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<1234>| Characters | Pronunciation Romanization |
Simple Dictionary Definition | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
生き身 see styles |
ikimi いきみ |
(1) (See 死に身・2) living body; flesh and blood; (2) fresh fish | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
相應宗 相应宗 see styles |
xiāng yìng zōng xiang1 ying4 zong1 hsiang ying tsung sōōshū |
Yoga, the sect of mutual response between the man and his object of worship, resulting in correspondence in body, mouth, and mind, i. e. deed, word, and thought; it is a term for the Shingon or 眞言 school. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
眞言宗 see styles |
zhēn yán zōng zhen1 yan2 zong1 chen yen tsung Shingon Shū |
The True-word or Shingon sect, founded on the mystical teaching 'of all Buddhas,' the 'very words ' of the Buddhas; the especial authority being Vairocana; cf. the 大日 sutra, 金剛頂經; 蘇悉地經, etc. The founding of the esoteric sect is attributed to Vairocana, through the imaginary Bodhisattva Vajrasattva, then through Nāgārjuna to Vajramati and to Amoghavajra, circa A.D. 733; the latter became the effective propagator of the Yogācāra school in China; he is counted as the sixth patriarch of the school and the second in China. The three esoteric duties of body, mouth, and mind are to hold the symbol in the hand, recite the dhāraṇīs, and ponder over the word 'a' 阿 as the principle of the ungenerated, i.e. the eternal. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
福德身 see styles |
fú dé shēn fu2 de2 shen1 fu te shen fukudoku shin |
The buddhakāya, or body of Buddha, in the enjoyment of the highest samādhi bliss. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
突吉羅 突吉罗 see styles |
tú jí luó tu2 ji2 luo2 t`u chi lo tu chi lo tokira |
突膝吉栗多 (or 突悉吉栗多); 突瑟 ? 理多 duṣkṛta (Pali dukkaṭa), wrong-doing, evil action, misdeed, sin; external sins of body and mouth, i. e. deed and word. Cf. 吉羅. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
聖體血 圣体血 see styles |
shèng tǐ xuè sheng4 ti3 xue4 sheng t`i hsüeh sheng ti hsüeh |
the body and blood of Christ; Holy communion | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
胎藏界 see styles |
tāi zàng jiè tai1 zang4 jie4 t`ai tsang chieh tai tsang chieh taizō kai |
Garbhadhātu, or Garbhakośa-(dhātu), the womb treasury, the universal source from which all things are produced; the matrix; the embryo; likened to a womb in which all of a child is conceived— its body, mind, etc. It is container and content; it covers and nourishes; and is the source of all supply. It represents the 理性 fundamental nature, both material elements and pure bodhi, or wisdom in essence or purity; 理 being the garbhadhātu as fundamental wisdom, and 智 acquired wisdom or knowledge, the vajradhātu. It also represents the human heart in its innocence or pristine purity, which is considered as the source of all Buddha-pity and moral knowledge. And it indicates that from the central being in the maṇḍala, viz. the Sun as symbol of Vairocana, there issue all the other manifestations of wisdom and power, Buddhas, bodhisattvas, demons, etc. It is 本覺 original intellect, or the static intellectuality, in contrast with 始覺 intellection, the initial or dynamic intellectuality represented in the vajradhātu; hence it is the 因 cause and vajradhātu the 果 effect; though as both are a unity, the reverse may be the rule, the effect being also the cause; it is also likened to 利他 enriching others, as vajradhātu is to 自利 enriching self. Kōbō Daishi, founder of the Yoga or Shingon 眞言 School in Japan, adopted the representation of the ideas in maṇḍalas, or diagrams, as the best way of revealing the mystic doctrine to the ignorant. The garbhadhātu is the womb or treasury of all things, the universe; the 理 fundamental principle, the source; its symbols are a triangle on its base, and an open lotus as representing the sun and Vairocana. In Japan this maṇḍala is placed on the east, typifying the rising sun as source, or 理. The vajradhātu is placed west and represents 智 wisdom or knowledge as derived from 理 the underlying principle, but the two are essential one to the other, neither existing apart. The material and spiritual; wisdom-source and intelligence; essence and substance; and similar complementary ideas are thus portrayed; the garbhadhātu may be generally considered as the static and the vajradhātu as the dynamic categories, which are nevertheless a unity. The garbhadhātu is divided into 三部 three sections representing samādhi or quiescence, wisdom-store, and pity-store, or thought, knowledge, pity; one is called the Buddha-section, the others the Vajra and Lotus sections respectively; the three also typify vimokṣa, prajñā, and dharmakāya, or freedom, understanding, and spirituality. There are three heads of these sections, i. e. Vairocana, Vajrapāṇi, and Avalokiteśvara; each has a mother or source, e. g. Vairocana from Buddha's-eye; and each has a 明王 or emanation of protection against evil; also a śakti or female energy; a germ-letter, etc. The diagram of five Buddhas contains also four bodhisattvas, making nine in all, and there are altogether thirteen 大院 or great courts of various types of ideas, of varying numbers, generally spoken of as 414. Cf. 金剛界; 大日; 兩部. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
自他身 see styles |
zì tā shēn zi4 ta1 shen1 tzu t`a shen tzu ta shen jita shin |
one's body and others' bodies | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
被昇天 see styles |
hishouten / hishoten ひしょうてん |
(See 聖母被昇天) Assumption (of the body and soul of Mary into heaven) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
詰開き see styles |
tsumebiraki つめびらき tsumehiraki つめひらき |
(noun - becomes adjective with の) (1) bargaining; negotiation; (2) turning one's body to the left or right and standing (when leaving the presence of nobility, etc.); (3) sailing close-hauled; sailing on a close reach | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
財産区 see styles |
zaisanku ざいさんく |
(See 特別地方公共団体・とくべつちほうこうきょうだんたい) property ward; special local public body which has its own property, etc. and bears the expenses for it | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
身命財 身命财 see styles |
shēn mìng cái shen1 ming4 cai2 shen ming ts`ai shen ming tsai shin myō zai |
body, life, and material assets | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
身語業 身语业 see styles |
shēn yǔ yè shen1 yu3 ye4 shen yü yeh shingo gō |
activities of body and speech | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
量等身 see styles |
liáng děng shēn liang2 deng3 shen1 liang teng shen ryōtō shin |
The immanence of the Tathāgata in all things, phenomenal and noumenal, he being the all in all. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
金剛體 金刚体 see styles |
jīn gāng tǐ jin1 gang1 ti3 chin kang t`i chin kang ti kongō tai |
The diamond body, that of Buddha, and his merits. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
雲雀骨 see styles |
hibaribone ひばりぼね |
(1) (archaism) being thin and bony; bony body; (2) (derogatory term) (archaism) bony old man; bony old woman | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Variations: |
nue ぬえ |
(1) Japanese chimera; mythical creature with a monkey's head, tanuki's body, tiger's limbs, and a snake tail; (2) (See トラツグミ) White's thrush (Zoothera dauma); (3) mysterious person; person of unknown character; enigma | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
鼻舌身 see styles |
bí shé shēn bi2 she2 shen1 pi she shen |
nose, tongue, and body | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
えび反り see styles |
ebizori えびぞり |
holding out one or both hands and arching one's body backward like a shrimp (in kabuki, represents being overwhelmed by someone's power) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
スクイズ see styles |
sukuizu スクイズ |
(noun/participle) (1) {baseb} squeeze (play); (noun/participle) (2) (in scuba diving) discomfort or pain caused by increasing water pressure compressing body air spaces and pushing body tissue inward | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
一心同体 see styles |
isshindoutai / isshindotai いっしんどうたい |
(yoji) being one in body and soul; of one flesh; two hearts beating as one | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
一月三身 see styles |
yī yuè sān shēn yi1 yue4 san1 shen1 i yüeh san shen ichigatsu sanshin |
The allegorical trikāya or three bodies of the moon, i.e. form as 法身, its light as 報身, its reflection as 應身; the Buddha-truth 法 has also its 體 body, its light of wisdom 智, and its application or use 用, but all three are one, or a trinity; see trikāya, 三身. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
一體三寶 一体三宝 see styles |
yī tǐ sān bǎo yi1 ti3 san1 bao3 i t`i san pao i ti san pao ittai no sanbō |
In the one body of the saṅgha is the whole triratna, Buddha, Dharma, and saṅgha. Also, Mind, Buddha, and the living, these three are without differentiation, 心佛與衆生是三無差別, i.e. are all one. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
七種無上 七种无上 see styles |
qī zhǒng wú shàng qi1 zhong3 wu2 shang4 ch`i chung wu shang chi chung wu shang shichi shumujō |
The seven peerless qualities of a Buddha:―his body 身 with its thirty-two signs and eighty-four marks; his way 道 of universal mercy; his perfect insight or doctrine 見; his wisdom 智; his supernatural power 神 力; his ability to overcome hindrances 斷障, e.g. illusion, karma, and suffering; and his abiding place 住 i.e. Nirvana. Cf. 七勝事. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
七菩提分 see styles |
qī pú tí fēn qi1 pu2 ti2 fen1 ch`i p`u t`i fen chi pu ti fen shichi bodai bun |
saptabodhyaṅga, also 七菩提寶, 七覺分, 七覺支, 七等覺支. Seven characteristics of bodhi; the sixth of the 七科七道品 in the seven categories of the bodhipakṣika dharma, v. 三十七菩提分 it represents seven grades in bodhi,viz,(1)擇法覺支(or 擇法菩提分 and so throughout), dharma-pravicaya-saṃbodhyaṇga, discrimination of the true and the fa1se : (2) 精進 vīrya-saṃbodhyaṇga, zeal, or undeflected progress;(3) 喜prīti-saṃbodhyaṇga., joy, delight; (4) 輕安 or 除 praśrabdhi-saṃbodhyaṇga. Riddance of all grossness or weight of body or mind, so that they may be light, free, and at ease; (5) 念 smrti-saṃbodhyaṇga, power of remembering the various states passed through in contemplation; (6) 定 samādhi-saṃbodhyaṇga.the power to keep the mind in a given realm undiverted; (7) 行捨 or 捨 upekṣā-saṃbodhyaṇga or upekṣaka, complete abandonment, auto-hypnosis, or indifference to all disturbances of the sub-conscious or ecstatic mind. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
七處八會 七处八会 see styles |
qī chù bā huì qi1 chu4 ba1 hui4 ch`i ch`u pa hui chi chu pa hui shichisho hachie |
The eight assemblies in seven different places, at which the sixty sections of the 華嚴經 Avataṃsaka-sūtra are said to have been preached; the same sutra in eighty sections is accredited to the 七處九會. 七處平等相 One of the thirty-two signs on the Budda's body—the perfection of feet, hands, shoulders, and head. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
三密六大 see styles |
sān mì liù dà san1 mi4 liu4 da4 san mi liu ta sanmitsu rokudai |
The three mystic things associated with the six elements, i.e. the mystic body is associated with earth, water, and fire; the mystic words with wind and space; the mystic mind with 識 cognition. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
三密相應 三密相应 see styles |
sān mì xiāng yìng san1 mi4 xiang1 ying4 san mi hsiang ying sanmitsu sōō |
The three mystic things, body, mouth, and mind, of the Tathāgata are identical with those of all the living, so that even the fleshly body born of parents is the dharmakāya, or body of Buddha: 父母所生之肉身卽爲佛身也. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
三業供養 三业供养 see styles |
sān yè gōng yǎng san1 ye4 gong1 yang3 san yeh kung yang sangō kuyō |
三業相應 To serve or worship with perfect sincerity of body, mouth and mind; the second form means that in worship an three correspond. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
三祕密身 三秘密身 see styles |
sān mì mì shēn san1 mi4 mi4 shen1 san mi mi shen san himitsu shin |
A term for the mystic letter, the mystic symbol, and the image. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
三種忍行 三种忍行 see styles |
sān zhǒng rěn xíng san1 zhong3 ren3 xing2 san chung jen hsing sanshu ningyō |
Patience or forbearance of body, mouth, and mind. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
三種淸淨 三种淸淨 see styles |
sān zhǒng qīng jìng san1 zhong3 qing1 jing4 san chung ch`ing ching san chung ching ching sanshu shōjō |
The three purities of a bodhisattva— a mind free from all impurity, a body pure because never to be reborn save by transformation, an appearance 相 perfectly pure and adorned. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
三處木叉 三处木叉 see styles |
sān chù mù chā san1 chu4 mu4 cha1 san ch`u mu ch`a san chu mu cha san sho mokusha |
The mokṣa of the three places, i.e. moral control over body, mouth, and mind. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
三道眞言 see styles |
sān dào zhēn yán san1 dao4 zhen1 yan2 san tao chen yen sandō shingon |
Three magical "true words" or terms of Shingon for self-purification, i.e. 吽M004603 M067153 which is the "true word" for 身 the body; 訶囉鶴 for 語 the mouth or speech; and M004603 M067153 for 意 the mind. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
不惜身命 see styles |
bù xí shēn mìng bu4 xi2 shen1 ming4 pu hsi shen ming fushakushinmyou / fushakushinmyo ふしゃくしんみょう |
(yoji) {Buddh} (See 可惜身命) devoting one's body and soul to Buddhist teachings; unsparing devotion to Buddhism The bodhisattva virtue of not sparing one's life (for the sake of bodhi). |
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不顧身命 不顾身命 see styles |
bù gù shēn mìng bu4 gu4 shen1 ming4 pu ku shen ming fuko shinmyō |
without concern for body and life | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
中道應本 中道应本 see styles |
zhōng dào yìng běn zhong1 dao4 ying4 ben3 chung tao ying pen chūdō ōhon |
The 'mean' as the basic principle in the 別 and 圓 schools of the doctrine of the 應化身 'transformation body'. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
二丁投げ see styles |
nichounage / nichonage にちょうなげ |
{sumo} body drop throw (sweeping the opponent's legs and throwing them forward) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
二種涅槃 二种涅槃 see styles |
èr zhǒng niè pán er4 zhong3 nie4 pan2 erh chung nieh p`an erh chung nieh pan nishu nehan |
Two nirvanas: (1) 有餘涅槃 also 有餘依 That with a remnant; the cause 因 has been annihilated, but the remnant of the effect 果 still remains, so that a saint may enter this nirvana during life, but have to continue to live in this mortal realm till the death of his body. (2) 無餘涅槃 or 無餘依 Remnantless nirvāṇa, without cause and effect, the connection with the chain of mortal life being ended, so that the saint enters upon perfect nirvāṇa on the death of the body; cf. 智度論 31. Another definition is that Hīnayāna has further transmigration, while Mahāyāna maintains final nirvana. "Nothing remnaining" is differently interpreted in different schools, by some literally, but in Mahāyāna generally, as meaning no further mortal suffering, i.e. final nirvāṇa. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
二種舍利 二种舍利 see styles |
èr zhǒng shè lì er4 zhong3 she4 li4 erh chung she li nishu shari |
Two kinds of relics— the whole body, or parts of it. Also, the Buddha's physical remains or relics, and the sutras, which form his spiritual (dharmakāya) remains. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
二部五部 see styles |
èr bù wǔ bù er4 bu4 wu3 bu4 erh pu wu pu nibu gobu |
The two are the divisions which took place immediately after the Buddha's death into (a) the elder monks or intimate disciples, and (b) the general body of disciples, styled respectively 上座 and 大衆 q.v.; the five are the divisions, which are said to have occurred a century later, into Dharma-guptah 曇無德, Mulasarvastivadah 薩婆多, Mahisasakah 彌沙塞, Kasyapiyah迦葉遣 and Vatsiputriya 姿麤富羅. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
五分法身 see styles |
wǔ fēn fǎ shēn wu3 fen1 fa3 shen1 wu fen fa shen gobun hosshin |
pañca-dharmakāya, the five attributes of the dharmakāya or 'spiritual' body of the Tathāgata, i. e. 戒 that he is above all moral conditions; 定 tranquil and apart from all false ideas; 慧 wise and omniscient; 解脫 free, unlimited, unconditioned, which is the state of nirvana; 解脫知見 that he has perfect knowledge of this state. These five attributes surpass all conditions of form, or the five skandhas; Eitel interprets this by exemption from all materiality (rūpa); all sensations (vedana); all consciousness (saṃjñā); all moral activity (karman); all knowledge (vijñāna). The esoteric sect has its own group. See also 五種法身. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
五勞七傷 五劳七伤 see styles |
wǔ láo qī shāng wu3 lao2 qi1 shang1 wu lao ch`i shang wu lao chi shang |
(TCM) "five strains and seven impairments", five referring to the five viscera 五臟|五脏[wu3 zang4], and seven to adverse effects on one's body as a result of: overeating (spleen), anger (liver), moisture (kidney), cold (lung), worry (heart), wind and rain (outer appearance) and fear (mind) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
五所依土 see styles |
wǔ suǒ yī tǔ wu3 suo3 yi1 tu3 wu so i t`u wu so i tu go shoe do |
The five Buddha-kṣetra, or dependencies, the realms, or conditions of a Buddha. They are: (1) 法性土 his dharmakāya-kṣetra, or realm of his 'spiritual nature', dependent on and yet identical with the 眞如 bhutatathata; (2) 實 with its five immortal skandhas, i. e. his glorified body for his own enjoyment;. (3) 色相土 the land or condition of his self-expression as wisdom; (4) 他受用土 his saṃbhogakāya realm for the joy of others; (5) 變化土 the realm on which his nirmāṇakāya depends, that of the wisdom of perfect service of all, which results in his relation to every kind of condition. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
五智如來 五智如来 see styles |
wǔ zhì rú lái wu3 zhi4 ru2 lai2 wu chih ju lai gochi nyorai |
五智五佛; 五佛; 五如來 The five Dhyāni-Buddhas, or Wisdom-Tathāgatas of the Vajradhātu 金剛界, idealizations of five aspects of wisdom; possibly of Nepalese origin. The Wisdom Buddha represents the dharmakāya or Buddha-mind, also the Dharma of the triratna, or trinity. Each evolves one of the five colours, one of the five senses, a Dhyani-bodhisattva in two forms onegracious, the other fierce, and a Mānuṣi-Buddha; each has his own śakti, i. e. feminine energy or complement; also his own bīja, or germ-sound 種子or 印 seal, i. e. 眞言 real or substantive word, the five being for 大日 aṃ, for 阿閦 hūṃ, for 寶生 ? hrīḥ, for 彌陀 ? aḥ, for 不 空 ? āḥ. The five are also described as the emanations or forms of an Ādi-Buddha, Vajrasattva; the four are considered by others to be emanations or forms of Vairocana as theSupreme Buddha. The five are not always described as the same, e. g. they may be 藥師 (or 王) Bhaiṣajya, 多寶 Prabhūtaratna, Vairocana, Akṣobhya, andeither Amoghasiddhi or Śākyamuni. Below is a classified list of the generally accepted five with certain particulars connected with them, butthese differ in different places, and the list can only be a general guide. As to the Dhyāni-bodhisattvas, each Buddha evolves three forms 五佛生五菩薩, 五金剛, 五忿怒, i. e. (1) a bodhisattva who represents the Buddha's dharmakāya, or spiritual body; (2) a vajra ordiamond form who represents his wisdom in graciousness; and (3) a fierce or angry form, the 明王 who represents his power against evil. (1) Vairocanaappears in the three forms of 轉法輪菩薩 Vajra-pāramitā Bodhisattva, 遍照金剛 Universally Shining Vajrasattva, and 不動明王 Ārya-Acalanātha Rāja; (2) Akṣobhya's three forms are 虛空藏 Ākāśagarbha, 如意 complete power, and 軍荼利明王 Kuṇḍalī-rāja; (3 ) Ratnasaṃbhava's are 普賢 Samantabhadra, 薩埵Sattvavajra, and 孫婆 or 降三世明王 Trailokyavijayarāja; (4) Amitābha's are 觀世音 Avalokiteśvara, 法金剛 Dharmarāja, and 馬頭明王 Hayagrīva, thehorse-head Dharmapāla; (5) Amoghasiddhi's are 彌勒 Maitreya, 業金剛Karmavajra, and 金剛夜叉 Vajrayakṣa. The above Bodhisattvas differ from those in the following list:
Arrival of the five wise Buddhas |
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五相成身 see styles |
wǔ xiàng chéng shēn wu3 xiang4 cheng2 shen1 wu hsiang ch`eng shen wu hsiang cheng shen gosō jōshin |
(五相成身觀) A contemplation of the five stages in Vairocana Buddhahood— entry into the bodhi-mind; maintenance of it; attainment of the diamond mind; realization of the diamond embodiment; and perfect attainment of Buddhahood. It refers also to the 五智 of the Vairocana group; also 五轉成身 (or 五法成身) . | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
五種法身 五种法身 see styles |
wǔ zhǒng fǎ shēn wu3 zhong3 fa3 shen1 wu chung fa shen goshu hosshin |
The five kinds of a Buddha's dharmakāya. There are four groups. I. (1) 如如智法身 the spiritual body of bhūtatathatā-wisdom; (2) 功德法身 of all virtuous achievement; (3) 自法身 of incarnation in the world; (4) 變化法身 of unlimited powers of transformation; (5) 虛空法身 of unlimited space; the first and second are defined as saṃbhogakāya, the third and fourth as nirmāṇakāya, and the fifth as the dharmakāya, but all are included under dharmakāya as it possesses all the others. II. The esoteric cult uses the first four and adds as fifth 法界身 indicating the universe as pan-Buddha. III. Huayan gives (1) 法性生身 the body or person of Buddha born from the dharma-nature. (2) 功德生身 the dharmakāya evolved by Buddha virtue, or achievement; (3) 變化法身 the dharmakāya with unlimited powers of transformation; (4) 實相法身 the real dharmakāya; (5) 虛 空法身 the universal dharmakāya. IV. Hīnayāna defines them as 五分法身 q. v. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
五臓六腑 see styles |
gozouroppu / gozoroppu ごぞうろっぷ |
(1) (yoji) (See 五臓,六腑) the five viscera and the six internal organs; (2) (yoji) inside one's body; in one's heart | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
五花大綁 五花大绑 see styles |
wǔ huā dà bǎng wu3 hua1 da4 bang3 wu hua ta pang |
to bind a person's upper body, with arms tied behind the back and rope looped around the neck; to truss up | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
五處加持 五处加持 see styles |
wǔ chù jiā chí wu3 chu4 jia1 chi2 wu ch`u chia ch`ih wu chu chia chih gosho kaji |
Ceremonial touching of the five places on the body— brow, right and left shoulders, heart, and throat. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
人頭蛇身 人头蛇身 see styles |
rén tóu shé shēn ren2 tou2 she2 shen1 jen t`ou she shen jen tou she shen |
human head, snake's body; cf Nüwa 女媧氏|女娲氏[Nu:3 wa1 shi4] and Fuxi 伏羲氏[Fu2 Xi1 shi4] in some versions of mythology | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
仰屋著書 仰屋著书 see styles |
yǎng wū zhù shū yang3 wu1 zhu4 shu1 yang wu chu shu |
lit. to stare at the ceiling while writing a book (idiom); to put one's whole body and soul into a book | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
佛具十身 see styles |
fó jù shí shēn fo2 ju4 shi2 shen1 fo chü shih shen butsugu jūshin |
The ten perfect bodies or characteristics of Buddha: (1) 菩提身 Bodhi-body in possession of complete enlightenment. (2) 願身 Vow-body, i.e. the vow to be born in and from the Tuṣita heaven. (3) 化身 nirmāṇakāya, Buddha incarnate as a man. (4) 住持身 Buddha who still occupies his relics or what he has left behind on earth and thus upholds the dharma. (5) 相好莊嚴身 saṁbhogakāya, endowed with an idealized body with all Buddha marks and merits. (6) 勢力身 or 心佛 Power-body, embracing all with his heart of mercy. (7) 如意身 or 意生身 At will body, appearing according to wish or need. (8) 福德身 or 三昧身 samādhi body, or body of blessed virtue. (9) 智身 or 性佛 Wisdom-body, whose nature embraces all wisdom. (10) 法身 dharmakāya, the absolute Buddha, or essence of all life. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
傷痕累累 伤痕累累 see styles |
shāng hén lěi lěi shang1 hen2 lei3 lei3 shang hen lei lei |
cuts and bruises all over the body | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
全身全霊 see styles |
zenshinzenrei / zenshinzenre ぜんしんぜんれい |
(yoji) complete devotion; body and soul; one's best | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
六十二見 六十二见 see styles |
liù shí èr jiàn liu4 shi2 er4 jian4 liu shih erh chien rokujūni ken |
The sixty-two 見 or views, of which three groups are given: The 大品般若經 in the 佛母品 takes each of the five skandhas under four considerations of 常 time, considered as time past, whether each of the five has had permanence, impermanence, both, neither, 5 x 4 = 20; again as to their space, or extension, considered as present time, whether each is finite, infinite, both, neither =20; again as to their destination, i. e. future, as to whether each goes on, or does not, both, neither (e. g. continued personality) = 20, or in all 60; add the two ideas whether body and mind 神 are a unity or different = 62. The Tiantai School takes 我見, or personality, as its basis and considers each of the five skandhas under four aspects, e. g (1) rūpa, the organized body, as the ego; (2) the ego as apart from the rūpa; (3) rūpa as the greater, the ego the smaller or inferior, and the ego as dwelling in the rūpa; (4) the ego as the greater, rupa the inferior, and the rupa in the ego. Consider these twenty in the past, present, and future = 60, and add 斷 and 常 impermanence and permanence as fundamentals = 62. There is also a third group. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
冬蟲夏草 冬虫夏草 see styles |
dōng chóng - xià cǎo dong1 chong2 - xia4 cao3 tung ch`ung - hsia ts`ao tung chung - hsia tsao |
caterpillar fungus (Ophiocordyceps sinensis) (The fungus grows within the body of a caterpillar, culminating in the emergence of a stalked fruiting body from the caterpillar's head, and is a much-prized and expensive ingredient used as a tonic in traditional Chinese medicine.) See: 冬虫夏草 |
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前俯後仰 前俯后仰 see styles |
qián fǔ hòu yǎng qian2 fu3 hou4 yang3 ch`ien fu hou yang chien fu hou yang |
to rock one's body backward and forward; to be convulsed (with laughter etc) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
勞心勞力 劳心劳力 see styles |
láo xīn láo lì lao2 xin1 lao2 li4 lao hsin lao li |
to tax one's mind and body; demanding (work); dedicated (worker); hard-working | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
医食同源 see styles |
ishokudougen / ishokudogen いしょくどうげん |
(expression) (yoji) a balanced diet leads to a healthy body; healthy food both prevents and cures sickness | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
十二因緣 十二因缘 see styles |
shí èr yīn yuán shi2 er4 yin1 yuan2 shih erh yin yüan jūni innen |
Dvādaśaṅga pratītyasamutpāda; the twelve nidānas; v. 尼 and 因; also 十二緣起; 因緣有支; 因緣率連; 因緣棘園; 因緣輪; 因緣重城; 因緣觀; 支佛觀. They are the twelve links in the chain of existence: (1) 無明avidyā, ignorance, or unenlightenment; (2) 行 saṃskāra, action, activity, conception, "dispositions," Keith; (3) 識 vijñāna, consciousness; (4) 名色 nāmarūpa, name and form; (5) 六入 ṣaḍāyatana, the six sense organs, i.e. eye, ear, nose, tongue, body, and mind; (6) 觸 sparśa, contact, touch; (7) 受 vedanā, sensation, feeling; (8) 愛 tṛṣṇā, thirst, desire, craving; (9) 取 upādāna, laying hold of, grasping; (10) 有 bhava, being, existing; (11) 生 jāti, birth; (12) 老死 jarāmaraṇa, old age, death. The "classical formula" reads "By reason of ignorance dispositions; by reason of dispositions consciousness", etc. A further application of the twelve nidānas is made in regard to their causaton of rebirth: (1) ignorance, as inherited passion from the beginningless past ; (2) karma, good and evil, of past lives; (3) conception as a form of perception; (4) nāmarūpa, or body and mind evolving (in the womb); (5) the six organs on the verge of birth; (6) childhood whose intelligence is limited to sparśa, contact or touch; (7) receptivity or budding intelligence and discrimination from 6 or 7 years; (8) thirst, desire, or love, age of puberty; (9) the urge of sensuous existence; (10) forming the substance, bhava, of future karma; (11) the completed karma ready for rebirth; (12) old age and death. The two first are associated with the previous life, the other ten with the present. The theory is equally applicable to all realms of reincarnation. The twelve links are also represented in a chart, at the centre of which are the serpent (anger), boar (ignorance, or stupidity), and dove (lust) representing the fundamental sins. Each catches the other by the tail, typifying the train of sins producing the wheel of life. In another circle the twelve links are represented as follows: (1) ignorance, a blind woman; (2) action, a potter at work, or man gathering fruit; (3) consciousness, a restless monkey; (4) name and form, a boat; (5) sense organs, a house; (6) contact, a man and woman sitting together; (7) sensation, a man pierced by an arrow; (8) desire, a man drinking wine; (9) craving, a couple in union; (10) existence through childbirth; (11) birth, a man carrying a corpse; (12) disease, old age, death, an old woman leaning on a stick. v. 十二因緣論 Pratītya-samutpāda śāstra. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
十種不淨 十种不淨 see styles |
shí zhǒng bù jìng shi2 zhong3 bu4 jing4 shih chung pu ching jusshu fujō |
The deluded, e.g. the hīnayānists, because of their refusal to follow the higher truth, remain in the condition of reincarnation and are impure in ten ways: in body, mouth, mind, deed, state, sitting, sleeping, practice, converting others, their expectations. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
卽事卽理 see styles |
jí shì jí lǐ ji2 shi4 ji2 li3 chi shih chi li sokuji sokuri |
The identity of phenomena with their underlying principle, e.g. body and spirit are a unity; 卽事而眞 approximates to the same meaning that phenomena are identical with reality, e.g. water and wave. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
受用變化 受用变化 see styles |
shòu yòng biàn huà shou4 yong4 bian4 hua4 shou yung pien hua juyū henge |
enjoyment (body) and transformation (body) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
可惜身命 see styles |
atarashinmyou / atarashinmyo あたらしんみょう |
(yoji) valuing one's body and life; holding one's life dear | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
四教三密 see styles |
sì jiào sān mì si4 jiao4 san1 mi4 ssu chiao san mi shikyō sanmitsu |
Now a 眞言 Shingon term; the 四教 are the Tiantai four schools of 顯 open or exoteric teaching; the 三密 are the Shingon esoteric teaching in which the three 身口意 body, mouth, and mind have special functions. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
四百四病 see styles |
sì bǎi sì bìng si4 bai3 si4 bing4 ssu pai ssu ping shihyakushibyou / shihyakushibyo しひゃくしびょう |
(yoji) {Buddh} every type of disease The 404 ailments of the body; each of the four elements— earth, water, fire, and wind — is responsible for 101; there are 202 fevers, or hot humours caused by earth and fire; and 202 chills or cold humours caused by water and wind; v. 智度論 65. |
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四階成道 四阶成道 see styles |
sì jiē chéng dào si4 jie1 cheng2 dao4 ssu chieh ch`eng tao ssu chieh cheng tao shikai jōdō |
(or 四階成佛) The four Hīnayāna steps for attaining Buddhahood, i. e. the myriad deeds of the three asaṃkhyeya kalpas; the continually good karma of a hundred great kalpas; in the final body the cutting off of the illusions of the lower eight states; and the taking of one's seat on the bodhi-plot for final enlightenment, and the cutting off of the thirty-four forms of delusive thought. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
土木形骸 see styles |
tǔ mù xíng hái tu3 mu4 xing2 hai2 t`u mu hsing hai tu mu hsing hai |
earth and wood framework (idiom); plain and undecorated body | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
土砂供養 土砂供养 see styles |
tǔ shā gōng yǎng tu3 sha1 gong1 yang3 t`u sha kung yang tu sha kung yang tosakyōyō |
土砂加持 The putting of earth on the grave 108 times by the Shingon sect; they also put it on the deceased's body, and even on the sick, as a kind of baptism for sin, to save the deceased from the hells and base reincarnations, and bring them to the Pure Land. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
大光明王 see styles |
dà guāng míng wáng da4 guang1 ming2 wang2 ta kuang ming wang Dai kōmyō ō |
The Great-Light Ming-wang, Śākyamuni in a previous existence, when king of Jambudvīpa, at Benares. There his white elephant, stirred by the sight of a female elephant, ran away with him into the forest, where he rebuked his mahout, who replied, "I can only control the body not the mind, only a Buddha can control the mind." Thereupon the royal rider made his resolve to attain bodhi and become a Buddha. Later, he gave to all that asked, finally even his own head to a Brahman who demanded it, at the instigation of an enemy king. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
大志焚身 see styles |
dà zhì fén shēn da4 zhi4 fen2 shen1 ta chih fen shen daishi funshin |
The monk Ta-chin who sacrificed himself on the pyre, and thus caused Yang Ti of the Sui dynasty to withdraw his order for dispersing the monks. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
大自在天 see styles |
dà zì zài tiān da4 zi4 zai4 tian1 ta tzu tsai t`ien ta tzu tsai tien daijizaiten だいじざいてん |
{Buddh} Mahesvara (Shiva in the Buddhist pantheon) Maheśvara, 摩醯首濕伐羅 or Śiva, lord of the present chiliocosm, or universe; he is described under two forms, one as the prince of demons, the other as divine, i.e. 毘舍闍 Piśācamaheśvara and 淨居 Śuddhāvāsa- or Śuddhodanamaheśvara. As Piśāca, head of the demons, he is represented with three eyes and eight arms, and riding on a white bull; a bull or a linga being his symbol. The esoteric school takes him for the transformation body of Vairocana, and as appearing in many forms, e.g. Viṣṇu, Nārāyana (i.e. Brahmā), etc. His wife (śakti) is Bhīmā, or 大自在天婦. As Śuddhāvāsa, or Pure dwelling, he is described as a bodhisattva of the tenth or highest degree, on the point of entering Buddhahood. There is dispute as to whether both are the same being, or entirely different. The term also means the sixth or highest of the six desire heavens. |
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安樂色心 安乐色心 see styles |
ān lè sè xīn an1 le4 se4 xin1 an le se hsin anraku shiki shin |
peaceful in mind and body | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
察言觀色 察言观色 see styles |
chá yán guān sè cha2 yan2 guan1 se4 ch`a yen kuan se cha yen kuan se |
to weigh up sb's words and observe their facial expression (idiom); to discern what sb thinks from his body language | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
形影相弔 形影相吊 see styles |
xíng yǐng xiāng diào xing2 ying3 xiang1 diao4 hsing ying hsiang tiao |
with only body and shadow to comfort each other (idiom); extremely sad and lonely | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
形影相隨 形影相随 see styles |
xíng yǐng xiāng suí xing2 ying3 xiang1 sui2 hsing ying hsiang sui |
lit. body and shadow follow each other (idiom); fig. inseparable | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
心身一如 see styles |
shinjinichinyo しんじんいちにょ shinshinichinyo しんしんいちにょ |
(yoji) body and mind as one; mind-body unity | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
心身創痍 see styles |
shinshinsoui / shinshinsoi しんしんそうい |
being wounded in mind and body | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
心身爽快 see styles |
shinshinsoukai / shinshinsokai しんしんそうかい |
feeling refreshed in mind and body | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
心驚肉跳 心惊肉跳 see styles |
xīn jīng ròu tiào xin1 jing1 rou4 tiao4 hsin ching jou t`iao hsin ching jou tiao |
lit. heart alarmed, body leaping (idiom); fear and trepidation in the face of disaster | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
懸腕直筆 see styles |
kenwanchokuhitsu けんわんちょくひつ |
(yoji) (See 直筆・ちょくひつ・1,懸腕) calligraphy technique of holding the brush perpendicularly, lower arm raised, and elbow held away from the body | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
手舞足蹈 see styles |
shǒu wǔ zú dǎo shou3 wu3 zu2 dao3 shou wu tsu tao |
lit. to move one's hands and feet about (idiom); fig. to dance about; to express one's feelings in body language; to gesture animatedly; (TCM) involuntary movements of the limbs | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
抹土塗灰 抹土涂灰 see styles |
mǒ tǔ tú huī mo3 tu3 tu2 hui1 mo t`u t`u hui mo tu tu hui matsudo zukai |
to daub one's body with mud and ash | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
昇出色心 see styles |
shēng chū sè xīn sheng1 chu1 se4 xin1 sheng ch`u se hsin sheng chu se hsin shōshutsu shiki shin |
transcend body and mind | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
有餘涅槃 有余涅槃 see styles |
yǒu yú niè pán you3 yu2 nie4 pan2 yu yü nieh p`an yu yü nieh pan uyo nehan |
有餘依 (有餘依涅槃) Incomplete nirvāṇa. Hīnayāna holds that the arhat after his last term of mortal existence enters into nirvāṇa, while alive here he is in the state of sopādhiśeṣa-nirvāṇa, limited, or modified, nirvāṇa, as contrasted with 無餘涅槃 nirupadhiśeṣa-nirvāṇa. Mahāyāna holds that when the cause 因 of reincarnation is ended the state is that of 有餘涅槃 incomplete nirvāṇa; when the effect 果 is ended, and 得佛之常身 the eternal Buddha-body has been obtained, then there is 無餘涅槃 complete nirvāṇa. Mahāyāna writers say that in the Hīnayāna 無餘涅槃 'remainderless' nirvāṇa for the arhat there are still remains of illusion, karma, and suffering, and it is therefore 有餘涅槃; in Mahāyāna 無餘涅槃 these remains of illusion, etc., are ended. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
毘盧舍那 毘卢舍那 see styles |
pí lú shèn à pi2 lu2 shen4 a4 p`i lu shen a pi lu shen a Birushana |
Vairocana, 'belonging to or coming from the sun' (M. W.), i. e. light. The 眞身 q. v. true or real Buddha-body, e. g. godhead. There are different definitions. Tiantai says Vairocana represents the 法身 dharmakāya, Rocana or Locana the 報身 saṃbhogakāya, Śākyamuni the 應身 nirmāṇakāya. Vairocana is generally recognized as the spiritual or essential body of Buddha-truth, and like light 徧一切處 pervading everywhere. The esoteric school intp. it by the sun, or its light, and take the sun as symbol. It has also been intp. by 淨滿 purity and fullness, or fullness of purity. Vairocana is the chief of the Five dhyāni Buddhas, occupying the central position; and is the 大日如來 Great Sun Tathāgata. There are numerous treatises on the subject. Other forms are 毘盧; 毘盧遮那 (or 毘盧折那); 吠嚧遮那; 鞞嚧杜那. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
毘那夜加 毗那夜加 see styles |
pín à yè jiā pin2 a4 ye4 jia1 p`in a yeh chia pin a yeh chia binayaka |
vināyaka, a hinderer, the elephant god, Ganeśa; a demon with a man's body and elephant's head, which places obstacles in the way. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
法佛報佛 法佛报佛 see styles |
fǎ fó bào fó fa3 fo2 bao4 fo2 fa fo pao fo hobbutsu hōbutsu |
dharma-body buddha and reward-body buddha | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
法身體性 法身体性 see styles |
fǎ shēn tǐ xìng fa3 shen1 ti3 xing4 fa shen t`i hsing fa shen ti hsing hōshin taishō |
The embodiment, totality, or nature of the dharmakāya. In Hīnayāna the Buddha-nature in its 理 or absolute side is described as not discussed, being synonymous with the 五分 five divisions of the commandments, meditation, wisdom, release, and doctrine, 戒, 定, 慧, 解脫, and 知見. In the Mahāyāna the 三論宗 defines the absolute or ultimate reality as the formless which contains all forms, the essence of being, the noumenon of the other two manifestations of the triratna. The 法相宗 defines it as (a) the nature or essence of the whole triratna; (b) the particular form of the Dharma in that trinity. The One-Vehicle schools represented by the 華嚴宗, 天台, etc., consider it to be the bhūtatathatā, 理 and 智 being one and undivided. The Shingon sect takes the six elements-earth, water, fire, air, space, mind-as the 理 or fundamental dharmakāya and the sixth, mind, intelligence, or knowledge, as the 智 Wisdom dharmakāya. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
海老反り see styles |
ebizori えびぞり |
holding out one or both hands and arching one's body backward like a shrimp (in kabuki, represents being overwhelmed by someone's power) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
淸淨天身 see styles |
qīng jìng tiān shēn qing1 jing4 tian1 shen1 ch`ing ching t`ien shen ching ching tien shen shōjō tenshin |
a body (Skt. kāya) (group, mass) of pure and clean gods | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
澡身浴德 see styles |
zǎo shēn yù dé zao3 shen1 yu4 de2 tsao shen yü te |
to bathe the body and cleanse virtue (idiom); to improve oneself by meditation; cleanliness is next to godliness | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
火生三昧 see styles |
huǒ shēng sān mèi huo3 sheng1 san1 mei4 huo sheng san mei kashō zanmai |
A flame-emitting samādhi, the power to emit flames from the body for auto-holocaust, or other purposes. It is especially associated with 不動尊 q. v. and Shingon practice of the yoga which unites the devotee to him and his powers. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
灰身滅智 灰身灭智 see styles |
huī shēn miè zhì hui1 shen1 mie4 zhi4 hui shen mieh chih keshin mecchi |
Destruction of the body and annihilation of the mind— for the attainment of nirvāṇa. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
無爲法身 无为法身 see styles |
wú wéi fǎ shēn wu2 wei2 fa3 shen1 wu wei fa shen mui hosshin |
asaṃskṛta dharmakāya, the eternal body of Buddha not conditioned by cause and effect. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
無餘湼槃 无余湼槃 see styles |
wú yú niè pán wu2 yu2 nie4 pan2 wu yü nieh p`an wu yü nieh pan muyo nehan |
(無餘依湼槃) anupadhiśeṣa, the nirvāṇa state in which exists no remainder of the karma of suffering; it is also the nirvāṇa of arhat extinction of body and mind, described as 無餘灰斷. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
牛頭栴檀 牛头栴檀 see styles |
niú tóu zhān tán niu2 tou2 zhan1 tan2 niu t`ou chan t`an niu tou chan tan gozu sendan |
牛檀栴檀; 牛檀香 gośīrṣa-candana, ox-head sandal-wood, also styled 赤栴檀 red sandal-wood; said to come from the Ox-head mountains, and if rubbed on the body to make one impervious to fire, also generally protective against fire, curative of wounds and generally medicinal. 'The first image of Śākyamuni was made of this wood. ' Eitel. 西域記 10. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
物心一如 see styles |
busshinichinyo ぶっしんいちにょ |
(expression) matter and mind are one; body and mind as one | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
物我一體 物我一体 see styles |
wù wǒ yī tǐ wu4 wo3 yi1 ti3 wu wo i t`i wu wo i ti motsuga ittai |
things and the self form a single body |
Entries with 2nd row of characters: The 2nd row is Simplified Chinese.
This page contains 100 results for "Body And" in Chinese and/or Japanese.Information about this dictionary:
Apparently, we were the first ones who were crazy enough to think that western people might want a combined Chinese, Japanese, and Buddhist dictionary.
A lot of westerners can't tell the difference between Chinese and Japanese - and there is a reason for that. Chinese characters and even whole words were borrowed by Japan from the Chinese language in the 5th century. Much of the time, if a word or character is used in both languages, it will have the same or a similar meaning. However, this is not always true. Language evolves, and meanings independently change in each language.
Example: The Chinese character 湯 for soup (hot water) has come to mean bath (hot water) in Japanese. They have the same root meaning of "hot water", but a 湯屋 sign on a bathhouse in Japan would lead a Chinese person to think it was a "soup house" or a place to get a bowl of soup. See this: Japanese Bath House
This dictionary uses the EDICT and CC-CEDICT dictionary files.
EDICT data is the property of the Electronic Dictionary Research and Development Group, and is used in conformance with the Group's
license.
Chinese Buddhist terms come from Dictionary of Chinese Buddhist Terms by William Edward Soothill and Lewis Hodous. This is commonly referred to as "Soothill's'". It was first published in 1937 (and is now off copyright so we can use it here). Some of these definitions may be misleading, incomplete, or dated, but 95% of it is good information. Every professor who teaches Buddhism or Eastern Religion has a copy of this on their bookshelf. We incorporated these 16,850 entries into our dictionary database ourselves (it was lot of work).
Combined, these cover 1,007,753 Japanese, Chinese, and Buddhist characters, words, idioms, names, placenames, and short phrases.
Just because a word appears here does not mean it is appropriate for a tattoo, your business name, etc. Please consult a professional before doing anything stupid with this data.
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No warranty as to the correctness, potential vulgarity, or clarity is expressed or implied. We did not write any of these definitions (though we occasionally act as a contributor/editor to the CC-CEDICT project). You are using this dictionary for free, and you get what you pay for.
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