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<12345678910...>| Characters | Pronunciation Romanization |
Simple Dictionary Definition |
光一 see styles |
mitsukazu みつかず |
(1) scoring hand in hanafuda with one 20 point flower card and six 1 point flower cards; (2) something (or someone) that stands out above the rest; (given name) Mitsukazu |
內空 内空 see styles |
nèi kōng nei4 kong1 nei k`ung nei kung naikū |
Empty within, i. e. no soul or self within. |
写経 see styles |
shakyou / shakyo しゃきょう |
(n,vs,vt,vi) hand-copied sutras; copying of a sutra |
出納 出纳 see styles |
chū nà chu1 na4 ch`u na chu na suitou / suito すいとう |
cashier; to receive and hand over payment; to lend and borrow books (noun, transitive verb) receipts and expenditure (disbursements); (surname) Denou |
分針 分针 see styles |
fēn zhēn fen1 zhen1 fen chen funshin ふんしん |
minute hand (of a clock) minute hand |
利き see styles |
kiki きき |
(1) effectiveness; efficacy; efficaciousness; (n-suf,n-pref) (2) dominance (e.g. of left or right hand); (3) tasting (alcohol, tea, etc.) |
利手 see styles |
lì shǒu li4 shou3 li shou kikite ききて |
dominant hand; handedness one's dominant hand |
副露 see styles |
fuuro / furo フーロ |
{mahj} calling another player's discarded tile to complete a meld (but not to complete one's hand) |
劈手 see styles |
pī shǒu pi1 shou3 p`i shou pi shou |
with a lightning move of the hand |
力拳 see styles |
chikarakobushi ちからこぶし |
clenched fist |
劫波 see styles |
jié bō jie2 bo1 chieh po kōhi |
kalpa (loanword) (Hinduism) kalpa; also劫簸; 劫跛; v. 劫. Aeon, age. The period of time between the creation and recreation ofa world or universe; also the kalpas offormation, existence, destruction, and non-existence, which four as acomplete period are called mahākalpa 大劫. Eachgreat kalpa is subdivided into four asaṇkhyeya-kalpas (阿僧企耶 i.e. numberless,incalculable): (1) kalpa of destructionsaṃvarta; (2)kalpaof utter annihilation, or empty kalpa 増滅劫; 空劫 saṃvarta-siddha; (3) kalpa of formation 成劫 vivarta; (4) kalpa ofexistence 住劫 vivartasiddha; or they may betaken in the order 成住壤空. Each of the four kalpas is subdivided into twenty antara-kalpas, 小劫 or small kalpas, so that a mahākalpaconsists of eighty small kalpas. Each smallkalpa is divided into a period of 増 increaseand 減 decrease; the increase period is ruled over by the four cakravartīs in succession, i.e. the four ages of iron,copper, silver, gold, during which the length of human life increases by oneyear every century to 84,000 years, and the length of the human body to8,400 feet. Then comes the kalpa of decreasedivided into periods of the three woes, pestilence, war, famine, duringwhich the length of human life is gradually reduced to ten years and thehuman body to 1 foot in height. There are other distinctions of the kalpas. A small kalpa isrepresented as 16,800,000 years, a kalpa as336,000,000 years, and a mahākalpa as1,334,000,000 years. There are many ways of illustrating the length of akalpa, e.g. pass a soft cloth over a solid rock40 li in size once in a hundred years, whenfinally the rock has been thus worn away a kalpa will not yet have passed; or a city of 40 li, filled with mustard seeds, one being removed everycentury till all have gone, a kalpa will notyet have passed. Cf. 成劫. |
勝手 see styles |
katte かって |
(noun or adjectival noun) (1) one's own convenience; one's way; selfishness; (2) surroundings; environment; way of doing things; (3) convenience; ease of use; (4) financial circumstances; living; livelihood; (5) (See 台所・1) kitchen; (6) right hand (in archery); hand that pulls the bowstring; (prefix noun) (7) unauthorised (e.g. phone app, WWW site); unofficial; (surname) Katsute |
十一 see styles |
shí yī shi2 yi1 shih i toichi; tooichi; toichi といち; とおいち; トイチ |
eleven; 11 (1) (kana only) type of illegal loan charging 10% interest every 10 days; (2) {hanaf} (See 手役) dealt hand consisting of 1-point cards and one single 10-point card; (surname) Tokazu ekādaśa, eleven. |
千手 see styles |
qiān shǒu qian1 shou3 ch`ien shou chien shou chihira ちひら |
(female given name) Chihira (千手千眼); 千手千眼大慈大悲觀音菩薩 The thousand-hand Guanyin, see below. There are various sutras associated with this title, e.g. 千手經 an abbreviation of 手千眼觀世音菩薩大廣大圓滿無礙大悲心陀羅尼經; also 千手軌 or 軌經 an abbreviation of 金剛頂瑜伽千手千眼觀自在菩薩修行儀軌經; it is also called 千手陀羅尼 and 千手千眼儀軌經; there are many others, e.g. 千手千眼觀世音菩藤姥陀羅尼身經 and 千手千眼廣大圓滿無礙大悲心陀羅尼經 both idem 千手千臂陀羅尼神咒 which is the Avalokiteśvara-padma-jāla-mūla-tantra‐nāma-dhāraṇī. |
南拳 see styles |
nán quán nan2 quan2 nan ch`üan nan chüan |
Nanquan - "Southern Fist" (Chinese Martial Art) |
単騎 see styles |
tanki たんき |
(1) single horseman; (2) {mahj} (See 単騎待ち・たんきまち) wait for one tile to finish one's pair and one's hand; wait for half of one's pair with four melds completed |
印契 see styles |
yìn qì yin4 qi4 yin ch`i yin chi ingei; inkei / inge; inke いんげい; いんけい |
{Buddh} (See 印・いん・3) mudra (symbolic hand gesture) (Skt. mudrā) |
印相 see styles |
yìn xiàng yin4 xiang4 yin hsiang inzou; insou / inzo; inso いんぞう; いんそう |
mudra; hand sign (Skt. mudrā) |
厚臼 see styles |
atsuusu / atsusu あつうす |
stone hand mill |
厳選 see styles |
gensen げんせん |
(noun, transitive verb) careful selection; careful screening; hand-picking |
叉手 see styles |
chā shǒu cha1 shou3 ch`a shou cha shou shashu |
The palms of the hands together with the fingers crossed forming ten. Also, the palms together with the middle fingers crossing each other, an old Indian form of greeting. In China anciently the left hand was folded over the right, but with women the right hand was over the left. In mourning salutations the order was reversed. |
反之 see styles |
fǎn zhī fan3 zhi1 fan chih |
on the other hand...; conversely... |
反手 see styles |
fǎn shǒu fan3 shou3 fan shou |
to turn a hand over; to put one's hand behind one's back; fig. easily done |
反面 see styles |
fǎn miàn fan3 mian4 fan mien hanmen はんめん |
reverse side; backside; the other side (of a problem etc); negative; bad (1) opposite side; reverse; (adverb) (2) (but) on the other hand; though; although; while |
取る see styles |
toru とる |
(transitive verb) (1) to take; to pick up; to grab; to catch; (transitive verb) (2) to pass; to hand; to give; (transitive verb) (3) to get; to obtain; to acquire; to win; to receive; to earn; to take (e.g. a vacation); (transitive verb) (4) to adopt (a method, proposal, etc.); to take (a measure, attitude, etc.); to choose; (transitive verb) (5) to remove; to get rid of; to take off; (transitive verb) (6) to take away; to steal; to rob; (transitive verb) (7) (See 摂る) to eat; to have (e.g. lunch); to take (e.g. vitamins); (transitive verb) (8) to pick (e.g. flowers); to gather; to extract (e.g. juice); to catch (e.g. fish); to harvest (a crop); (transitive verb) (9) to take up (time, space); to occupy; to spare; to set aside; (transitive verb) (10) to secure; to reserve; to save; to put aside; to keep; (transitive verb) (11) to take (e.g. a joke); to interpret; to understand; to make out; to grasp; (transitive verb) (12) to record; to take down; (transitive verb) (13) to subscribe to (e.g. a newspaper); to take; to buy; to get; (transitive verb) (14) to order; to have delivered; (transitive verb) (15) to charge; to fine; to take (tax); (transitive verb) (16) to take (e.g. a wife); to take on (e.g. an apprentice); to adopt; to accept; (transitive verb) (17) to compete (in sumo, cards, etc.); to play |
古兵 see styles |
furutsuwamono ふるつわもの kohei / kohe こへい |
old soldier; veteran; old hand |
台車 see styles |
daisha だいしゃ |
(1) platform truck; hand truck; trolley; dolly; cart; (2) {rail} truck; bogie |
右側 右侧 see styles |
yòu cè you4 ce4 yu ts`e yu tse migigawa(p); usoku みぎがわ(P); うそく |
right side (noun - becomes adjective with の) right side; right-hand side |
右奥 see styles |
migioku みぎおく |
(noun - becomes adjective with の) (See 左奥) rear right (corner, etc.); on the right and at the end; right-hand side and at the back |
右手 see styles |
yòu shǒu you4 shou3 yu shou migite みぎて |
right hand; right-hand side (1) right hand; (noun - becomes adjective with の) (2) right-hand side; right-hand direction; (on) the right; (surname) Migite right hand. |
右方 see styles |
yòu fāng you4 fang1 yu fang uhou / uho うほう |
right-hand side (noun - becomes adjective with の) (1) right side; (noun - becomes adjective with の) (2) style of Japanese court music |
右腕 see styles |
migiude(p); uwan みぎうで(P); うわん |
(1) (See 左腕・1) right arm; (2) (みぎうで only) right-hand man; right hand; right-hand person; (3) (うわん only) {baseb} right-handed pitcher |
右首 see styles |
yòu shǒu you4 shou3 yu shou |
right-hand side |
吊し see styles |
tsurushi つるし |
(1) ready-made clothing; off-the-rack clothing; second-hand clothes; hand-me-down; (2) (orig. meaning) (See 吊るす) hanging |
呈給 呈给 see styles |
chéng gěi cheng2 gei3 ch`eng kei cheng kei |
to give; to hand |
和る see styles |
agaru あがる |
(v5r,vi) (mahj) to win a hand |
和了 see styles |
hoora ホーラ |
(noun/participle) {mahj} (See 上がり・5) winning (of a hand) (chi: húle); declaring a win; going mahjong; going out |
品玉 see styles |
shinadama しなだま |
(1) tossing several items into the air and attempting to catch them all (form of street performance); (2) sleight of hand; magic; (surname) Shinadama |
單手 单手 see styles |
dān shǒu dan1 shou3 tan shou |
one hand; single-handed |
四三 see styles |
shisou; shizou; shisan / shiso; shizo; shisan しそう; しぞう; しさん |
(1) {hanaf} (See 手役) one four-of-a-kind and one three-of-a-kind in a dealt hand; (2) three and a four (in dice games); (personal name) Yomi |
回空 see styles |
huí kōng hui2 kong1 hui k`ung hui kung |
to return empty (i.e. to drive back with no passengers or freight) |
圓空 圆空 see styles |
yuán kōng yuan2 kong1 yüan k`ung yüan kung enkuu / enku えんくう |
(personal name) Enkuu Complete vacuity, i.e. 空空, from which even the idea of vacuity is absent. |
在即 see styles |
zài jí zai4 ji2 tsai chi |
near at hand; imminent; within sight |
在握 see styles |
zài wò zai4 wo4 tsai wo zaiaku |
(fig.) to hold in one's hands; to be within grasp to be in one's hand |
在荷 see styles |
zaika ざいか |
(n,vs,vi) stock; goods on hand |
地藏 see styles |
dì zàng di4 zang4 ti tsang jizou / jizo じぞう |
Kṣitigarbha, the Bodhisattva of the Great Vow (to save all souls before accepting Bodhi); also translated Earth Treasury, Earth Womb, or Earth Store Bodhisattva (surname) Jizou Ti-tsang, J. Jizō, Kṣitigarbha, 乞叉底蘗沙; Earth-store, Earth-treasury, or Earthwomb. One of the group of eight Dhvani- Bodhisattvas. With hints of a feminine origin, he is now the guardian of the earth. Though associated with Yama as overlord, and with the dead and the hells, his role is that of saviour. Depicted with the alarum staff with its six rings, he is accredited with power over the hells and is devoted to the saving of all creatures between the nirvana of Śākyamuni and the advent of Maitreya the fifth century he has been especially considered as the deliverer from the hells. His central place in China is at Chiu-hua-shan, forty li south-west of Ch'ing-yang in Anhui. In Japan he is also the protector of travellers by land and his image accordingly appears on the roads; bereaved parents put stones by his images to seek his aid in relieving the labours of their dead in the task of piling stones on the banks of the Buddhist Styx; he also helps women in labour. He is described as holding a place between the gods and men on the one hand and the hells on the other for saving all in distress; some say he is an incarnation of Yama. At dawn he sits immobile on the earth 地 and meditates on the myriads of its beings 藏. When represented as a monk, it may be through the influence of a Korean monk who is considered to be his incarnation, and who came to China in 653 and died in 728 at the age of 99 after residing at Chiu-hua-shan for seventy-five years: his body, not decaying, is said to have been gilded over and became an object of worship. Many have confused 眞羅 part of Korea with 暹羅 Siam. There are other developments of Ti-tsang, such as the 六地藏 Six Ti-tsang, i. e. severally converting or transforming those in the hells, pretas, animals, asuras, men, and the devas; these six Ti-tsang have different images and symbols. Ti-tsang has also six messengers 六使者: Yama for transforming those in hell; the pearl-holder for pretas; the strong one or animals; the devīof mercy for asuras; the devī of the treasure for human beings; one who has charge of the heavens for the devas. There is also the 延命地藏 Yanming Ti-tsang, who controls length of days and who is approached, as also may be P'u-hsien, for that Purpose; his two assistants are the Supervisors of good and evil 掌善 and 掌惡. Under another form, as 勝軍地藏 Ti-tsang is chiefly associated with the esoteric cult. The benefits derived from his worship are many, some say ten, others say twenty-eight. His vows are contained in the 地藏菩薩本願經. There is also the 大乘大集地藏十電經 tr. by Xuanzang in 10 juan in the seventh century, which probably influenced the spread of the Ti-tsang cult. |
坐繰 see styles |
zaguri ざぐり |
(irregular okurigana usage) (1) reeling by hand (esp. silk); hand filature; (noun/participle) (2) counter sinking (making conical depression so screw-heads don't protrude above surface); spot facing (machining a flat space for bolt head, etc.); spotfacing; (3) hollowing out (e.g. wooden chair seat, scallop pattern on roof, etc.) |
堤出 see styles |
teishutsu / teshutsu ていしゅつ |
(irregular kanji usage) (noun or participle which takes the aux. verb suru) (1) to present; to submit (e.g. a report or a thesis); to hand in; to file; to turn in; (2) presentation; submission; filing |
塗割 涂割 see styles |
tú gē tu2 ge1 t`u ko tu ko zukatsu |
To anoint the hand, or cut it off, instances of love and hatred. |
外手 see styles |
wài shǒu wai4 shou3 wai shou sotode そとで |
right-hand side (of a machine); right-hand side (passenger side) of a vehicle (surname) Sotode |
多牌 see styles |
taapai; taahai / tapai; tahai ターパイ; ターはい |
{mahj} having too many tiles on one's hand (chi:) |
夜摩 see styles |
yè mó ye4 mo2 yeh mo yama |
Yama, 'originally the Aryan god of the dead, living in a heaven above the world, the regent of the South; but Brahminism transferred his abode to hell. Both views have been retained by Buddhism.' Eitel. Yama in Indian mythology is ruler over the dead and judge in the hells, is 'grim in aspect, green in colour, clothed in red, riding on a buffalo, and holding a club in one hand and noose in the other': he has two four-eyed watch-dogs. M. W. The usual form is 閻摩 q. v. |
大乘 see styles |
dà shèng da4 sheng4 ta sheng oonori おおのり |
Mahayana, the Great Vehicle; Buddhism based on the Mayahana sutras, as spread to Central Asia, China and beyond; also pr. [Da4 cheng2] (surname) Oonori Mahāyāna; also called 上乘; 妙乘; 勝乘; 無上乘; 無上上乘; 不惡乘; 無等乘, 無等等乘; 摩訶衍 The great yāna, wain, or conveyance, or the greater vehicle in comparison with the 小乘 Hīnayāna. It indicates universalism, or Salvation for all, for all are Buddha and will attain bodhi. It is the form of Buddhism prevalent in Tibet, Mongolia, China, Korea, Japan, and in other places in the Far East. It is also called Northern Buddhism. It is interpreted as 大教 the greater teaching as compared with 小教 the smaller, or inferior. Hīnayāna, which is undoubtedly nearer to the original teaching of the Buddha, is unfairly described as an endeavour to seek nirvana through an ash-covered body, an extinguished intellect, and solitariness; its followers are sravakas and pratyekabuddhas (i.e. those who are striving for their own deliverance through ascetic works). Mahāyāna, on the other hand, is described as seeking to find and extend all knowledge, and, in certain schools, to lead all to Buddhahood. It has a conception of an Eternal Buddha, or Buddhahood as Eternal (Adi-Buddha), but its especial doctrines are, inter alia, (a) the bodhisattvas 菩薩 , i.e. beings who deny themselves final Nirvana until, according to their vows, they have first saved all the living; (b) salvation by faith in, or invocation of the Buddhas or bodhisattvas; (c) Paradise as a nirvana of bliss in the company of Buddhas, bodhisattvas, saints, and believers. Hīnayāna is sometimes described as 自利 self-benefiting, and Mahāyāna as 自利利他 self-benefit for the benefit of others, unlimited altruism and pity being the theory of Mahāyāna. There is a further division into one-yana and three-yanas: the trīyāna may be śrāvaka, pratyeka-buddha, and bodhisattva, represented by a goat, deer, or bullock cart; the one-yāna is that represented by the Lotus School as the one doctrine of the Buddha, which had been variously taught by him according to the capacity of his hearers, v. 方便. Though Mahāyāna tendencies are seen in later forms of the older Buddhism, the foundation of Mahāyāna has been attributed to Nāgārjuna 龍樹. "The characteristics of this system are an excess of transcendental speculation tending to abstract nihilism, and the substitution of fanciful degrees of meditation and contemplation (v. Samādhi and Dhyāna) in place of the practical asceticism of the Hīnayāna school."[Eitel 68-9.] Two of its foundation books are the 起信論and the 妙法蓮華經 but a larnge numberof Mahāyāna sutras are ascribed to the Buddha。. |
大解 see styles |
dà jiě da4 jie3 ta chieh |
to defecate; to empty one's bowels |
大革 see styles |
ookawa おおかわ |
large hand drum |
大鼓 see styles |
dà gǔ da4 gu3 ta ku ooko おおこ |
bass drum large hand drum; (surname) Ooko large drum |
天鳳 see styles |
tenhoo テンホー |
(mahj) blessing of heaven (chi:); hand in which the dealer goes out on their initial deal |
奇術 see styles |
kijutsu きじゅつ |
magic; conjuring; sleight of hand; legerdemain |
寂寥 see styles |
jì liáo ji4 liao2 chi liao sekiryou / sekiryo せきりょう |
(literary) quiet and desolate; lonely; vast and empty (n,adj-t,adv-to) loneliness; desolateness |
寒々 see styles |
kankan かんかん |
(adv-to,vs) (1) wintry; very cold-looking (e.g. landscape); (2) bleak (e.g. room, street); desolate; empty (of furnishings); (given name) Kankan |
寒寒 see styles |
samuzamu さむざむ |
(adv-to,vs) (1) wintry; very cold-looking (e.g. landscape); (2) bleak (e.g. room, street); desolate; empty (of furnishings) |
寫字 写字 see styles |
xiě zì xie3 zi4 hsieh tzu |
to write (by hand); to practice calligraphy See: 写字 |
寫本 写本 see styles |
xiě běn xie3 ben3 hsieh pen shahon |
handwritten copy of a book a hand-copied text |
寶手 宝手 see styles |
bǎo shǒu bao3 shou3 pao shou hōshu |
Precious hand, the hand which gives alms and precious things. |
小解 see styles |
xiǎo jiě xiao3 jie3 hsiao chieh shōkai |
to urinate; to empty one's bladder urination |
小鼓 see styles |
xiǎo gǔ xiao3 gu3 hsiao ku kotsuzumi; shouko / kotsuzumi; shoko こつづみ; しょうこ |
snare drum small hand drum; (surname) Kotsuzumi |
工手 see styles |
koushu / koshu こうしゅ |
workman; construction worker; hand |
左側 左侧 see styles |
zuǒ cè zuo3 ce4 tso ts`e tso tse hidarigawa(p); sasoku; hidarikkawa(sk) ひだりがわ(P); さそく; ひだりっかわ(sk) |
left side (noun - becomes adjective with の) left side; left-hand side |
左奥 see styles |
hidarioku ひだりおく |
(noun - becomes adjective with の) (See 右奥) left back (corner, etc.); on the left and at the rear; left-hand side and at the back |
左手 see styles |
zuǒ shǒu zuo3 shou3 tso shou hidarite ひだりて |
left hand; left-hand side (1) left hand; (noun - becomes adjective with の) (2) left-hand side; left-hand direction; (on) the left; (surname) Sate |
左隅 see styles |
hidarisumi ひだりすみ |
left-hand corner; lower left |
左首 see styles |
zuǒ shǒu zuo3 shou3 tso shou |
left-hand side |
巧手 see styles |
qiǎo shǒu qiao3 shou3 ch`iao shou chiao shou koushu / koshu こうしゅ |
skillful hands; dexterous; a dab hand (1) expert; skillful person; (2) good move (in shogi, go, etc.); clever move |
巴掌 see styles |
bā zhang ba1 zhang5 pa chang |
palm of the hand; classifier: slap |
巻藁 see styles |
makiwara まきわら |
straw post for training sword strikes, karate punches and arrow hits |
師子 师子 see styles |
shī zǐ shi1 zi3 shih tzu noriko のりこ |
(1) lion; (2) left-hand guardian dog at a Shinto shrine; (female given name) Noriko siṃha, a lion; also 枲伽; idem獅子 Buddha, likened to the lion, the king of animals, in respect of his fearlessness. |
師拳 师拳 see styles |
shī quán shi1 quan2 shih ch`üan shih chüan shiken |
the teacher's closed fist |
幫忙 帮忙 see styles |
bāng máng bang1 mang2 pang mang |
to help; to lend a hand; to do a favor; to do a good turn |
平手 see styles |
píng shǒu ping2 shou3 p`ing shou ping shou hirate ひらて |
(sports) draw; tie (1) palm; open hand; (2) {shogi} playing on equal terms; lack of handicap; (surname) Hirade |
平臼 see styles |
hirausu ひらうす |
horizontal stone hand mill |
底牌 see styles |
dǐ pái di3 pai2 ti p`ai ti pai |
cards in one's hand; (fig.) undisclosed strength or information; hidden trump |
座繰 see styles |
zaguri ざぐり |
(irregular okurigana usage) (1) reeling by hand (esp. silk); hand filature; (noun/participle) (2) counter sinking (making conical depression so screw-heads don't protrude above surface); spot facing (machining a flat space for bolt head, etc.); spotfacing; (3) hollowing out (e.g. wooden chair seat, scallop pattern on roof, etc.) |
廣漠 广漠 see styles |
guǎng mò guang3 mo4 kuang mo |
vast and empty |
弓手 see styles |
yumite ゆみて |
one's left hand; bow hand; (surname) Yumite |
引磬 see styles |
yǐn qìng yin3 qing4 yin ch`ing yin ching in kei |
手磬 A hand-bell to direct the attention in services. |
引鏧 see styles |
yǐn lóng yin3 long2 yin lung inkin |
hand–bell |
張手 see styles |
harite はりて |
(sumo) slapping the opponent with the open hand |
強権 see styles |
kyouken / kyoken きょうけん |
strong power of the state; iron fist; heavy hand |
当用 see styles |
touyou / toyo とうよう |
(noun - becomes adjective with の) present use; business in hand; necessary for the current time |
役牌 see styles |
yakuhai やくはい |
(1) {mahj} (See 圏風牌,門風牌,三元牌) value honor; round wind, seat wind, and dragon tiles; (2) {mahj} winning hand containing one kong (or pung) of a value honor |
待ち see styles |
machi まち |
(n,n-suf) (1) waiting; waiting time; (n,n-suf) (2) {mahj} wait tile; tile which would complete one's hand |
徒手 see styles |
tú shǒu tu2 shou3 t`u shou tu shou toshu としゅ |
with bare hands; unarmed; fighting hand-to-hand; freehand (drawing) (1) being empty-handed; bare hands (in a fight); (2) (See 徒手空拳・2) being penniless |
得物 see styles |
dé wù de2 wu4 te wu emono えもの |
(1) (hand) weapon; (2) (archaism) (orig. meaning) one's forte; one's special skill; weapon one is skilled in using to gain property |
御手 see styles |
yù shǒu yu4 shou3 yü shou mitarashi みたらし |
the emperor's hand; variant of 馭手|驭手[yu4 shou3] (1) (polite language) hand; arm; (2) (honorific or respectful language) handwriting; penmanship; (interjection) (3) 'shake' (command to have a dog place its paw in your hand); (personal name) Mitarashi |
心空 see styles |
xīn kōng xin1 kong1 hsin k`ung hsin kung shinkuu / shinku しんくう |
(given name) Shinkuu Mind-space, or mind spaciousness, mind holding all things, hence like space; also, the emptied mind, kenosis. |
性空 see styles |
xìng kōng xing4 kong1 hsing k`ung hsing kung shoukuu / shoku しょうくう |
(personal name) Shoukuu The nature void, i. e. the immateriality of the nature of all things. |
恵存 see styles |
keison; keizon / keson; kezon けいそん; けいぞん |
message appended to a note accompanying a gift, requesting the recipient to keep the gift at hand |
悲手 see styles |
bēi shǒu bei1 shou3 pei shou hishu |
A pitying hand. |
慣家 惯家 see styles |
guàn jia guan4 jia5 kuan chia |
(usually derog.) an old hand at something |
懐刀 see styles |
futokorogatana ふところがたな |
(1) dagger; stiletto; (2) confidant; right-hand man |
Entries with 2nd row of characters: The 2nd row is Simplified Chinese.
This page contains 100 results for "Kempo Karate - Law of the Fist Empty Hand" in Chinese and/or Japanese.Information about this dictionary:
Apparently, we were the first ones who were crazy enough to think that western people might want a combined Chinese, Japanese, and Buddhist dictionary.
A lot of westerners can't tell the difference between Chinese and Japanese - and there is a reason for that. Chinese characters and even whole words were borrowed by Japan from the Chinese language in the 5th century. Much of the time, if a word or character is used in both languages, it will have the same or a similar meaning. However, this is not always true. Language evolves, and meanings independently change in each language.
Example: The Chinese character 湯 for soup (hot water) has come to mean bath (hot water) in Japanese. They have the same root meaning of "hot water", but a 湯屋 sign on a bathhouse in Japan would lead a Chinese person to think it was a "soup house" or a place to get a bowl of soup. See this: Japanese Bath House
This dictionary uses the EDICT and CC-CEDICT dictionary files.
EDICT data is the property of the Electronic Dictionary Research and Development Group, and is used in conformance with the Group's
license.
Chinese Buddhist terms come from Dictionary of Chinese Buddhist Terms by William Edward Soothill and Lewis Hodous. This is commonly referred to as "Soothill's'". It was first published in 1937 (and is now off copyright so we can use it here). Some of these definitions may be misleading, incomplete, or dated, but 95% of it is good information. Every professor who teaches Buddhism or Eastern Religion has a copy of this on their bookshelf. We incorporated these 16,850 entries into our dictionary database ourselves (it was lot of work).
Combined, these cover 1,007,753 Japanese, Chinese, and Buddhist characters, words, idioms, names, placenames, and short phrases.
Just because a word appears here does not mean it is appropriate for a tattoo, your business name, etc. Please consult a professional before doing anything stupid with this data.
We do offer Chinese and Japanese Tattoo Services. We'll also be happy to help you translate something for other purposes.
No warranty as to the correctness, potential vulgarity, or clarity is expressed or implied. We did not write any of these definitions (though we occasionally act as a contributor/editor to the CC-CEDICT project). You are using this dictionary for free, and you get what you pay for.
The following titles are just to help people who are searching for an Asian dictionary to find this page.