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<12345678910...>| Characters | Pronunciation Romanization |
Simple Dictionary Definition |
挾侍 挟侍 see styles |
jiā shì jia1 shi4 chia shih kyōji |
脇士 The two assistants of a buddha, etc., right and left. |
挿物 see styles |
sashimono さしもの |
(1) cabinetwork; joinery; (2) hair ornament; hairpin; (3) (archaism) colours; banner; small banner worn by soldiers during battle (for identification) from the Sengoku period to the end of the Edo period |
捌き see styles |
sabaki; sabaki さばき; サバキ |
(n,n-suf) (1) (kana only) handling (e.g. knife, reins); control; use; -work (e.g. footwork); (n,n-suf) (2) (kana only) dealing with (e.g. customers); management; disposal (esp. sale of goods); (3) (kana only) {go} (usu. サバキ) sabaki; properly treating one's weak stones under attack |
掛声 see styles |
kakegoe かけごえ |
(noun/participle) yell used to time or encourage activity (e.g. "Heave ho!", "On three ... One, two, three!" in English); enthusiastic shout from the audience (e.g. in kabuki); shouting (in concerts) |
接入 see styles |
jiē rù jie1 ru4 chieh ju |
to access (a network); to insert (a plug) into (a socket) |
接駁 接驳 see styles |
jiē bó jie1 bo2 chieh po |
to access; to transfer passengers between two railway lines |
揃目 see styles |
zorome ぞろめ |
(irregular kanji usage) (1) matching dice; doublets; (2) bet on two horses in the same bracket; (3) (mathematics term) repdigit; monodigit |
插足 see styles |
chā zú cha1 zu2 ch`a tsu cha tsu |
to squeeze in; to step in; to take part; to step between (two persons in a relationship) |
握り see styles |
nigiri(p); nigiri(sk) にぎり(P); ニギリ(sk) |
(1) grasping; gripping; grasp; grip; clutch; (2) handful; fistful; (3) handle; grip; knob; (4) (abbreviation) {food} (See 握り飯) onigiri; rice ball; (5) (abbreviation) {food} (See 握り寿司) nigirizushi; hand-formed sushi with a topping of seafood, etc.; (6) (kana only) {go} (usu. ニギリ) nigiri; determining who plays black by taking a handful of white stones and using one or two black stones to guess whether it is odd or even |
搬入 see styles |
hannyuu / hannyu はんにゅう |
(noun, transitive verb) (ant: 搬出) carrying in (esp. heavy objects, artwork, furniture); bringing in; taking in |
搬出 see styles |
hanshutsu はんしゅつ |
(noun, transitive verb) (ant: 搬入) carrying out (esp. heavy objects, artwork, furniture); taking out |
擁塞 拥塞 see styles |
yōng sè yong1 se4 yung se |
to be clogged up; to be congested (traffic, computer network etc) |
擴列 扩列 see styles |
kuò liè kuo4 lie4 k`uo lieh kuo lieh |
(Internet slang) to add a friend (on a social network etc) |
教證 教证 see styles |
jiào zhèng jiao4 zheng4 chiao cheng kyōshō |
The two ways of learning, by teaching or experience.; Teaching and evidence, doctrine and its evidential results, or realization. |
散り see styles |
chiri; chiri(sk) ちり; チリ(sk) |
(1) {archit} displacement between two surfaces; (2) (kana only) {print} (usu. チリ) squares (projection of the boards beyond the edges of the book block); (3) scattering; dispersal; falling (of blossoms, leaves, etc.) |
数個 see styles |
suuko / suko すうこ |
several (objects, usu. from two to six) |
數秒 see styles |
shǔ miǎo shu3 miao3 shu miao |
to count the number of seconds (between two events) |
斫り see styles |
hatsuri はつり |
(kana only) shaving (usu. concrete, paintwork, etc.); chipping |
斷弦 断弦 see styles |
duàn xián duan4 xian2 tuan hsien |
widowed; lit. broken string, cf 琴瑟[qin2 se4] qin and se, two instruments epitomizing marital harmony |
方等 see styles |
fāng děng fang1 deng3 fang teng hōdō |
vaipulya; cf. 方廣. 方 is interpreted as referring to the doctrine, 等 as equal, or universal, i. e. everynwhere equally. An attempt is made to distinguish between the two above terms, 方廣 being now used for vaipulya, but they are interchangeable. Eitel says the vaipulya sutras 'are distinguished by an expansion of doctrine and style (Sūtras developées, Burnouf). They are apparently of later date, showing the influence of different schools; their style is diffuse and prolix, repeating the same idea over and over again in prose and in verse; they are also frequently interlarded with prophecies and dhāraṇīs'; but the two terms seem to refer rather to the content than the form. The content is that of universalism. Chinese Buddhists assert that all the sutras from the 華嚴 Huayan onwards are of this class and therefore are Mahāyāna. Consequently all 方等 or 方廣 sutras are claimed by that school. Cf. 方便. |
日種 日种 see styles |
rì zhǒng ri4 zhong3 jih chung nitsushiyu につしゆ |
(surname) Nitsushiyu Sūrya-vaṃśa, one of the five surnames of Śākyamuni, sun-seed or lineage, his first ancestors having been produced by the sun from. 'two stalks of sugar-cane'; v. Ikṣvāku. |
早矢 see styles |
haya はや |
arrow with feathers that curve to the left (the first of two arrows to be fired); (female given name) Haya |
明藏 see styles |
míng zàng ming2 zang4 ming tsang Myō zō |
The Buddhist canon of the Ming dynasty; there were two editions, one the Southern at Nanjing made by T'ai Tsu, the northern at Beijing by Tai Tsung. A later edition was produced in the reign of Shen Tsung (Wan Li), which became the standard in Japan. |
時分 时分 see styles |
shí fēn shi2 fen1 shih fen jibun じぶん |
time; period during the day; one of the 12 two-hour periods enumerated by the earthly branches 地支 (1) time; hour; season; (2) suitable time; opportunity; chance Time-division of the day, variously made in Buddhist works: (1) Three periods each of day and night. (2) Eight periods of day and night, each divided into four parts. (3) Twelve periods, each under its animal, as in China. (4) Thirty hours, sixty hours, of varying definition. |
時段 时段 see styles |
shí duàn shi2 duan4 shih tuan |
time interval; work shift; time slot; the twelve two-hour divisions of the day |
時辰 时辰 see styles |
shí chen shi2 chen5 shih ch`en shih chen jishin じしん |
time; one of the 12 two-hour periods of the day time; hour |
智悲 see styles |
zhì bēi zhi4 bei1 chih pei chihi |
All-knowing and all-pitying; these two with 定 'contemplative' make up the 三德 three virtues or qualities of a Buddha. |
智門 智门 see styles |
zhì mén zhi4 men2 chih men chimon |
Wisdom gate; Buddha-wisdom and Buddha-pity are the two gates or ways through which Buddhism expresses itself: the way of enlightenment directed to the self, and the way of pity directed to others. |
更次 see styles |
gēng cì geng1 ci4 keng tz`u keng tzu |
one watch (i.e. two-hour period during night) |
會車 会车 see styles |
huì chē hui4 che1 hui ch`e hui che |
(of two vehicles traveling in opposite directions) to pass by each other |
月分 see styles |
yuè fèn yue4 fen4 yüeh fen Getsufun |
month; also written 月份[yue4 fen4] Moon and division, a tr. of candrabhaga, 旃達羅婆伽 The two rivers Candra and Bhaga joined. The Chenab river, Punjab, the Acesines of Alexander. |
月鼠 see styles |
yuè shǔ yue4 shu3 yüeh shu tsuki no nezumi |
The moon rat, one of the two rats, black and white, that gnaw the cord of life, i. e. night and day. |
有爲 有为 see styles |
yǒu wéi you3 wei2 yu wei ui |
Active, creative, productive, functioning, causative, phenomenal, the processes resulting from the laws of karma, v. 有作; opposite of 無爲 passive, inert, inactive, non-causative, laisser-faire. It is defined by 造作 to make, and associated with saṃskṛta. The three active things 三有爲法 are 色 material, or things which have form, 心 mental and 非色非心 neither the one nor the other. The four forms of activity 四有爲相 are 生住異滅 coming into existence, abiding, change, and extinction; they are also spoken of as three, the two middle terms being treated as having like meaning. |
木魚 木鱼 see styles |
mù yú mu4 yu2 mu yü mokugyo もくぎょ |
mokugyo; wooden fish (percussion instrument) (Buddhist term) fish gong; fish wood block; temple block; round, hollow, wood block (vaguely fish-shaped, usu. with scales), struck while chanting sutras The wooden fish; there are two kinds, one round for use to keep time in chanting, the other long for calling to meals. The origin of the use of a fish is unkজxample to monks to be watchful: there is no evidence of connection with the Christian ίχθύς.ί 木馬 Wooden horse, a symbol of emancipation. |
未時 未时 see styles |
wèi shí wei4 shi2 wei shih |
1-3 pm (in the system of two-hour subdivisions used in former times) |
末田 see styles |
mò tián mo4 tian2 mo t`ien mo tien matsuda まつだ |
(place-name, surname) Matsuda Madhyāntika, 末田地 (末田地那); 末田底加, 末田提; 末田鐸迦; 末彈地; 末闡地 or a 摩 is also used for 末. It is tr. by 中; 日中, 水中河中, and 金地. One of the two chief disciples of Ānanda, to whom he handed down the Buddha's doctrine. He is reputed to have been sent to convert 罽賓 Kashmir, the other, 商那和修 Śāṇakavāsa, to convert 中國 which is probably Central India, though it is understood as China. Another account makes the latter a disciple of the former. Eitel says that by his magic power he transported a sculptor to the Tuṣita heavens to obtain a correct image of Maitreya. |
末陀 see styles |
mò tuó mo4 tuo2 mo t`o mo to mada |
madya, intoxicating liquor, intoxicating. The two characters are also given as a translation of ? madhya, and mean 100, 000. |
本覺 本觉 see styles |
běn jué ben3 jue2 pen chüeh hongaku |
Original bodhi, i. e. 'enlightenment', awareness, knowledge, or wisdom, as contrasted with 始覺 initial knowledge, that is 'enlightenment a priori is contrasted with enlightenment a posteriori'. Suzuki, Awakening of Faith, P. 62. The reference is to universal mind 衆生之心體, which is conceived as pure and intelligent, with 始覺 as active intelligence. It is considered as the Buddha-dharmakāya, or as it might perhaps be termed, the fundamental mind. Nevertheless in action from the first it was influenced by its antithesis 無明 ignorance, the opposite of awareness, or true knowledge. See 起信論 and 仁王經,中. There are two kinds of 本覺, one which is unconditioned, and never sullied by ignorance and delusion, the other which is conditioned and subject to ignorance. In original enlightenment is implied potential enlightenment in each being. |
村切 see styles |
muragiri むらぎり |
(archaism) border between two villages |
村限 see styles |
muragiri むらぎり |
(archaism) border between two villages |
東郭 东郭 see styles |
dōng guō dong1 guo1 tung kuo toukaku / tokaku とうかく |
two-character surname Dongguo (given name) Tōkaku |
板絵 see styles |
itae いたえ |
artwork on wood, canvas, metal sheet, etc. |
枝香 see styles |
zhī xiāng zhi1 xiang1 chih hsiang sayaka さやか |
(female given name) Sayaka Incense made of branches of trees, one of the three kinds of incense, the other two being from roots and flowers. |
柱間 see styles |
hashirama はしらま |
(noun - becomes adjective with の) bay (space or distance between two pillars) |
梵音 see styles |
fàn yīn fan4 yin1 fan yin bonnon |
(1) Brahma voice, clear, melodious, pure, deep, far-reaching, one of the thirty-two marks of a Buddha. (2) Singing in praise of Buddha. |
椿餅 see styles |
tsubaimochii; tsubakimochi; tsubaimochi / tsubaimochi; tsubakimochi; tsubaimochi つばいもちい; つばきもち; つばいもち |
rice-cake sweet sandwiched between two camellia leaves |
極込 see styles |
kimekomi きめこみ |
(1) (abbreviation) wooden dolls; (2) type of theatrical makeup; (3) type of artwork using paper, cloth and paste |
楼門 see styles |
roumon / romon ろうもん |
two-storied gate; tower gate; (surname) Roumon |
構え see styles |
kamae かまえ |
(1) structure; construction; appearance; (2) posture (e.g. in martial arts); pose; stance; (3) readiness; determination; preparedness; (4) kanji enclosure type radical (must enclose at least two sides of the kanji) |
樓房 楼房 see styles |
lóu fáng lou2 fang2 lou fang |
a building of two or more stories; CL:棟|栋[dong4],幢[zhuang4],座[zuo4] |
樗蒱 see styles |
chū pú chu1 pu2 ch`u p`u chu pu |
a kind of ancient game played with a set of two-sided dice |
樞紐 枢纽 see styles |
shū niǔ shu1 niu3 shu niu |
hub (e.g. of traffic network); hinge; pivot; fulcrum |
横物 see styles |
yokomono よこもの |
(1) something wider than it is high; (2) artwork with a horizontal aspect (e.g. scroll) |
欲色 see styles |
yù sè yu4 se4 yü se yoku shiki |
The two realms of desire and form, or the passions and the sensuous. |
歐陽 欧阳 see styles |
ōu yáng ou1 yang2 ou yang ouyou / oyo おうよう |
two-character surname Ouyang (surname) Ouyou |
止觀 止观 see styles |
zhǐ guān zhi3 guan1 chih kuan shikan |
奢摩他毗婆舍那 (or 奢摩他毗鉢舍那) śamatha-vipaśyanā, which Sanskrit words are intp. by 止觀; 定慧; 寂照; and 明靜; for their respective meanings see 止 and 觀. When the physical organism is at rest it is called 止 zhi, when the mind is seeing clearly it is called 觀 guan. The term and form of meditation is specially connected with its chief exponent, the founder of the Tiantai school, which school is styled 止觀宗 Zhiguan Zong, its chief object being concentration of the mind by special methods for the purpose of clear insight into truth, and to be rid of illusion. The Tiantai work gives ten fields of mediation, or concentration: (1) the 五陰, 十八界, and 十二入; (2) passion and delusion; (3) sickness; (4) karma forms; (5) māra-deeds; (6) dhyāna; (7) (wrong) theories; (8) arrogance; (9) the two Vehicles; (10) bodhisattvahood. |
步法 see styles |
bù fǎ bu4 fa3 pu fa |
footwork |
死緩 死缓 see styles |
sǐ huǎn si3 huan3 ssu huan |
deferred death sentence; commuted death sentence with forced labor and judicial review after two years (PRC) (legal) |
比丘 see styles |
bǐ qiū bi3 qiu1 pi ch`iu pi chiu biku びく |
Buddhist monk (loanword from Sanskrit "bhiksu") bhikkhu (fully ordained Buddhist monk) (san: bhiksu) 比呼; 苾芻; 煏芻 bhikṣu, a religious mendicant, an almsman, one who has left home, been fully ordained, and depends on alms for a living. Some are styled 乞士 mendicant scholars, all are 釋種 Śākya-seed, offspring of Buddha. The Chinese characters are clearly used as a phonetic equivalent, but many attempts have been made to give meanings to the two words, e. g. 比 as 破 and 丘 as 煩惱, hence one who destroys the passions and delusions, also 悕能 able to overawe Māra and his minions; also 除饉 to get rid of dearth, moral and spiritual. Two kinds 内乞 and 外乞; both indicate self-control, the first by internal mental or spiritual methods, the second by externals such as strict diet. 苾芻 is a fragrant plant, emblem of the monastic life. |
比爛 比烂 see styles |
bǐ làn bi3 lan4 pi lan |
to compare two unsatisfactory things; to argue that others have similar or worse faults (as a response to criticism); whataboutery |
毫眉 see styles |
háo méi hao2 mei2 hao mei gōmi |
The white hair between Buddha's eyebrows, the毫相, i.e. one of the thirty-two signs of a Buddha. |
氣血 气血 see styles |
qì xuè qi4 xue4 ch`i hsüeh chi hsüeh |
qi and blood (two basic bodily fluids of Chinese medicine) |
水波 see styles |
shuǐ bō shui3 bo1 shui po minami みなみ |
wave; (water) ripple (female given name) Minami Waves of water; the wave and the water are two yet one— an illustration of the identity of differences. |
江に see styles |
eni えに |
(ateji / phonetic) (1) fate; destiny (esp. as a mysterious force that binds two people together); (2) relationship (e.g. between two people); bond; link; connection; (3) family ties; affinity |
法天 see styles |
fǎ tiān fa3 tian1 fa t`ien fa tien Hōten |
Dharmadeva, a monk from the Nālandāsaṃghārāma who tr. under this name forty-six works, 973-981, and under the name of Dharmabhadra seventy-two works, 982-1001. |
法界 see styles |
fǎ jiè fa3 jie4 fa chieh hokkai; houkai / hokkai; hokai ほっかい; ほうかい |
(1) {Buddh} universe; (2) {Buddh} realm of thought; (3) {Buddh} underlying principle of reality; manifestation of true thusness; (4) (ほうかい only) (abbreviation) (See 法界悋気) being jealous of things that have nothing to do with one; being jealous of others who are in love with each other dharmadhātu, 法性; 實相; 達磨馱都 Dharma-element, -factor, or-realm. (1) A name for "things" in general, noumenal or phenomenal; for the physical universe, or any portion or phase of it. (2) The unifying underlying spiritual reality regarded as the ground or cause of all things, the absolute from which all proceeds. It is one of the eighteen dhātus. These are categories of three, four, five, and ten dharmadhātus; the first three are combinations of 事 and 理 or active and passive, dynamic and static; the ten are: Buddha-realm, Bodhisattva-realm, pratyekabuddha-realm, śrāvaka, deva, Human, asura, Demon, Animal, and Hades realms-a Huayan category. Tiantai has ten for meditaton, i.e. the realms of the eighteen media of perception (the six organs, six objects, and six sense-data or sensations), of illusion, sickness, karma, māra, samādhi, (false) views, pride, the two lower Vehicles, and the Bodhisattva Vehicle. |
法蘭 法兰 see styles |
fǎ lán fa3 lan2 fa lan Hōran |
flange (loanword) Gobharana, 竺法蘭, companion of Mātaṅga, these two being the first Indian monks said to have come to China, in the middle of the first century A.D. |
活き see styles |
iki いき |
(1) living; being alive; (2) freshness; liveliness; vitality; (3) situation in which a group of stones cannot be captured because it contains contains two or more gaps (in go); (4) (kana only) stet; leave as-is (proofreading); (prefix) (5) damned |
流木 see styles |
nagaregi ながれぎ |
driftwood; (place-name) Nagaregi |
流量 see styles |
liú liàng liu2 liang4 liu liang ryuuryou / ryuryo りゅうりょう |
flow rate; throughput of passengers; volume of traffic; (hydrology) discharge; data traffic; network traffic; website traffic; mobile data flow rate (esp. water or electricity); quantity of flow; capacity (of output or throughput per unit time) |
浮名 see styles |
uchina うちな |
(1) rumour (of two people having a love affair); rumor; gossip (about two people being involved); scandal; (2) (archaism) bad reputation; (surname) Uchina |
浮木 see styles |
fú mù fu2 mu4 fu mu ukiki うきき |
driftwood; floating timber; (surname) Ukiki A floating log, v. 浮孔. |
海峡 see styles |
kaikyou / kaikyo かいきょう |
channel (e.g. between two land masses); strait; (surname) Kaikyō |
淳于 see styles |
chún yú chun2 yu2 ch`un yü chun yü |
two-character surname Chunyu |
混作 see styles |
hùn zuò hun4 zuo4 hun tso konsaku こんさく |
mixed cropping (i.e. growing two crops together) (noun, transitive verb) mixed cultivation |
渡殿 see styles |
wataridono わたりどの watadono わたどの |
roofed corridor connecting two buildings (in traditional palatial-style architecture) |
源平 see styles |
motohira もとひら |
Genji and Heike clans; two opposing sides; (personal name) Motohira |
漸熱 渐热 see styles |
jiàn rè jian4 re4 chien je zennetsu |
Increasing heat; grīṣma, the two months from middle of May to middle of July. |
潮目 see styles |
shiome しおめ |
(1) junction line between two sea currents; line where two ocean currents meet; (2) course of things; turning point |
火舍 see styles |
huǒ shè huo3 she4 huo she kasha |
A kind of censer, made in two superimposed circles with a cover. |
無明 无明 see styles |
wú míng wu2 ming2 wu ming mumyou / mumyo むみょう |
avidya (Buddhism); ignorance; delusion {Buddh} avidya (ignorance) avidyā, ignorance, and in some senses Māyā, illusion; it is darkness without illumination, the ignorance which mistakes seeming for being, or illusory phenomena for realities; it is also intp. as 痴 ignorant, stupid, fatuous; but it means generally, unenlightened, unillumined. The 起信論 distinguishes two kinds as 根本: the radical, fundamental, original darkness or ignorance considered as a 無始無明 primal condition, and 枝末 'branch and twig' conditions, considered as phenomenal. There is also a list of fifteen distinctions in the Vibhāṣā-śāstra 2. avidyā is also the first, or last of the twelve nidānas.; Commonly tr. 'ignorance', means an unenlightened condition, non-perception, before the stirrings of intelligence, belief that the phenomenal is real, etc. |
無減 无减 see styles |
wú jiǎn wu2 jian3 wu chien mugen |
The undiminished powers of a bodhisattva after attaining Buddhahood; i.e. undiminished power and zeal to save all beings, power of memory, wisdom, nirvāṇa, and insight attained through nirvāṇa; cf. 智度論 26; also for a list of twenty-two cf. 唯識論 10. |
燕趙 燕赵 see styles |
yān zhào yan1 zhao4 yen chao |
Yan and Zhao, two of the Warring States in Hebei and Shanxi; beautiful women; women dancers and singers |
父母 see styles |
fù mǔ fu4 mu3 fu mu fubo ふぼ |
father and mother; parents father and mother; parents; (surname) Fubo pitṛ-mātṛ, father and mother, parents; 無明 ignorance is referred to as father, and 貪愛 desire, or concupiscence, as mother, the two— ignorance and concupiscence— being the parents of all delusion and karma. Samādhi is also referred to as father, and praj na (wisdom) as mother, the parents of all knowledge and virtue. In the vast interchanges of rebirth all have been or are my parents, therefore all males are my father and all females my mother: 一切男女我父母 see 心地觀經 2. |
牆角 墙角 see styles |
qiáng jiǎo qiang2 jiao3 ch`iang chiao chiang chiao |
corner (junction of two walls) |
片棒 see styles |
katabou / katabo かたぼう |
(See 片棒を担ぐ,片棒担ぎ・1) front or rear of a palanquin (carried by two people); one of two people carrying a palanquin |
版下 see styles |
hanshita はんした |
artwork; block copy; paste-up |
猫又 see styles |
nekomata ねこまた |
mythical two-tailed monster cat; (place-name) Nekomata |
猫股 see styles |
nekomata ねこまた |
mythical two-tailed monster cat |
獨孤 独孤 see styles |
dú gū du2 gu1 tu ku |
two-character surname Dugu |
玄門 玄门 see styles |
xuán mén xuan2 men2 hsüan men genmon げんもん |
(given name) Genmon The profound school, i. e. Buddhism. Also that of the 華嚴 Huayan (Kegon) which has a division of 十玄門 or 十玄緣起, indicating the ten metaphysical propositions, or lines of thought; of these there are two or more versions. |
玉糸 see styles |
tamaito たまいと |
(See 玉繭・1) dupion silk; silk that comes from a double cocoon formed jointly by two or more silkworms |
玉繭 see styles |
tamamayu たままゆ |
(1) dupion (double cocoon formed jointly by two or more silkworms); dupioni; (2) cocoon |
理入 see styles |
lǐ rù li3 ru4 li ju rinyū |
Entry by the truth, or by means of the doctrine, or reason, as 行入 is entry by conduct or practice, the two depending one on the other, cf. 二入. |
琴瑟 see styles |
qín sè qin2 se4 ch`in se chin se kinshitsu きんしつ |
qin and se, two string instruments that play in perfect harmony; marital harmony (1) (See 瑟,琴・きん) qin and se (two different kinds of Chinese zither); (2) happy marriage |
甕棺 瓮棺 see styles |
wèng guān weng4 guan1 weng kuan kamekan かめかん |
funerary urn burial urn (often two-storey); funerary urn |
甚平 see styles |
shèn píng shen4 ping2 shen p`ing shen ping jinpei / jinpe じんぺい |
jinbei, traditional Japanese two-piece clothing worn in the summer (See 甚兵衛) light cotton summer clothing consisting of knee-length shorts and short-sleeved jacket; (given name) Jinpei |
生き see styles |
iki いき |
(1) living; being alive; (2) freshness; liveliness; vitality; (3) situation in which a group of stones cannot be captured because it contains contains two or more gaps (in go); (4) (kana only) stet; leave as-is (proofreading); (prefix) (5) damned |
生像 see styles |
shēng xiàng sheng1 xiang4 sheng hsiang shōzō |
生似 Natural and similar, i. e. gold and silver, gold being the natural and perfect metal and colour; silver being next, though it will tarnish; the two are also called 生色 and 可染, i. e. the proper natural (unchanging) colour, and the tarnishable. |
生態 生态 see styles |
shēng tài sheng1 tai4 sheng t`ai sheng tai seitai / setai せいたい |
ecology (the study of interactions between organisms and their environment); ecological state (the condition or health of a natural environment); (fig.) ecosystem (a complex network, e.g. in tech, business or media, as in 數字生態|数字生态[shu4 zi4 sheng1 tai4] "digital ecosystem") (1) ecology; life and habits (of an animal); (2) mode of life; way of living |
Entries with 2nd row of characters: The 2nd row is Simplified Chinese.
This page contains 100 results for "Two" in Chinese and/or Japanese.Information about this dictionary:
Apparently, we were the first ones who were crazy enough to think that western people might want a combined Chinese, Japanese, and Buddhist dictionary.
A lot of westerners can't tell the difference between Chinese and Japanese - and there is a reason for that. Chinese characters and even whole words were borrowed by Japan from the Chinese language in the 5th century. Much of the time, if a word or character is used in both languages, it will have the same or a similar meaning. However, this is not always true. Language evolves, and meanings independently change in each language.
Example: The Chinese character 湯 for soup (hot water) has come to mean bath (hot water) in Japanese. They have the same root meaning of "hot water", but a 湯屋 sign on a bathhouse in Japan would lead a Chinese person to think it was a "soup house" or a place to get a bowl of soup. See this: Japanese Bath House
This dictionary uses the EDICT and CC-CEDICT dictionary files.
EDICT data is the property of the Electronic Dictionary Research and Development Group, and is used in conformance with the Group's
license.
Chinese Buddhist terms come from Dictionary of Chinese Buddhist Terms by William Edward Soothill and Lewis Hodous. This is commonly referred to as "Soothill's'". It was first published in 1937 (and is now off copyright so we can use it here). Some of these definitions may be misleading, incomplete, or dated, but 95% of it is good information. Every professor who teaches Buddhism or Eastern Religion has a copy of this on their bookshelf. We incorporated these 16,850 entries into our dictionary database ourselves (it was lot of work).
Combined, these cover 1,007,753 Japanese, Chinese, and Buddhist characters, words, idioms, names, placenames, and short phrases.
Just because a word appears here does not mean it is appropriate for a tattoo, your business name, etc. Please consult a professional before doing anything stupid with this data.
We do offer Chinese and Japanese Tattoo Services. We'll also be happy to help you translate something for other purposes.
No warranty as to the correctness, potential vulgarity, or clarity is expressed or implied. We did not write any of these definitions (though we occasionally act as a contributor/editor to the CC-CEDICT project). You are using this dictionary for free, and you get what you pay for.
The following titles are just to help people who are searching for an Asian dictionary to find this page.