There are 4485 total results for your Tang Soo Do - Tang Hand Way search. I have created 45 pages of results for you. Each page contains 100 results...
<...2021222324252627282930...>| Characters | Pronunciation Romanization |
Simple Dictionary Definition |
Variations: |
hatsu ハツ |
(1) (abbreviation) {mahj} (See 緑發) green dragon tile; (2) {mahj} winning hand with a pung (or kong) of green dragon tiles |
発想法 see styles |
hassouhou / hassoho はっそうほう |
way of thinking |
白兵戦 see styles |
hakuheisen / hakuhesen はくへいせん |
hand-to-hand combat; fighting at close quarters; close combat |
白刃戰 白刃战 see styles |
bái rèn zhàn bai2 ren4 zhan4 pai jen chan |
hand-to-hand fighting |
白居易 see styles |
bái jū yì bai2 ju1 yi4 pai chü i hakkyoi はっきょい |
Bai Juyi (772-846), Tang dynasty poet (person) Bai Juyi (772-846), Tang dynasty poet Bo Juyi |
白楽天 see styles |
hakurakuten はくらくてん |
(person) Bai Juyi (772-846), Tang dynasty poet |
白蓮教 白莲教 see styles |
bái lián jiào bai2 lian2 jiao4 pai lien chiao byakurenkyou / byakurenkyo びゃくれんきょう |
White Lotus society White Lotus Society The White Lily Society, set up near the end of the Yuan dynasty, announcing the coming of Maitreya, the opening of his white lily, and the day of salvation at hand. It developed into a revolution which influenced the expulsion of the Mongols and establishment of the Ming dynasty. Under the Qing dynasty it was resurrected under a variety of names, and caused various uprisings. |
白行簡 白行简 see styles |
bái xíng jiǎn bai2 xing2 jian3 pai hsing chien |
Bai Xingjian (c. 776-826), younger brother of Bai Juyi 白居易[Bai2 Ju1 yi4], Tang novelist and poet, author of novel Tale of Courtesan Li Wa 李娃傳|李娃传[Li3 Wa2 Zhuan4] |
皇甫鎛 皇甫镈 see styles |
huáng fǔ bó huang2 fu3 bo2 huang fu po |
Huangfu Bo (c. 800), Minister during early Tang |
皇道派 see styles |
koudouha / kodoha こうどうは |
(hist) Imperial Way Faction (of the Imperial Japanese Army) |
盧照鄰 卢照邻 see styles |
lú zhào lín lu2 zhao4 lin2 lu chao lin |
Lu Zhaolin (637-689), one of the Four Great Poets of the Early Tang 初唐四傑|初唐四杰[Chu1 Tang2 Si4 jie2] |
目拏羅 目拏罗 see styles |
mun á luó mun4 a2 luo2 mun a lo modara |
hand symbolism |
目撃談 see styles |
mokugekidan もくげきだん |
first-hand account |
目眩し see styles |
mekuramashi めくらまし |
(1) smoke screen; dazzler; distraction; (2) camouflage; deceptive means; (3) magic; witchcraft; sleight of hand; (4) shell game |
直ぐと see styles |
suguto すぐと |
(adverb) (1) (kana only) immediately; at once; right away; (adverb) (2) (kana only) directly; in person; first hand |
相應受 相应受 see styles |
xiāng yìng shòu xiang1 ying4 shou4 hsiang ying shou sōō ju |
sensation associated with [a particular form of cognition] |
相應善 相应善 see styles |
xiāng yìng shàn xiang1 ying4 shan4 hsiang ying shan sōō zen |
associated with wholesomeness |
相應心 相应心 see styles |
xiāng yìng xīn xiang1 ying4 xin1 hsiang ying hsin sōō shin |
mind that is associated with |
相應惑 相应惑 see styles |
xiāng yìng huò xiang1 ying4 huo4 hsiang ying huo sōō waku |
concomitant afflictions |
相應斷 相应断 see styles |
xiāng yìng duàn xiang1 ying4 duan4 hsiang ying tuan sōō dan |
severing of association |
相應法 相应法 see styles |
xiāng yìng fǎ xiang1 ying4 fa3 hsiang ying fa sōō hō |
The correspondence of mind with mental data dependent on five correspondences common to both, i. e. the senses, reasoning, process, time, and object. |
相應發 相应发 see styles |
xiāng yìng fā xiang1 ying4 fa1 hsiang ying fa sōō hotsu |
arisen concomitantly |
相應縛 相应缚 see styles |
xiāng yìng fú xiang1 ying4 fu2 hsiang ying fu sōō baku |
The bond (of illusion) which hinders the response of mind to the higher data. |
相應義 相应义 see styles |
xiāng yìng yì xiang1 ying4 yi4 hsiang ying i sōō gi |
meaning of concomitant |
相應行 相应行 see styles |
xiāng yìng xíng xiang1 ying4 xing2 hsiang ying hsing sōō gyō |
concomitant |
相應轉 相应转 see styles |
xiāng yìng zhuǎn xiang1 ying4 zhuan3 hsiang ying chuan sōō ten |
activity due to association |
眞言宗 see styles |
zhēn yán zōng zhen1 yan2 zong1 chen yen tsung Shingon Shū |
The True-word or Shingon sect, founded on the mystical teaching 'of all Buddhas,' the 'very words ' of the Buddhas; the especial authority being Vairocana; cf. the 大日 sutra, 金剛頂經; 蘇悉地經, etc. The founding of the esoteric sect is attributed to Vairocana, through the imaginary Bodhisattva Vajrasattva, then through Nāgārjuna to Vajramati and to Amoghavajra, circa A.D. 733; the latter became the effective propagator of the Yogācāra school in China; he is counted as the sixth patriarch of the school and the second in China. The three esoteric duties of body, mouth, and mind are to hold the symbol in the hand, recite the dhāraṇīs, and ponder over the word 'a' 阿 as the principle of the ungenerated, i.e. the eternal. |
真ん中 see styles |
mannaka まんなか |
middle; centre; center; mid-way |
真近い see styles |
majikai まぢかい |
(irregular kanji usage) (adjective) near at hand |
矢張り see styles |
yahari やはり |
(ateji / phonetic) (adverb) (1) (kana only) too; also; likewise; either; (2) (kana only) still; as before; (3) (kana only) even so; either way; nonetheless; in any event; all the same; (4) (kana only) as expected |
知道者 see styles |
zhī dào zhě zhi1 dao4 zhe3 chih tao che chidōsha |
The one who knows the path to salvation, an epithet of the Buddha. |
石敢当 see styles |
sekkantou / sekkanto せっかんとう ishigandou / ishigando いしがんどう ishigantou / ishiganto いしがんとう |
shigandang; stone tablet placed at a three-way street intersection (or dead end) to ward off evil spirits |
石敢當 石敢当 see styles |
shí gǎn dāng shi2 gan3 dang1 shih kan tang sekkantou / sekkanto せっかんとう ishigandou / ishigando いしがんどう ishigantou / ishiganto いしがんとう |
stone tablet erected to ward off evil spirits shigandang; stone tablet placed at a three-way street intersection (or dead end) to ward off evil spirits |
碾き臼 see styles |
hikiusu ひきうす |
quern; hand mill |
神送り see styles |
kamiokuri かみおくり |
(1) (See 神迎え) rite seeing off the gods on their way to Izumo Shrine (held on the last night of the ninth lunar month and first night of the tenth lunar month); (2) exorcism |
私なり see styles |
watashinari わたしなり |
(exp,adj-no) (See 形・なり) (in) my own way |
秘境駅 see styles |
hikyoueki / hikyoeki ひきょうえき |
{rail} secluded station; out-of-the-way station; unfrequented station |
秦韜玉 秦韬玉 see styles |
qín tāo yù qin2 tao1 yu4 ch`in t`ao yü chin tao yü |
Qin Taoyu, Tang poet, author of the poem "A Poor Woman" 貧女|贫女[Pin2nu:3] |
程咬金 see styles |
chéng yǎo jīn cheng2 yao3 jin1 ch`eng yao chin cheng yao chin |
Cheng Yaojin (589-665), aka 程知節|程知节[Cheng2 Zhi1 jie2], Chinese general of the Tang dynasty |
稼ぎ方 see styles |
kasegikata かせぎかた |
method of earning; way of earning |
積み方 see styles |
tsumikata つみかた |
(1) way of piling (things); stacking pattern; stowage; (2) piling worker |
突出す see styles |
tsundasu つんだす tsukidasu つきだす |
(transitive verb) (1) to push out; to project; to stick out; (2) to hand over (e.g. to the police) |
立ち方 see styles |
tachikata たちかた |
(1) way of standing; (2) dancer (in a Japanese dance performance) |
立三本 see styles |
tatesanbon たてさんぼん |
{hanaf} (See 手役) three-of-a-kind (in a dealt hand) of the April, May, July, or December suit |
第一手 see styles |
dì yī shǒu di4 yi1 shou3 ti i shou |
first-hand |
第三手 see styles |
dì sān shǒu di4 san1 shou3 ti san shou daisanshu |
third hand |
第三禪 第三禅 see styles |
dì sān chán di4 san1 chan2 ti san ch`an ti san chan daisan zen |
The third dhyāna, a degree of contemplation in which ecstasy gives way to serenity; also a state, or heaven, corresponding to this degree of contemplation, including the third three of the rūpa heavens. |
第二禪 第二禅 see styles |
dì èr chán di4 er4 chan2 ti erh ch`an ti erh chan daini zen |
The second dhyāna, a degree of contemplation where reasoning gives way to intuition. The second three rūpa heavens. |
等案地 see styles |
děng àn dì deng3 an4 di4 teng an ti tō anji |
planted on the earth in a balanced way |
節度使 节度使 see styles |
jié dù shǐ jie2 du4 shi3 chieh tu shih setsudoshi せつどし |
Tang and Song dynasty provincial governor, in Tang times having military and civil authority, but only civil authority in Song (hist) jiedushi (regional military governor in ancient China) |
籠抜け see styles |
kagonuke かごぬけ |
slipping out the back way with swindled goods |
籠脱け see styles |
kagonuke かごぬけ |
slipping out the back way with swindled goods |
紙細工 see styles |
kamizaiku かみざいく |
articles made out of paper (by hand); paperware |
組み方 see styles |
kumikata くみかた |
way of constructing |
絆腳石 绊脚石 see styles |
bàn jiǎo shí ban4 jiao3 shi2 pan chiao shih |
stumbling block; obstacle; someone who gets in your way |
結い方 see styles |
yuikata ゆいかた |
hair style; way of dressing hair |
結び方 see styles |
musubikata むすびかた |
way of tying a knot |
綴り方 see styles |
tsuzurikata つづりかた |
(1) (way of) literary composition; (2) (way of) spelling; (3) school composition |
綴れ錦 see styles |
tsuzurenishiki つづれにしき |
(hand-woven) brocade |
緑一色 see styles |
ryuuiisoo / ryuisoo リューイーソー |
{mahj} all green (chi:); winning hand consisting only of exclusively green tiles (green dragons and suited bamboo tiles of the numbers 2, 3, 4, 6 and 8) |
繞彎兒 绕弯儿 see styles |
rào wān r rao4 wan1 r5 jao wan r |
to go for a walk around; (fig.) to speak in a roundabout way |
繞遠兒 绕远儿 see styles |
rào yuǎn r rao4 yuan3 r5 jao yüan r |
to go the long way round; to take a circuitous route; (of a route) circuitous |
翰林院 see styles |
hàn lín yuàn han4 lin2 yuan4 han lin yüan kanrinin かんりんいん |
Imperial Hanlin Academy, lasting from Tang dynasty until 1911 academy; institute |
Variations: |
han; fan ハン; ファン |
(counter) {mahj} han; fan; unit that doubles the score of a hand |
老司機 老司机 see styles |
lǎo sī jī lao3 si1 ji1 lao ssu chi |
(coll.) an old hand at something |
考え方 see styles |
kangaekata かんがえかた |
way of thinking |
考え様 see styles |
kangaeyou / kangaeyo かんがえよう |
way of thinking; one's perspective |
耍無賴 耍无赖 see styles |
shuǎ wú lài shua3 wu2 lai4 shua wu lai |
to act shamelessly; to behave in a way that leaves others tut-tutting and shaking their heads in disapproval |
耳学問 see styles |
mimigakumon みみがくもん |
pick-up knowledge; second-hand knowledge; hearsay |
聖道門 圣道门 see styles |
shèng dào mén sheng4 dao4 men2 sheng tao men shōdō mon |
The ordinary schools of the way of holiness by the processes of devotion, in contrast with immediate salvation by faith in Amitābha. |
聞き方 see styles |
kikikata ききかた |
(1) way of asking; way of listening; (2) listener |
聞き様 see styles |
kikiyou / kikiyo ききよう |
way of hearing; way a spoken statement is taken; way of asking |
肉弾戦 see styles |
nikudansen にくだんせん |
warfare in which soldiers fling themselves at the enemy; hand-to hand combat |
肉搏戰 肉搏战 see styles |
ròu bó zhàn rou4 bo2 zhan4 jou po chan |
hand-to-hand combat |
肉筆画 see styles |
nikuhitsuga にくひつが |
picture painted by hand; painting (as opposed to a woodblock print); original painting; original drawing |
胎藏界 see styles |
tāi zàng jiè tai1 zang4 jie4 t`ai tsang chieh tai tsang chieh taizō kai |
Garbhadhātu, or Garbhakośa-(dhātu), the womb treasury, the universal source from which all things are produced; the matrix; the embryo; likened to a womb in which all of a child is conceived— its body, mind, etc. It is container and content; it covers and nourishes; and is the source of all supply. It represents the 理性 fundamental nature, both material elements and pure bodhi, or wisdom in essence or purity; 理 being the garbhadhātu as fundamental wisdom, and 智 acquired wisdom or knowledge, the vajradhātu. It also represents the human heart in its innocence or pristine purity, which is considered as the source of all Buddha-pity and moral knowledge. And it indicates that from the central being in the maṇḍala, viz. the Sun as symbol of Vairocana, there issue all the other manifestations of wisdom and power, Buddhas, bodhisattvas, demons, etc. It is 本覺 original intellect, or the static intellectuality, in contrast with 始覺 intellection, the initial or dynamic intellectuality represented in the vajradhātu; hence it is the 因 cause and vajradhātu the 果 effect; though as both are a unity, the reverse may be the rule, the effect being also the cause; it is also likened to 利他 enriching others, as vajradhātu is to 自利 enriching self. Kōbō Daishi, founder of the Yoga or Shingon 眞言 School in Japan, adopted the representation of the ideas in maṇḍalas, or diagrams, as the best way of revealing the mystic doctrine to the ignorant. The garbhadhātu is the womb or treasury of all things, the universe; the 理 fundamental principle, the source; its symbols are a triangle on its base, and an open lotus as representing the sun and Vairocana. In Japan this maṇḍala is placed on the east, typifying the rising sun as source, or 理. The vajradhātu is placed west and represents 智 wisdom or knowledge as derived from 理 the underlying principle, but the two are essential one to the other, neither existing apart. The material and spiritual; wisdom-source and intelligence; essence and substance; and similar complementary ideas are thus portrayed; the garbhadhātu may be generally considered as the static and the vajradhātu as the dynamic categories, which are nevertheless a unity. The garbhadhātu is divided into 三部 three sections representing samādhi or quiescence, wisdom-store, and pity-store, or thought, knowledge, pity; one is called the Buddha-section, the others the Vajra and Lotus sections respectively; the three also typify vimokṣa, prajñā, and dharmakāya, or freedom, understanding, and spirituality. There are three heads of these sections, i. e. Vairocana, Vajrapāṇi, and Avalokiteśvara; each has a mother or source, e. g. Vairocana from Buddha's-eye; and each has a 明王 or emanation of protection against evil; also a śakti or female energy; a germ-letter, etc. The diagram of five Buddhas contains also four bodhisattvas, making nine in all, and there are altogether thirteen 大院 or great courts of various types of ideas, of varying numbers, generally spoken of as 414. Cf. 金剛界; 大日; 兩部. |
臨済録 see styles |
rinzairoku りんざいろく |
(product) Linji-lu (Record of Linji, Tang-era Buddhist text based on the teachings of Linji); (product name) Linji-lu (Record of Linji, Tang-era Buddhist text based on the teachings of Linji) |
自分流 see styles |
jibunryuu / jibunryu じぶんりゅう |
(See 我流) one's own way |
致し方 see styles |
itashikata いたしかた |
way; method |
舊唐書 旧唐书 see styles |
jiù táng shū jiu4 tang2 shu1 chiu t`ang shu chiu tang shu |
History of the Early Tang Dynasty, sixteenth of the 24 dynastic histories 二十四史[Er4 shi2 si4 Shi3], compiled under Liu Xu 劉昫|刘昫[Liu2 Xu4] in 945 during Later Jin 後晉|后晋[Hou4 Jin4] of the Five Dynasties, 200 scrolls |
舍利弗 see styles |
shè lì fú she4 li4 fu2 she li fu todoroki とどろき |
(surname) Todoroki 奢利弗羅 (or 奢利弗多羅 or 奢利富羅or 奢利富多羅); 奢利補担羅; 舍利子Śāriputra. One of the principal disciples of Śākyamuni, born at Nālandāgrāṃa, the son of Śārikā and Tiṣya, hence known as Upatiṣya; noted for his wisdom and learning; he is the "right-hand attendant on Śākyamuni". The followers of the Abhidharma count him as their founder and other works are attributed, without evidence, to him. He figures prominently in certain sutras. He is said to have died before his master; he is represented as standing with Maudgalyāyana by the Buddha when entering nirvana. He is to reappear as Padmaprabha Buddha 華光佛. |
舟状骨 see styles |
shuujoukotsu / shujokotsu しゅうじょうこつ |
{anat} navicular bone (of the foot); scaphoid bone (of the hand) |
航路権 see styles |
kouroken / koroken こうろけん |
right of way (e.g. in sailing) |
若さま see styles |
wakasama わかさま |
(honorific or respectful language) young master (respectful way of referring to the son of a high-ranking person) |
苦法智 see styles |
kǔ fǎ zhì ku3 fa3 zhi4 k`u fa chih ku fa chih kuhocchi |
The knowledge of the law of suffering and the way of release, one of the 八智. 苦法智忍 q. v. |
菩薩行 菩萨行 see styles |
pú sà xíng pu2 sa4 xing2 p`u sa hsing pu sa hsing bosatsu gyō |
The way or discipline of the bodhisattva, 自利利他, i.e. to benefit self and benefit others, leading to Buddhahood. |
華嚴宗 华严宗 see styles |
huá yán zōng hua2 yan2 zong1 hua yen tsung Kegon Shū |
Chinese Buddhist school founded on the Buddhavatamsaka-mahavaipulya Sutra (Garland sutra) The Huayan (Kegon) school, whose foundation work is the Avataṃsaka-sūtra; founded in China by 帝心杜順 Dixin Dushun; he died A.D. 640 and was followed by 雲華智嚴 Yunhua Zhiyan; 賢首法藏 Xianshou Fazang; 淸涼澄觀 Qingliang Chengguan; 圭峯宗密 Guifeng Zongmi, and other noted patriarchs of the sect; its chief patron is Mañjuśrī. The school was imported into Japan early in the Tang dynasty and flourished there. It held the doctrine of the 法性 Dharma-nature, by which name it was also called. |
華嚴經 华严经 see styles |
huá yán jīng hua2 yan2 jing1 hua yen ching Kegon kyō |
Avatamsaka sutra of the Huayan school; also called Buddhavatamsaka-mahavaipulya Sutra, the Flower adornment sutra or the Garland sutra Avataṃsaka-sūtra, also 大方廣佛華嚴經. Three tr. have been made: (1) by Buddhabhadra, who arrived in China A.D. 406, in 60 juan, known also as the 晉經 Jin sūtra and 舊經 the old sūtra; (2) by Śikṣānanda, about A.D. 700, in 80 juan, known also as the 唐經 Tang sūtra and 新經 the new sūtra; (3) by Prajñā about A.D. 800, in 40 juan. The treatises on this sūtra are very numerous, and the whole are known as the 華嚴部; they include the 華嚴音義 dictionary of the Classic by 慧苑 Huiyuan, about A.D. 700. |
華藏界 华藏界 see styles |
huā zàng jiè hua1 zang4 jie4 hua tsang chieh kezō kai |
(華藏世界) The lotus-store, or lotus-world, the Pure Land of Vairocana, also the Pure Land of all Buddhas in their saṃbhogakāya, or enjoyment bodies. Above the wind or air circle is a sea of fragrant water, in which is the thousand-petal lotus with its infinite variety of worlds, hence the meaning is the Lotus which contains a store of myriads of worlds; cf. the Tang Huayan sūtra 8, 9, and 10; the 梵網經 ch. 1, etc. |
菱花鏡 菱花镜 see styles |
líng huā jìng ling2 hua1 jing4 ling hua ching |
antique bronze mirror with flower petal edging, most commonly from the Tang dynasty |
萬齊融 万齐融 see styles |
wàn qí róng wan4 qi2 rong2 wan ch`i jung wan chi jung |
Wan Qirong (active c. 711), Tang dynasty poet |
薛仁貴 薛仁贵 see styles |
xuē rén guì xue1 ren2 gui4 hsüeh jen kuei |
Xue Rengui (614-683) great Tang dynasty general |
薛居正 see styles |
xuē jū zhèng xue1 ju1 zheng4 hsüeh chü cheng |
Xue Juzheng (912-981), Song historian and compiler of History of the Five Dynasties between Tang and Song 舊五代史|旧五代史 |
藤八拳 see styles |
touhachiken / tohachiken とうはちけん |
game of chance similar to rock, paper scissors, where the different hand gestures symbolize a fox, a hunter and a village head |
蘭花指 兰花指 see styles |
lán huā zhǐ lan2 hua1 zhi3 lan hua chih |
hand gesture in traditional dances (joined thumb and middle finger, the rest extended) |
虞世南 see styles |
yú shì nán yu2 shi4 nan2 yü shih nan |
Yu Shinan (558-638), politician of Sui and early Tang periods, poet and calligrapher, one of Four Great Calligraphers of early Tang 唐初四大家[Tang2 chu1 Si4 Da4 jia1] |
行き方 see styles |
yukigata ゆきがた yukikata ゆきかた ikigata いきがた ikikata いきかた |
(one's) whereabouts; (1) way (of going); route; (2) way (of doing); method |
行き路 see styles |
yukimichi ゆきみち |
route (when going somewhere); way (to get somewhere) |
行き道 see styles |
yukimichi ゆきみち |
route (when going somewhere); way (to get somewhere) |
行く手 see styles |
yukute ゆくて |
one's way (ahead); one's path |
Entries with 2nd row of characters: The 2nd row is Simplified Chinese.
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This page contains 100 results for "Tang Soo Do - Tang Hand Way" in Chinese and/or Japanese.Information about this dictionary:
Apparently, we were the first ones who were crazy enough to think that western people might want a combined Chinese, Japanese, and Buddhist dictionary.
A lot of westerners can't tell the difference between Chinese and Japanese - and there is a reason for that. Chinese characters and even whole words were borrowed by Japan from the Chinese language in the 5th century. Much of the time, if a word or character is used in both languages, it will have the same or a similar meaning. However, this is not always true. Language evolves, and meanings independently change in each language.
Example: The Chinese character 湯 for soup (hot water) has come to mean bath (hot water) in Japanese. They have the same root meaning of "hot water", but a 湯屋 sign on a bathhouse in Japan would lead a Chinese person to think it was a "soup house" or a place to get a bowl of soup. See this: Japanese Bath House
This dictionary uses the EDICT and CC-CEDICT dictionary files.
EDICT data is the property of the Electronic Dictionary Research and Development Group, and is used in conformance with the Group's
license.
Chinese Buddhist terms come from Dictionary of Chinese Buddhist Terms by William Edward Soothill and Lewis Hodous. This is commonly referred to as "Soothill's'". It was first published in 1937 (and is now off copyright so we can use it here). Some of these definitions may be misleading, incomplete, or dated, but 95% of it is good information. Every professor who teaches Buddhism or Eastern Religion has a copy of this on their bookshelf. We incorporated these 16,850 entries into our dictionary database ourselves (it was lot of work).
Combined, these cover 1,007,753 Japanese, Chinese, and Buddhist characters, words, idioms, names, placenames, and short phrases.
Just because a word appears here does not mean it is appropriate for a tattoo, your business name, etc. Please consult a professional before doing anything stupid with this data.
We do offer Chinese and Japanese Tattoo Services. We'll also be happy to help you translate something for other purposes.
No warranty as to the correctness, potential vulgarity, or clarity is expressed or implied. We did not write any of these definitions (though we occasionally act as a contributor/editor to the CC-CEDICT project). You are using this dictionary for free, and you get what you pay for.
The following titles are just to help people who are searching for an Asian dictionary to find this page.