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<12345678910...>| Characters | Pronunciation Romanization |
Simple Dictionary Definition |
単騎 see styles |
tanki たんき |
(1) single horseman; (2) {mahj} (See 単騎待ち・たんきまち) wait for one tile to finish one's pair and one's hand; wait for half of one's pair with four melds completed |
印契 see styles |
yìn qì yin4 qi4 yin ch`i yin chi ingei; inkei / inge; inke いんげい; いんけい |
{Buddh} (See 印・いん・3) mudra (symbolic hand gesture) (Skt. mudrā) |
印相 see styles |
yìn xiàng yin4 xiang4 yin hsiang inzou; insou / inzo; inso いんぞう; いんそう |
mudra; hand sign (Skt. mudrā) |
厚臼 see styles |
atsuusu / atsusu あつうす |
stone hand mill |
原道 see styles |
yuán dào yuan2 dao4 yüan tao haramichi はらみち |
original path; essay by Tang philosopher Han Yu 韓愈|韩愈[Han2 Yu4] (personal name) Haramichi |
厳選 see styles |
gensen げんせん |
(noun, transitive verb) careful selection; careful screening; hand-picking |
叉手 see styles |
chā shǒu cha1 shou3 ch`a shou cha shou shashu |
The palms of the hands together with the fingers crossed forming ten. Also, the palms together with the middle fingers crossing each other, an old Indian form of greeting. In China anciently the left hand was folded over the right, but with women the right hand was over the left. In mourning salutations the order was reversed. |
反之 see styles |
fǎn zhī fan3 zhi1 fan chih |
on the other hand...; conversely... |
反手 see styles |
fǎn shǒu fan3 shou3 fan shou |
to turn a hand over; to put one's hand behind one's back; fig. easily done |
反面 see styles |
fǎn miàn fan3 mian4 fan mien hanmen はんめん |
reverse side; backside; the other side (of a problem etc); negative; bad (1) opposite side; reverse; (conjunction) (2) (but) on the other hand; though; although; while |
取る see styles |
toru とる |
(transitive verb) (1) to take; to pick up; to grab; to catch; to hold; (transitive verb) (2) to pass; to hand; to give; (transitive verb) (3) to get; to obtain; to acquire; to win; to receive; to earn; to take (e.g. a vacation); (transitive verb) (4) to adopt (a method, proposal, etc.); to take (a measure, attitude, etc.); to choose; (transitive verb) (5) to remove; to get rid of; to take off; (transitive verb) (6) to take away; to steal; to rob; (transitive verb) (7) (See 摂る) to eat; to have (e.g. lunch); to take (e.g. vitamins); (transitive verb) (8) to pick (e.g. flowers); to gather; to extract (e.g. juice); to catch (e.g. fish); to harvest (a crop); (transitive verb) (9) to take up (time, space); to occupy; to spare; to set aside; (transitive verb) (10) to secure; to reserve; to save; to put aside; to keep; (transitive verb) (11) to take (e.g. a joke); to interpret; to understand; to make out; to grasp; (transitive verb) (12) to record; to take down; (transitive verb) (13) to subscribe to (e.g. a newspaper); to take; to buy; to get; (transitive verb) (14) to order; to have delivered; (transitive verb) (15) to charge; to fine; to take (tax); (transitive verb) (16) to take (e.g. a wife); to take on (e.g. an apprentice); to adopt; to accept; (transitive verb) (17) to take control of; to take (the rudder); (transitive verb) (18) to compete (in sumo, cards, etc.); to play |
古兵 see styles |
furutsuwamono ふるつわもの kohei / kohe こへい |
old soldier; veteran; old hand |
古文 see styles |
gǔ wén gu3 wen2 ku wen komon こもん |
old language; the Classics; Classical Chinese as a literary model, esp. in Tang and Song prose; Classical Chinese as a school subject (abbreviation) (rare) kanji |
古箏 古筝 see styles |
gǔ zhēng gu3 zheng1 ku cheng kosou / koso こそう |
guzheng (large zither with 13 to 25 strings, developed from the guqin 古琴[gu3 qin2] during Tang and Song times) Guzheng (type of ancient Chinese zither) |
古風 古风 see styles |
gǔ fēng gu3 feng1 ku feng kokaze こかぜ |
old style; old custom; a pre-Tang Dynasty genre of poetry aka 古體詩|古体诗[gu3 ti3 shi1] (noun or adjectival noun) old-fashioned; archaic; antique; antiquated; (female given name) Kokaze |
台車 see styles |
daisha だいしゃ |
(1) platform truck; hand truck; trolley; dolly; cart; (2) {rail} truck; bogie |
右側 右侧 see styles |
yòu cè you4 ce4 yu ts`e yu tse migigawa(p); usoku みぎがわ(P); うそく |
right side (noun - becomes adjective with の) right side; right-hand side |
右奥 see styles |
migioku みぎおく |
(noun - becomes adjective with の) (See 左奥) rear right (corner, etc.); on the right and at the end; right-hand side and at the back |
右手 see styles |
yòu shǒu you4 shou3 yu shou migite みぎて |
right hand; right-hand side (1) right hand; (noun - becomes adjective with の) (2) right-hand side; right-hand direction; (on) the right; (surname) Migite right hand. |
右方 see styles |
yòu fāng you4 fang1 yu fang uhou / uho うほう |
right-hand side (noun - becomes adjective with の) (1) right side; (noun - becomes adjective with の) (2) style of Japanese court music |
右腕 see styles |
migiude(p); uwan みぎうで(P); うわん |
(1) (See 左腕・1) right arm; (2) (みぎうで only) right-hand man; right hand; right-hand person; (3) (うわん only) {baseb} right-handed pitcher |
右首 see styles |
yòu shǒu you4 shou3 yu shou |
right-hand side |
吊し see styles |
tsurushi つるし |
(1) ready-made clothing; off-the-rack clothing; second-hand clothes; hand-me-down; (2) (orig. meaning) (See 吊るす) hanging |
吏部 see styles |
lì bù li4 bu4 li pu rihou / riho りほう ribu りぶ |
Ministry of Appointments (in imperial China) Ministry of Personnel (Tang-dynasty China) |
呂岩 吕岩 see styles |
lǚ yán lu:3 yan2 lü yen |
Lü Yan (lived c. 874), Tang dynasty poet |
呈給 呈给 see styles |
chéng gěi cheng2 gei3 ch`eng kei cheng kei |
to give; to hand |
周書 周书 see styles |
zhōu shū zhou1 shu1 chou shu |
History of Zhou of the Northern Dynasties, twelfth of the 24 dynastic histories 二十四史[Er4 shi2 si4 Shi3], compiled under Linghu Defen 令狐德棻[Ling2 hu2 De2 fen1] in 636 during Tang Dynasty, 50 scrolls |
和る see styles |
agaru あがる |
(v5r,vi) (mahj) to win a hand |
和了 see styles |
hoora ホーラ |
(noun/participle) {mahj} (See 上がり・5) winning (of a hand) (chi: húle); declaring a win; going mahjong; going out |
和牌 see styles |
hú pái hu2 pai2 hu p`ai hu pai |
(mahjong) to complete a hand |
品玉 see styles |
shinadama しなだま |
(1) tossing several items into the air and attempting to catch them all (form of street performance); (2) sleight of hand; magic; (surname) Shinadama |
哈密 see styles |
hā mì ha1 mi4 ha mi Gōmitsu |
see 哈密市[Ha1 mi4 Shi4] Hami, 'an ancient city and kingdom in Central Asia north-east of lake Lop in Lat. 43゜3 N., Long, 93°10 E.' Eitel. From Han to Tang times known as I-wu 伊吾, now called Kumul by Turki Mohammadans. For more than 1500 years, owing to its location and supply of water, Hami was a bridgehead for the expansion and control of the outposts of the Chinese empire in Central Asia. |
唐代 see styles |
táng dài tang2 dai4 t`ang tai tang tai toudai / todai とうだい |
Tang dynasty (618–907) (hist) (See 唐・1) Tang period (China; 618-907); Tang era |
唐僧 see styles |
táng sēng tang2 seng1 t`ang seng tang seng |
Xuanzang (602-664) Tang dynasty Buddhist monk and translator, who traveled to India 629-645 |
唐堯 唐尧 see styles |
táng yáo tang2 yao2 t`ang yao tang yao |
Yao or Tang Yao (c. 2200 BC), one of Five Legendary Emperors 五帝[wu3 di4], second son of Di Ku 帝嚳|帝喾[Di4 Ku4] |
唐宋 see styles |
táng sòng tang2 song4 t`ang sung tang sung |
the Tang (618-907) and Song (960-1279) dynasties |
唐寅 see styles |
táng yín tang2 yin2 t`ang yin tang yin touin / toin とういん |
Tang Bohu 唐伯虎 or Tang Yin (1470-1523), Ming painter and poet, one of Four great southern talents of the Ming 江南四大才子 (personal name) Touin |
唐尺 see styles |
toushaku / toshaku とうしゃく |
(archaism) Tang shaku (approx. 29.6 cm) |
唐書 唐书 see styles |
táng shū tang2 shu1 t`ang shu tang shu |
same as 舊唐書|旧唐书[Jiu4 Tang2 shu1], History of the Early Tang Dynasty, sixteenth of the 24 dynastic histories 二十四史[Er4 shi2 si4 Shi3], compiled under Liu Xu 劉昫|刘昫[Liu2 Xu4] in 945 during Later Jin 後晉|后晋[Hou4 Jin4] of the Five Dynasties, 200 scrolls |
唐朝 see styles |
táng cháo tang2 chao2 t`ang ch`ao tang chao touchou / tocho とうちょう |
Tang dynasty (618-907) (hist) Tang dynasty (of China; 618-907); T'ang dynasty |
唐末 see styles |
táng mò tang2 mo4 t`ang mo tang mo |
late Tang period (9th century) |
唐楽 see styles |
tougaku / togaku とうがく |
(1) Tang-era Chinese music; (2) (See 雅楽,林邑楽) tōgaku; style of gagaku based on Tang-era Chinese music and ancient Indian song and dance |
唐縣 唐县 see styles |
táng xiàn tang2 xian4 t`ang hsien tang hsien |
Tang County or Tangxian, a county in Baoding City 保定市[Bao3 ding4 Shi4], Hebei |
唐菜 see styles |
karana からな |
(kana only) tang cai (Brassica rapa var. toona); (surname, female given name) Karana |
唐虞 see styles |
táng yú tang2 yu2 t`ang yü tang yü Tō Gu |
Tang and Yu |
唐裝 唐装 see styles |
táng zhuāng tang2 zhuang1 t`ang chuang tang chuang |
Tang suit (traditional Chinese jacket) |
唐詩 唐诗 see styles |
táng shī tang2 shi1 t`ang shih tang shih toushi / toshi とうし |
Tang poetry; a Tang poem poetry of the Tang period; Tang poetry |
唐音 see styles |
karaoto からおと |
(See 呉音・ごおん,漢音・かんおん,唐・とう・1) tō-on; Tang reading; on reading of a kanji based on Song dynasty and later Chinese; (place-name) Karaoto |
商湯 商汤 see styles |
shāng tāng shang1 tang1 shang t`ang shang tang |
Shang Tang (1646-? BC), legendary founder of the Shang Dynasty |
單手 单手 see styles |
dān shǒu dan1 shou3 tan shou |
one hand; single-handed |
四三 see styles |
yomi よみ |
(1) {hanaf} (See 手役) one four-of-a-kind and one three-of-a-kind in a dealt hand; (2) three and a four (in dice games); (personal name) Yomi |
在即 see styles |
zài jí zai4 ji2 tsai chi |
near at hand; imminent; within sight |
在握 see styles |
zài wò zai4 wo4 tsai wo zaiaku |
(fig.) to hold in one's hands; to be within grasp to be in one's hand |
在荷 see styles |
zaika ざいか |
(n,vs,vi) stock; goods on hand |
地和 see styles |
dì hú di4 hu2 ti hu chiihoo / chihoo チーホー |
(mahjong) earthly hand; a hand that is completed by a non-dealer on their first draw; (mahjong) to obtain an earthly hand {mahj} blessing of earth (chi:); winning with a self-drawn tile in the first turn |
地藏 see styles |
dì zàng di4 zang4 ti tsang jizou / jizo じぞう |
Kṣitigarbha, the Bodhisattva of the Great Vow (to save all souls before accepting Bodhi); also translated Earth Treasury, Earth Womb, or Earth Store Bodhisattva (surname) Jizou Ti-tsang, J. Jizō, Kṣitigarbha, 乞叉底蘗沙; Earth-store, Earth-treasury, or Earthwomb. One of the group of eight Dhvani- Bodhisattvas. With hints of a feminine origin, he is now the guardian of the earth. Though associated with Yama as overlord, and with the dead and the hells, his role is that of saviour. Depicted with the alarum staff with its six rings, he is accredited with power over the hells and is devoted to the saving of all creatures between the nirvana of Śākyamuni and the advent of Maitreya the fifth century he has been especially considered as the deliverer from the hells. His central place in China is at Chiu-hua-shan, forty li south-west of Ch'ing-yang in Anhui. In Japan he is also the protector of travellers by land and his image accordingly appears on the roads; bereaved parents put stones by his images to seek his aid in relieving the labours of their dead in the task of piling stones on the banks of the Buddhist Styx; he also helps women in labour. He is described as holding a place between the gods and men on the one hand and the hells on the other for saving all in distress; some say he is an incarnation of Yama. At dawn he sits immobile on the earth 地 and meditates on the myriads of its beings 藏. When represented as a monk, it may be through the influence of a Korean monk who is considered to be his incarnation, and who came to China in 653 and died in 728 at the age of 99 after residing at Chiu-hua-shan for seventy-five years: his body, not decaying, is said to have been gilded over and became an object of worship. Many have confused 眞羅 part of Korea with 暹羅 Siam. There are other developments of Ti-tsang, such as the 六地藏 Six Ti-tsang, i. e. severally converting or transforming those in the hells, pretas, animals, asuras, men, and the devas; these six Ti-tsang have different images and symbols. Ti-tsang has also six messengers 六使者: Yama for transforming those in hell; the pearl-holder for pretas; the strong one or animals; the devīof mercy for asuras; the devī of the treasure for human beings; one who has charge of the heavens for the devas. There is also the 延命地藏 Yanming Ti-tsang, who controls length of days and who is approached, as also may be P'u-hsien, for that Purpose; his two assistants are the Supervisors of good and evil 掌善 and 掌惡. Under another form, as 勝軍地藏 Ti-tsang is chiefly associated with the esoteric cult. The benefits derived from his worship are many, some say ten, others say twenty-eight. His vows are contained in the 地藏菩薩本願經. There is also the 大乘大集地藏十電經 tr. by Xuanzang in 10 juan in the seventh century, which probably influenced the spread of the Ti-tsang cult. |
坐繰 see styles |
zaguri ざぐり |
(irregular okurigana usage) (1) reeling by hand (esp. silk); hand filature; (noun/participle) (2) counter sinking (making conical depression so screw-heads don't protrude above surface); spot facing (machining a flat space for bolt head, etc.); spotfacing; (3) hollowing out (e.g. wooden chair seat, scallop pattern on roof, etc.) |
堤出 see styles |
teishutsu / teshutsu ていしゅつ |
(irregular kanji usage) (noun or participle which takes the aux. verb suru) (1) to present; to submit (e.g. a report or a thesis); to hand in; to file; to turn in; (2) presentation; submission; filing |
塗割 涂割 see styles |
tú gē tu2 ge1 t`u ko tu ko zukatsu |
To anoint the hand, or cut it off, instances of love and hatred. |
夏州 see styles |
xià zhōu xia4 zhou1 hsia chou |
old place name (up to Tang), in Hengshan county 橫山縣|横山县, Yulin, Shaanxi |
夏珪 see styles |
kakei / kake かけい |
(person) Xia Gui (Tang-era Chinese painter) |
外手 see styles |
wài shǒu wai4 shou3 wai shou sotode そとで |
right-hand side (of a machine); right-hand side (passenger side) of a vehicle (surname) Sotode |
多牌 see styles |
taapai; taahai / tapai; tahai ターパイ; ターはい |
{mahj} having too many tiles on one's hand (chi:) |
夜摩 see styles |
yè mó ye4 mo2 yeh mo yama |
Yama, 'originally the Aryan god of the dead, living in a heaven above the world, the regent of the South; but Brahminism transferred his abode to hell. Both views have been retained by Buddhism.' Eitel. Yama in Indian mythology is ruler over the dead and judge in the hells, is 'grim in aspect, green in colour, clothed in red, riding on a buffalo, and holding a club in one hand and noose in the other': he has two four-eyed watch-dogs. M. W. The usual form is 閻摩 q. v. |
大乘 see styles |
dà shèng da4 sheng4 ta sheng oonori おおのり |
Mahayana, the Great Vehicle; Buddhism based on the Mayahana sutras, as spread to Central Asia, China and beyond; also pr. [Da4 cheng2] (surname) Oonori Mahāyāna; also called 上乘; 妙乘; 勝乘; 無上乘; 無上上乘; 不惡乘; 無等乘, 無等等乘; 摩訶衍 The great yāna, wain, or conveyance, or the greater vehicle in comparison with the 小乘 Hīnayāna. It indicates universalism, or Salvation for all, for all are Buddha and will attain bodhi. It is the form of Buddhism prevalent in Tibet, Mongolia, China, Korea, Japan, and in other places in the Far East. It is also called Northern Buddhism. It is interpreted as 大教 the greater teaching as compared with 小教 the smaller, or inferior. Hīnayāna, which is undoubtedly nearer to the original teaching of the Buddha, is unfairly described as an endeavour to seek nirvana through an ash-covered body, an extinguished intellect, and solitariness; its followers are sravakas and pratyekabuddhas (i.e. those who are striving for their own deliverance through ascetic works). Mahāyāna, on the other hand, is described as seeking to find and extend all knowledge, and, in certain schools, to lead all to Buddhahood. It has a conception of an Eternal Buddha, or Buddhahood as Eternal (Adi-Buddha), but its especial doctrines are, inter alia, (a) the bodhisattvas 菩薩 , i.e. beings who deny themselves final Nirvana until, according to their vows, they have first saved all the living; (b) salvation by faith in, or invocation of the Buddhas or bodhisattvas; (c) Paradise as a nirvana of bliss in the company of Buddhas, bodhisattvas, saints, and believers. Hīnayāna is sometimes described as 自利 self-benefiting, and Mahāyāna as 自利利他 self-benefit for the benefit of others, unlimited altruism and pity being the theory of Mahāyāna. There is a further division into one-yana and three-yanas: the trīyāna may be śrāvaka, pratyeka-buddha, and bodhisattva, represented by a goat, deer, or bullock cart; the one-yāna is that represented by the Lotus School as the one doctrine of the Buddha, which had been variously taught by him according to the capacity of his hearers, v. 方便. Though Mahāyāna tendencies are seen in later forms of the older Buddhism, the foundation of Mahāyāna has been attributed to Nāgārjuna 龍樹. "The characteristics of this system are an excess of transcendental speculation tending to abstract nihilism, and the substitution of fanciful degrees of meditation and contemplation (v. Samādhi and Dhyāna) in place of the practical asceticism of the Hīnayāna school."[Eitel 68-9.] Two of its foundation books are the 起信論and the 妙法蓮華經 but a larnge numberof Mahāyāna sutras are ascribed to the Buddha。. |
大唐 see styles |
dà táng da4 tang2 ta t`ang ta tang morokoshi もろこし |
the Tang dynasty (618-907) (surname) Morokoshi Great Tang |
大慧 see styles |
dà huì da4 hui4 ta hui daie だいえ |
(personal name) Daie Mahāmati 摩訶摩底 (1) Great wisdom, the leading bodhisattva of the Laṅkāvatāra-sūtra. (2) Name of a Hangchow master of the Chan school, Zonggao 宗杲 of the Song dynasty, whose works are the 大慧書. (3) Posthumous title of 一行Yixing, a master of the Chan school in the Tang dynasty. |
大賢 大贤 see styles |
dà xián da4 xian2 ta hsien daiken だいけん |
great sage; (given name) Daiken Daxian (Jap. Daiken), a Korean monk who lived in China during the Tang dynasty, of the 法相 Dharmalakṣaṇa school, noted for his annotations on the sūtras and styled 古迹記 the archaeologist. |
大革 see styles |
ookawa おおかわ |
large hand drum |
大鼓 see styles |
dà gǔ da4 gu3 ta ku ooko おおこ |
bass drum large hand drum; (surname) Ooko large drum |
天和 see styles |
tiān hú tian1 hu2 t`ien hu tien hu tenwa てんわ |
(mahjong) heavenly hand; a hand that is completed by the dealer on their first draw; (mahjong) to obtain a heavenly hand Tenna era (1681.9.29-1684.2.21); Tenwa era; (place-name) Tenwa |
天竺 see styles |
tiān zhú tian1 zhu2 t`ien chu tien chu tenjiku てんじく |
the Indian subcontinent (esp. in Tang or Buddhist context) (1) (obsolete) India; (2) (abbreviation) (See 天竺木綿) cotton sheeting; (prefix noun) (3) foreign; imported; (prefix noun) (4) ultra-spicy; extra hot; (place-name, surname) Tenjiku (天竺國) India; 竹 zhu is said to have the same sound as 篤 tu, suggesting a connection with the 度 tu in 印度 Indu; other forms are 身毒 Sindhu, Scinde; 賢豆 Hindu; and 印持伽羅. The term is explained by 月 moon, which is the meaning of Indu, but it is said to be so called because the sages of India illumine the rest of the world: or because of the half-moon shape of the land, which was supposed to be 90, 000 li in circumference, and placed among other kingdoms like the moon among the stars. Another name is 因陀羅婆他那 ? Indravadana, or Indrabhavana, the region where Indra dwells. A hill and monastery near Hangchow. |
天鳳 see styles |
tenhoo テンホー |
(mahj) blessing of heaven (chi:); hand in which the dealer goes out on their initial deal |
夾山 夹山 see styles |
jiá shān jia2 shan1 chia shan Kyōzan |
Name of a monastery and monk in 澧州 Lizhou under the Tang dynasty. |
奇術 see styles |
kijutsu きじゅつ |
magic; conjuring; sleight of hand; legerdemain |
孟郊 see styles |
mèng jiāo meng4 jiao1 meng chiao |
Meng Jiao (751-814), Tang dynasty essayist and poet |
孫誅 孙诛 see styles |
sūn zhū sun1 zhu1 sun chu |
Sun Zhu (1711-1778), poet and compiler of Three Hundred Tang Poems 唐詩三百首|唐诗三百首[Tang2 shi1 San1 bai3 Shou3]; also known by assumed name 蘅塘退士[Heng2 tang2 Tui4 shi4] |
安南 see styles |
ān nán an1 nan2 an nan yasuminami やすみなみ |
Annam (Tang Dynasty protectorate located in what is now northern Vietnam); Annam (autonomous kingdom located in what is now northern Vietnam, 10th-15th century); Annam (central part of Vietnam during the French colonial period); old name for Vietnam; Annan District in Tainan 臺南|台南[Tai2 nan2], Taiwan; Kofi Annan (1938-2018), UN secretary-general 1997-2006 Annam (old name for Vietnam); (surname) Yasuminami |
宋祁 see styles |
sòng qí song4 qi2 sung ch`i sung chi |
Song Qi (998-1061), Song dynasty poet and writer, coauthor of History of the Later Tang Dynasty 新唐書|新唐书 |
室韋 室韦 see styles |
shì wéi shi4 wei2 shih wei shitsui しつい |
the Shiwei tribes who inhabited an area to the northeast of Tang-dynasty China (hist) Shiwei (Mongolic tribe) |
寫字 写字 see styles |
xiě zì xie3 zi4 hsieh tzu |
to write (by hand); to practice calligraphy See: 写字 |
寫本 写本 see styles |
xiě běn xie3 ben3 hsieh pen shahon |
handwritten copy of a book a hand-copied text |
寶手 宝手 see styles |
bǎo shǒu bao3 shou3 pao shou hōshu |
Precious hand, the hand which gives alms and precious things. |
小鼓 see styles |
xiǎo gǔ xiao3 gu3 hsiao ku kotsuzumi こつずみ |
snare drum small hand drum; (surname) Kotsuzumi |
少康 see styles |
shǎo kāng shao3 kang1 shao k`ang shao kang shoukou / shoko しょうこう |
(personal name) Shoukou Shaokang, a famous monk of the Tang dynasty, known as the later 善導 Shandao, his master. |
崔顥 崔颢 see styles |
cuī hào cui1 hao4 ts`ui hao tsui hao |
Cui Hao (-754), Tang dynasty poet and author of poem Yellow Crane Tower 黃鶴樓|黄鹤楼 |
工手 see styles |
koushu / koshu こうしゅ |
workman; construction worker; hand |
工部 see styles |
gōng bù gong1 bu4 kung pu koubu / kobu こうぶ |
Ministry of Works (in imperial China) (hist) (See 六部・りくぶ) Ministry of Works (Tang dynasty China) |
左側 左侧 see styles |
zuǒ cè zuo3 ce4 tso ts`e tso tse hidarigawa(p); sasoku; hidarikkawa(sk) ひだりがわ(P); さそく; ひだりっかわ(sk) |
left side (noun - becomes adjective with の) left side; left-hand side |
左奥 see styles |
hidarioku ひだりおく |
(noun - becomes adjective with の) (See 右奥) left back (corner, etc.); on the left and at the rear; left-hand side and at the back |
左手 see styles |
zuǒ shǒu zuo3 shou3 tso shou sate さて |
left hand; left-hand side (1) left hand; (noun - becomes adjective with の) (2) left-hand side; left-hand direction; (on) the left; (surname) Sate |
左楽 see styles |
saraku さらく |
(abbreviation) (archaism) (See 左方の楽) style of gagaku based on Tang-era Chinese music and ancient Indian song and dance; (given name) Saraku |
左隅 see styles |
hidarisumi ひだりすみ |
left-hand corner; lower left |
左首 see styles |
zuǒ shǒu zuo3 shou3 tso shou |
left-hand side |
巧手 see styles |
qiǎo shǒu qiao3 shou3 ch`iao shou chiao shou koushu / koshu こうしゅ |
skillful hands; dexterous; a dab hand (1) expert; skillful person; (2) good move (in shogi, go, etc.); clever move |
巴掌 see styles |
bā zhang ba1 zhang5 pa chang |
palm of the hand; classifier: slap |
帝心 see styles |
dì xīn di4 xin1 ti hsin Teishin |
Title given to 杜順 Tu Shun, founder of the Huayan school, by Tang Tai Tsung. |
師子 师子 see styles |
shī zǐ shi1 zi3 shih tzu noriko のりこ |
(1) lion; (2) left-hand guardian dog at a Shinto shrine; (female given name) Noriko siṃha, a lion; also 枲伽; idem獅子 Buddha, likened to the lion, the king of animals, in respect of his fearlessness. |
常備 see styles |
joubi / jobi じょうび |
(noun, transitive verb) (1) (always) having ready; having on hand; being provided with; (can be adjective with の) (2) standing; permanent; regular; reserve |
幫忙 帮忙 see styles |
bāng máng bang1 mang2 pang mang |
to help; to lend a hand; to do a favor; to do a good turn |
Entries with 2nd row of characters: The 2nd row is Simplified Chinese.
This page contains 100 results for "Tang Soo Do - Tang Hand Way" in Chinese and/or Japanese.Information about this dictionary:
Apparently, we were the first ones who were crazy enough to think that western people might want a combined Chinese, Japanese, and Buddhist dictionary.
A lot of westerners can't tell the difference between Chinese and Japanese - and there is a reason for that. Chinese characters and even whole words were borrowed by Japan from the Chinese language in the 5th century. Much of the time, if a word or character is used in both languages, it will have the same or a similar meaning. However, this is not always true. Language evolves, and meanings independently change in each language.
Example: The Chinese character 湯 for soup (hot water) has come to mean bath (hot water) in Japanese. They have the same root meaning of "hot water", but a 湯屋 sign on a bathhouse in Japan would lead a Chinese person to think it was a "soup house" or a place to get a bowl of soup. See this: Japanese Bath House
This dictionary uses the EDICT and CC-CEDICT dictionary files.
EDICT data is the property of the Electronic Dictionary Research and Development Group, and is used in conformance with the Group's
license.
Chinese Buddhist terms come from Dictionary of Chinese Buddhist Terms by William Edward Soothill and Lewis Hodous. This is commonly referred to as "Soothill's'". It was first published in 1937 (and is now off copyright so we can use it here). Some of these definitions may be misleading, incomplete, or dated, but 95% of it is good information. Every professor who teaches Buddhism or Eastern Religion has a copy of this on their bookshelf. We incorporated these 16,850 entries into our dictionary database ourselves (it was lot of work).
Combined, these cover 1,007,753 Japanese, Chinese, and Buddhist characters, words, idioms, names, placenames, and short phrases.
Just because a word appears here does not mean it is appropriate for a tattoo, your business name, etc. Please consult a professional before doing anything stupid with this data.
We do offer Chinese and Japanese Tattoo Services. We'll also be happy to help you translate something for other purposes.
No warranty as to the correctness, potential vulgarity, or clarity is expressed or implied. We did not write any of these definitions (though we occasionally act as a contributor/editor to the CC-CEDICT project). You are using this dictionary for free, and you get what you pay for.
The following titles are just to help people who are searching for an Asian dictionary to find this page.