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<12345678910...>| Characters | Pronunciation Romanization |
Simple Dictionary Definition |
璮 see styles |
tǎn tan3 t`an tan |
a kind of jade |
璯 㻅 see styles |
huì hui4 hui |
jade ornament in the seams of cap |
環 环 see styles |
huán huan2 huan tamami たまみ |
ring; hoop; loop; (chain) link; classifier for scores in archery etc; to surround; to encircle; to hem in (1) ring; band; rim; (2) {math;chem} ring; (prefix noun) (3) circum-; (female given name) Tamami a jade ring or bracelet |
璱 see styles |
sè se4 se |
bright (of jade) |
璵 玙 see styles |
yú yu2 yü |
ornamental jade |
瓁 see styles |
wò wo4 wo |
uncarved jade |
瓘 see styles |
guàn guan4 kuan |
jade used for making goblets |
瓛 see styles |
huán huan2 huan |
(old) jade tablet or scepter held by a duke at ceremonies |
盉 see styles |
hé he2 ho |
vessel similar to a kettle, but with three or four legs, used in ancient times for warming wine |
相 see styles |
xiàng xiang4 hsiang tasuku たすく |
appearance; portrait; picture; government minister; (physics) phase; (literary) to appraise (esp. by scrutinizing physical features); to read sb's fortune (by physiognomy, palmistry etc) (1) aspect; appearance; look; (2) physiognomy (as an indication of one's fortune); (3) {gramm} aspect; (4) {physics;chem} phase (e.g. solid, liquid and gaseous); (given name) Tasuku lakṣana 攞乞尖拏. Also, nimitta. A 'distinctive mark, sign', 'indication, characteristic', 'designation'. M. W. External appearance; the appearance of things; form; a phenomenon 有爲法 in the sense of appearance; mutual; to regard. The four forms taken by every phenomenon are 生住異滅 rise, stay, change, cease, i. e. birth, life, old age, death. The Huayan school has a sixfold division of form, namely, whole and parts, together and separate, integrate and disintegrate. A Buddha or Cakravartī is recognized by his thirty-two lakṣana , i. e. his thirty-two characteristic physiological marks. |
砆 see styles |
fū fu1 fu |
agate; inferior gem; a kind of jade |
砣 see styles |
tuó tuo2 t`o to |
steelyard weight; stone roller; to polish jade with an emery wheel |
碔 see styles |
wǔ wu3 wu |
inferior gem; a kind of jade |
碝 see styles |
ruǎn ruan3 juan |
jade-like stone |
簋 see styles |
guǐ gui3 kuei |
ancient bronze food vessel with a round mouth and two or four handles; round basket of bamboo |
緣 缘 see styles |
yuán yuan2 yüan en |
cause; reason; karma; fate; predestined affinity; margin; hem; edge; along pratyaya means conviction, reliance, but with Buddhists especially it means 'a co-operating cause, the concurrent occasion of an event as distinguished from its proximate cause'. M.W. It is the circumstantial, conditioning, or secondary cause, in contrast with 因 hetu, the direct or fundamental cause. hetu is as the seed, pratyaya the soil, rain, sunshine, etc. To reason, conclude. To climb, lay hold of. The mind 能緣can reason, the objective is 所緣, the two in contact constitute the reasoning process. The four kinds of causes are 因緣; 次第緣; 緣緣, and 增上緣 q.v. |
肆 see styles |
sì si4 ssu shi ほしいまま |
four (banker's anti-fraud numeral); unrestrained; wanton; (literary) shop (adjectival noun) (kana only) selfish; self-indulgent; arbitrary; (numeric) four a market |
色 see styles |
shǎi shai3 shai shiki しき |
(coll.) color; used in 色子[shai3zi5] (counter) counter for colours; (female given name) Shiki rūpa, outward appearance, form, colour, matter, thing; the desirable, especially feminine attraction. It is defined as that which has resistance; or which changes and disappears, i. e. the phenomenal; also as 顯, 形 and 表色 colour and quality, form or the measurable, and mode or action. There are divisions of two, i. e. inner and outer, as the organs and objects of sense; also colour and form; of three, i. e. the visible object, e. g. colour, the invisible object, e. g. sound, the invisible and immaterial; of eleven, i. e. the five organs and five objects of sense and the immaterial object; of fourteen, the five organs and five objects of sense and the four elements, earth, water, fire, air. rūpa is one of the six bāhya-āyatana, the 六塵; also one of the five skandhas, 五蘊, i. e. the 色身. Keith refers to rūpa as 'material form or matter which is underived (no-utpādā) and which is derived (utpādā)', the underived or independent being the tangible; the derived or dependent being the senses, e. g. of hearing; most of their objects, e. g. sound; the qualities or faculties of feminity, masculinity, vitality; intimation by act and speech, space; qualities of matter, e. g. buoyancy and physical nutriment. |
芸 see styles |
yún yun2 yün nori のり |
common rue (Ruta graveolens); (used in old compounds relating to books because in former times rue was used to protect books from insect damage) art; craft; accomplishment; artistic skill; technique; performance; (personal name) Nori |
苦 see styles |
kǔ ku3 k`u ku ku く |
bitter; hardship; pain; to suffer; to bring suffering to; painstakingly (1) pain; anguish; suffering; distress; anxiety; worry; trouble; difficulty; hardship; (2) {Buddh} (See 八苦) duhkha (suffering) duḥkha, 豆佉 bitterness; unhappiness, suffering, pain, distress, misery; difficulty. There are lists of two, three, four, five, eight, and ten categories; the two are internal, i. e. physical and mental, and external, i. e. attacks from without. The four are birth, growing old, illness, and death. The eight are these four along with the pain of parting from the loved, of meeting with the hated, of failure in one's aims, and that caused by the five skandhas; cf. 四諦. |
菎 see styles |
kūn kun1 k`un kun |
beautiful jade; bamboo |
蓺 see styles |
yì yi4 i |
skill; art |
藝 艺 see styles |
yì yi4 i kaori げい |
skill; art art; craft; accomplishment; artistic skill; technique; performance art |
蘊 蕴 see styles |
yùn yun4 yün osamu おさむ |
to accumulate; to hold in store; to contain; to gather together; to collect; depth; inner strength; profundity (given name) Osamu skandha, v. 塞; older tr. 陰, intp. as that which covers or conceals, implying that physical and mental forms obstruct realization of the truth; while the tr. 蘊, implying an accumulation or heap, is a nearer connotation to skandha, which, originally meaning the shoulder, becomes stem, branch, combination, the objects of sense, the elements of being or mundane consciousness. The term is intp. as the five physical and mental constituents, which combine to form the intelligent 性 or nature; rūpa, the first of the five, is considered as physical, the remaining four as mental; v. 五蘊. The skandhas refer only to the phenomenal, not to the 無爲 non-phenomenal. |
術 术 see styles |
zhú zhu2 chu yasushi やすし |
various genera of flowers of Asteracea family (daisies and chrysanthemums), including Atractylis lancea (kana only) way; method; means; (personal name) Yasushi Way or method; art; trick, plan. |
見 见 see styles |
xiàn xian4 hsien miru みる |
to appear; also written 現|现[xian4] (n-suf,n) (1) looking; viewing; (expression) (2) (colloquialism) (kana only) (after the -te form of a verb; irreg. imperative conj. of 見る) (See 見る・5) (please) try (to); (female given name) Miru darśana, 捺喇捨曩; also dṛṣṭi; seeing, discerning, judgment, views, opinions; it is thinking, reasoning, discriminating, selecting truth, including the whole process of deducing conclusions from premises. It is commonly used in the sense of wrong or heterodox views or theories, i. e. 邪見 or 有見, especially such as viewing the seeming as real and the ego as real. There are groups of two, four, five, seven, ten and sixty-two kinds of 見. |
詣 诣 see styles |
yì yi4 i kei |
to go (to visit a superior); one's current attainment in learning or art to reach |
諦 谛 see styles |
dì di4 ti tai たい |
to examine; truth (Buddhism) {Buddh} satya; truth; (given name) Tai To judge, examine into, investigate, used in Buddhism for satya, a truth, a dogma, an axiom; applied to the āryasatyāni, the four dogmas, or noble truths, of 苦, 集, 滅, and 道 suffering, (the cause of its) assembly, the ( possibility of its cure, or) extinction, and the way (to extinction), i.e. the eightfold noble path, v. 四諦 and 八聖道. There are other categories of 諦, e.g. (2) 眞 and 俗 Reality in contrast with ordinary ideas of things; (3) 空, 假 and 中 q.v. (6) by the 勝論宗; and(8) by the 法相宗.; Two forms of statement: (a) 俗諦 saṃvṛti-satya, also called 世諦, 世俗諦, 覆俗諦, 覆諦, meaning common or ordinary statement, as if phenomena were real; (b) 眞諦 paramartha-satya, also called 第一諦, 勝義諦, meaning the correct dogma or averment of the enlightened. Another definition is 王法 and 佛法, royal law and Buddha law. |
識 识 see styles |
zhì zhi4 chih tsuguhide つぐひで |
to record; to write a footnote (1) acquaintanceship; (2) {Buddh} vijnana; consciousness; (3) (after a signature) written by...; (personal name) Tsuguhide vijñāna, "the art of distinguishing, or perceiving, or recognizing, discerning, understanding, comprehending, distinction, intelligence, knowledge, science, learning . . . wisdom." M.W. parijñāna, "perception, thorough knowledge," etc. M.W. It is intp. by 心 the mind, mental discernment, perception, in contrast with the object discerned; also by 了別 understanding and discrimination. There are classifications of 一識 that all things are the one mind, or are metaphysical; 二識 q. v. discriminating the ālaya-vijñāna or primal undivided condition from the mano-vijñāna or that of discrimination; 三識 in the Laṅkāvatāra Sutra, fundamental, manifested and discriminate; 五識 q.v. in the 起信論, i.e. 業, 轉, 現, 知, and 相續識; 六識 the perceptions and discernings of the six organs of sense; also of 8, 9, 10, and 11 識. The most important is the eight of the 起信論, i.e. the perceptions of the six organs of sense, eye, ear, nose, tongue, body (or touch), and mind, together with manas, intp. as 意識 the consciousness of the previous moment, on which the other six depend; the eighth is the ālaya-vijñāna, v. 阿賴耶, in which is contained the seed or stock of all phenomena and which 無沒 loses none, or nothing, is indestructible; a substitute for the seventh is ādāna 'receiving' of the 唯識, which is intp. as 無解 undiscriminated, or indefinite perception; there is a difference of view between the 相 and the 性 schools in regard to the seventh and eight 識; and the latter school add a ninth called the amala, or pure vijñāna, i.e. the non-phenomenal 眞如識. The esoterics add that all phenomena are mental and all things are the one mind, hence the one mind is 無量識 unlimited mind or knowledge, every kind of knowledge, or omniscience. vijñāna is one of the twelve nidānas.; Ālaya-vijñāna and mano-vijñāna; i. e. 阿梨耶 | and 分別事 |; v. 識. |
雑 see styles |
zá za2 tsa saisaki さいさき |
Japanese variant of 雜|杂 miscellany (classification of Japanese poetry unrelated to the seasons or to love); (surname) Saisaki |
駟 驷 see styles |
sì si4 ssu shi し |
team of 4 horses four-horse carriage; team of four horses |
鼎 see styles |
dǐng ding3 ting tei / te てい |
ancient cooking cauldron with two looped handles and three or four legs; pot (dialect); to enter upon a period of (classical); Kangxi radical 206; one of the 64 hexagrams of the Book of Changes (hist) three-legged bronze vessel (used in ancient China); (given name) Tei |
㱾 see styles |
gāi gai1 kai |
a kind of metal or jade ornament worn in ancient times to ward off evil spirits |
㺵 see styles |
jiǔ jiu3 chiu |
black jade (variant of 玖[jiu3]) |
㻬 see styles |
tú tu2 t`u tu |
a kind of jade |
お膳 see styles |
ozen おぜん |
(kana only) four-legged tray for festive food |
一芸 see styles |
ichigei / ichige いちげい |
an art; one talent |
丁糖 see styles |
dīng táng ding1 tang2 ting t`ang ting tang |
tetrose (CH2O)4, monosaccharide with four carbon atoms |
七佛 see styles |
qī fó qi1 fo2 ch`i fo chi fo shichibutsu |
sapta Buddha. The seven ancient Buddhas, viz. Vipaśyin 毘婆尸, Śikhin 尸棄, Viśvabhū 毘舍婆, Krakucchanda 拘樓孫, Kanakamuni 倶那含牟尼 or 拘那含, Kāśyapa 迦葉, and Śākyamuni 釋迦. The last four are said to be of the present kalpa. |
七支 see styles |
qī zhī qi1 zhi1 ch`i chih chi chih shichishi |
The seven (spreading) branches—three sins of the body and four of speech, 身三 killing, robbing, adultery; 口四 lying, slander, abuse, double-tongue (or vain conversation). These are the first seven of the ten evils 十惡. |
七衆 七众 see styles |
qī zhòng qi1 zhong4 ch`i chung chi chung shichishu しちしゅ |
seven orders of Buddhist disciples (monks, nuns, probationary nuns, male novices, female novices, male lay devotees, female lay devotees) The seven classes of disciples:―(1)比丘 bhikṣu,monk;(2) bhikṣuṇī a female observer of all commandments; (3) 式叉摩那śikṣamāṇa, a novice, or observer of the six commandments; (4) 沙彌 śrāmaṇera, and (5) 沙彌尼 śrāmaṇerika, male and female observers of the minor commandments; (6) 優婆塞 upāsaka, male observers of the five commandments; and (7) 優婆夷upāsikā, female ditto. The first five have left home, the last two remain at home. Tiantai makes nine groups by dividing the last two into four, two remaining at home, two leaving home and keeping the eight commandments. Others make four groups, i.e. (1), (2), (6), and (7) of the above. Tiantai also has a four-group. |
三乘 see styles |
sān shèng san1 sheng4 san sheng minori みのり |
(surname) Minori Triyāna, the three vehicles, or conveyances which carry living beings across saṁsāra or mortality (births-and-deaths) to the shores of nirvāṇa. The three are styled 小,中, and 大. Sometimes the three vehicles are defined as 聲聞 Śrāvaka, that of the hearer or obedient disciple; 緣覺Pratyeka-buddha, that of the enlightened for self; these are described as 小乘 because the objective of both is personal salvation; the third is 菩薩Bodhisattva, or 大乘 Mahāyāna, because the objective is the salvation of all the living. The three are also depicted as 三車 three wains, drawn by a goat, a deer, an ox. The Lotus declares that the three are really the One Buddha-vehicle, which has been revealed in three expedient forms suited to his disciples' capacity, the Lotus Sūtra being the unifying, complete, and final exposition. The Three Vehicles are differently explained by different exponents, e.g. (1) Mahāyāna recognizes (a) Śrāvaka, called Hīnayāna, leading in longer or shorter periods to arhatship; (b) Pratyeka-buddha, called Madhyamayāna, leading after still longer or shorter periods to a Buddhahood ascetically attained and for self; (c) Bodhisattva, called Mahayana, leading after countless ages of self-sacrifce in saving others and progressive enlightenment to ultimate Buddhahood. (2) Hīnayāna is also described as possessing three vehicles 聲, 緣, 菩 or 小, 中, 大, the 小 and 中 conveying to personal salvation their devotees in ascetic dust and ashes and mental annihilation, the 大 leading to bodhi, or perfect enlightenment, and the Buddha's way. Further definitions of the Triyāna are: (3) True bodhisattva teaching for the 大; pratyeka-buddha without ignorant asceticism for the 中; and śrāvaka with ignorant asceticism for the 小. (4) (a) 一乘 The One-Vehicle which carries all to Buddhahood: of this the 華嚴 Hua-yen and 法華 Fa-hua are typical exponents; (b) 三乘法 the three-vehicle, containing practitioners of all three systems, as expounded in books of the 深密般若; (c) 小乘 the Hīnayāna pure and simple as seen in the 四阿合經 Four Āgamas. Śrāvakas are also described as hearers of the Four Truths and limited to that degree of development; they hear from the pratyeka-buddhas, who are enlightened in the Twelve Nidānas 因緣; the bodhisattvas make the 六度 or six forms of transmigration their field of sacrificial saving work, and of enlightenment. The Lotus Sūtra really treats the 三乘. Three Vehicles as 方便 or expedient ways, and offers a 佛乘 Buddha Vehicle as the inclusive and final vehicle. |
三季 see styles |
sān jì san1 ji4 san chi miki みき |
(female given name) Miki The "three seasons" of an Indian year— spring, summer, and winter; a year. |
三寳 三宝 see styles |
sān bǎo san1 bao3 san pao sanbō |
Triratna, or Ratnatraya, i.e. the Three Precious Ones: 佛 Buddha, 法 Dharma, 儈 Saṅgha, i.e. Buddha, the Law, the Ecelesia or Order. Eitel suggests this trinity may be adapted from the Trimūrti, i.e, Brahma, Viṣṇu, and Sīva. The Triratna takes many forms, e.g. the Trikāya 三身 q.v. There is also the Nepalese idea of a triple existence of each Buddha as a Nirvāṇa-Buddha, Dhyāni-Buddha, and Mānuṣi-Buddha; also the Tantric trinity of Vairocana as Nirvāṇa-Buddha, Locana according to Eitel "existing in reflex in the world of forms", and the human Buddha, Śākyamuni. There are other elaborated details known as the four and the six kinds of triratna 四 and 六種三寳, e.g. that the Triratna exists in each member of the trinity. The term has also been applied to the 三仙 q.v. Popularly the 三寳 are referred to the three images in the main hall of monasteries. The centre one is Śākyamuni, on his left Bhaiṣajya 藥師 and on his right Amitābha. There are other explanations, e.g. in some temples Amitābha is in the centre, Avalokiteśvara on his left, and Mahāsthāmaprāpta or Mañjuśrī on his right. Table of Triratna, Trikāya, and Trailokya: — DHARMASAṄGHABUDDHAEssential BodhiReflected BodhiPractical BodhiDhyāni BuddhaDhyāni BodhisattvaMānuṣī BuddhaDharmakāyaSambhogakāyaNirmāṇakāyaPurityCompletenessTransformations4th Buddha-kṣetra3rd Buddha-kṣetra1st and 2nd Buddha kṣetraArūpadhātuRūpadhātuKāmadhātu. |
三德 see styles |
sān dé san1 de2 san te santoku |
The three virtues or powers, of which three groups are given below. (1) (a) 法身德 The virtue or potency of the Buddha's eternal, spiritual body, the dharmakāya; (b) 般若德 of his prājñā, or wisdom, knowing all things in their reality; (c) 解脫德 of his freedom from all bonds and his sovereign Iiberty. Each of these has the four qualities of 常, 樂我, 淨eternity, joy, personality, and purity; v. 漫涅槃經 (2) (a) 智德 The potency of his perfect knowledge; (b) 斷德 of his cutting off all illusion and perfecting of supreme nirvāṇa; the above two are 自利 for his own advantage; (c) 恩德 of his universal grace and salvation, which 利他 bestows the benefits he has acquired on others. (3) (a) 因圓德 The perfection of his causative or karmic works during his three great kalpas of preparation; (b) 果圓德 the perfection of the fruit, or results in his own character and wisdom; (c) 恩圓德 the perfection of his grace in the salvation of others. |
三果 see styles |
sān guǒ san1 guo3 san kuo mika みか |
(female given name) Mika The third of the Hīnayāna 四果 four fruits or results, i. e. non-return to mortality. |
三界 see styles |
sān jiè san1 jie4 san chieh mikai みかい |
(1) {Buddh} (See 欲界,色界,無色界) the three realms of existence; (2) (abbreviation) {Buddh} (See 三千大千世界) the whole universe (of a billion worlds) that Buddha enlightened; (3) {Buddh} (See 三世・さんぜ・1) past, present and future existences; (suffix) (4) far-off ...; distant ...; (surname) Mikai Trailokya or Triloka; the three realms; also 三有. It is the Buddhist metaphysical equivalent for the Brahmanic cosmological bhuvanatraya, or triple world of bhūr, bhuvaḥ, and svar, earth, atmosphere, and heaven. The Buddhist three are 欲, 色, and 無色界, i.e. world of sensuous desire, form, and formless world of pure spirit. (a) 欲界 Kāmadhātu is the realm of sensuous desire, of 婬 and 食 sex and food; it includes the six heavens of desire, the human world, and the hells. (b) 色界 Rūpadhātu is the realm of form, meaning 質礙 that which is substantial and resistant: it is above the lust-world and contains (so to speak) bodies, palaces, things, all mystic and wonderful一a semi-material conception like that in Revelation; it is represented in the 四禪天, or Brahmalokas. (c) 無色界 Arūpadhātu, or ārūpyadhātu, is the formless realm of pure spirit, where there are no bodies, places, things, at any rate none to which human terms would apply, but where the mind dwells in mystic contemplation; its extent is indefinable, but it is, conceived of in four stages, i,e. 四空處 the four "empty" regions, or regions of space in the immaterial world, which are 四無色 the four "formless" realms, or realms beyond form; being above the realm of form, their bounds cannot be defined. v. 倶舍論世間品. |
三覆 三复 see styles |
sān fù san1 fu4 san fu mitsubuchi みつぶち |
(personal name) Mitsubuchi denote a day in each of the first, fifth, and ninth months when the recording angels of the four Lokapālas report on the conduct of each individual. See also 三覆八校. |
上座 see styles |
shàng zuò shang4 zuo4 shang tso jouza / joza じょうざ |
seat of honor (n,vs,adj-no) chief seat; seat of honor; seat of honour; head of the table; (place-name) Jōza Sthavira; or Mahāsthavira. Old man, or elder; head monk, president, or abbot; the first Buddhist fathers; a title of Mahākāśyapa; also of monks of twenty to forty-nine years standing, as 中座 are from ten to nineteen and 下座 under ten. The 釋氏要覽 divides presiding elders into four classes, those presiding over monasteries, over assemblies of monks, over sects, and laymen presiding over feasts to monks. |
下金 see styles |
shimokane しもかね |
basic metal (in an art object); old metal; (surname) Shimokane |
世主 see styles |
shì zhǔ shi4 zhu3 shih chu seshu |
(世主天) The Lord of the world, Brahmā; Maheśvara; also the four mahārājas 四天王; v. 梵天; 大自在天. |
中庸 see styles |
zhōng yōng zhong1 yong1 chung yung nakatsune なかつね |
golden mean (Confucianism); (literary) (of person) mediocre; ordinary (n,adj-no,adj-na) (1) middle way; (golden) mean; moderation; middle path; (2) (See 四書) the Doctrine of the Mean (one of the Four Books); (personal name) Nakatsune Doctrine of the Mean |
中洲 see styles |
zhōng zhōu zhong1 zhou1 chung chou nagasu ながす |
sandbank (in a river); sandbar; (surname) Nagasu Each of the four great continents at the foot of Mount Sumeru has two middling continents. |
中胎 see styles |
zhōng tāi zhong1 tai1 chung t`ai chung tai chūtai |
(中胎藏) The central figure of the eight-petalled group of the Garbhadhātu maṇḍala; i. e. the phenomenal Vairocana who has around him four Buddhas and four bodhisattvas, each on a petal. From this maṇḍala spring the four other great maṇḍalas. |
丹絵 see styles |
tane たんえ |
(hist) {art} (See 浮世絵) tan-e; early multi-colour ukiyo-e print |
主事 see styles |
zhǔ shì zhu3 shi4 chu shih shuji しゅじ |
manager; director; superintendent; overseer viharāsvāmin; controller, director, the four heads of affairs in a monastery 監寺, 維那, 典坐, and 直歳. |
主典 see styles |
shuten しゅてん |
(1) (archaism) (See 四等官) secretary (lowest of the four administrative ranks of the ritsuryō system); (2) (しゅてん only) (obsolete) (See 禰宜・1) shrine official (ranking below a negi); (personal name) Shuten |
九地 see styles |
jiǔ dì jiu3 di4 chiu ti kuji くじ |
very low land; (surname) Kuji The nine lands, i.e. the 欲界 realm of desire or sensuous realm the four 色界 realms of form or material forms; and the four 無色界 formless realms, or realms beyond form; v. 九有, 九有情居, 禪 and 定. The nine realms are:—(1) 欲界五趣地; the desire realm with its five gati, i.e. hells, hungry ghosts, animals, men, and devas. In the four form-realms are:— (2) 離生喜樂地 Paradise after earthly life, this is also the first dhyāna, or subject of meditation, 初禪. (3) 定生喜樂地 Paradise of cessation of rebirth, 二禪. (4) 離喜妙樂地 Land of wondrous joy after the previous joys, 三禪. (5) 捨念淸淨地 The Pure Land of abandonment of thought, or recollection (of past delights), 四禪. The four formless, or infinite realms, catur arūpa dhātu, are:—(6) 空無邊處地 ākāśānantyā-yatanam, the land of infinite space; also the first samādhi, 第一定. (7) 識無邊處地 vijñānānamtyāyatanam, the land of omniscience, or infinite perception, 二定. (8) 無所有處地 ākiñcanyāyatana, the land of nothingness, 三定. (9) 非想非非想處地 naivasaṁjñānā-saṁjñāyatana, the land (of knowledge) without thinking or not thinking, or where there is neither consciousness nor unconsciousness, i.e. above either; this is the 四定. Eitel says that in the last four, "Life lasts 20,000 great kalpas in the 1st, 40,000 in the 2nd, 60,000 in the 3rd, and 80,000 great kalpas in the 4th of these heavens." |
九字 see styles |
jiǔ zì jiu3 zi4 chiu tzu kuji くじ |
{Buddh} (See 臨兵闘者皆陣裂在前) nine-character charm chanted with ritual gestures to ward off evil (esp. by mountain ascetics and adherents of Esoteric Buddhism) The nine magical characters 臨兵鬪者皆陳列在前 implying that the armed forces are arrayed against the powers of evil. After reciting these words, four vertical and five horizontal lines, forming a grid, are drawn in the air to show that the forces are arrayed. It was used among Taoists and soldiers, and is still used in Japan, especially when going into the mountains. |
九尊 see styles |
jiǔ zūn jiu3 zun1 chiu tsun kuson |
The nine honoured ones in the eight-petalled hall of the Garbhadhātu, i.e. Vairocana in the centre of the lotus, with four Buddhas and four bodhisattvas on the petals, the lotus representing the human heart; v. 五佛. |
九州 see styles |
jiǔ zhōu jiu3 zhou1 chiu chou kyuushuu / kyushu きゅうしゅう |
division of China during earliest dynasties; fig. ancient China; Kyūshū, southernmost of Japan's four major islands Kyūshū (southernmost of the four main islands of Japan); (place-name, surname) Kyūshuu |
九族 see styles |
kyuuzoku / kyuzoku きゅうぞく |
(form) nine nearest generations of relatives; four generations back, oneself, and four generations to come |
二季 see styles |
nikki にっき |
(1) two seasons; (2) (See 盆暮れ) Bon and year-end festivals; (female given name) Nikki |
二時 二时 see styles |
èr shí er4 shi2 erh shih niji ふたとき |
(temporal noun) (1) fairly long period of time; (2) (archaism) four-hour period; (temporal noun) two o'clock The two times or periods— morning and evening. Also 迦羅 kāla, a regular or fixed hour for meals, and 三昧耶 samaya, irregular or unfxed hours or times. |
二果 see styles |
èr guǒ er4 guo3 erh kuo nika |
Sakṛdāgāmin; v. 裟 and 斯. The second "fruit" of the four kinds of Hīnayāna arhats, who have only once more to return to mortality. Also the two kinds of fruit or karma: (a) 習氣果 The good or evil characteristics resulting from habit or practice in a former existence; (b) 報果the pain or pleasure resulting (in this life) from the practices of a previous life. |
五乘 see styles |
wǔ shèng wu3 sheng4 wu sheng gojō |
The five vehicles conveying to the karma reward which differs according to the vehicle: they are generally summed up as (1) 入乘 rebirth among men conveyed by observing the five commandments; (2) 天乘 among the devas by the ten forms of good action; (3) 聲聞乘 among the śrāvakas by the four noble truths; (4) 緣覺乘 among pratyekabuddhas by the twelve nidānas; (5) 菩薩乘 among the Buddhas and bodhisattvas by the six pāramitās 六度 q. v. Another division is the various vehicles of bodhisattvas; pratyekabuddhas; śrāvakas; general; and devas-and-men. Another is Hīnayāna Buddha, pratyekabuddhas, śrāvakas, the gods of the Brahma heavens, and those of the desire-realm. Another is Hīnayāna ordinary disciples: śrāvakas: pratyekabuddhas; bodhisattvas; and the one all-inclusive vehicle. And a sixth, of Tiantai, is for men; devas; śrāvakas-cum-pratyekabuddhas; bodhisattvas: and the Buddha-vehicle. The esoteric cult has: men, corresponding with earth; devas, with water: śrāvakas, with fire: pratyekabuddhas, with wind; and bodhisattvas, with 空 the 'void'. |
五因 see styles |
wǔ yīn wu3 yin1 wu yin goin |
The five causes, v. 倶舍論 7. i. e. (1) 生因 producing cause; (2) 依因supporting cause; (3) 立因 upholding or establishing cause; (4) 持因 maintaining cause; (5) 養因 nourishing or strengthening cause. These all refer to the four elements, earth, water, fire, wind, for they are the causers or producers and maintainers of the infinite forms of nature. Another list from the Nirvana-Sutra 21 is (1) 生因 cause of rebirth, i. e. previous delusion; (2) 和合因 intermingling cause, i. e. good with good, bad with bad, neutral with neutral; (3) 住因 cause of abiding in the present condition, i. e. the self in its attachments; (4) 增長因 causes of development, e. g. food, clothing, etc.; (5) 遠因 remoter cause, the parental seed. |
五形 see styles |
wǔ xíng wu3 xing2 wu hsing gogyou / gogyo ごぎょう |
Wuxing - "Five Animals" - Martial Art (kana only) Jersey cudweed (species of cottonweed, Gnaphalium affine) |
五徳 see styles |
gotoku ごとく |
(1) the five virtues (esp. in Confucianism); (2) tripod; three or four-legged kettle stand; (3) family crest in the shape of a three-legged kettle stand; (surname) Gotoku |
五明 see styles |
wǔ míng wu3 ming2 wu ming gomei / gome ごめい |
(hist) the five sciences of ancient India (grammar and composition, arts and mathematics, medicine, logic, and philosophy); (surname) Gomei pañca-vidyā, the five sciences or studies of India: (1) śabda, grammar and composition; śilpakarmasthāna, the arts and mathematics; cikitsā, medicine; hetu, logic; adhyātma, philosophy, which Monier Williams says is the 'knoowledge of the supreme spirit, or of ātman', the basis of the four Vedas; the Buddhists reckon the Tripiṭṭaka and the 十二部教 as their 内明, i. e. their inner or special philosophy. |
五時 五时 see styles |
wǔ shí wu3 shi2 wu shih goji |
(五時教) The five periods or divisions of Śākyamuni's teaching. According to Tiantai they are (1) 華嚴時 the Avataṃsaka or first period in three divisions each of seven days, after his enlightenment, when he preached the content, of this sutra; (2) 鹿苑時 the twelve years of his preaching the Āgamas 阿含 in the Deer Park; (3) 方等時 the eight years of preaching Mahāyāna-cum-Hīnayāna doctrines, the vaipulya period; (4) 般若時 the twenty-two years of his preaching the prajñā or wisdom sutras; (5) 法華涅槃時 the eight years of his preaching the Lotus Sutra and, in a day and a night, the Nirvana Sutra. According to the Nirvana School (now part of the Tiantai) they are (1) 三乘別教 the period when the differentiated teaching began and the distinction of the three vehicles, as represented by the 四諦 Four Noble Truths for śrāvakas, the 十二因緣 Twelve Nidānas for pratyekabuddhas, and the 六度 Six Pāramitās for bodhisattvas; (2) 三乘通教 the teaching common to all three vehicles, as seen in the 般若經; (3) 抑揚教 the teaching of the 維摩經, the 思益梵天所問經, and other sutras olling the bodhisattva teaching at the expense of that for śrāvakas; (4) 同歸教 the common objective teaching calling all three vehicles, through the Lotus, to union in the one vehicle; (5) 常住教 the teaehmg of eternal life i. e. the revelation through the Nirvana sutra of the eternity of Buddhahood; these five are also called 有相; 無相; 抑揚; 曾三歸—; and 圓常. According to 劉虬 Liu Chiu of the 晉 Chin dynasty, the teaching is divided into 頓 immediate and 漸 gradual attainment, the latter having five divisions called 五時教 similar to those of the Tiantai group. According to 法寶 Fabao of the Tang dynasty the five are (1) 小乘; (2) 般着 or 大乘; (3) 深密 or 三乘; (4) 法華 or 一乘; (5) 涅槃 or 佛性教. |
五智 see styles |
wǔ zhì wu3 zhi4 wu chih gochi ごち |
(place-name, surname) Gochi The five kinds of wisdom of the 眞言宗 Shingon School. Of the six elements 六大 earth, water, fire, air (or wind), ether (or space) 曇空, and consciousness (or mind 識 ), the first five form the phenomenal world, or Garbhadhātu, the womb of all things 胎藏界, the sixth is the conscious, or perceptive, or wisdom world, the Vajradhātu 金剛界, sometimes called the Diamond realm. The two realms are not originally apart, but one, and there is no consciousness without the other five elements. The sixth element, vijñāna, is further subdivided into five called the 五智 Five Wisdoms: (1) 法界體性智 dharmadhātu-prakṛti-jñāna, derived from the amala-vijñāna, or pure 識; it is the wisdom of the embodied nature of the dharmadhātu, defined as the six elements, and is associated with Vairocana 大日, in the centre, who abides in this samādhi; it also corresponds to the ether 空 element. (2) 大圓鏡智 adarśana-jñāna, the great round mirror wisdom, derived from the ālaya-vijñāna, reflecting all things; corresponds to earth, and is associated with Akṣobhya and the east. (3) 平等性智 samatā-jñāna, derived from mano-vijñāna, wisdom in regard to all things equally and universally; corresponds to fire, and is associated with Ratnasaṃbhava and the south. (4) 妙觀察智 pratyavekṣaṇa-jñāna, derived from 意識, wisdom of profound insight, or discrimination, for exposition and doubt-destruction; corresponds to water, and is associated with Amitābha and the west. (5) 成所作智 kṛtyānuṣṭhāna-jñāna, derived from the five senses, the wisdom of perfecting the double work of self-welfare and the welfare of others; corresponds to air 風 and is associated with Amoghasiddhi and the north. These five Dhyāni-Buddhas are the 五智如來. The five kinds of wisdom are the four belonging to every Buddha, of the exoteric cult, to which the esoteric cult adds the first, pure, all-refecting, universal, all-discerning, and all-perfecting. |
五法 see styles |
wǔ fǎ wu3 fa3 wu fa gohō |
pañcadharma. The five laws or categories, of which four groups are as follows: I. 相名五法 The five categories of form and name: (1) 相 appearances, or phenomena; (2) 名 their names; (3) 分別 sometimes called 妄想 ordinary mental discrimination of them— (1) and (2) are objective, (3) subjective; (4) 正智 corrective wisdom, which corrects the deficiencies and errors of the last: (5) 如如 the 眞如 Bhutatathata or absolute wisdom, reached through the 如理智 understanding of the law of the absolute, or ultimate truth. II. 事理五法 The five categories into which things and their principles are divided: (1) 心法 mind; (2) 心所法 mental conditions or activities; (3) 色法 the actual states or categories as conceived; (4) 不相應法 hypothetic categories, 唯識 has twenty-four, the Abhidharma fourteen; (5) 無爲法 the state of rest, or the inactive principle pervading all things; the first four are the 事 and the last the 理. III. 理智五法 cf. 五智; the five categories of essential wisdom: (1) 眞如 the absolute; (2) 大圓鏡智 wisdom as the great perfect mirror reflecting all things; (3) 平等性智 wisdom of the equal Buddha nature of all beings; (4) 妙觀察智 wisdom of mystic insight into all things and removal of ignorance and doubt; (5) 成所作智 wisdom perfect in action and bringing blessing to self and others. IV. 提婆五法 The five obnoxious rules of Devadatta: not to take milk in any form, nor meat, nor salt; to wear unshaped garments, and to live apart. Another set is: to wear cast-off rags, beg food, have only one set meal a day, dwell in the open, and abstain from all kinds of flesh, milk, etc. |
五繫 五系 see styles |
wǔ xì wu3 xi4 wu hsi goke |
The five suspended corpses, or dead snakes, hanging from the four limbs and neck of Mara as Papiyan; v. Nirvana sutra 6. |
五蘊 五蕴 see styles |
wǔ yùn wu3 yun4 wu yün goun / gon ごうん |
the Five Aggregates (from Sanskrit "skandha") (Buddhism) {Buddh} the five skandhas (matter, sensation, perception, mental formations and consciousness); the five aggregates The five skandhas, pañca-skandha: also 五陰; 五衆; 五塞犍陀 The five cumulations, substances, or aggregates, i. e. the components of an intelligent being, specially a human being: (1) 色 rūpa, form, matter, the physical form related to the five organs of sense; (2) 受 vedana, reception, sensation, feeling, the functioning of the mind or senses in connection with affairs and things; (3) 想 saṃjñā, conception, or discerning; the functioning of mind in distinguishing; (4) 行 saṃskāra, the functioning of mind in its processes regarding like and dislike, good and evil, etc.; (5) 識 vijñāna, mental faculty in regard to perception and cognition, discriminative of affairs and things. The first is said to be physical, the other four mental qualities; (2), (3), and (4) are associated with mental functioning, and therefore with 心所; (5) is associated with the faculty or nature of the mind 心王 manas. Eitel gives— form, perception, consciousness, action, knowledge. See also Keith's Buddhist Philosophy, 85-91. |
五諦 五谛 see styles |
wǔ dì wu3 di4 wu ti gotai |
The five axioms: (1) 因諦 the cause, which is described as 集諦 of the Four Noble Truths; (2) 果諦 the effect as 苦諦; (3) 智諦 or 能知諦 diagnosis as 道諦; (4) 境諦 or 所知諦 the end or cure as 滅諦; to these add (5) 勝諦 or 至諦, the supreme axiom, i. e. the 眞如; v. 四諦. |
五部 see styles |
wǔ bù wu3 bu4 wu pu gohe ごへ |
(place-name) Gohe The five classes, or groups I. The 四諦 four truths, which four are classified as 見道 or theory, and 修道 practice, e. g. the eightfold path. II. The five early Hīnayāna sects, see 一切有部 or Sarvastivadah. III. The five groups of the Vajradhātu maṇḍala. |
人為 人为 see styles |
rén wéi ren2 wei2 jen wei jini じんい |
artificial; man-made; having human cause or origin; human attempt or effort (noun - becomes adjective with の) human work; human agency; art; artificiality |
仡那 see styles |
yìn à yin4 a4 yin a kitsuna |
繕摩 jāuman, 生 jāti, birth, production; rebirth as man, animal, etc.; life, position assigned by birth; race, being; the four methods of birth are egg, womb, water, and transformation. |
伎芸 see styles |
gigei / gige ぎげい |
performing art; technique (in a performing art) |
会得 see styles |
etoku えとく |
(noun, transitive verb) understanding; comprehension; grasp; perception; appreciation; mastery (of an art or skill) |
伝受 see styles |
denju でんじゅ |
(noun, transitive verb) being initiated (e.g. into the secrets of an art); receiving instruction (in); being taught |
伝授 see styles |
denju でんじゅ |
(noun, transitive verb) (giving) instruction (esp. in the secrets of an art, discipline, etc.); initiation; teaching; passing on; imparting |
住相 see styles |
zhù xiàng zhu4 xiang4 chu hsiang sumiai すみあい |
(surname) Sumiai sthiti; abiding, being, the state of existence, one of the four characteristics of all beings and things, i.e. birth, existence, change (or decay), death (or cessation). |
体技 see styles |
taigi たいぎ |
(See 格闘技) fighting sport; combat sport; martial art |
佛土 see styles |
fó tǔ fo2 tu3 fo t`u fo tu butsudo |
buddhakṣetra. 佛國; 紇差怛羅; 差多羅; 刹怛利耶; 佛刹 The land or realm of a Buddha. The land of the Buddha's birth, India. A Buddha-realm in process of transformation, or transformed. A spiritual Buddha-realm. The Tiantai Sect evolved the idea of four spheres: (1) 同居之國土 Where common beings and saints dwell together, divided into (a) a realm where all beings are subject to transmigration and (b) the Pure Land. (2) 方便有餘土 or 變易土 The sphere where beings are still subject to higher forms of transmigration, the abode of Hīnayāna saints, i.e. srota-āpanna 須陀洹; sakṛdāgāmin 斯陀含; anāgāmin 阿那含; arhat 阿羅漢. (3) 實報無障礙 Final unlimited reward, the Bodhisattva realm. (4) 常寂光土 Where permanent tranquility and enlightenment reign, Buddha-parinirvāṇa. |
作品 see styles |
zuò pǐn zuo4 pin3 tso p`in tso pin sakuhin さくひん |
work (of art); opus; CL:部[bu4],篇[pian1] work (e.g. book, film, painting, composition); piece; production; opus |
佩環 佩环 see styles |
pèi huán pei4 huan2 p`ei huan pei huan |
ring-like jade belt pendant |
信度 see styles |
xìn dù xin4 du4 hsin tu Shindo |
Sindhu, Sindh, Scinde, 辛頭 the country of 信度河 the Indus, one of the 'four great rivers.' Sindhu is a general name for India, but refers especially to the kingdom along the banks of the river Indus, whose capital was Vichavapura. |
傳藝 传艺 see styles |
chuán yì chuan2 yi4 ch`uan i chuan i |
to impart skills; to pass on one's art |
像主 see styles |
zoushu / zoshu ぞうしゅ |
(1) (rare) subject (of a portrait or bust); a person posing for a portrait or bust; (2) (historically) patron; someone who commissions a Buddhist temple or work of art |
像法 see styles |
xiàng fǎ xiang4 fa3 hsiang fa zoubou / zobo ぞうぼう |
{Buddh} age of the copied law (one of the three ages of Buddhism); middle day of the law; age of semblance dharma saddharma-pratirūpaka; the formal or image period of Buddhism; the three periods are 正像末, those of the real, the formal, and the final; or correct, semblance, and termination. The first period is of 500 years; the second of 1,000 years; the third 3,000 years, when Maitreya is to appear and restore all things. There are varied statements about periods and dates, e.g. there is a division of four periods, that while the Buddha was alive, the early stage after his death, then the formal and the final periods. |
僧佉 see styles |
sēng qiā seng1 qia1 seng ch`ia seng chia sōkya |
saṅkhyā, 僧企耶; intp. 數 number, reckon, calculate; Saṅkhyā, 'one of the great divisions of Hindu philosophy ascribed to the sage Kapila, and so called as 'reckoning up' or 'enumerating' twenty-five Tattvas or true principles, its object being to effect the final liberation of the twenty-fifth (Purusha, the Soul) from the fetters of the phenomenal creation by conveying the correct knowledge of the twenty-four other Tattvas, and rightly discriminating the soul from them.' M.W. Cf. 迦 and 數. |
光宅 see styles |
guāng zhái guang1 zhai2 kuang chai Kōtaku |
Kuang-chai, name of the temple where 法雲 Fa-yun early in the sixth century wrote his commentary on the Lotus Sutra, which is known as the 光宅疏; 光宅 became his epithet. He made a division of four yāna from the Burning House parable, the goat cart representing the śrāvaka, the deer cart the pratyekabuddha, the ox-cart the Hīnayāna bodhisattva, and the great white ox-cart the Mahāyāna bodhisattva; a division adopted by T'ien-t'ai. |
光輪 see styles |
kourin / korin こうりん |
(See 頭光) halo (esp. in Christian art); nimbus |
入聲 入声 see styles |
rù shēng ru4 sheng1 ju sheng |
entering tone; checked tone; one of the four tones of Middle Chinese See: 入声 |
八不 see styles |
bā bù ba1 bu4 pa pu hachifu |
The eight negations of Nagarjuna, founder of the Mādhyamika or Middle School 三論宗. The four pairs are "neither birth nor death, neither end nor permanence, neither identity nor difference, neither coming nor going." These are the eight negations; add "neither cause nor effect"and there are the 十不 ten negations; v. 八迷. |
八天 see styles |
bā tiān ba1 tian1 pa t`ien pa tien hatten はってん |
(given name) Hatten The eight devalokas, i.e. four dhyāna devalokas of the region of form, and four arūpalokas; 四禪天 and 四空處. |
八定 see styles |
bā dìng ba1 ding4 pa ting hachi jō |
The eight degrees of fixed abstraction, i.e. the four dhyānas corresponding to the four divisions in the heavens of form, and the four degrees of absolute fixed abstraction on the 空 or immaterial, corresponding to the arūpadhātu, i.e. heavens of formlessness. |
八忍 see styles |
bā rěn ba1 ren3 pa jen hachinin |
The eight kṣānti, or powers of patient endurance, in the desire-realm and the two realms above it, necessary to acquire the full realization of the truth of the Four Axioms, 四諦; these four give rise to the 四法忍, i.e. 苦, 集, 滅, 道法忍, the endurance or patient pursuit that results in their realization. In the realm of form and the formless, they are called the 四類忍. By patient meditation the 見惑 false or perplexed views will cease, and the八智 eight kinds of jñāna or gnosis be acquired; therefore 智 results from忍 and the sixteen, 八忍八智 (or 觀), are called the 十六心, i.e. the sixteen mental conditions during the stage of 見道, when 惑 illusions or perplexities of view are destroyed. Such is the teaching of the 唯識宗. The 八智 are 苦, 集, 滅,道法智 and 苦, etc. 類智. |
Entries with 2nd row of characters: The 2nd row is Simplified Chinese.
This page contains 100 results for "jade four seasons-art" in Chinese and/or Japanese.Information about this dictionary:
Apparently, we were the first ones who were crazy enough to think that western people might want a combined Chinese, Japanese, and Buddhist dictionary.
A lot of westerners can't tell the difference between Chinese and Japanese - and there is a reason for that. Chinese characters and even whole words were borrowed by Japan from the Chinese language in the 5th century. Much of the time, if a word or character is used in both languages, it will have the same or a similar meaning. However, this is not always true. Language evolves, and meanings independently change in each language.
Example: The Chinese character 湯 for soup (hot water) has come to mean bath (hot water) in Japanese. They have the same root meaning of "hot water", but a 湯屋 sign on a bathhouse in Japan would lead a Chinese person to think it was a "soup house" or a place to get a bowl of soup. See this: Japanese Bath House
This dictionary uses the EDICT and CC-CEDICT dictionary files.
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Chinese Buddhist terms come from Dictionary of Chinese Buddhist Terms by William Edward Soothill and Lewis Hodous. This is commonly referred to as "Soothill's'". It was first published in 1937 (and is now off copyright so we can use it here). Some of these definitions may be misleading, incomplete, or dated, but 95% of it is good information. Every professor who teaches Buddhism or Eastern Religion has a copy of this on their bookshelf. We incorporated these 16,850 entries into our dictionary database ourselves (it was lot of work).
Combined, these cover 1,007,753 Japanese, Chinese, and Buddhist characters, words, idioms, names, placenames, and short phrases.
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