor |
ＩＥ see styles |
ai ii; aiii(sk) / ai i; aii(sk) アイ・イー; アイイー(sk) |
(See インダストリアルエンジニアリング) industrial engineering; IE |
ＳＥ see styles |
esu ii; esuii(sk) / esu i; esui(sk) エス・イー; エスイー(sk) |
(1) systems engineer; (2) systems engineering; (3) sales engineer; (4) sound effect |
ＶＥ see styles |
bui ii; buiii(sk) / bui i; buii(sk) ブイ・イー; ブイイー(sk) |
(See バリューエンジニアリング) value engineering |
一諦 一谛 see styles |
yī dì yi1 di4 i ti ittai |
The doctrine of fundamental unity; an abbrev. for 一實諦 the Mādhyamika fundamental doctrine; also, generally, in the sense of an axiom, or fundamental truth; there are varying definitions of the one fundamental truth. |
一識 一识 see styles |
yī shì yi1 shi4 i shih isshiki |
One sense or perception; the one individual intelligence or soul which uses the various senses, likened to a monkey which climbs in and out of the various windows of a house— a Satyasiddhi and Sautrāntika doctrine. Also, a Vairocana maṇḍala. |
三色 see styles |
sān sè san1 se4 san se sanshoku さんしょく |
(noun - becomes adjective with の) (1) three colours; three colors; (2) (abbreviation) {mahj} (See 三色同順) triple run; winning hand containing the same chow in each of the three suits; (3) (abbreviation) {mahj} (See 三色同刻) triple pung; winning hand containing the same pung in each of the three suits The three kinds of rūpa or form-realms: the five organs (of sense), their objects, and invisible perceptions, or ideas. Cf. 三種色. |
不通 see styles |
bù tōng bu4 tong1 pu t`ung pu tung futsuu / futsu ふつう |
to be obstructed; to be blocked up; to be impassable; to make no sense; to be illogical suspension; interruption; stoppage; tie-up; cessation does not extend to |
主材 see styles |
zhǔ cái zhu3 cai2 chu ts`ai chu tsai shuzai しゅざい |
principal or main material (engineering) main ingredients; chief materials |
乾性 see styles |
kansei / kanse かんせい |
(adj-na,adj-no,n) dry; dryness; dry (pleurisy) |
事教 see styles |
shì jiào shi4 jiao4 shih chiao jikyō |
Teaching dealing with phenomena. The characterization by Tiantai of the Tripiṭaka or Hīnayāna teaching as 界内事教 within the three realms of desire, form, and formlessness; and the 別教 'different teaching' as 界外事教 outside or superior to those realms; the one dealt with the activities of time and sense, the other transcended these but was still involved in the transient; the 別教 was initial Mahāyāna incompletely developed. |
事理 see styles |
shì lǐ shi4 li3 shih li jiri じり |
reason; logic reason; facts; propriety; sense Practice and theory; phenomenon and noumenon, activity and principle, or the absolute; phenomena ever change, the underlying principle, being absolute, neither changes nor acts, it is the 眞如 q. v. also v. 理. For 事理法界 (事理無礙法界) v. 四法界. |
二因 see styles |
èr yīn er4 yin1 erh yin niin / nin にいん |
{Buddh} two causes Two causes, of which there are various definitions: (1) 生因 The producing cause (of all good things); and 了因 the revealing or illuminating cause i.e. knowledge, or wisdom. (2) 能生因 The 8th 識 q. v.: the cause that is able to produce all sense and perceptions, also all good and evil; and 方便因 the environmental or adaptive cause, which aids the 8th 識, as water or earth does the seed, etc. (3) 習因 or 同類因 Practice or habit as cause e. g. desire causing desire; and 報因 or 果熟因 the rewarding cause, or fruit-ripening cause, e. g. pleasure or pain caused by good or evil deeds. (4) 正因 Correct or direct cause i.e. the Buddha-nature of all beings; and 緣因 the contributory cause, or enlightenment (see 了因 above) which evolves the 正因 or Buddha-nature by good works. (5) 近因 Immediate or direct cause and 遠因 distant or indirect cause or causes. |
二根 see styles |
èr gēn er4 gen1 erh ken nikon |
The two "roots" or natural powers. (1) (a) 利根 keen, able (in the religion); (b) 鈍根 dull. (2) (a) 正根; 勝義根The power or ability which uses the sense organs to discern the truth; (b) 扶根; 扶 (or浮) 塵根the sense organs 五根 as aids. (3) The male and female sexual organs. |
五力 see styles |
wǔ lì wu3 li4 wu li goriki |
pañcabalāni, the five powers or faculties — one of the categories of the thirty-seven bodhipakṣika dharma 三十七助道品; they destroy the 五障 five obstacles, each by each, and are: 信力 śraddhābala, faith (destroying doubt); 精進力 vīryabala, zeal (destroying remissness); 念 or 勤念 smṛtibala, memory or thought (destroying falsity); 正定力 samādhibala, concentration of mind, or meditation (destroying confused or wandering thoughts); and 慧力 prajñābala, wisdom (destroying all illusion and delusion). Also the five transcendent powers, i. e. 定力 the power of meditation; 通力 the resulting supernatural powers; 借識力 adaptability, or powers of 'borrowing' or evolving any required organ of sense, or knowledge, i. e. by beings above the second dhyāna heavens; 大願力 the power of accomplishing a vow by a Buddha or bodhisattva; and 法威德力 the august power of Dharma. Also, the five kinds of Mara powers exerted on sight, 五大明王. |
五塵 五尘 see styles |
wǔ chén wu3 chen2 wu ch`en wu chen gojin |
The objects of the five senses, which being dusty or earthly things can taint the true nature; idem 五境. |
五官 see styles |
wǔ guān wu3 guan1 wu kuan gokan ごかん |
five sense organs of TCM (nose, eyes, lips, tongue, ears 鼻目口舌耳); facial features the five sense organs; (place-name) Gokan The five controlling powers, v. 五大使, birth, old age, sickness, death, and the (imperial) magistrate. |
五蘊 五蕴 see styles |
wǔ yùn wu3 yun4 wu yün goun / gon ごうん |
the Five Aggregates (from Sanskrit "skandha") (Buddhism) {Buddh} the five skandhas (matter, sensation, perception, mental formations and consciousness); the five aggregates The five skandhas, pañca-skandha: also 五陰; 五衆; 五塞犍陀 The five cumulations, substances, or aggregates, i. e. the components of an intelligent being, specially a human being: (1) 色 rūpa, form, matter, the physical form related to the five organs of sense; (2) 受 vedana, reception, sensation, feeling, the functioning of the mind or senses in connection with affairs and things; (3) 想 saṃjñā, conception, or discerning; the functioning of mind in distinguishing; (4) 行 saṃskāra, the functioning of mind in its processes regarding like and dislike, good and evil, etc.; (5) 識 vijñāna, mental faculty in regard to perception and cognition, discriminative of affairs and things. The first is said to be physical, the other four mental qualities; (2), (3), and (4) are associated with mental functioning, and therefore with 心所; (5) is associated with the faculty or nature of the mind 心王 manas. Eitel gives— form, perception, consciousness, action, knowledge. See also Keith's Buddhist Philosophy, 85-91. |
仙西 see styles |
sensei / sense せんせい |
(surname) Sensei |
佛性 see styles |
fó xìng fo2 xing4 fo hsing butsushou / butsusho ぶつしょう |
Buddha nature (surname) Butsushou buddhatā. The Buddha-nature, i.e. gnosis, enlightenment; potential bodhi remains in every gati, i.e. all have the capacity for enlightenment; for the Buddha-nature remains in all as wheat-nature remains in all wheat. This nature takes two forms: 理 noumenal, in the absolute sense, unproduced and immortal, and 行 phenomenal, in action. While every one possesses the Buddha-nature, it requires to be cultivated in order to produce its ripe fruit. |
侃正 see styles |
kansei / kanse かんせい |
(personal name) Kansei |
信令 see styles |
xìn lìng xin4 ling4 hsin ling nobuyoshi のぶよし |
signaling (engineering) (male given name) Nobuyoshi |
偵測 侦测 see styles |
zhēn cè zhen1 ce4 chen ts`e chen tse |
to detect; to sense |
先制 see styles |
sensei / sense せんせい |
(n,vs,vt,adj-no) head start; initiative; preemption |
先聖 先圣 see styles |
xiān shèng xian1 sheng4 hsien sheng sensei / sense せんせい |
ancient sage (esp. Confucius) sages of yore |
光覚 see styles |
koukaku / kokaku こうかく |
light sense; light perception; sensation of light |
內襯 内衬 see styles |
nèi chèn nei4 chen4 nei ch`en nei chen |
lining (of a container etc) (engineering) |
八萬 八万 see styles |
bā wàn ba1 wan4 pa wan hachiman はちまん |
(surname) Hachiman An abbreviation for 八萬四 (八萬四千) The number of atoms in the human body is supposed to be 84,000. Hence the term is used for a number of things, often in the general sense of a great number. It is also the age apex of life in each human world. There are the 84,000 stūpas erected by Aśoka, each to accommodate one of the 84.000 relics of the Buddha's body; also the 84,000 forms of illumination shed by Amitābha; the 84,000 excellent physical signs of a Buddha; the 84,000 mortal distresses, i.e. 84,000 煩惱 or 塵勞; also the cure found in the 84,000 methods, i.e. 法藏, 法蘊, 法門, or教門. |
八識 八识 see styles |
bā shì ba1 shi4 pa shih hasshiki; hachishiki はっしき; はちしき |
{Buddh} eight consciousnesses (one for each of the five senses, consciousness of the mind, self-consciousness and store consciousness) The eight parijñāna, or kinds of cognition, perception, or consciousness. They are the five senses of cakṣur-vijñāna, śrotra-v., ghrāna-v., jihvā-v., and kāya-v., i.e. seeing, hearing, smelling, tasting, and touch. The sixth is mano-vijñāna, the mental sense, or intellect, v. 末那. It is defined as 意 mentality, apprehension, or by some as will. The seventh is styled kliṣṭa-mano-vijñāna 末那識 discriminated from the last as 思量 pondering, calculating; it is the discriminating and constructive sense, more than the intellectually perceptive; as infected by the ālaya-vijñāna., or receiving "seeds" from it, it is considered as the cause of all egoism and individualizing, i.e. of men and things, therefore of all illusion arising from assuming the seeming as the real. The eighth is the ālaya-vijñāna, 阿頼耶識 which is the storehouse, or basis from which come all "seeds"of consciousness. The seventh is also defined as the ādāna 阿陀那識 or "laying hold of" or "holding on to" consciousness. |
公差 see styles |
gōng chāi gong1 chai1 kung ch`ai kung chai kousa / kosa こうさ |
official errand; bailiff in a yamen (1) {math} common difference; (2) tolerance (in engineering, manufacturing, etc.); allowance; allowable error |
六依 see styles |
liù yī liu4 yi1 liu i roku e |
The six senses on which one relies, or from which knowledge is received; v. 六情. |
六入 see styles |
liù rù liu4 ru4 liu ju rokunyuu / rokunyu ろくにゅう |
{Buddh} six sense organs (eyes, ears, nose, tongue, body, and mind) ṣaḍāyatana; 六阿耶怛那 (or 六阿也怛那) the six entrances, or locations, both the organ and the sensation — eye, ear, nose, tongue, body, and mind; sight, hearing, smell, taste, touch, and perception. The six form one of the twelve nidanas, see 十二因緣. The 六根 are the six organs, the 六境 the six objects, and the 六塵 or guṇas, the six inherent qualities. The later term is 六處 q. v.; The "six entries" ṣaḍāyatana, which form one of the links in the chain of causaton, v. 十二因緣 the preceding link being觸contact, and the succeeding link 識 perception. The six are the qualities and effects of the six organs of sense producing sight, hearing, smell, taste, touch, and thought (or mental presentations). v. also 二入. |
六処 see styles |
rokusho ろくしょ |
{Buddh} six sense organs (eyes, ears, nose, tongue, body, and mind) |
六塵 六尘 see styles |
liù chén liu4 chen2 liu ch`en liu chen rokujin |
The six guṇas, qualities produced by the objects and organs of sense, i. e. sight, sound, smell, taste, touch, and idea; the organs are the 六根, 六入, 六處, and the perceptions or discernments the 六識; cf. 六境. Dust 塵 is dirt, and these six qualities are therefore the cause of all impurity. Yet 六塵說法 the Buddha made use of them to preach his law. |
六天 see styles |
liù tiān liu4 tian1 liu t`ien liu tien rokuten ろくてん |
(place-name) Rokuten The six devalokas, i. e. the heavens with sense organs above Sumeru, between the brahmalokas and the earth, i. e. 四王天; 忉利天; 夜摩天; 兜率天; 樂變化天; and 他化自在天. The sixth is the heaven of Mara, v. 六欲天. |
六情 see styles |
liù qíng liu4 qing2 liu ch`ing liu ching rokujou / rokujo ろくじょう |
the six emotions (joy, anger, sorrow, pleasure, love and hatred) The emotions arising from the six organs of sense 六根 for which term 六情 is the older interpretation; v. 六依. |
六根 see styles |
liù gēn liu4 gen1 liu ken rokkon ろっこん |
{Buddh} six sense organs (eyes, ears, nose, tongue, body, and mind); (surname) Rokkon The six indriyas or sense-organs: eye, ear, nose, tongue, body, and mind. See also 六入, 六境, 六塵, and 六處. |
六處 六处 see styles |
liù chù liu4 chu4 liu ch`u liu chu rokusho |
ṣaḍāyatana. The six places, or abodes of perception or sensation, one of the nidānas, see 十二因緣; they are the 六根 or six organs of sense, but the term is also used for the 六入 and 六境 q. v.; also 六塵. |
六論 六论 see styles |
liù lùn liu4 lun4 liu lun roku ron |
The six 外道論 vedāṇgas, works which are 'regarded as auxiliary to and even in some sense as part of the Veda, their object being to secure the proper pronunciation and correctness of the text and the right employment of the Mantras of sacrifice as taught in the Brāhmaṇas '. M. W. They are spoken of together as the 四皮陀六論 four Vedas and six śāstras, and the six are Sikṣā, Chandas, Vyākarana, Nirukta, Jyotiṣa, and Kalpa. |
六識 六识 see styles |
liù shì liu4 shi4 liu shih rokushiki ろくしき |
{Buddh} six consciousnesses (i.e. functions of the six sense organs: seeing, hearing, smelling, tasting, touching, and reasoning) six consciousnesses |
六賊 六贼 see styles |
liù zéi liu4 zei2 liu tsei rokuzoku |
The six cauras, or robbers, i. e. the six senses; the 六根 sense organs are the 媒 'matchmakers', or medial agents, of the six robbers. The 六賊 are also likened to the six pleasures of the six sense organs. Prevention is by not acting with them, i. e. the eye avoiding beauty, the ear sound, nose scent, tongue flavors, body seductions, and mind uncontrolled thoughts. |
六門 六门 see styles |
liù mén liu4 men2 liu men rokumon ろくもん |
(surname) Rokumon six sense gates |
内官 see styles |
naikan ないかん |
(1) (See 外官・がいかん) internal sense; (2) (See 外官・げかん) public official stationed in the capital (under the ritsuryō system) |
Entries with 2nd row of characters: The 2nd row is Simplified Chinese.
This page contains 100 results for "Kansei Engineering - Sense Engineering" in Chinese and/or Japanese.Information about this dictionary:
Apparently, we were the first ones who were crazy enough to think that western people might want a combined Chinese, Japanese, and Buddhist dictionary.
A lot of westerners can't tell the difference between Chinese and Japanese - and there is a reason for that. Chinese characters and even whole words were borrowed by Japan from the Chinese language in the 5th century. Much of the time, if a word or character is used in both languages, it will have the same or a similar meaning. However, this is not always true. Language evolves, and meanings independently change in each language.
Example: The Chinese character 湯 for soup (hot water) has come to mean bath (hot water) in Japanese. They have the same root meaning of "hot water", but a 湯屋 sign on a bathhouse in Japan would lead a Chinese person to think it was a "soup house" or a place to get a bowl of soup. See this: Japanese Bath House
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Chinese Buddhist terms come from Dictionary of Chinese Buddhist Terms by William Edward Soothill and Lewis Hodous. This is commonly referred to as "Soothill's'". It was first published in 1937 (and is now off copyright so we can use it here). Some of these definitions may be misleading, incomplete, or dated, but 95% of it is good information. Every professor who teaches Buddhism or Eastern Religion has a copy of this on their bookshelf. We incorporated these 16,850 entries into our dictionary database ourselves (it was lot of work).
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