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<1011121314151617>| Characters | Pronunciation Romanization |
Simple Dictionary Definition | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
諦現觀 谛现观 see styles |
dì xiàn guān di4 xian4 guan1 ti hsien kuan tai genkan |
to clear understanding of the [four noble] truths | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
識處天 识处天 see styles |
shì chù tiān shi4 chu4 tian1 shih ch`u t`ien shih chu tien shikisho ten |
The heaven of (limitless) knowledge, the second of the caturārūpyabrahmalokas, or four formless heavens, also see below. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
譚富英 谭富英 see styles |
tán fù yīng tan2 fu4 ying1 t`an fu ying tan fu ying |
Tan Fuying (1906-1977), Beijing opera star, one of the Four great beards 四大鬚生|四大须生 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
護世者 护世者 see styles |
hù shì zhě hu4 shi4 zhe3 hu shih che gosesha |
The four lokapālas, each protecting one of the four quarters of space, the guardians of the world and of the Buddhist faith. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
護法神 护法神 see styles |
hù fǎ shén hu4 fa3 shen2 hu fa shen gohō jin |
protector deities of Buddhist law The four lokapālas, seen at the entrance to Buddhist temples, v, supra. |
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賓頭盧 宾头卢 see styles |
bīn tóu lú bin1 tou2 lu2 pin t`ou lu pin tou lu binzuru びんずる |
{Buddh} Pindola; Pindola Bharadvaja (one of four Arhats asked by the Buddha to remain in the world to propagate Buddhist law) Piṇḍola |
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質料因 see styles |
shitsuryouin / shitsuryoin しつりょういん |
{phil} (See 目的因,形相因,作用因) material cause (one of Aristotle's four fundamental types of answer to the question "why?") | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
贍部洲 赡部洲 see styles |
shàn bù zhōu shan4 bu4 zhou1 shan pu chou senbushū |
Jambudvīpa. Name of the southern of the four great continents, said to be of triangular shape, and to be called after the shape of the leaf of an immense Jambu-tree on Mount Meru, or after fine gold that is found below the tree. It is divided into four parts: south of the Himālayas by the lord of elephants, because of their number; north by the lord of horses; west by the lord of jewels; east by the lord of men. This seems to imply a region larger than India, and Eitel includes in Jambudvīpa the following countries around the Anavatapta lake and the Himālayas. North: Huns, Uigurs, Turks. East: China, Corea, Japan, and some islands. South: Northern India with twenty-seven kingdoms, Eastern India ten kingdoms, Southern India fifteen kingdoms, Central India thirty kingdoms. West: Thirty-four kingdoms. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
軽四輪 see styles |
keiyonrin / keyonrin けいよんりん |
(See 軽自動車) four-wheeled light vehicle | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
連弾曲 see styles |
rendankyoku れんだんきょく |
piano piece for four hands; composition for piano four-hands | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
週四日 see styles |
shuuyokka / shuyokka しゅうよっか |
(expression) four days a week | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
鄭光祖 郑光祖 see styles |
zhèng guāng zǔ zheng4 guang1 zu3 cheng kuang tsu |
Zheng Guangzu, Yuan dynasty dramatist in the 雜劇|杂剧 tradition of musical comedy, one of the Four Great Yuan dramatists 元曲四大家 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
鉤菩薩 钩菩萨 see styles |
gōu pú sà gou1 pu2 sa4 kou p`u sa kou pu sa kō bosatsu |
The bodhisattva guardian with the trident, one of the four with barb, noose, chain or bell. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
關漢卿 关汉卿 see styles |
guān hàn qīng guan1 han4 qing1 kuan han ch`ing kuan han ching |
Guan Hanqing (c. 1235-c. 1300), Yuan dynasty dramatist in the 雜劇|杂剧 tradition of musical comedy, one of the Four Great Yuan dramatists 元曲四大家 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
阿僧祇 see styles |
ā sēng qí a1 seng1 qi2 a seng ch`i a seng chi asougi / asogi あそうぎ |
(1) {Buddh} a number so great it can never be counted to (san: asamkhya); (numeric) (2) 10^56 (or 10^64) asaṅkhya, asaṅkhyeya, 阿僧企耶; 僧祇 intp. 無數 innumerable, countless, said to be 一千萬萬萬萬萬萬萬萬兆 kalpas. There are four asaṅkhyākalpas in the rise, duration, and end of every universe, cf. 劫. |
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阿吒吒 阿咤咤 see styles |
ā zhà zhà a1 zha4 zha4 a cha cha atata |
Aṭaṭa; the third of the four cold hells. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
阿摩提 see styles |
ā mó tí a1 mo2 ti2 a mo t`i a mo ti Amadai |
(or 阿麽提); 阿摩 M048697 The 21st of the thirty-three forms of Guanyin, three eyes, four arms, two playing a lute with a phoenix-head, one foot on a lion, the other pendent. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
阿梨耶 see styles |
ā lí yé a1 li2 ye2 a li yeh ariya |
ārya, 阿利宜; 阿棃宜; 阿黎宜; 阿犁宜; 阿離宜; 阿哩夜; 阿略 or 阿夷; 梨耶 loyal, honourable, noble, āryan, 'a man who has thought on the four chief principles of Buddhism and lives according to them,' intp. by 尊 honourable, and 聖 sage, wise, saintly, sacred. Also, ulūka, an owl. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
阿耨達 阿耨达 see styles |
ān òu dá an1 ou4 da2 an ou ta Anokudatsu |
阿那婆答多 (or 阿那波達多) Anavatapta, a lake in Jambudvīpa, north of the Himālayas, south of 香山 Gandha-mādana, descrbed as about 800 li in circumference, bordered by gold, silver, precious stones, etc. It is said to be the source of the four great rivers: east, the Ganges out of a silver ox mouth; south, the Indus out of that of an elephant; west, the Oxus; and north, the Śītā, said to be the Yellow River. Eitel has the Brahmaputra, Ganges, Śatadru (or Sutlej), and the Oxus; but there is confusion in the records. The Dragon-king of this lake became a Bodhisattva and is exempt from the distresses of the other seven dragon-kings. The阿耨達山 are the mountains north of the lake. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
陀羅尼 陀罗尼 see styles |
tuó luó ní tuo2 luo2 ni2 t`o lo ni to lo ni darani だらに |
incantation (Sanskrit: dharani); religious chant (promoting virtue and obstructing evil) dharani; spell; litany; Sanskrit multi-syllabic chant (or 陀羅那); 陀鄰尼 dhāraṇī. Able to lay hold of the good so that it cannot be lost, and likewise of the evil so that it cannot arise. Magical formulas, or mystic forms of prayer, or spells of Tantric order, often in Sanskrit, found in China as early as the third century A.D.; they form a potion of the dhāraṇīpiṭaka; made popular chiefly through the Yogācārya 瑜伽 or 密教esoteric school. Four divisions are given, i.e. 法陀羅尼, 義陀羅尼, 咒陀羅尼 and 忍陀羅尼; the 咒, i.e. mantra or spell, is emphasized by the 眞言 Shingon sect. There are numerous treatises, e.g. 陀羅尼集經; 瑜伽師地論, attributed to Asaṅga, founder of the Buddhist Yoga school. |
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陸探微 陆探微 see styles |
lù tàn wēi lu4 tan4 wei1 lu t`an wei lu tan wei |
Lu Tanwei (active c. 450-490), one of the Four Great Painters of the Six Dynasties 六朝四大家 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
離四句 离四句 see styles |
lí sì jù li2 si4 ju4 li ssu chü ri shiku |
apart from the four lemmas | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
雪月花 see styles |
setsugetsuka; setsugekka せつげつか; せつげっか |
(poetic term) (from a poem by Bai Juyi) (See 月雪花) snow, moon, and flowers; beauty of the four seasons; (female given name) Yuzuha | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
顧愷之 顾恺之 see styles |
gù kǎi zhī gu4 kai3 zhi1 ku k`ai chih ku kai chih |
Gu Kaizhi or Ku K'aichih (346-407), famous painter of Eastern Jin dynasty, one of the Four Great Painters of the Six Dynasties 六朝四大家 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
首盧迦 首卢迦 see styles |
shǒu lú jiā shou3 lu2 jia1 shou lu chia |
(首盧 or首盧柯); 輸盧迦 (or 室盧迦 or輸盧迦波 or室盧迦波); 室路迦 śloka, a stanza of thirty-two syllables, either in four lines of eight each, or two of sixteen. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
馬致遠 马致远 see styles |
mǎ zhì yuǎn ma3 zhi4 yuan3 ma chih yüan |
Ma Zhiyuan (c. 1250-1321), Yuan dynasty dramatist in the 雜劇|杂剧[za2 ju4] tradition of musical comedy, one of the Four Great Yuan Dramatists 元曲四大家[Yuan2 qu3 Si4 Da4 jia1] | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
馬連良 马连良 see styles |
mǎ lián liáng ma3 lian2 liang2 ma lien liang |
Ma Lianliang (1901-1966), Beijing opera star, one of the Four great beards 四大鬚生|四大须生 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
駱賓王 骆宾王 see styles |
luò bīn wáng luo4 bin1 wang2 lo pin wang rakuhinou / rakuhino らくひんおう |
Luo Binwang (640-684), one of Four Great Poets of the Early Tang 初唐四傑|初唐四杰[Chu1 Tang2 Si4 jie2] (person) Luo Binwang (poetic term) (ca. 640-684) |
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鳩摩羅 鸠摩罗 see styles |
jiū mó luó jiu1 mo2 luo2 chiu mo lo |
鳩摩羅什 (鳩摩羅什婆); 鳩摩羅時婆 (or 鳩摩羅耆婆); 羅什 Kumārajīva, one of the 'four suns' of Mahāyāna Buddhism, of which he was the early and most effective propagator in China. He died in Chang-an about A.D. 412. His father was an Indian, his mother a princess of Karashahr. He is noted for the number of his translations and commentaries, which he is said to have dictated to some 800 monastic scribes. After cremation his tongue remained 'unconsumed'. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
麤惡苑 麤恶苑 see styles |
cū è yuàn cu1 e4 yuan4 ts`u o yüan tsu o yüan |
(麁惡苑) The rough and evil park, one of Indra's four parks, that of armaments and war. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
あばら家 see styles |
abaraya あばらや |
(1) dilapidated house; tumbledown house; hovel; miserable shack; (2) (humble language) my house; my home; (3) small resting place comprising four pillars and a roof (with no walls) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
あばら屋 see styles |
abaraya あばらや |
(1) dilapidated house; tumbledown house; hovel; miserable shack; (2) (humble language) my house; my home; (3) small resting place comprising four pillars and a roof (with no walls) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
ヴァルナ see styles |
aruna ヴァルナ |
varna (each of the four Hindu castes) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
クロカン see styles |
kurokan クロカン |
(n,adj-f) (1) (abbreviation) (See クロスカントリー) cross-country (race, skiing, etc.); (2) four-wheel-drive vehicle; SUV | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
ビッグ４ see styles |
biggufoo ビッグフォー |
(work) The Big Four (book); (wk) The Big Four (book) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
ベスト４ see styles |
besutofoo ベストフォー |
last four (in a tournament) (wasei: best four); final four; semifinalists | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
一四句偈 see styles |
yī sì jù jiè yi1 si4 ju4 jie4 i ssu chü chieh isshiku ge |
A four-character line of a gāthā, or verse. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
一四句頌 一四句颂 see styles |
yī sì jù sòng yi1 si4 ju4 song4 i ssu chü sung ichi shiku ju |
one four-line verse | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
一四天下 see styles |
yī sì tiān xià yi1 si4 tian1 xia4 i ssu t`ien hsia i ssu tien hsia ichishi tenge |
A world of four great continents surrounding a Mt. Sumeru. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
一境四心 see styles |
yī jìng sì xīn yi1 jing4 si4 xin1 i ching ssu hsin ikkyōshi shin |
Four different ways of looking at the same thing. Similar to 一水四見 i.e. one and the same reality though seen from different aspects. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
一板三眼 see styles |
yī bǎn sān yǎn yi1 ban3 san1 yan3 i pan san yen |
lit. one strong beat and three weak beats in a measure of music (four beats in the bar) (idiom); fig. scrupulous attention to detail | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
一水四見 一水四见 see styles |
yī shuǐ sì jiàn yi1 shui3 si4 jian4 i shui ssu chien issui shiken |
The same water may be viewed in four ways— devas see it as bejewelled land, men as water, hungry ghosts as pus and blood, fish as a place to live in. Cf. 一境四心. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
一篋四蛇 一箧四蛇 see styles |
yī qiè sì shé yi1 qie4 si4 she2 i ch`ieh ssu she i chieh ssu she ikkyō shi ja |
Four snakes in one basket, i.e. the four passions in one body, cf. 四大. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
七政四餘 七政四余 see styles |
qī zhèng sì yú qi1 zheng4 si4 yu2 ch`i cheng ssu yü chi cheng ssu yü |
seven heavenly bodies and four imaginary stars (in astrology and feng shui) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
七種無上 七种无上 see styles |
qī zhǒng wú shàng qi1 zhong3 wu2 shang4 ch`i chung wu shang chi chung wu shang shichi shumujō |
The seven peerless qualities of a Buddha:―his body 身 with its thirty-two signs and eighty-four marks; his way 道 of universal mercy; his perfect insight or doctrine 見; his wisdom 智; his supernatural power 神 力; his ability to overcome hindrances 斷障, e.g. illusion, karma, and suffering; and his abiding place 住 i.e. Nirvana. Cf. 七勝事. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
七言絶句 see styles |
shichigonzekku しちごんぜっく |
poem of four lines, each of seven (Chinese) characters | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
三五成群 see styles |
sān wǔ chéng qún san1 wu3 cheng2 qun2 san wu ch`eng ch`ün san wu cheng chün |
in groups of three or four (idiom) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
三十六神 see styles |
sān shí liù shén san1 shi2 liu4 shen2 san shih liu shen sanjūroku shin |
(三十六部神) The thirty-six departmental guardian divinities given in the 灌頂三歸五戒帶佩護身咒經. Each is styled 彌栗頭 mṛdu, benign, kindly, for which 善 is used. Their Sanskrit and Chinese names are given in Chinese as follows: (1) 不羅婆 or 善光 kindly light, has to do with attacks of disease; (2) 婆呵婆 or 善明 headaches; (3) 婆邏婆 or 善力 fevers; (4) 抗陀羅 or 善月 disorders of the stomach; (5) 陀利奢 or 善見 tumours; (6) 阿婁呵 or 善供 madness; (7) 伽婆帝 or 善捨 stupidity; (8) 悉抵哆 or 善寂 irascibility; (9) 菩堤薩 or善覺 lust; (10) 提婆羅 or 善天 devils; (11) 阿婆帝 or 善住 deadly injuries; (12) 不若羅 of 善福 graves; (13) 苾闍伽 or 善術 the four quarters; (14) 迦隸婆 or 善帝 enemies; (15) 羅闍遮 or 善主 robbers; (16) 須乾陀 or 善香 creditors; (17) 檀那波 or 善施 thieves; (18) 支多那 or 善意 pestilence; (19) 羅婆那 or 善吉 the five plagues (? typhoid); (20) 鉢婆馱 or 善山 corpse worms; (21) 三摩提 or 善調 continuous concentration; (22) 戾禘馱 or 善備 restlessness; (23) 波利陀 or 善敬 attraction; (24) 波利那 or 善淨 evil cabals; (25) 度伽地 or 善品 deadly poison; (26) 毘梨馱 or 善結 fear; (27) 支陀那 or 善壽 calamities; (28) 伽林摩 or 善逝 childbirth and nursing; (29) 阿留伽 or 善願 the district magistracy; (30) 闍利馱 or 善固 altercations; (31) 阿伽駄 or 善照 anxieties and distresses; (32) 阿訶婆 or 善生 uneasiness; (33) 婆和邏 or 善思 supernatural manifestations; (34) 波利那 or 善藏 jealousy; (35) 固陀那 or 善音 curses; (36) 韋陀羅 or 善妙 exorcism. They have innumerable assistants. He who writes their names and carries them with him can be free from all fear. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
三十四心 see styles |
sān shí sì xīn san1 shi2 si4 xin1 san shih ssu hsin sanjūshi shin |
thirty-four enlightened mental states | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
三千威儀 三千威仪 see styles |
sān qiān wēi yí san1 qian1 wei1 yi2 san ch`ien wei i san chien wei i sansen (no) igi |
A bhikṣu's regulations amount to about 250; these are multiplied by four for the conditions of walking, standing, sitting, and sleeping and thus make 1, 000; again multiplied by three for past, present, and future, they become 3, 000 regulations. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
三天四仙 see styles |
sān tiān sì xiān san1 tian1 si4 xian1 san t`ien ssu hsien san tien ssu hsien santen shisen |
v. 二天三仙 and add 鳩摩羅 Kuveradeva and 若提子 Nirgrahtha, son of Jñātṛ, i.e. of the Jñātṛ clan. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
三寒四温 see styles |
sankanshion さんかんしおん |
(yoji) alternation of three cold and four warm days (usu. in late winter and early spring) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
三從四德 三从四德 see styles |
sān cóng sì dé san1 cong2 si4 de2 san ts`ung ssu te san tsung ssu te |
Confucian moral injunctions for women, namely: obey in turn three men father, husband and son, plus the four virtues of morality 德[de2], physical charm 容, propriety in speech 言 and efficiency in needlework 功 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
三摩皮陀 see styles |
sān mó pí tuó san1 mo2 pi2 tuo2 san mo p`i t`o san mo pi to Sanmahida |
縒摩吠陀; 沙磨; 平論; 歌詠 Sāma-veda-saṃhitā. A collection of verses sung at sacrifices, etc. The third of the three Vedas, or four if Atharva Veda is counted, as it was later; the verses are taken almost wholly from the Ṛgveda. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
三權一實 三权一实 see styles |
sān quán yī shí san1 quan2 yi1 shi2 san ch`üan i shih san chüan i shih sangon ichijitsu |
The Tiantai division of the schools of Buddhism into four, three termed 權temporary, i. e. 藏, 通 and 別 q.v. v. e fourth is the 實 or圓real or perfect School of SaIvation by faith to Buddhahood, especially as revealed in the Lotus Sutra, see 一實. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
三長齋月 三长斋月 see styles |
sān cháng zhāi yuè san1 chang2 zhai1 yue4 san ch`ang chai yüeh san chang chai yüeh san chō saigatsu |
(三長月) The three whole months of abstinence, the first, fifth, and ninth months, when no food should be taken after noon. The four deva-kings are on tours of inspection during these months. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
三障四魔 see styles |
sān zhàng sì mó san1 zhang4 si4 mo2 san chang ssu mo sans hō shi ma |
three obstacles and four demonic forces | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
不可說佛 不可说佛 see styles |
bù kě shuō fó bu4 ke3 shuo1 fo2 pu k`o shuo fo pu ko shuo fo Fukasetsu butsu |
Gaṇendra; the 733rd of the Buddhas of the present kalpa 賢劫, in which 1,000 Buddhas are to appear, of whom four have appeared. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
不壞四禪 不坏四禅 see styles |
bù huài sì chán bu4 huai4 si4 chan2 pu huai ssu ch`an pu huai ssu chan fue (no) shizen |
The four dhyāna heavens, where the samādhi mind of meditation is indestructible, and the external world is indestructible by the three final catastrophes. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
不定受業 不定受业 see styles |
bù dìng shòu yè bu4 ding4 shou4 ye4 pu ting shou yeh fujō jugō |
One of the 'four karma' — aniyata or indefinite karma; opposite of 定業. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
世界各地 see styles |
shì jiè gè dì shi4 jie4 ge4 di4 shih chieh ko ti sekaikakuchi せかいかくち |
all over the world; everywhere; in all parts of the world every part of the world; all over the world; the four corners of the world |
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之乎者也 see styles |
zhī hū zhě yě zhi1 hu1 zhe3 ye3 chih hu che yeh |
lit. 之[zhi1], 乎[hu1], 者[zhe3] and 也[ye3] (four grammatical particles of Classical Chinese) (idiom); fig. archaic expressions | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
九品大衣 see styles |
jiǔ pǐn dà yī jiu3 pin3 da4 yi1 chiu p`in ta i chiu pin ta i ku hon dai e |
The 僧伽梨 saṇghāṭī. There are nine grades of the monk's patch robe; the three lowest ranks have 9, 11, and 13 patches, two long patches to one short one; the three middle 15, 17, 19, three long to one short; and the three superior 21, 23, 25, four long to one short. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
九有情居 see styles |
jiǔ yǒu qíng jū jiu3 you3 qing2 ju1 chiu yu ch`ing chü chiu yu ching chü ku ujō ko |
(or 九有情處), 九衆生居, 九居, 九門, see also 九有, 九地, 九禪 and 九定; the nine happy abodes or states of sentient beings of the 長阿含經 9; they are the 七識住seven abodes or stages of perception or consciousness to which are added the fifth and ninth below: (1) 欲界之人天 the world and the six deva-heavens of desire in which there is variety of bodies (or personalities) and thinking (or ideas); (2) 梵衆天the three brahma heavens where bodies differ but thinking is the same, the first dhyāna heaven; (3) 極光淨天 the three bright and pure heavens where bodies are identical but thinking diners, the second dhyāna heaven; (4) 遍淨天the three universally pure heavens where bodies and thinking are the same, the third dhyāna heaven; (5) 無想天 the no-thinking or no-thought heaven, the highest of the four dhyāna heavens; (6) 空無邊處 limitless space, the first of the formless realms; (7) 識無邊處 limitless percepton, the second ditto; (8) 無所有處 nothingness, the place beyond things, the third ditto; and (9) 非想非非想beyond thought or non-thought, the fourth ditto. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
九次第定 see styles |
jiǔ cì dì dìng jiu3 ci4 di4 ding4 chiu tz`u ti ting chiu tzu ti ting kyū shidai jō |
The samādhi of the nine degrees, i.e. the four dhyānas 四禪, the four realms beyond form 四無色, and the samādhi beyond sensation and thought 滅受想定; see 九有情居 and 九地. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
乞食四分 see styles |
qǐ shí sì fēn qi3 shi2 si4 fen1 ch`i shih ssu fen chi shih ssu fen kotsujiki shibun |
The four divisions of the mendicant's dole; to provide for (1) fellow religionists, (2) the poor, (3) the spirits, (4) self. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
二六時中 二六时中 see styles |
èr liù shí zhōng er4 liu4 shi2 zhong1 erh liu shih chung nirokujichuu / nirokujichu にろくじちゅう |
(adv,n) (yoji) night and day; all the time during the twelve (=twenty-four) hours of the day. |
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二十二根 see styles |
èr shí èr gēn er4 shi2 er4 gen1 erh shih erh ken nijūni kon |
The twenty-two roots, organs, or powers, v. 根. They are: (1) 眼根 eye, cakṣurindriya; (2) 耳 根 ear, śrotrendriya; (3) 鼻根 nose, ghrāṇendriya; (4) 舌根 tongue, jihvendriya; (5) 身根 body, kāyendriya; (6) 意根 mind, manaīndriya (the above are the 六根); (7) 女根 female organ, strīndriya; (8) 男根 male organ, puruṣendriya; (9) 命根 life, jīvitendriya; (10) 苦根 suffering (or pain), duḥkhendriya; (11) 樂根 pleasure, sukhendriya; (12) 憂根 sorrow, daurmanasyendriya; (13) 喜根 joy, saumanas-yendriya; (14) 捨根 abandoning, upekṣendriya (from 10 to 14 they are the 五受); (15) 信根 faith, śraddhendriya; (16) 精進根 zeal, vīryendriya; (17) 念根 memory, smṛtīndriya; (18) 定根 meditation, or trance, samādhīndriya; (19) 慧根 wisdom, prajñendriya (these are the 信等之五根); (20) 未知當知根 the power for learning (the Four Noble Truths) anājñātamājñāsyāmīndriya; (21) 巳知根 the power of having learned (them), ājñendriya; (22) 具知根 the power of perfect knowledge (of them), ājñātādvīndriya (these three are called the 無漏根) . | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
二十五有 see styles |
èr shí wǔ yǒu er4 shi2 wu3 you3 erh shih wu yu nijūgō u |
The twenty-five forms of existence, fourteen in the desire realms 欲界, seven in the realms of form 色界, and four in the formless realms 無色界, v. 有. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
二十八天 see styles |
èr shí bā tiān er4 shi2 ba1 tian1 erh shih pa t`ien erh shih pa tien nijūhatten |
The twenty-eight heavens, or devalokas: six of the desire-world 欲界, eighteen of the form-world 色界, and four arūpa or formless heavens 無色界. The heavens of the world of form are sixteen according to the 薩婆多部 Sarvāstivāda School, seventeen according to 經部 Sūtra School, and eighteen according to the 上座 Sthavirāḥ. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
二十八宿 see styles |
èr shí bā xiù er4 shi2 ba1 xiu4 erh shih pa hsiu nijuuhasshuku / nijuhasshuku にじゅうはっしゅく |
the twenty-eight constellations 28 mansions of Chinese astronomy (constellations dividing the ecliptic into 28 positions) The twenty-eight nakṣatras or constellations, divided into four mansions of seven each, referred to East, or Spring; South, Summer; West, Autumn; and North, Winter. The month-names derived from them differ slightly in form. E.: 角 Citrā, 亢 Niṣṭyā (or Svāti), 氏 Viśākhā, 房 Anurādhā, 心Rohiṇī, Jyeṣṭhaghnī (or Jyesthā), 尾 Mūlabarhaṇī (or Mūla), 箕 Pūrva-Aṣādha. N.: 斗 Uttara-Aṣāḍhā, 牛 Abhijit, 女Śravaṇā, 盧Śraviṣṭha (or Dhaniṣṭhā) 危Śatabhiṣā, 室 Pūrva-Proṣṭhapada, 壁 Uttara-Proṣṭhapada. W.: 奎 Revatī, 婁 Aśvayuj (or Aśvinī), 胃 Apabharaṇī (or Bharaṇī), 昴 Kṛttikā, 畢 Rohiṇī, 觜 Invakā (or Mṛgaśiras), 參 Bāhu (or Ārdrā). S.: 井 Punarvasu, 鬼 Tiṣya (or Puṣya), 柳 Aśleṣā, 星 Maghā, 張 Pūrva-Phalgunī, 翼 Uttara-Phalgunī, 軫 Hastā. |
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二十八祖 see styles |
èr shí bā zǔ er4 shi2 ba1 zu3 erh shih pa tsu nijūhasso |
The twenty-eight Buddhist patriarchs as stated by the Mahāyānists. The Tiantai school reckons twenty-three, or twenty-four, with the addition of Śaṇakavāsa, contemporary with his predecessors, but the Chan school reckons twenty-eight: (1) Mahākāśyapa, 摩訶迦葉 (摩訶迦葉波); (2) Ānanda, 阿難; (3) Śāṇakavāsa, 商那和修; 4) Upagupta, 優婆毱多; (5) Dhṛṭaka, 提多迦; (6) Mikkaka, or Miccaka, or Micchaka, 彌遮迦; (7) Vasumitra, 婆須蜜; (8) Buddhanandi, 佛陀難提; (9) Buddhamitra, 伏駄蜜多; (10) Pārśva, or Pārśvika, 波栗溼縛or 脇尊者; (11) Puṇyayaśas 那尊耶舍; (12) Aśvaghoṣa, 馬鳴大士; (13) Kapimala, 迦毘摩羅; (14) Nāgārjuna, 龍樹; (15) Kāṇadeva, 迦那提婆; (16) Rāhulata, 羅睺羅多; (17) Saṅghanandi, 僧伽難提; (18) Gayāśata, 伽耶舍多; (19) Kumārata, 鳩摩羅多; (20) Jayata, 闍夜多; (21) Vasubandhu, 婆修盤頭; (22) Manorhita, 摩撃羅; (23) Haklena, 鶴輸勒; (24) Ārasiṁha, 師子尊者; (25) Basiasita, 婆舍新多; (26) Puṇyamitra, 不如密多; (27) Prajñātāra, 般若多羅; (28) Bodhidharma, 菩提達磨. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
二十四孝 see styles |
èr shí sì xiào er4 shi2 si4 xiao4 erh shih ssu hsiao |
the Twenty-four Filial Exemplars, classic Confucian text on filial piety from Yuan dynasty | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
二十四日 see styles |
nijuuyokka / nijuyokka にじゅうよっか |
(1) twenty-fourth day of the month; (2) twenty-four days | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
二十四流 see styles |
èr shí sì liú er4 shi2 si4 liu2 erh shih ssu liu nijūshi ryū |
twenty-four transmissions | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
二種因果 二种因果 see styles |
èr zhǒng yīn guǒ er4 zhong3 yin1 guo3 erh chung yin kuo nishuinka |
Two aspects of cause and effect, a division of the 四諦 "four noble truths" (a) 世間因果 in the present life, the 苦諦 being the effect, and the 集諦 the cause; (b) 出世間因果 in the future life, the 滅諦, extinction (of passion, or mortality) being the fruit, and the 道諦 the " eightfold noble path " the cause. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
五位三昧 see styles |
wǔ wèi sān mèi wu3 wei4 san1 mei4 wu wei san mei goi zanmai |
五種三昧 The five kinds of samādhi: (1) On mortality, the 四禪 and 八定; (2) śrāvaka on the four axioms; (3) pratyekabuddha on the twelve nidānas; (4) bodhisattva on the 六度 and the 萬行; (5) Buddha on the one Buddha-vehicle, which includes all others; v. 五乘. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
五停四念 see styles |
wǔ tíng sì niàn wu3 ting2 si4 nian4 wu t`ing ssu nien wu ting ssu nien gojō shinen |
idem 五停心觀 and 四念處 i. e. the five meditations for settling the mind and ridding it of the five errors of desire, hate, ignorance, the self, and a wayward or confused mind; the five meditations are 不淨觀, 慈悲觀, 因緣觀, 界分別觀 and 數息觀 i. e. the vileness of all things, pity for all, causality, right discrimination, breathing; some substitute meditation on the Buddha in place of the fourth; another division puts breathing first, and there are other differences. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
五明後日 see styles |
goasatte ごあさって |
(n,adv) four days from now (five days in some places) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
五時八教 五时八教 see styles |
wǔ shí bā jiào wu3 shi2 ba1 jiao4 wu shih pa chiao gojihakkyou / gojihakkyo ごじはっきょう |
{Buddh} (See 五時教) division of the Buddha's 50-year teachings into five time periods and eight categories (theory of the Tendai sect) A Tiantai classification of the Buddha's teaching into five periods and eight kinds of doctrine, which eight are subdivided into two groups of four each, 化儀四教 and 化法四教. |
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五智如來 五智如来 see styles |
wǔ zhì rú lái wu3 zhi4 ru2 lai2 wu chih ju lai gochi nyorai |
五智五佛; 五佛; 五如來 The five Dhyāni-Buddhas, or Wisdom-Tathāgatas of the Vajradhātu 金剛界, idealizations of five aspects of wisdom; possibly of Nepalese origin. The Wisdom Buddha represents the dharmakāya or Buddha-mind, also the Dharma of the triratna, or trinity. Each evolves one of the five colours, one of the five senses, a Dhyani-bodhisattva in two forms onegracious, the other fierce, and a Mānuṣi-Buddha; each has his own śakti, i. e. feminine energy or complement; also his own bīja, or germ-sound 種子or 印 seal, i. e. 眞言 real or substantive word, the five being for 大日 aṃ, for 阿閦 hūṃ, for 寶生 ? hrīḥ, for 彌陀 ? aḥ, for 不 空 ? āḥ. The five are also described as the emanations or forms of an Ādi-Buddha, Vajrasattva; the four are considered by others to be emanations or forms of Vairocana as theSupreme Buddha. The five are not always described as the same, e. g. they may be 藥師 (or 王) Bhaiṣajya, 多寶 Prabhūtaratna, Vairocana, Akṣobhya, andeither Amoghasiddhi or Śākyamuni. Below is a classified list of the generally accepted five with certain particulars connected with them, butthese differ in different places, and the list can only be a general guide. As to the Dhyāni-bodhisattvas, each Buddha evolves three forms 五佛生五菩薩, 五金剛, 五忿怒, i. e. (1) a bodhisattva who represents the Buddha's dharmakāya, or spiritual body; (2) a vajra ordiamond form who represents his wisdom in graciousness; and (3) a fierce or angry form, the 明王 who represents his power against evil. (1) Vairocanaappears in the three forms of 轉法輪菩薩 Vajra-pāramitā Bodhisattva, 遍照金剛 Universally Shining Vajrasattva, and 不動明王 Ārya-Acalanātha Rāja; (2) Akṣobhya's three forms are 虛空藏 Ākāśagarbha, 如意 complete power, and 軍荼利明王 Kuṇḍalī-rāja; (3 ) Ratnasaṃbhava's are 普賢 Samantabhadra, 薩埵Sattvavajra, and 孫婆 or 降三世明王 Trailokyavijayarāja; (4) Amitābha's are 觀世音 Avalokiteśvara, 法金剛 Dharmarāja, and 馬頭明王 Hayagrīva, thehorse-head Dharmapāla; (5) Amoghasiddhi's are 彌勒 Maitreya, 業金剛Karmavajra, and 金剛夜叉 Vajrayakṣa. The above Bodhisattvas differ from those in the following list:
Arrival of the five wise Buddhas |
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五種唯識 五种唯识 see styles |
wǔ zhǒng wéi shì wu3 zhong3 wei2 shi4 wu chung wei shih goshu yuishiki |
The five kinds of weishi, or idealistic representation in the sutras and śāstras as summed up by Cien 慈恩 of the 法相宗 Dharmalakṣana school: (1) 境唯識 wisdom or insight in objective conditions; (2) 教唯識 in interpretation; (3) 理唯識 in principles; (4) 行唯識 in meditation and practice; (5) 果唯識 in the fruits or results of Buddhahood. The first four are objective, the fifth subject. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
五種法身 五种法身 see styles |
wǔ zhǒng fǎ shēn wu3 zhong3 fa3 shen1 wu chung fa shen goshu hosshin |
The five kinds of a Buddha's dharmakāya. There are four groups. I. (1) 如如智法身 the spiritual body of bhūtatathatā-wisdom; (2) 功德法身 of all virtuous achievement; (3) 自法身 of incarnation in the world; (4) 變化法身 of unlimited powers of transformation; (5) 虛空法身 of unlimited space; the first and second are defined as saṃbhogakāya, the third and fourth as nirmāṇakāya, and the fifth as the dharmakāya, but all are included under dharmakāya as it possesses all the others. II. The esoteric cult uses the first four and adds as fifth 法界身 indicating the universe as pan-Buddha. III. Huayan gives (1) 法性生身 the body or person of Buddha born from the dharma-nature. (2) 功德生身 the dharmakāya evolved by Buddha virtue, or achievement; (3) 變化法身 the dharmakāya with unlimited powers of transformation; (4) 實相法身 the real dharmakāya; (5) 虛 空法身 the universal dharmakāya. IV. Hīnayāna defines them as 五分法身 q. v. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
五言絕句 五言绝句 see styles |
wǔ yán jué jù wu3 yan2 jue2 ju4 wu yen chüeh chü |
poetic form consisting of four lines of five syllables, with rhymes on first, second and fourth line | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
五言絶句 see styles |
gogonzekku ごごんぜっく |
poem of four lines, each of five (Chinese) characters | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
五部合斷 五部合断 see styles |
wǔ bù hé duàn wu3 bu4 he2 duan4 wu pu ho tuan gobu gōdan |
To cut off the five classes of misleading things, i. e. four 見 and one 修, i. e. false theory in regard to the 四諦 four truths, and erroneous practice. Each of the two classes is extended into each of the three divisions of past, three of present, and three of future, making eighteen mental conditions. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
人尊三惡 人尊三恶 see styles |
rén zūn sān è ren2 zun1 san1 e4 jen tsun san o ninson san'aku |
The three most wicked among men: the Icchantika; v. 一闡提: the slanderers of Mahayana, and those who break the four great commandments. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
伊藤博文 see styles |
yī téng bó wén yi1 teng2 bo2 wen2 i t`eng po wen i teng po wen itouhirobumi / itohirobumi いとうひろぶみ |
ITŌ Hirobumi (1841-1909), Japanese politician, prime minister on four occasions, influential in Japanese expansionism in Korea, assassinated in Harbin (person) Itō Hirobumi (1841.10.16-1909.10.26) |
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佛光國師 see styles |
fó guāng guó shī fo2 guang1 guo2 shi1 fo kuang kuo shih Bukkō Kokushi |
Chinese monk of the Linji (J. Rinzai) school 臨濟宗. Founder of the Bukkō Branch 佛光派, one of the twenty-four transmissions of Zen 禪宗二十四流 that reached Japan. Came to Japan in 1279 following the invitation by Hōjō Tokimune. Founder of the Engakuji 圓覺寺 in Kamakura. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
佛殿四物 see styles |
fó diàn sì wù fo2 dian4 si4 wu4 fo tien ssu wu butsuden shimotsu |
four instruments for the buddha-hall | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
佛陀耶舍 see styles |
fó tuó yé shè fo2 tuo2 ye2 she4 fo t`o yeh she fo to yeh she Buddayasha |
Buddhayaśas, of Kashmir or Kabul, tr. four works, 408-412. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
光宅四教 see styles |
guāng zhái sì jiào guang1 zhai2 si4 jiao4 kuang chai ssu chiao Kōtaku shikyō |
the four part doctrinal taxonomy according to Fayun of Guangzhai | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
內外兼明 内外兼明 see styles |
nèi wài jiān míng nei4 wai4 jian1 ming2 nei wai chien ming naige kenmyō |
Inner and outer both 'ming '; the first four of the 五明 q. v. are 'outer' and the fifth 'inner'. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
八五三二 see styles |
bā wǔ sān èr ba1 wu3 san1 er4 pa wu san erh hachi go san ni |
The four special characteristics of the 法相 Dharmalakṣaṇa sect, i.e. 八識, 五法, 三性, and 二無我 q.v. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
八十一法 see styles |
bā shí yī fǎ ba1 shi2 yi1 fa3 pa shih i fa hachijūippō |
The eighty-one divisions in the Prajñā-pāramitā sūtra 大般若經 comprising form 色; mind 心; the five skandhas 五陰; twelve means of sensation 入; eighteen realms 界; four axioms 諦; twelve nidānas因緣; eighteen śūnya 空; six pāramitā 度, and four jñāna 智. Also 八十一科. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
八大在我 see styles |
bā dà zài wǒ ba1 da4 zai4 wo3 pa ta tsai wo hachidai zaiga |
The eight great powers of personality or sovereign independence, as one of the four qualities 常樂我淨 of nirvāṇa: powers of self-manifolding, infinite expansion, levitation and transportation, manifesting countless forms permanently in one and the same place, use of one physical organ in place of another, obtaining all things as if nothing, expounding a stanza through countless kalpas, ability to traverse the solid as space. v. 涅槃經 23. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
八大觀音 八大观音 see styles |
bā dà guān yīn ba1 da4 guan1 yin1 pa ta kuan yin Hachi Dai Kannon |
The eight Shingon representations of Guanyin: as one of the above 八大明王, as the white-robed one, as a rākṣasī, as with four faces, as with a horse's head, as Mahāsthāmaprāpta 大勢至, and as Tārā 陀羅. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
八宗九宗 see styles |
bā zōng jiǔ zōng ba1 zong1 jiu3 zong1 pa tsung chiu tsung hasshū kushū |
八家九宗 The eight Japanese schools 八宗 with the Zen 禪 school added. The first four are almost or entirely extinct. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
八方上下 see styles |
bā fāng shàng xià ba1 fang1 shang4 xia4 pa fang shang hsia happō jōge |
The four quarters, the four 維 half-quarters and above and below, i.e. the universe in all directions. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
八波羅夷 八波罗夷 see styles |
bā bō luó yí ba1 bo1 luo2 yi2 pa po lo i hachi harai |
or 八重罪 The eight pārājika, in relation to the sins of a nun; for the first four see 四波羅夷; (5) libidinous contact with a male; (6) any sort of improper association (leading to adultery); (7) concealing the misbehaviour (of an equal, or inferior); (8) improper dealings with a monk. |
Entries with 2nd row of characters: The 2nd row is Simplified Chinese.
This page contains 100 results for "Four" in Chinese and/or Japanese.Information about this dictionary:
Apparently, we were the first ones who were crazy enough to think that western people might want a combined Chinese, Japanese, and Buddhist dictionary.
A lot of westerners can't tell the difference between Chinese and Japanese - and there is a reason for that. Chinese characters and even whole words were borrowed by Japan from the Chinese language in the 5th century. Much of the time, if a word or character is used in both languages, it will have the same or a similar meaning. However, this is not always true. Language evolves, and meanings independently change in each language.
Example: The Chinese character 湯 for soup (hot water) has come to mean bath (hot water) in Japanese. They have the same root meaning of "hot water", but a 湯屋 sign on a bathhouse in Japan would lead a Chinese person to think it was a "soup house" or a place to get a bowl of soup. See this: Japanese Bath House
This dictionary uses the EDICT and CC-CEDICT dictionary files.
EDICT data is the property of the Electronic Dictionary Research and Development Group, and is used in conformance with the Group's
license.
Chinese Buddhist terms come from Dictionary of Chinese Buddhist Terms by William Edward Soothill and Lewis Hodous. This is commonly referred to as "Soothill's'". It was first published in 1937 (and is now off copyright so we can use it here). Some of these definitions may be misleading, incomplete, or dated, but 95% of it is good information. Every professor who teaches Buddhism or Eastern Religion has a copy of this on their bookshelf. We incorporated these 16,850 entries into our dictionary database ourselves (it was lot of work).
Combined, these cover 1,007,753 Japanese, Chinese, and Buddhist characters, words, idioms, names, placenames, and short phrases.
Just because a word appears here does not mean it is appropriate for a tattoo, your business name, etc. Please consult a professional before doing anything stupid with this data.
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No warranty as to the correctness, potential vulgarity, or clarity is expressed or implied. We did not write any of these definitions (though we occasionally act as a contributor/editor to the CC-CEDICT project). You are using this dictionary for free, and you get what you pay for.
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