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<12345678910...>| Characters | Pronunciation Romanization | Simple Dictionary Definition | 
| 源平see styles | genpei / genpe げんぺい | Genji and Heike clans; two opposing sides; (personal name) Motohira | 
| 漸熱 渐热see styles | jiàn rè jian4 re4 chien je zennetsu | Increasing heat; grīṣma, the two months from middle of May to middle of July. | 
| 潮目see styles | shiome しおめ | (1) junction line between two sea currents; line where two ocean currents meet; (2) course of things; turning point | 
| 火舍see styles | huǒ shè huo3 she4 huo she kasha | A kind of censer, made in two superimposed circles with a cover. | 
| 無明 无明see styles | wú míng wu2 ming2 wu ming mumyou / mumyo むみょう | avidya (Buddhism); ignorance; delusion {Buddh} avidya (ignorance) avidyā, ignorance, and in some senses Māyā, illusion; it is darkness without illumination, the ignorance which mistakes seeming for being, or illusory phenomena for realities; it is also intp. as 痴 ignorant, stupid, fatuous; but it means generally, unenlightened, unillumined. The 起信論 distinguishes two kinds as 根本: the radical, fundamental, original darkness or ignorance considered as a 無始無明 primal condition, and 枝末 'branch and twig' conditions, considered as phenomenal. There is also a list of fifteen distinctions in the Vibhāṣā-śāstra 2. avidyā is also the first, or last of the twelve nidānas.; Commonly tr. 'ignorance', means an unenlightened condition, non-perception, before the stirrings of intelligence, belief that the phenomenal is real, etc. | 
| 無減 无减see styles | wú jiǎn wu2 jian3 wu chien mugen | The undiminished powers of a bodhisattva after attaining Buddhahood; i.e. undiminished power and zeal to save all beings, power of memory, wisdom, nirvāṇa, and insight attained through nirvāṇa; cf. 智度論 26; also for a list of twenty-two cf. 唯識論 10. | 
| 燕趙 燕赵see styles | yān zhào yan1 zhao4 yen chao | Yan and Zhao, two of the Warring States in Hebei and Shanxi; beautiful women; women dancers and singers | 
| 父母see styles | fù mǔ fu4 mu3 fu mu fubo(p); chichihaha; tetehaha(ok); kazoiroha(ok); bumo(ok); kazoiro(ok) ふぼ(P); ちちはは; ててはは(ok); かぞいろは(ok); ぶも(ok); かぞいろ(ok) | father and mother; parents father and mother; parents; (surname) Fubo pitṛ-mātṛ, father and mother, parents; 無明 ignorance is referred to as father, and 貪愛 desire, or concupiscence, as mother, the two— ignorance and concupiscence— being the parents of all delusion and karma. Samādhi is also referred to as father, and praj na (wisdom) as mother, the parents of all knowledge and virtue. In the vast interchanges of rebirth all have been or are my parents, therefore all males are my father and all females my mother: 一切男女我父母 see 心地觀經 2. | 
| 牆角 墙角see styles | qiáng jiǎo qiang2 jiao3 ch`iang chiao chiang chiao | corner (junction of two walls) | 
| 片棒see styles | katabou / katabo かたぼう | (See 片棒を担ぐ,片棒担ぎ・1) front or rear of a palanquin (carried by two people); one of two people carrying a palanquin | 
| 猫又see styles | nekomata ねこまた | mythical two-tailed monster cat; (place-name) Nekomata | 
| 猫股see styles | nekomata ねこまた | mythical two-tailed monster cat | 
| 獨孤 独孤see styles | dú gū du2 gu1 tu ku | two-character surname Dugu | 
| 玄門 玄门see styles | xuán mén xuan2 men2 hsüan men genmon げんもん | (given name) Genmon The profound school, i. e. Buddhism. Also that of the 華嚴 Huayan (Kegon) which has a division of 十玄門 or 十玄緣起, indicating the ten metaphysical propositions, or lines of thought; of these there are two or more versions. | 
| 玉糸see styles | tamaito たまいと | (See 玉繭・1) dupion silk; silk that comes from a double cocoon formed jointly by two or more silkworms | 
| 玉繭see styles | tamamayu たままゆ | (1) dupion (double cocoon formed jointly by two or more silkworms); dupioni; (2) cocoon | 
| 理入see styles | lǐ rù li3 ru4 li ju rinyū | Entry by the truth, or by means of the doctrine, or reason, as 行入 is entry by conduct or practice, the two depending one on the other, cf. 二入. | 
| 甕棺 瓮棺see styles | wèng guān weng4 guan1 weng kuan kamekan かめかん | funerary urn burial urn (often two-storey); funerary urn | 
| 甚平see styles | shèn píng shen4 ping2 shen p`ing shen ping jinbei / jinbe じんべい | jinbei, traditional Japanese two-piece clothing worn in the summer (See 甚兵衛) light cotton summer clothing consisting of knee-length shorts and short-sleeved jacket; (given name) Jinpei | 
| 生きsee styles | iki いき | (1) living; being alive; (2) freshness; liveliness; vitality; (3) situation in which a group of stones cannot be captured because it contains contains two or more gaps (in go); (4) (kana only) stet; leave as-is (proofreading); (prefix) (5) damned | 
| 生像see styles | shēng xiàng sheng1 xiang4 sheng hsiang shōzō | 生似 Natural and similar, i. e. gold and silver, gold being the natural and perfect metal and colour; silver being next, though it will tarnish; the two are also called 生色 and 可染, i. e. the proper natural (unchanging) colour, and the tarnishable. | 
| 生死see styles | shēng sǐ sheng1 si3 sheng ssu seishi(p); shouji; shoushi / seshi(p); shoji; shoshi せいし(P); しょうじ; しょうし | life or death (1) life and death; life or death; (2) (しょうじ, しょうし only) {Buddh} samsara (cycle of death and rebirth); (3) (しょうじ, しょうし only) death saṃsāra: birth and death: rebirth and redeath; life and death; 生死, 死生; 生生死死 ever-recurring saṃsāra or transmigrations; the round of mortality. There are two, three, four, seven, and twelve kinds of 生死; the two are 分斷生死 the various karmaic transmigrations, and 不思義變易生死 (or simply 變易生死) the inconceivable transformation life in the Pure Land. Among the twelve are final separation from mortality of the arhat, with 無餘 no remains of it causing return; one final death and no rebirth of the anāgāmin; the seven advancing rebirths of the srota-āpanna; down to the births-cum-deaths of hungry ghosts. | 
| 甲乙see styles | jiǎ yǐ jia3 yi3 chia i kouotsu / kootsu こうおつ | first two of the ten Heavenly Stems 十天干[shi2 tian1 gan1] (1) first and second; A and B; (2) superiority and (or) inferiority; distinction (in quality); discernment; discrimination | 
| 甲矢see styles | kabutoya かぶとや | arrow with feathers that curve to the left (the first of two arrows to be fired); (surname) Kabutoya | 
| 申屠see styles | shēn tú shen1 tu2 shen t`u shen tu | two-character surname Shentu | 
| 申時 申时see styles | shēn shí shen1 shi2 shen shih | 3-5 pm (in the system of two-hour subdivisions used in former times) | 
| 男坂see styles | otokozaka おとこざか | (See 女坂) steeper of two paths (leading up to a shrine or temple); (place-name) Ozaka | 
| 男滝see styles | ondaki おんだき | greater waterfall (of the two); (place-name) Ondaki | 
| 界碑see styles | jiè bēi jie4 bei1 chieh pei | tablet marking the boundary between two regions, districts etc | 
| 百里see styles | bǎi lǐ bai3 li3 pai li yuri ゆり | two-character surname Baili (female given name) Yuri | 
| 皇甫see styles | huáng fǔ huang2 fu3 huang fu kouhou / koho こうほう | two-character surname Huangfu (surname) Kōhou | 
| 相好see styles | xiāng hǎo xiang1 hao3 hsiang hao sougou / sogo そうごう | to be intimate; close friend; paramour features; appearance; (place-name) Aiyoshi lakṣana-vyañjana; the thirty-two 相 or marks and the eighty 好 or signs on the physical body of Buddha. The marks a Buddha's saṃbhogakāya number 84,000. 相 is intp. as larger signs, 好 as smaller; but as they are also intp. as marks that please, 好 may be a euphemism for 號. | 
| 相槌see styles | aizuchi あいづち | (1) aizuchi; back-channeling; interjections indicating that one is paying attention; (2) two smiths hammering at an object in turn; (ik) (1) aizuchi; back-channeling; interjections indicating that one is paying attention; (2) two smiths hammering at an object in turn | 
| 相殿see styles | aidono; aiden あいどの; あいでん | enshrinement of two or more deities in one building of a shrine; shrine building dedicated to two or more deities | 
| 相碁see styles | aigo あいご | {go} go played by two equally skilled players | 
| 相輿see styles | aigoshi あいごし | (archaism) two people riding in a palanquin together | 
| 相鎚see styles | aizuchi あいづち | (ik) (1) aizuchi; back-channeling; interjections indicating that one is paying attention; (2) two smiths hammering at an object in turn | 
| 眞如see styles | zhēn rú zhen1 ru2 chen ju shinnyo しんにょ | (surname) Shinnyo bhūtatathatā, 部多多他多. The眞 is intp. as 眞實 the real, 如 as 如常 thus always or eternally so; i.e. reality as contrasted with 虛妄 unreality, or appearance, and 不變不改 unchanging or immutable as contrasted with form and phenomena. It resembles the ocean in contrast with the waves. It is the eternal, impersonal, unchangeable reality behind all phenomena. bhūta is substance, that which exists; tathatā is suchness, thusness, i.e. such is its nature. The word is fundamental to Mahāyāna philosophy, implying the absolute, the ultimate source and character of all phenomena, it is the All. It is also called 自性淸淨心 self-existent pure Mind; 佛性 Buddha-nature; 法身 dharmakāya; 如來藏 tathāgata-garbha, or Buddha-treasury; 實相 reality; 法界 Dharma-realm; 法性Dharma-nature; 圓成實性 The complete and perfect real nature, or reality. There are categories of 1, 2, 3, 7, 10, and 12 in number: (1) The undifferentiated whole. (2) There are several antithetical classes, e.g. the unconditioned and the conditioned; the 空 void, static, abstract, noumenal, and the 不 空 not-void, dynamic, phenomenal; pure, and affected (or infected); undefiled (or innocent), i.e. that of Buddhas, defiled, that of all beings; in bonds and free; inexpressible, and expressible in words. (3) 無相 Formless; 無生 uncreated; 無性 without nature, i.e. without characteristics or qualities, absolute in itself. Also, as relative, i.e. good, bad, and indeterminate. (7, 10, 12) The 7 are given in the 唯識論 8; the 10 are in two classes, one of the 別教 cf. 唯識論 8; the other of the 圓教, cf. 菩提心義 4; the 12 are given in the Nirvana Sutra. | 
| 着差see styles | chakusa ちゃくさ | difference between the finishing times of two competitors in a race (expressed in lengths in horse racing); winning margin | 
| 矢石see styles | shǐ shí shi3 shi2 shih shih yaishi やいし | belemnite; (surname) Yaishi Arrow and rock are two incompatibles, for an arrow cannot pierce a rock. | 
| 短大see styles | tandai たんだい | (abbreviation) (See 短期大学) junior college; vocationally oriented two or three year post-secondary education institution | 
| 短絡see styles | tanraku たんらく | (n,vs,vt,vi) (1) {elec} (See ショート・3) short circuit; short; (n,vs,vt,vi) (2) illogical jump; drawing a hasty inference (between two events); jumping to conclusions; acting rashly | 
| 福智see styles | fú zhì fu2 zhi4 fu chih fukuchi ふくち | (surname) Fukuchi Blessedness and wisdom, the two virtues which adorn. | 
| 禪定 禅定see styles | chán dìng chan2 ding4 ch`an ting chan ting zenjō | chan is dhyāna, probably a transliteration; ding is an interpretation of samādhi. chan is an element in ding, or samādhi, which covers the whole ground of meditation, concentration, abstraction, reaching to the ultimate beyond emotion or thinking; cf. 禪, for which the two words chan-ding are loosely used. | 
| 禾偏see styles | nogihen のぎへん | grain stalk radical at left (radical 115); two-branch tree radical at left | 
| 秀能see styles | xiù néng xiu4 neng2 hsiu neng Su Nō | The two patriarchs 神秀 Shenxiu and 慧能 Huineng, q. v. | 
| 私多see styles | sī duō si1 duo1 ssu to shita | 私陀; 悉陀; 徒多; 枲多 Sītā. Described as the 'cold' river; one of the four great rivers flowing from the Anavatpta or Anavadata Lake 阿耨達池 in Tibet. One account makes it 'an eastern outflux' which subsequently becomes the Yellow River. It is also said to issue from the west. Again, 'the Ganges flows eastward, the Indus south, Vatsch (Oxus) west, Sītā north.' Vatsch = Vākṣu. 'According to Xuanzang, however, it is the northern outflux of the Sirikol [Sarikkol] Lake (Lat. 38°20′N., Long. 74°E.) now called Yarkand daria, which flows into Lake Lop, thence underneath the desert of Gobi, and reappears as the source of the Huanghe.' Eitel. According to Richard, the Huanghe 'rises a little above two neighbouring lakes of Khchara (Charingnor) and Khnora (Oring-nor). Both are connected by a channel and are situated at an elevation of 14,000 feet. It may perhaps be at first confounded with Djaghing-gol, a river 110 miles long, which flows from the south and empties into the channel joining the two lakes'. | 
| 穀梁 谷梁see styles | gǔ liáng gu3 liang2 ku liang | two-character surname Guliang; abbr. for 穀梁傳|谷梁传[Gu3liang2 Zhuan4], Guliang Annals | 
| 空檔 空档see styles | kòng dàng kong4 dang4 k`ung tang kung tang | gap (between two objects); interval of time (between events); opening in one's schedule; free time; (fig.) gap (in the market etc) | 
| 空隙see styles | kòng xì kong4 xi4 k`ung hsi kung hsi kuugeki / kugeki くうげき | crack; gap between two objects; gap in time between two events (noun - becomes adjective with の) vacant space; aperture; gap; opening | 
| 窟內 窟内see styles | kūn ei kun1 ei4 k`un ei kun ei kutsunai | Within the cave,' the assembly of the elder disciples, after Śākyamuni's death, in the cave near Magadha, when, according to tradition, Kāśyapa presided over the compiling of the Tripiṭaka; while at the same time the 窟外 disciples 'without the cave' compiled another canon known as the 五藏 Pañcapiṭaka. To this separation is ascribed, without evidence, the formation of the two schools of the 上座部 Mahāsthavirāḥ and 大衆部 Mahāsāṅghikaḥ. | 
| 竜虎see styles | ryuuko / ryuko りゅうこ | dragon and tiger; two mighty rivals; (surname) Ryūko | 
| 端木see styles | duān mù duan1 mu4 tuan mu | two-character surname Duanmu | 
| 竹節 竹节see styles | zhú jié zhu2 jie2 chu chieh takefu; takefu たけふ; タケフ | bamboo joint (kana only) {go} bamboo joint; parallel lines of two stones spaced one point apart; (female given name) Takeyo | 
| 第二see styles | dì èr di4 er4 ti erh daini だいに | second; number two; next; secondary (noun - becomes adjective with の) second second | 
| 筆仙 笔仙see styles | bǐ xiān bi3 xian1 pi hsien | a form of automatic writing in which two or more participants hold a single pen over a sheet of paper and invite a spirit to write answers to their questions; a spirit so invited | 
| 等妙see styles | děng miào deng3 miao4 teng miao tō myō | The two supreme forms of Buddha-enlightenment 等覺 and 妙覺, being the 51st and 52nd stages of the Mahāyāna 階位. A Buddha is known as等妙覺王, king of these two forms of universal and supernatural illumination. | 
| 筑子see styles | chikuko ちくこ | clave-like folk instrument; two bamboo pieces beaten together; (surname) Chikuko | 
| 筑州see styles | chikushuu / chikushu ちくしゅう | Chikushū (the two former provinces of Chikuzen and Chikugo) | 
| 篇聚see styles | piān jù pian1 ju4 p`ien chü pien chü hen ju | Two divisions of wrong-doing, one called the 五篇 five pian, the other the six and seven ju. The five pian are: (1) pārājika, v. 波, sins demanding expulsion from the order; (2) saṅghāvaśeṣa, v. 僧, sins verging on expulsion, which demand confession before and absolution by the assembly; (3) ? prāyaścitta, v. 波逸, sins deserving hell which may be forgiven; (4) pratideśanīya, v. 波羅 and 提舍, sins which must be confessed; (5) duṣkṛta, v. 突, light sins, errors, or faults. The six ju are the five above with sthūlātyaya, v. 偸, associated with the third, implying thought not developed in action. The seven ju are the above with the division of the fifth into two, action and speech. There are further divisions of eight and nine. | 
| 糊代see styles | norishiro のりしろ | (1) overlap width; margin for pasting together (e.g. two pieces of paper); (2) elbowroom; leeway; room; margin; allowance; latitude | 
| 紅白see styles | kouhaku / kohaku こうはく | (noun - becomes adjective with の) (1) red and white; colours for festive or auspicious occasions (colors); (2) two teams; two groups; (3) (abbreviation) (See 紅白歌合戦) Kōhaku Uta Gassen; annual contest between male and female popular singers on New Year's Eve (sponsored and broadcast by NHK); (surname) Irimajiri | 
| 紕うsee styles | mayou / mayo まよう | (v5u,vi) (1) to lose one's way; (2) to waver; to hesitate; to be of two minds over; to be puzzled; to be perplexed; (3) to give into temptation; to lose control of oneself; (4) to turn in one's grave | 
| 結ぶsee styles | musubu むすぶ | (transitive verb) (1) to tie; to bind; to link; (transitive verb) (2) (See 実を結ぶ) to bear (fruit); (transitive verb) (3) to close (e.g. deal); to confirm; to conclude; (transitive verb) (4) to connect (two distant places); (transitive verb) (5) to close tightly; to purse (e.g. lips); (transitive verb) (6) to unite (with); to ally; to join hands | 
| 結界 结界see styles | jié jiè jie2 jie4 chieh chieh kekkai けっかい | (Buddhism) to designate the boundaries of a sacred place within which monks are to be trained; a place so designated; (fantasy fiction) force field; invisible barrier (orthographic borrowing from Japanese 結界 "kekkai") (1) {Buddh} (fixing) boundaries for religious practices; (2) {Buddh} prohibition (of items, people, spirits, etc. that would hinder Buddhist practice); (3) {Buddh} fence between inner and outer sanctums in a temple; (4) (archaism) (See 帳場格子) short two or three-fold lattice around the front desk of a store; (5) (colloquialism) (esp. in games, manga, etc.) barrier; dimensional barrier; containment zone; containment barrier; mystical barrier A fixed place, or territory; a definite area; to fix a place for a monastery, or an altar; a determined number, e.g. for an assembly of monks; a limit. It is a term specially used by the esoteric sects for an altar and its area, altars being of five different shapes. | 
| 結集 结集see styles | jié jí jie2 ji2 chieh chi kesshuu / kesshu けっしゅう | (n,vs,vt,vi) concentration (of efforts, forces, etc.); gathering together; regimentation; marshalling; mobilization The collection and fixing of the Buddhist canon; especially the first assembly which gathered to recite the scriptures, Saṅgīti. Six assemblies for creation or revision of the canon are named, the first at the Pippala cave at Rājagṛha under Ajātaśatru, the second at Vaiśālī, the third at Pāṭaliputra under Aśoka, the fourth in Kashmir under Kaniṣka, the fifth at the Vulture Peak for the Mahāyāna, and the sixth for the esoteric canon. The first is sometimes divided into two, that of those within 'the cave', and that of those without, i.e. the intimate disciples, and the greater assembly without; the accounts are conflicting and unreliable. The notable three disciples to whom the first reciting is attributed are Kāśyapa, as presiding elder, Ānanda for the Sūtras and the Abhidharma, and Upāli for the Vinaya; others attribute the Abhidharma to Pūrṇa, or Kāśyapa; but, granted the premises, whatever form their work may have taken, it cannot have been that of the existing Tripiṭaka. The fifth and sixth assemblies are certainly imaginary. | 
| 羊石see styles | yáng shí yang2 shi2 yang shih youseki / yoseki ようせき | (given name) Yōseki An abbreviation for 羯磨 karma, from the radicals of the two words. | 
| 羽田see styles | yǔ tián yu3 tian2 yü t`ien yü tien handa はんだ | Haneda (one of the two main airports serving Tokyo) (place-name) Handa | 
| 耶律see styles | yē lǜ ye1 lu:4 yeh lü yaritsu やりつ | two-character surname Yelü (surname) Yaritsu | 
| 耶舍see styles | yé shè ye2 she4 yeh she Yasha | Yaśas, or 耶舍陀 Yaśojā. There were two persons of this name: (1) a disciple of Ānanda; (2) another who is said to have 'played an important part in connection with the second synod'. | 
| 聞思 闻思see styles | wén sī wen2 si1 wen ssu monshi | two kinds of wisdom of hearing and thinking | 
| 肉髻see styles | ròu jì rou4 ji4 jou chi nikukei; nikkei / nikuke; nikke にくけい; にっけい | {Buddh} ushnisha (protrusion on the top of a buddha's head) 鳥失尼沙; 鬱失尼沙; 鳥瑟尼沙; 鬱瑟尼沙; 鳥瑟膩沙 uṣṇīṣa. One of the thirty-two marks (lakṣaṇa) of a Buddha; originally a conical or flame-shaped tuft of hair on the crown of a Buddha, in later ages represented as a fleshly excrescence on the skull itself; interpreted as coiffure of flesh. In China it is low and large at the base, sometimes with a tonsure on top of the protuberance. | 
| 肥州see styles | hishuu / hishu ひしゅう | Hishū (the two former provinces of Hizen and Higo); (given name) Hishuu | 
| 胡琴see styles | hú qin hu2 qin5 hu ch`in hu chin kokin こきん | huqin; family of Chinese two-stringed fiddles, with snakeskin covered wooden soundbox and bamboo bow with horsehair bowstring (1) huqin (any Chinese string instrument played with a bow); (2) (archaism) (See 琵琶) biwa (4 or 5-stringed Oriental lute) | 
| 胸字see styles | xiōng zì xiong1 zi4 hsiung tzu kyōji | The svastika on Buddha's breast, one of the thirty-two marks. | 
| 能所see styles | néng suǒ neng2 suo3 neng so noujo / nojo のうじょ | {Buddh} subject and object; activity and passivity These two terms indicate active and passive ideas, e.g. ability to transform, or transformable and the object that is transformed. | 
| 腹黑see styles | fù hēi fu4 hei1 fu hei | (slang) outwardly kind but inwardly evil; two-faced | 
| 舁くsee styles | kaku かく | (transitive verb) to carry on one's shoulders (esp. of two or more people carrying a palanquin, etc.) | 
| 舌相see styles | shé xiàng she2 xiang4 she hsiang zessō | The broad, long tongue of a Buddha, one of the thirty-two physical signs. | 
| 茶寿see styles | chaju ちゃじゅ | (from the decomposition of 茶 as two 十s (10+10) and 八十八 (88)) 108th birthday | 
| 茶樓 茶楼see styles | chá lóu cha2 lou2 ch`a lou cha lou | teahouse (usu. of two stories) | 
| 莫二see styles | mò èr mo4 er4 mo erh bakuji ばくじ | (given name) Bakuji not two | 
| 落差see styles | luò chā luo4 cha1 lo ch`a lo cha rakusa らくさ | drop in elevation; (fig.) gap (in wages, expectations etc); disparity (1) difference in elevation (between two points in a body of water); head; drop (e.g. of a waterfall); fall distance; (2) difference; gap | 
| 虎符see styles | hǔ fú hu3 fu2 hu fu | tiger tally (a two-piece object made in the shape of a tiger, used in ancient China as proof of authority. One half of a tally could be issued to a military officer and this would be matched with the other half when verification was required.) | 
| 衆合 众合see styles | zhòng hé zhong4 he2 chung ho shugō | (衆合地獄); 衆磕 The third of the eight hot hells, Saṃghāta, where two ranges of mountains meet to crush the sinners. | 
| 表色see styles | biǎo sè biao3 se4 piao se hyōshiki | Active expression, as walking, sitting, taking, refusing, bending, stretching, etc.; one of the three 色 forms, the other two being 顯 the colours, red, blue, etc., and 形 shape, long, short, etc. | 
| 表裏 表里see styles | biǎo lǐ biao3 li3 piao li hyouri(p); omoteura / hyori(p); omoteura ひょうり(P); おもてうら | (1) front and back; inside and outside; two sides; both sides; (n,vs,vi) (2) (ひょうり only) duplicity; double-dealing; being two-faced surface and underneath | 
| 裂くsee styles | saku さく | (transitive verb) (1) to tear; to rip up; (2) to cut up; to cleave; to cut open (esp. the abdomen); (3) to forcibly separate (e.g. two lovers); (4) (archaism) to have a tattoo in the corner of one's eye | 
| 裏表see styles | uraomote うらおもて | (1) back and front; inside and outside; both sides; (2) inside out (e.g. clothing); (3) (See 表裏・2) double-dealing; two faces (cf. two-faced); (4) outward appearance and actual condition; inner workings | 
| 複座see styles | fukuza ふくざ | two-seater | 
| 複比 复比see styles | fù bǐ fu4 bi3 fu pi fukuhi ふくひ | compound ratio (i.e. the product of two or more ratios) {math} compound ratio; cross ratio; compound proportion | 
| 複線 复线see styles | fù xiàn fu4 xian4 fu hsien fukusen ふくせん | multiple track (e.g. rail); multilane (e.g. highway); (math.) complex line double track; two-track line | 
| 複試 复试see styles | fù shì fu4 shi4 fu shih | to sit for the second round of a two-stage exam | 
| 褡褳 褡裢see styles | dā lian da1 lian5 ta lien | cloth pouch open in the middle, forming two bags; jacket worn for Chinese wrestling | 
| 西皮see styles | xī pí xi1 pi2 hsi p`i hsi pi | one of the two chief types of music in Chinese opera; see also 二黃|二黄[er4 huang2] | 
| 西門 西门see styles | xī mén xi1 men2 hsi men nishimon にしもん | two-character surname Ximen (place-name, surname) Nishimon | 
| 見愛 见爱see styles | jiàn ài jian4 ai4 chien ai ken'nai | (literary) to be so good as to show favor (to me); to regard (me) highly views and desires, e. g. the illusion that the ego is a reality and the consequent desires and passions; the two are the root of all suffering. | 
| 親子 亲子see styles | qīn zǐ qin1 zi3 ch`in tzu chin tzu oyako(p); shinshi おやこ(P); しんし | parent and child; parent-child (relationship); two successive generations parent and child; (female given name) Chikako | 
| 親骨see styles | oyabone おやぼね | (1) outer two ribs of a folding fan (i.e. the thick ribs, one at each end); (2) outer frame of a lattice door | 
| 觀門 观门see styles | guān mén guan1 men2 kuan men kanmon | Contemplation or meditation as one of the two methods of entry into truth, i.e. instruction and meditation; also one of the 六妙門. | 
Entries with 2nd row of characters: The 2nd row is Simplified Chinese.
This page contains 100 results for "Two" in Chinese and/or Japanese.Information about this dictionary:
Apparently, we were the first ones who were crazy enough to think that western people might want a combined Chinese, Japanese, and Buddhist dictionary.
A lot of westerners can't tell the difference between Chinese and Japanese - and there is a reason for that. Chinese characters and even whole words were borrowed by Japan from the Chinese language in the 5th century. Much of the time, if a word or character is used in both languages, it will have the same or a similar meaning. However, this is not always true. Language evolves, and meanings independently change in each language.
Example: The Chinese character 湯 for soup (hot water) has come to mean bath (hot water) in Japanese. They have the same root meaning of "hot water", but a 湯屋 sign on a bathhouse in Japan would lead a Chinese person to think it was a "soup house" or a place to get a bowl of soup. See this: Japanese Bath House
This dictionary uses the EDICT and CC-CEDICT dictionary files.
EDICT data is the property of the  Electronic Dictionary Research and Development Group, and is used in conformance with the Group's
license.
Chinese Buddhist terms come from Dictionary of Chinese Buddhist Terms by William Edward Soothill and Lewis Hodous. This is commonly referred to as "Soothill's'". It was first published in 1937 (and is now off copyright so we can use it here). Some of these definitions may be misleading, incomplete, or dated, but 95% of it is good information. Every professor who teaches Buddhism or Eastern Religion has a copy of this on their bookshelf. We incorporated these 16,850 entries into our dictionary database ourselves (it was lot of work).
Combined, these cover 1,007,753 Japanese, Chinese, and Buddhist characters, words, idioms, names, placenames, and short phrases.
Just because a word appears here does not mean it is appropriate for a tattoo, your business name, etc. Please consult a professional before doing anything stupid with this data.
We do offer Chinese and Japanese Tattoo Services. We'll also be happy to help you translate something for other purposes.
No warranty as to the correctness, potential vulgarity, or clarity is expressed or implied. We did not write any of these definitions (though we occasionally act as a contributor/editor to the CC-CEDICT project). You are using this dictionary for free, and you get what you pay for.
The following titles are just to help people who are searching for an Asian dictionary to find this page.