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<12345678910...>| Characters | Pronunciation Romanization |
Simple Dictionary Definition |
縞蛇 see styles |
shimahebi; shimahebi しまへび; シマヘビ |
(kana only) Japanese four-lined ratsnake (Elaphe quadrivirgata); Japanese striped snake |
縦横 see styles |
juuou / juo じゅうおう |
(noun or adjectival noun) (1) length and width; length and breadth; lengthwise and crosswise; vertical and horizontal; the four cardinal points; (noun or adjectival noun) (2) every direction; all directions; (noun or adjectival noun) (3) as one wishes; as one pleases; at will |
美大 see styles |
bidai びだい |
(abbreviation) college of the arts; university of the arts; art university |
美工 see styles |
měi gōng mei3 gong1 mei kung |
art design; art designer |
美玉 see styles |
měi yù mei3 yu4 mei yü meeii / mee めーいー |
fine jade (female given name) Me-i- |
美編 美编 see styles |
měi biān mei3 bian1 mei pien |
(publishing) (abbr. for 美術編輯|美术编辑[mei3 shu4 bian1 ji2]) layout and graphics; graphic design; art editor; graphic designer |
美術 美术 see styles |
měi shù mei3 shu4 mei shu bijutsu びじゅつ |
art; fine arts; painting; CL:種|种[zhong3] art; fine arts |
群像 see styles |
gunzou / gunzo ぐんぞう |
(1) (See 青春群像) lively group (esp. of young people); dynamic bunch; (2) {art} group |
義淨 义淨 see styles |
yì jìng yi4 jing4 i ching Gijō |
Yijing, A.D. 635-713, the famous monk who in 671 set out by the sea-route for India, where he remained for over twenty years, spending half this period in the Nālandā monastery. He returned to China in 695, was received with much honour, brought back some four hundred works, tr. with Śikṣānanda the Avataṃsaka-sūtra, later tr. many other works and left a valuable account of his travels and life in India, died aged 79. |
羯磨 see styles |
jié mó jie2 mo2 chieh mo katsuma かつま |
karma (loanword) {Buddh} (read as かつま in the Tendai sect, etc.; as こんま in Shingon, Ritsu, etc.) (See 業・ごう・1) karma; (surname) Katsuma karma; action, work, deed, performance, service, 'duty'; religious action, moral duty; especially a meeting of the monks for the purpose of ordination, or for the confession of sins and absolution, or for expulsion of the unrepentant. There are numerous kinds of karma, or assemblies for such business, ordinarily requiring the presence of four monks, but others five, ten, or twenty. Cf. 業 for definition of karma, deeds or character as the cause of future conditions; also 五蘊 for karma as the fourth skandha. |
習作 习作 see styles |
xí zuò xi2 zuo4 hsi tso shuusaku / shusaku しゅうさく |
(writing, drawing, calligraphy etc) to apply oneself to producing practice pieces; a practice piece; an exercise (noun, transitive verb) (a) study (e.g. in music, art, sculpture, etc.); etude; practice piece |
翡翠 see styles |
fěi cuì fei3 cui4 fei ts`ui fei tsui hisui ひすい |
jadeite; tree kingfisher (1) kingfisher (esp. the common kingfisher, Alcedo atthis); (2) jade (gem); (3) beautiful lustrous colour similar to that of the kingfisher's feathers; kingfisher (esp. the common kingfisher, Alcedo atthis); (female given name) Hisui |
老苦 see styles |
lǎo kǔ lao3 ku3 lao k`u lao ku rōku |
One of the four sufferings, that of old age. |
聖諦 圣谛 see styles |
shèng dì sheng4 di4 sheng ti shōtai |
The sacred principles or dogmas, or those of the saints, or sages; especially the four noble truths, cf. 四聖諦. |
聚諦 聚谛 see styles |
jù dì ju4 di4 chü ti shutai |
samudaya, the second of the four dogmas, that of 'accumulation', i.e. that suffering is caused by the passions. |
聞診 闻诊 see styles |
wén zhěn wen2 zhen3 wen chen |
(TCM) auscultation and smelling, one of the four methods of diagnosis 四診|四诊[si4 zhen3] |
聲聞 声闻 see styles |
shēng wén sheng1 wen2 sheng wen shōmon |
(Buddhism) disciple śrāvaka, a hearer, a term applied to the personal disciples of the Buddha, distinguished as mahā-śrāvaka; it is also applied to hearers, or disciples in general; but its general connotation relates it to Hīnayāna disciples who understand the four dogmas, rid themselves of the unreality of the phenomenal, and enter nirvana; it is the initial stage; cf. 舍. |
育樂 育乐 see styles |
yù lè yu4 le4 yü le |
(Tw) (abbr. for 教育與娛樂|教育与娱乐[jiao4 yu4 yu3 yu2 le4]) education and entertainment, the 5th and 6th aspects of life beyond the four basic necessities of food, clothing, shelter and transportation 食衣住行[shi2 yi1 zhu4 xing2]; (sometimes used to signify edutainment or just recreation) |
至芸 see styles |
shigei / shige しげい |
art of consummate skill |
臼玉 see styles |
usudama うすだま |
{archeol} discoidal bead (Kofun period); pierced jade beads |
色界 see styles |
sè jiè se4 jie4 se chieh shikikai しきかい |
{Buddh} (See 三界・1) form realm rūpadhātu, or rūpāvacara, or rūpaloka, any material world, or world of form; it especially refers to the second of the Trailokya 三界, the brahmalokas above the devalokas, comprising sixteen or seventeen or eighteen 'Heavens of Form', divided into four dhyānas, in which life lasts from one-fourth of a mahākalpa to 16,000 mahākalpas, and the average stature is from one-half a yojana to 16,000 yojanas. The inhabitants are above the desire for sex or food. The rūpadhātu, with variants, are given as— 初禪天 The first dhyāna heavens: 梵衆天 Brahmapāriṣadya, 梵輔天 Brahmapurohita or Brahmakāyika, 大梵天 Mahābrahmā. 二禪天 The second dhyāna heavens: 少光天 Parīttābha, 無量光天 Apramāṇābha, 光音天 Ābhāsvara. 三禪天 The third dhyāna heavens: 少淨天 Parīttaśubha, 無量淨天 Apramāṇaśubha, 徧淨天 Śubhakṛtsna. 四禪天 The fourth dhyāna heavens: 無雲天 Anabhraka, 福生天 Puṇyaprasava, 廣果天 Bṛhatphala, 無想天 Asañjñisattva, 無煩天 Avṛha, 無熱天 Atapa, 善現天 Sudṛśa, 善見天 Sudarśana, 色究竟天 Akaniṣṭha, 和音天 ? Aghaniṣṭha, 大自在天 Mahāmaheśvara. |
花藝 see styles |
huā yì hua1 yi4 hua i |
floriculture; art of flower arrangement |
芸人 see styles |
geinin / genin げいにん |
(1) (TV) comedian; (2) performer (esp. of a traditional art); entertainer; (3) (rare) talented person; accomplished person |
芸文 see styles |
masafumi まさふみ |
art and literature; (personal name) Masafumi |
芸術 see styles |
geijutsu / gejutsu げいじゅつ |
(fine) art; the arts |
芸談 see styles |
geidan / gedan げいだん |
talk about art |
苦集 see styles |
kǔ jí ku3 ji2 k`u chi ku chi ku shu |
samudaya, arising, coming together, collection, multitude. The second of the four axioms, that of 'accumulation', that misery is intensified by craving or desire and the passions, which are the cause of reincarnation. |
茶藝 茶艺 see styles |
chá yì cha2 yi4 ch`a i cha i |
the art of tea |
荒家 see styles |
araya あらや |
(irregular okurigana usage) (1) dilapidated house; tumbledown house; hovel; miserable shack; (2) (humble language) my house; my home; (3) small resting place comprising four pillars and a roof (with no walls); (surname) Araya |
荒屋 see styles |
araya あらや |
(irregular okurigana usage) (obscure) dilapidated house; tumbledown house; hovel; miserable shack; (irregular okurigana usage) (1) dilapidated house; tumbledown house; hovel; miserable shack; (2) (humble language) my house; my home; (3) small resting place comprising four pillars and a roof (with no walls); (place-name, surname) Araya |
華拳 华拳 see styles |
huá quán hua2 quan2 hua ch`üan hua chüan |
Hua Quan - "Flowery Fist? Magnificent Fist?" - Martial Art |
薛稷 see styles |
xuē jì xue1 ji4 hsüeh chi |
Xue Ji (649-713), one of Four Great Calligraphers of early Tang 唐初四大家[Tang2 chu1 Si4 Da4 jia1] |
藍絵 see styles |
aie あいえ |
(hist) {art} (See 浮世絵) ukiyo-e print produced with various shades of indigo (and sometimes small amounts of vermilion or yellow) |
藏教 see styles |
zàng jiào zang4 jiao4 tsang chiao zōkyō |
The Piṭaka, i.e. Tripiṭaka school, one of the four divisions 藏通別圓 as classified by Tiantai; it is the Hīnayāna school of the śrāvaka and pratyeka-buddha type, based on the tripiṭaka and its four dogmas, with the bodhisattva doctrine as an unimportant side issue. It is also subdivided into four others, 有 the reality of things, 空 their unreality, both and neither. The bodhisattva of the Piṭaka school is defined as undergoing seven stages, beginning with the four dogmas and ending with complete enlightenment under the bodhi-tree. |
藝壇 艺坛 see styles |
yì tán yi4 tan2 i t`an i tan |
art circles; art world |
藝廊 艺廊 see styles |
yì láng yi4 lang2 i lang |
(Tw) art gallery |
藝校 艺校 see styles |
yì xiào yi4 xiao4 i hsiao |
abbr. for 藝術學校|艺术学校; art school |
蘇繡 苏绣 see styles |
sū xiù su1 xiu4 su hsiu |
Suzhou embroidery, one of the four major traditional styles of Chinese embroidery (the other three being 湘繡|湘绣[Xiang1 xiu4], 粵繡|粤绣[Yue4 xiu4] and 蜀繡|蜀绣[Shu3 xiu4]) |
蘭画 see styles |
ranga らんが |
(archaism) (See 秋田蘭画・あきたらんが) Western-inspired art (Edo period); oil painting |
蜀繡 蜀绣 see styles |
shǔ xiù shu3 xiu4 shu hsiu |
Sichuan embroidery, one of the four major traditional styles of Chinese embroidery (the other three being 蘇繡|苏绣[Su1 xiu4], 湘繡|湘绣[Xiang1 xiu4] and 粵繡|粤绣[Yue4 xiu4]) |
衣鉢 衣钵 see styles |
yī bō yi1 bo1 i po ihatsu; ehatsu; ehachi いはつ; えはつ; えはち |
(1) mysteries of one's master's art; (2) {Buddh} (original meaning) robes and a bowl (monk's key possessions auctioned off at his funeral); transmission of the dharma from master to disciple (in Zen) Cassock and almsbowl. |
補作 see styles |
hosaku ほさく |
adding something to or altering a finished work of art; something added or altered in this manner |
見取 见取 see styles |
jiàn qǔ jian4 qu3 chien ch`ü chien chü midori みどり |
(place-name, surname) Midori Clinging to heterodox views, one of the four 取; or as 見取見, one of the 五見 q. v. |
評書 评书 see styles |
píng shū ping2 shu1 p`ing shu ping shu |
pingshu, a folk art where a single performer narrates stories from history or fiction |
評話 评话 see styles |
píng huà ping2 hua4 p`ing hua ping hua |
storytelling dramatic art dating back to Song and Yuan periods, single narrator without music, often historical topics with commentary |
詩畫 诗画 see styles |
shī huà shi1 hua4 shih hua |
poetry and pictorial art; work of art combining pictures and poetry |
話法 see styles |
wahou / waho わほう |
(1) parlance; manner of speaking; art of conversation; (2) {gramm} narration; speech; discourse |
話芸 see styles |
wagei / wage わげい |
(the art of) storytelling |
話術 话术 see styles |
huà shù hua4 shu4 hua shu wajutsu わじゅつ |
manipulative talk; (sales) patter; CL:套[tao4] (noun - becomes adjective with の) art of conversation |
說書 说书 see styles |
shuō shū shuo1 shu1 shuo shu |
folk art consisting of storytelling to music |
論語 论语 see styles |
lún yǔ lun2 yu3 lun yü rongo ろんご |
The Analects of Confucius 孔子[Kong3 zi3] (See 四書) the Analects of Confucius (one of the Four Books) Analects |
證德 证德 see styles |
zhèng dé zheng4 de2 cheng te shōtoku |
Attainment of virtue, or spiritual power, through the four dogmas, twelve nidānas and six pāramitās, in the Hīnayāna and Madhyamayāna. |
識住 识住 see styles |
shì zhù shi4 zhu4 shih chu shikijū |
That on which perception, or mind, is dependent; the four 識住are phenomenon, receptivity, cognition, and reaction; a further category of seven 識住 is divided into phenomenal and supra-phenomenal. |
護國 护国 see styles |
hù guó hu4 guo2 hu kuo morikuni もりくに |
(surname) Morikuni The four lokapālas, or rāṣṭrapālas, who protect a country. |
護摩 护摩 see styles |
hù mó hu4 mo2 hu mo goma ごま |
{Buddh} homa; Buddhist rite of burning wooden sticks to ask a deity for blessings homa, also 護磨; 呼麽 described as originally a burnt offering to Heaven; the esoterics adopted the idea of worshipping with fire, symbolizing wisdom as fire burning up the faggots of passion and illusion; and therewith preparing nirvāṇa as food, etc.; cf. 大日經; four kinds of braziers are used, round, semi-circular, square, and octagonal; four, five, or six purposes are recorded i.e. śāntika, to end calamities; pauṣṭika (or puṣṭikarman) for prosperity; vaśīkaraṇa, 'dominating,' intp. as calling down the good by means of enchantments; abhicaraka, exorcising the evil; a fifth is to obtain the loving protection of the Buddhas and bodhisattvas; a sixth divides puṣṭikarman into two parts, the second part being length of life; each of these six has its controlling Buddha and bodhisattvas, and different forms and accessories of worship. |
豆佉 see styles |
dòu qū dou4 qu1 tou ch`ü tou chü zukya |
(Buddhism) suffering (from Sanskrit "dukkha") duḥkha, trouble, suffering, pain, defined by 逼惱 harassed, distressed. The first of the four dogmas, or 'Noble Truths' 四諦 is that all life is involved, through impermanence, in distress. There are many kinds of 苦 q. v. |
豹拳 see styles |
bào quán bao4 quan2 pao ch`üan pao chüan |
Bao Quan - "Leopard Fist" - Martial Art |
貂蟬 貂蝉 see styles |
diāo chán diao1 chan2 tiao ch`an tiao chan |
Diaochan (-192), one of the four legendary beauties 四大美女[si4 da4 mei3 nu:3], in fiction a famous beauty at the break-up of Han dynasty, given as concubine to usurping warlord Dong Zhuo 董卓[Dong3 Zhuo2] to ensure his overthrow by fighting hero Lü Bu 呂布|吕布[Lu:3 Bu4] |
賞析 赏析 see styles |
shǎng xī shang3 xi1 shang hsi |
understanding and enjoying (a work of art) |
賞鑒 赏鉴 see styles |
shǎng jiàn shang3 jian4 shang chien |
to appreciate (a work of art) |
質感 质感 see styles |
zhì gǎn zhi4 gan3 chih kan shitsukan しつかん |
realism (in art); sense of reality; texture; tactile quality feel (of a material); texture |
走獸 走兽 see styles |
zǒu shòu zou3 shou4 tsou shou |
(four-footed) animal; beast |
車裂 车裂 see styles |
chē liè che1 lie4 ch`e lieh che lieh |
to tear off sb's four limbs and head using five horse-drawn carts (historical form of capital punishment) |
軫方 轸方 see styles |
zhěn fāng zhen3 fang1 chen fang |
square; four-square |
軽四 see styles |
keiyon / keyon けいよん |
(abbreviation) (See 軽四輪) four-wheeled light vehicle |
輪子 轮子 see styles |
lún zi lun2 zi5 lun tzu wako わこ |
wheel; (derog.) Falun Gong practitioner; CL:個|个[ge4] (1) hourglass-shaped object; (2) sarugaku performance art using such an object; (female given name) Wako |
輪王 轮王 see styles |
lún wáng lun2 wang2 lun wang rinō |
A cakravartin, 'a ruler the wheels of whose chariot roll everywhere without obstruction; an emperor, a sovereign of the world, a supreme ruler.' M.W. A Buddha, whose truth and realm are universal. There are four kinds of cakravartin, symbolized by wheels of gold, silver, copper, and iron; each possesses the seven precious things, 七寶 q.v. |
輪迴 轮回 see styles |
lún huí lun2 hui2 lun hui rinne |
to reincarnate; reincarnation (Buddhism); (of the seasons etc) to follow each other cyclically; cycle; CL:個|个[ge4] cyclic existence |
輪鼓 see styles |
ryuugo / ryugo りゅうご |
(1) hourglass-shaped object; (2) sarugaku performance art using such an object |
轉輪 转轮 see styles |
zhuàn lún zhuan4 lun2 chuan lun tenrin |
rotating disk; wheel; rotor; cycle of reincarnation in Buddhism cakravartī, "a ruler the wheels of whose chariot roll everywhere without hindrance." M.W. Revolving wheels; to turn a wheel: also 轉輪王 (轉輪聖王); 輪王; 轉輪聖帝, cf. 斫. The symbol is the cakra or disc, which is of four kinds indicating the rank, i.e. gold, silver, copper, or iron, the iron cakravartī ruling over one continent, the south; the copper, over two, east and south: the silver, over three, east, west, and south; the golden being supreme over all the four continents. The term is also applied to the gods over a universe, and to a buddha as universal spiritual king, and as preacher of the supreme doctrine. Only a cakravartī possesses the 七寳 saptaratna and 1, 000 sons. The cakra, or discus, is also a missile used by a cakravartī for overthrowing his enemies. Its origin is probably the sun with its myriad rays. |
迷作 see styles |
meisaku / mesaku めいさく |
(joc) (pun on 名作) (See 名作) odd but somehow interesting work of art |
通教 see styles |
tōng jiào tong1 jiao4 t`ung chiao tung chiao michinori みちのり |
(given name) Michinori Tiantai classified Buddhist schools into four periods 藏, 通, 別, and 圓. The 藏 Piṭaka school was that of Hīnayāna. The 通Tong, interrelated or intermediate school, was the first stage of Mahāyāna, having in it elements of all the three vehicles, śrāvaka, pratyekabuddha, and bodhisattva. Its developing doctrine linked it with Hīnayāna on the one hand and on the other with the two further developments of the 別 'separate', or 'differentiated' Mahāyāna teaching, and the 圓 full-orbed, complete, or perfect Mahāyāna. The 通教 held the doctrine of the Void, but had not arrived at the doctrine of the Mean. |
連弾 see styles |
rendan れんだん |
(n,vs,vt,adj-no) four handed performance (on the piano) |
連璧 连璧 see styles |
lián bì lian2 bi4 lien pi |
to join jade annuli; fig. to combine two good things |
連画 see styles |
renga れんが |
(abbreviation) sequential art or pictures (type of printed, graphic storytelling, differentiated from manga by its liberal use of page space, often only one panel per page, and sparing use of dialogue) |
遁法 see styles |
tonpou / tonpo とんぽう |
{MA} Ninja art of escape |
遁術 see styles |
tonjutsu とんじゅつ |
{MA} Ninja art of escape |
遊び see styles |
asobi あそび |
(1) play; playing; game; (2) pleasure; amusement; pastime; recreation; diversion; (3) play (in a mechanism, e.g. a steering wheel); (4) flexibility (in a performance, art, etc.); freedom; (5) (abbreviation) (See 遊び紙) flyleaf |
部多 see styles |
bù duō bu4 duo1 pu to buta |
bhūta, 'been, become, produced, formed, being, existing,' etc. (M. W. ); intp. as the consciously existing; the four great elements, earth, fire, wind, water, as apprehended by touch; also a kind of demon produced by metamorphosis. Also, the 眞如 bhūtatathatā. |
醫術 医术 see styles |
yī shù yi1 shu4 i shu |
medical expertise; art of healing |
釋迦 释迦 see styles |
shì jiā shi4 jia1 shih chia shaka しゃか |
sugar apple (Annona squamosa) (personal name) Shaka (釋迦婆) Śakra.; Śākya. the clan or family of the Buddha, said to be derived from śāka, vegetables, but intp. in Chinese as powerful, strong, and explained by 能 powerful, also erroneously by 仁charitable, which belongs rather to association with Śākyamuni. The clan, which is said to have wandered hither from the delta of the Indus, occupied a district of a few thousand square miles lying on the slopes of the Nepalese hills and on the plains to the south. Its capital was Kapilavastu. At the time of Buddha the clan was under the suzerainty of Kośala, an adjoining kingdom Later Buddhists, in order to surpass Brahmans, invented a fabulous line of five kings of the Vivartakalpa headed by Mahāsammata 大三末多; these were followed by five cakravartī, the first being Mūrdhaja 頂生王; after these came nineteen kings, the first being Cetiya 捨帝, the last Mahādeva 大天; these were succeeded by dynasties of 5,000, 7,000, 8,000, 9,000, 10,000, 15,000 kings; after which long Gautama opens a line of 1,100 kings, the last, Ikṣvāku, reigning at Potala. With Ikṣvāku the Śākyas are said to have begun. His four sons reigned at Kapilavastu. 'Śākyamuni was one of his descendants in the seventh generation.' Later, after the destruction of Kapilavastu by Virūḍhaka, four survivors of the family founded the kingdoms of Udyana, Bamyam, Himatala, and Sāmbī. Eitel. |
重塑 see styles |
chóng sù chong2 su4 ch`ung su chung su |
to reconstruct (an art object); to remodel |
金玉 see styles |
jīn yù jin1 yu4 chin yü kindama きんだま |
gold and jade; precious (colloquialism) testicles; balls; nuts; (personal name) Kindama |
鍾情 钟情 see styles |
zhōng qíng zhong1 qing2 chung ch`ing chung ching |
to fall in love; to love sb or something dearly (lover, or art) |
鏗鏘 铿锵 see styles |
kēng qiāng keng1 qiang1 k`eng ch`iang keng chiang kousou / koso こうそう |
sonorous; resounding; fig. resounding words (adj-t,adv-to) (archaism) resounding (sound of bells, musical instruments, stones being struck, etc.) tinkling of jade or metal pendants |
鐼子 see styles |
fén zǐ fen2 zi3 fen tzu funsu |
xun-zi, a bowl (or bowls) within an almsbowl. Buddha's bowl consisted of four heavy deva-bowls which he received miraculously one on the other; they are to be recovered with the advent of Maitreya; v. 鍵M086767. |
鑑賞 鉴赏 see styles |
jiàn shǎng jian4 shang3 chien shang kanshou / kansho かんしょう |
to appreciate (as a connoisseur) (noun, transitive verb) appreciation (of art, music, poetry, etc.) |
閻浮 阎浮 see styles |
yán fú yan2 fu2 yen fu enbu |
瞻部 Jambu (at present the rose-apple, the Eugenia Jambolana), described as a lofty tree giving its name to 閻浮提 Jambudvīpa, 'one of the seven continents or rather large islands surrounding the mountain Meru; it is so named either from the Jambu trees abounding in it, or from an enormous Jambu tree on Mount Meru visible like a standard to the whole continent'; 'the central division of the world.' M.W. With Buddhists it is the southern of the four continents, shaped like a triangle resembling the triangular leaves of the Jambu tree, and called after a forest of such trees on Meru. |
閻魔 阎魔 see styles |
yán mó yan2 mo2 yen mo enma えんま |
(Buddhism) Yama, the King of Hell {Buddh} Yama (King of Hell who judges the dead); Enma; (dei) Yama (King of Hell who judges the dead); Enma 閻王 閻羅; (閻魔王); 閻摩羅; 閻老 Yama, also v. 夜; 閻羅王 Yama. (1) In the Vedas the god of the dead, with whom the spirits of the departed dwell. He was son of the Sun and had a twin sister Yamī or Yamuna. By some they were looked upon as the first human pair. (2) In later Brahmanic mythology, one of the eight Lokapālas, guardian of the South and ruler of the Yamadevaloka and judge of the dead. (3) In Buddhist mythology, the regent of the Nārakas, residing south of Jambudvīpa, outside of the Cakravālas, in a palace of copper and iron. Originally he is described as a king of Vaiśālī, who, when engaged in a bloody war, wished he were master of hell, and was accordingly reborn as Yama in hell together with his eighteen generals and his army of 80,000 men, who now serve him in purgatory. His sister Yamī deals with female culprits. Three times in every twenty-four hours demon pours into Yama's mouth boiling copper (by way of punishment), his subordinates receiving the same dose at the same time, until their sins are expiated, when he will be reborn as Samantarāja 普王. In China he rules the fifth court of purgatory. In some sources he is spoken of as ruling the eighteen judges of purgatory. |
阿含 see styles |
ā hán a1 han2 a han agon |
āgama, 阿含暮; 阿鋡; 阿伽摩 (or 阿笈摩), the āgamas, a collection of doctrines, general name for the Hīnayāna scriptures: tr. 法歸 the home or collecting-place of the Law or Truth; 無比法 peerless Law; or 趣無 ne plus ultra, ultimate, absolute truth. The 四阿含經 or Four Āgamas are (1) 長阿含 Dīrghāgama, 'Long' treatises on cosmogony. (2) Madhyamāgama, 中阿含, 'middle' treatises on metaphysics. (3) Saṃyuktāgama, 雜阿含 'miscellaneous' treatises on abstract contemplation. (4) Ekottarāgama 增一阿含 'numerical' treatises, subjects treated numerically. There is also a division of five āgamas. |
陶芸 see styles |
tougei / toge とうげい |
ceramic art; ceramics |
陶藝 陶艺 see styles |
táo yì tao2 yi4 t`ao i tao i |
ceramic art |
雀頭 see styles |
jantoo; jantou(sk) / jantoo; janto(sk) ジャントー; ジャントウ(sk) |
{mahj} (See 対子) pair (as part of a winning hand, together with four melds) (chi:); eyes |
雅客 see styles |
gakaku がかく |
(1) man of letters; man of taste; art connoisseur; (2) (See 水仙) narcissus |
雑節 see styles |
zassetsu ざっせつ |
standard days signifying the changing of the seasons (i.e. setsubun, higan, etc.) |
雕琢 see styles |
diāo zhuó diao1 zhuo2 tiao cho |
to sculpt; to carve (jade); ornate artwork; overly elaborate prose |
青龍 青龙 see styles |
qīng lóng qing1 long2 ch`ing lung ching lung seiryuu / seryu せいりゅう |
Azure Dragon, one of the four symbols of the Chinese constellations, also known as the Azure Dragon of the East 東方青龍|东方青龙[Dong1 fang1 Qing1 long2] or 東方蒼龍|东方苍龙[Dong1 fang1 Cang1 long2]; (slang) man without pubic hair (1) blue dragon (an auspicious creature in Chinese mythology); (2) Azure Dragon (god said to rule over the eastern heavens); (surname, given name) Seiryū |
静物 see styles |
seibutsu / sebutsu せいぶつ |
(1) still object; object at rest; (2) (abbreviation) {art} (See 静物画) still life (painting, drawing) |
非色 see styles |
fēi sè fei1 se4 fei se |
arūpa, formless, i.e. without rūpa, form, or shape, not composed of the four elements. Also the four skandhas, 非色四薀 excluding rūpa or form. |
面世 see styles |
miàn shì mian4 shi4 mien shih |
to be published (of art, literary works etc); to come out; to take shape; to see the light of day |
Entries with 2nd row of characters: The 2nd row is Simplified Chinese.
This page contains 100 results for "Jade Four Seasons-Art" in Chinese and/or Japanese.Information about this dictionary:
Apparently, we were the first ones who were crazy enough to think that western people might want a combined Chinese, Japanese, and Buddhist dictionary.
A lot of westerners can't tell the difference between Chinese and Japanese - and there is a reason for that. Chinese characters and even whole words were borrowed by Japan from the Chinese language in the 5th century. Much of the time, if a word or character is used in both languages, it will have the same or a similar meaning. However, this is not always true. Language evolves, and meanings independently change in each language.
Example: The Chinese character 湯 for soup (hot water) has come to mean bath (hot water) in Japanese. They have the same root meaning of "hot water", but a 湯屋 sign on a bathhouse in Japan would lead a Chinese person to think it was a "soup house" or a place to get a bowl of soup. See this: Japanese Bath House
This dictionary uses the EDICT and CC-CEDICT dictionary files.
EDICT data is the property of the Electronic Dictionary Research and Development Group, and is used in conformance with the Group's
license.
Chinese Buddhist terms come from Dictionary of Chinese Buddhist Terms by William Edward Soothill and Lewis Hodous. This is commonly referred to as "Soothill's'". It was first published in 1937 (and is now off copyright so we can use it here). Some of these definitions may be misleading, incomplete, or dated, but 95% of it is good information. Every professor who teaches Buddhism or Eastern Religion has a copy of this on their bookshelf. We incorporated these 16,850 entries into our dictionary database ourselves (it was lot of work).
Combined, these cover 1,007,753 Japanese, Chinese, and Buddhist characters, words, idioms, names, placenames, and short phrases.
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No warranty as to the correctness, potential vulgarity, or clarity is expressed or implied. We did not write any of these definitions (though we occasionally act as a contributor/editor to the CC-CEDICT project). You are using this dictionary for free, and you get what you pay for.
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