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<1234>| Characters | Pronunciation Romanization |
Simple Dictionary Definition |
時分 时分 see styles |
shí fēn shi2 fen1 shih fen jibun じぶん |
time; period during the day; one of the 12 two-hour periods enumerated by the earthly branches 地支 (1) time; hour; season; (2) suitable time; opportunity; chance Time-division of the day, variously made in Buddhist works: (1) Three periods each of day and night. (2) Eight periods of day and night, each divided into four parts. (3) Twelve periods, each under its animal, as in China. (4) Thirty hours, sixty hours, of varying definition. |
有爲 有为 see styles |
yǒu wéi you3 wei2 yu wei ui |
Active, creative, productive, functioning, causative, phenomenal, the processes resulting from the laws of karma, v. 有作; opposite of 無爲 passive, inert, inactive, non-causative, laisser-faire. It is defined by 造作 to make, and associated with saṃskṛta. The three active things 三有爲法 are 色 material, or things which have form, 心 mental and 非色非心 neither the one nor the other. The four forms of activity 四有爲相 are 生住異滅 coming into existence, abiding, change, and extinction; they are also spoken of as three, the two middle terms being treated as having like meaning. |
末法 see styles |
mò fǎ mo4 fa3 mo fa matsubou / matsubo まつぼう |
{Buddh} (See 三時・3) latter days of the law (one of the three ages of Buddhism); age of the degeneration of the law; (surname) Matsubou The last of the three periods 正, 像, and 末; that of degeneration and extinction of the Buddha-law. |
果相 see styles |
guǒ xiàng guo3 xiang4 kuo hsiang ka sō |
Reward, retribution, or effect; especially as one of the three forms of the ālaya-vijñāna. |
枝香 see styles |
zhī xiāng zhi1 xiang1 chih hsiang sayaka さやか |
(female given name) Sayaka Incense made of branches of trees, one of the three kinds of incense, the other two being from roots and flowers. |
水災 水灾 see styles |
shuǐ zāi shui3 zai1 shui tsai suisai すいさい |
flood; flood damage (See 水害) water damage; flood disaster The calamity of water, or food; one of the three final world catastrophes of fire, wind, and water, v. 三災. |
沙彌 沙弥 see styles |
shā mí sha1 mi2 sha mi shami |
novice Buddhist monk śrāmaṇera, 室羅摩拏洛迦; 室末那伊洛迦; 室羅摩尼羅 The male religious novice, who has taken vows to obey the ten commandments. The term is explained by 息惡行慈 one who ceases from evil and does works of mercy, or lives altruistically; 勤策男 a zealous man; 求寂 one who seeks rest; 求涅槃寂 one who seeks the peace of nirvāṇa. Three kinds are recognized according to age, i. e. 7 to 13 years old, old enough to 驅鳥 'drive away crows'; 14 to 19, called 應法 able to respond to or follow the doctrine; 20 to 70. |
法界 see styles |
fǎ jiè fa3 jie4 fa chieh hokkai; houkai / hokkai; hokai ほっかい; ほうかい |
(1) {Buddh} universe; (2) {Buddh} realm of thought; (3) {Buddh} underlying principle of reality; manifestation of true thusness; (4) (ほうかい only) (abbreviation) (See 法界悋気) being jealous of things that have nothing to do with one; being jealous of others who are in love with each other dharmadhātu, 法性; 實相; 達磨馱都 Dharma-element, -factor, or-realm. (1) A name for "things" in general, noumenal or phenomenal; for the physical universe, or any portion or phase of it. (2) The unifying underlying spiritual reality regarded as the ground or cause of all things, the absolute from which all proceeds. It is one of the eighteen dhātus. These are categories of three, four, five, and ten dharmadhātus; the first three are combinations of 事 and 理 or active and passive, dynamic and static; the ten are: Buddha-realm, Bodhisattva-realm, pratyekabuddha-realm, śrāvaka, deva, Human, asura, Demon, Animal, and Hades realms-a Huayan category. Tiantai has ten for meditaton, i.e. the realms of the eighteen media of perception (the six organs, six objects, and six sense-data or sensations), of illusion, sickness, karma, māra, samādhi, (false) views, pride, the two lower Vehicles, and the Bodhisattva Vehicle. |
湘繡 湘绣 see styles |
xiāng xiù xiang1 xiu4 hsiang hsiu |
Hunan embroidery, one of the four major traditional styles of Chinese embroidery (the other three being 蘇繡|苏绣[Su1 xiu4], 粵繡|粤绣[Yue4 xiu4] and 蜀繡|蜀绣[Shu3 xiu4]) |
火塗 火涂 see styles |
huǒ tú huo3 tu2 huo t`u huo tu kazu |
(or 火道) The fiery way, i. e. the destiny of the hot hells, one of the three evil destinies. |
火宅 see styles |
huǒ zhái huo3 zhai2 huo chai kataku かたく |
{Buddh} this world of suffering The parable of the burning house; one of the 'seven parables' in the Lotus Sutra 譬喩品, that of the burning house from which the owner tempts his heedless children by the device of the three kinds of carts— goat, deer, and bullock, especially a white-bullock cart i. e. Mahāyāna. |
物施 see styles |
wù shī wu4 shi1 wu shih busse |
One of the three kinds of almsgiving, that of things. |
犂星 see styles |
karasukiboshi からすきぼし |
(obscure) Chinese "Three Stars" constellation (one of the 28 mansions) |
生死 see styles |
shēng sǐ sheng1 si3 sheng ssu seishi(p); shouji; shoushi / seshi(p); shoji; shoshi せいし(P); しょうじ; しょうし |
life or death (1) life and death; life or death; (2) (しょうじ, しょうし only) {Buddh} samsara (cycle of death and rebirth); (3) (しょうじ, しょうし only) death saṃsāra: birth and death: rebirth and redeath; life and death; 生死, 死生; 生生死死 ever-recurring saṃsāra or transmigrations; the round of mortality. There are two, three, four, seven, and twelve kinds of 生死; the two are 分斷生死 the various karmaic transmigrations, and 不思義變易生死 (or simply 變易生死) the inconceivable transformation life in the Pure Land. Among the twelve are final separation from mortality of the arhat, with 無餘 no remains of it causing return; one final death and no rebirth of the anāgāmin; the seven advancing rebirths of the srota-āpanna; down to the births-cum-deaths of hungry ghosts. |
界繫 界系 see styles |
jiè xì jie4 xi4 chieh hsi kaike |
The karma which binds to the finite, i. e. to any one of the three regions. |
痴毒 see styles |
chī dú chi1 du2 ch`ih tu chih tu |
The poison of ignorance, or delusion, one of the three poisons. |
百濟 百济 see styles |
bǎi jì bai3 ji4 pai chi kudara くだら |
Paekche or Baekje (18 BC-660 AD), one of the Korean Three Kingdoms (surname) Kudara |
百論 百论 see styles |
bǎi lùn bai3 lun4 pai lun Hyakuron |
Śataśāstra. One of the 三論 'three śāstras' of the Mādhyamika school, so called because of its 100 verses, each of 32 words; attributed to Deva Bodhisattva, it was written in Sanskrit by Vasubandhu and tr. by Kumārajīva, but the versions differ. There is also the 廣百論本 Catuḥśataka [Catuḥśatakaśāstrakarika], an expansion of the above. |
神剣 see styles |
shinken しんけん |
divine sword (one of the three sacred treasures) |
神鏡 see styles |
shinkyou / shinkyo しんきょう |
divine mirror; sacred mirror (one of the three sacred treasures) |
空諦 空谛 see styles |
kōng dì kong1 di4 k`ung ti kung ti kuutai / kutai くうたい |
{Buddh} (See 三諦) truth of emptiness (holding that all things are void) The doctrine of immateriality, one of the three dogmas of Tiantai, that all things animate and inanimate, seeing that they result from previous causes and are without reality in themselves, are therefore 空or not material, but "spiritual". |
立功 see styles |
lì gōng li4 gong1 li kung |
to render meritorious service (one the three imperishables 三不朽[san1 bu4 xiu3]); to make worthy contributions; to distinguish oneself |
立德 see styles |
lì dé li4 de2 li te |
to distinguish oneself through virtue (one the three imperishables 三不朽[san1 bu4 xiu3]) |
立言 see styles |
lì yán li4 yan2 li yen ritsugen りつげん |
to distinguish oneself through one's writing (one the three imperishables 三不朽[san1 bu4 xiu3]); to expound one's theory (n,vs,vi) expression of one's views assert |
粵繡 粤绣 see styles |
yuè xiù yue4 xiu4 yüeh hsiu |
Guangdong embroidery, one of the four major traditional styles of Chinese embroidery (the other three being 蘇繡|苏绣[Su1 xiu4], 湘繡|湘绣[Xiang1 xiu4] and 蜀繡|蜀绣[Shu3 xiu4]) |
約分 约分 see styles |
yuē fēn yue1 fen1 yüeh fen yakubun やくぶん |
reduced fraction (e.g. one half for three sixths); to reduce a fraction by canceling common factors in the numerator and denominator (noun, transitive verb) {math} reduction (of a fraction to its lowest terms) |
練磨 练磨 see styles |
liàn mó lian4 mo2 lien mo renma れんま |
(noun/participle) training; practice; practising; cultivation To drill and grind, three bodhisattava conditions for maintaining progress: the fixing of attention on those who have attained enlightenment; the examination of one's purpose; and the realization of the power at work in others; v. 三退屈. |
蓬萊 蓬莱 see styles |
péng lái peng2 lai2 p`eng lai peng lai |
(Chinese mythology) Penglai, one of three fabled islands in the Bohai sea, where immortals were said to live; (by extension) fairyland See: 蓬莱 |
蘇洵 苏洵 see styles |
sū xún su1 xun2 su hsün sojun そじゅん |
Su Xun (1009-1066), Song essayist, one of the Three Su's 三蘇|三苏[San1 Su1] and also one of Eight Giants 唐宋八大家[Tang2 Song4 ba1 da4 jia1] (person) Su Xun (1009-1066; Chinese scholar) |
蘇繡 苏绣 see styles |
sū xiù su1 xiu4 su hsiu |
Suzhou embroidery, one of the four major traditional styles of Chinese embroidery (the other three being 湘繡|湘绣[Xiang1 xiu4], 粵繡|粤绣[Yue4 xiu4] and 蜀繡|蜀绣[Shu3 xiu4]) |
蘇軾 苏轼 see styles |
sū shì su1 shi4 su shih soshoku そしょく |
Su Shi (1037-1101), aka Su Dongpo 蘇東坡|苏东坡[Su1 Dong1 po1], Song dynasty writer, calligrapher and public official, one of the Three Su's 三蘇|三苏[San1 Su1] and one of the Eight Giants of Tang and Song Prose 唐宋八大家[Tang2 Song4 Ba1 Da4 jia1] (person) Su Shi (Chinese writer, 1036-1101 CE) |
蘇轍 苏辙 see styles |
sū zhé su1 zhe2 su che sotetsu そてつ |
Su Zhe (1039-1112), Song writer and politician, one of the Three Su's 三蘇|三苏[San1 Su1] and also one of the Eight Giants 唐宋八大家[Tang2 Song4 ba1 da4 jia1] (personal name) Sotetsu |
蜀繡 蜀绣 see styles |
shǔ xiù shu3 xiu4 shu hsiu |
Sichuan embroidery, one of the four major traditional styles of Chinese embroidery (the other three being 蘇繡|苏绣[Su1 xiu4], 湘繡|湘绣[Xiang1 xiu4] and 粵繡|粤绣[Yue4 xiu4]) |
表色 see styles |
biǎo sè biao3 se4 piao se hyōshiki |
Active expression, as walking, sitting, taking, refusing, bending, stretching, etc.; one of the three 色 forms, the other two being 顯 the colours, red, blue, etc., and 形 shape, long, short, etc. |
袁枚 see styles |
yuán méi yuan2 mei2 yüan mei |
Yuan Mei (1716-1797), Qing poet, essayist and gastronome, one of the Three Great Masters of the Qianlong-Jiaqing period 乾嘉三大家[Qian2-Jia1 San1 Da4jia1] |
見猿 see styles |
mizaru みざる |
(See 三猿) see-no-evil monkey (one of the three wise monkeys) |
解脫 解脱 see styles |
jiě tuō jie3 tuo1 chieh t`o chieh to gedatsu |
to untie; to free; to absolve of; to get free of; to extirpate oneself; (Buddhism) to free oneself of worldly worries mukti, 'loosing, release, deliverance, liberation, setting free,... emancipation.' M.W. mokṣa, 'emancipation, deliverance, freedom, liberation, escape, release.' M.W. Escape from bonds and the obtaining of freedom, freedom from transmigration, from karma, from illusion, from suffering; it denotes nirvāṇa and also the freedom obtained in dhyāna-meditation; it is one of the five characteristics of Buddha; v. 五分法身. It is also vimukti and vimokṣa, especially in the sense of final emancipation. There are several categories of two kinds of emancipation, also categories of three and eight. Cf. 毘; and 八解脫.; v. 解. |
該羅 该罗 see styles |
gāi luó gai1 luo2 kai lo gaira |
該攝 Containing, inclusive, undivided, whole; the one vehicle containing the three. |
論藏 论藏 see styles |
lùn zàng lun4 zang4 lun tsang ronzō |
Thesaurus of discussions or discourses, the Abhidharma Piṭaka, one of the three divisions of the Tripiṭaka. It comprises the philosophical works. The first compilation is accredited to Mahā-Kāśyapa, disciple of Buddha, but the work is of a later period. The Chinese version is in three sections: 大乘論 the Mahāyāna philosophy; 小乘論 the Hīnayāna philosophy; 宋元續入藏諸論 The Song and Yuan Addenda, A.D. 960-1368. |
謨賀 谟贺 see styles |
mó hè mo2 he4 mo ho boga |
moha, intp. as 痴 unconsciousness, delusion ignorance, foolishness, infatuation. M.W. It is used in the sense of unenlightenment, and is one of the three poisons 貪瞋痴, i.e. the ignorant, unenlightened state which is deceived by appearances, taking the seeming for real. Also 幕何. |
趙翼 赵翼 see styles |
zhào yì zhao4 yi4 chao i |
Zhao Yi (1727-1814), Qing dynasty poet and historian, one of Three great poets of the Qianlong era 乾嘉三大家 |
身業 身业 see styles |
shēn yè shen1 ye4 shen yeh shingō |
The karma operating in the body; the body as representing the fruit of action in previous existence. One of the three karmas, the other two referring to speech and thought. |
轉輪 转轮 see styles |
zhuàn lún zhuan4 lun2 chuan lun tenrin |
rotating disk; wheel; rotor; cycle of reincarnation in Buddhism cakravartī, "a ruler the wheels of whose chariot roll everywhere without hindrance." M.W. Revolving wheels; to turn a wheel: also 轉輪王 (轉輪聖王); 輪王; 轉輪聖帝, cf. 斫. The symbol is the cakra or disc, which is of four kinds indicating the rank, i.e. gold, silver, copper, or iron, the iron cakravartī ruling over one continent, the south; the copper, over two, east and south: the silver, over three, east, west, and south; the golden being supreme over all the four continents. The term is also applied to the gods over a universe, and to a buddha as universal spiritual king, and as preacher of the supreme doctrine. Only a cakravartī possesses the 七寳 saptaratna and 1, 000 sons. The cakra, or discus, is also a missile used by a cakravartī for overthrowing his enemies. Its origin is probably the sun with its myriad rays. |
辺張 see styles |
penchan ペンチャン |
{mahj} (See 辺張待ち・ペンチャンまち) one-sided wait for the end tile of a three-in-a-row which will finish one's hand (i.e. for a 3 while holding 1-2, or for a 7 while holding 8-9) (chi:) |
通教 see styles |
tōng jiào tong1 jiao4 t`ung chiao tung chiao michinori みちのり |
(given name) Michinori Tiantai classified Buddhist schools into four periods 藏, 通, 別, and 圓. The 藏 Piṭaka school was that of Hīnayāna. The 通Tong, interrelated or intermediate school, was the first stage of Mahāyāna, having in it elements of all the three vehicles, śrāvaka, pratyekabuddha, and bodhisattva. Its developing doctrine linked it with Hīnayāna on the one hand and on the other with the two further developments of the 別 'separate', or 'differentiated' Mahāyāna teaching, and the 圓 full-orbed, complete, or perfect Mahāyāna. The 通教 held the doctrine of the Void, but had not arrived at the doctrine of the Mean. |
金輪 金轮 see styles |
jīn lún jin1 lun2 chin lun kanawa かなわ |
(1) {Buddh} gold wheel (highest of the three layered wheels that support the earth above the primordial void); (2) (abbreviation) {Buddh} (See 金輪王) gold wheel-turning sage king; (place-name, surname) Kanawa The metal circle on which the earth rests, above the water circle which is above the wind (or air) circle which rests on space. Also the cakra, wheel or disc, emblem of sovereignty, one of the seven precious possessions of a king. |
閻魔 阎魔 see styles |
yán mó yan2 mo2 yen mo enma えんま |
(Buddhism) Yama, the King of Hell {Buddh} Yama (King of Hell who judges the dead); Enma; (dei) Yama (King of Hell who judges the dead); Enma 閻王 閻羅; (閻魔王); 閻摩羅; 閻老 Yama, also v. 夜; 閻羅王 Yama. (1) In the Vedas the god of the dead, with whom the spirits of the departed dwell. He was son of the Sun and had a twin sister Yamī or Yamuna. By some they were looked upon as the first human pair. (2) In later Brahmanic mythology, one of the eight Lokapālas, guardian of the South and ruler of the Yamadevaloka and judge of the dead. (3) In Buddhist mythology, the regent of the Nārakas, residing south of Jambudvīpa, outside of the Cakravālas, in a palace of copper and iron. Originally he is described as a king of Vaiśālī, who, when engaged in a bloody war, wished he were master of hell, and was accordingly reborn as Yama in hell together with his eighteen generals and his army of 80,000 men, who now serve him in purgatory. His sister Yamī deals with female culprits. Three times in every twenty-four hours demon pours into Yama's mouth boiling copper (by way of punishment), his subordinates receiving the same dose at the same time, until their sins are expiated, when he will be reborn as Samantarāja 普王. In China he rules the fifth court of purgatory. In some sources he is spoken of as ruling the eighteen judges of purgatory. |
靑頭 靑头 see styles |
qīng tóu qing1 tou2 ch`ing t`ou ching tou |
靑頸觀音 The blue-head, or blue-neck Guanyin, the former seated on a cliff, the latter with three faces, the front one of pity, the side ones of a tiger and a pig. |
飮食 see styles |
yǐn shí yin3 shi2 yin shih |
Drink and food, two things on which sentient beings depend; desire for them is one of the three passions; offerings of them are one of the five forms of offerings. |
餓鬼 饿鬼 see styles |
è guǐ e4 gui3 o kuei gaki; gaki がき; ガキ |
sb who is always hungry; glutton; (Buddhism) hungry ghost (1) (kana only) (colloquialism) brat; kid; urchin; little devil; (2) {Buddh} (orig. meaning) preta; hungry ghost pretas, hungry spirits, one of the three lower destinies. They are of varied classes, numbering nine or thirty-six, and are in differing degrees and kinds of suffering, some wealthy and of light torment, others possessing nothing and in perpetual torment; some are jailers and executioners of Yama in the hells, others wander to and fro amongst men, especially at night. Their city or region is called 餓鬼城; 餓鬼界. Their destination or path is the 餓鬼趣 or 餓鬼道. |
馬麥 马麦 see styles |
mǎ mài ma3 mai4 ma mai |
Horse-grain, Buddha's food when he spent three months with the Brahmin ruler Agnidatta with 500 monks, one of his ten sufferings. |
魏國 魏国 see styles |
wèi guó wei4 guo2 wei kuo |
Wei State (407-225 BC), one of the Seven Hero States of the Warring States 戰國七雄|战国七雄; Wei State or Cao Wei 曹魏 (220-265), the most powerful of the Three Kingdoms |
鹿車 鹿车 see styles |
lù chē lu4 che1 lu ch`e lu che |
Deer carts, one of the three kinds of vehicle referred to in the Lotus Sūtra, the medium kind; v. 三車. |
かけ声 see styles |
kakegoe かけごえ |
(noun/participle) yell used to time or encourage activity (e.g. "Heave ho!", "On three ... One, two, three!" in English); enthusiastic shout from the audience (e.g. in kabuki); shouting (in concerts) |
一卽三 see styles |
yī jí sān yi1 ji2 san1 i chi san ichisokusan |
One is (or includes) three; especially the one yāna (the Buddha vehicle) is, or includes the three vehicles, i.e. bodhisattva, pratyekabuddha, and śrāvaka. |
三つ星 see styles |
mitsuboshi みつぼし |
(noun - becomes adjective with の) (1) three stars (shape); (2) three stars (for quality, e.g. Michelin stars); (3) Orion's belt; Chinese "Three Stars" constellation (one of the 28 mansions); (surname) Mitsuboshi |
三不朽 see styles |
sān bù xiǔ san1 bu4 xiu3 san pu hsiu |
the three imperishables, three ways to distinguish oneself that aren't forgotten by history: through one's virtue 立德[li4 de2], one's service 立功[li4 gong1] and one's writings 立言[li4 yan2] (from the Zuo Zhuan 左傳|左传[Zuo3 Zhuan4]) |
三卽一 see styles |
sān jí yī san1 ji2 yi1 san chi i |
The three vehicles (Hīnayāna, Madhyamayāna, Mahāyāna) are one, i. e. the three lead to bodhisattvaship and Buddhahood for all. |
三合一 see styles |
sān hé yī san1 he2 yi1 san ho i |
three in one; triple |
三平等 see styles |
sān píng děng san1 ping2 deng3 san p`ing teng san ping teng mihira みひら |
(place-name, surname) Mihira The esoteric doctrine that the three— body, mouth, and mind— are one and universal. Thus in samādhi the Buddha "body" is found everywhere and in everything (pan-Buddha), every sound becomes a "true word", dhāraṇī or potent phrase, and these are summed up in mind, which being universal is my mind and my mind it, 入我我入 it in me and I in it. Other definitions of the three are 佛, 法, 儈 the triratna; and 心, 佛, 衆生 mind, Buddha, and the living. Also 三三昧. Cf. 三密. v. 大日經 1. |
三律儀 三律仪 see styles |
sān lǜ yí san1 lv4 yi2 san lü i san ritsugi |
three kinds of control over one's conduct |
三界尊 see styles |
sān jiè zūn san1 jie4 zun1 san chieh tsun sangai son |
The honoured one of the three worlds, i.e. Buddha. |
不定性 see styles |
bù dìng xìng bu4 ding4 xing4 pu ting hsing fujō shō |
(不定種性) Of indeterminate nature. The 法相宗 Dharmalakṣana school divides all beings into five classes according to their potentialities. This is one of the divisions and contains four combinations: (1) Bodhisattva-cum-śrāvaka, with uncertain result depending on the more dominant of the two; (2) bodhisattva-cum-pratyekabuddha; (3) śrāvaka-cum-pratyekabuddha; (4) the characteristcs of all three vehicles intermingled with uncertain results; the third cannot attain Buddhahood, the rest may. |
不定觀 不定观 see styles |
bù dìng guān bu4 ding4 guan1 pu ting kuan fujō kan |
(不定止觀) Direct insight without any gradual process of samādhi; one of three forms of Tiantai meditation. |
不淨輪 不淨轮 see styles |
bù jìng lún bu4 jing4 lun2 pu ching lun fujōron |
One of the three 輪: impermanence, impurity, distress 無常, 不淨, 苦. |
中道觀 中道观 see styles |
zhōng dào guān zhong1 dao4 guan1 chung tao kuan chūdō kan |
One of the Tiantai 三觀 three meditations, i. e. on the doctrine of the Mean to get rid of the illusion of phenomena. |
伊舍那 see styles |
yī shèn à yi1 shen4 a4 i shen a izana |
(伊舍那天) Iiśāna; 伊邪那 (or 伊賒那); v. 伊沙 'one of the older names of Siva-Rudra; one of the Rudras; the sun as a form of Śiva, ' M. W. Maheśvara; the deva of the sixth desire-heaven; head of the external Vajra-hall of the Vajradhātu group; Siva with his three fierce eyes and tusks. |
似能破 see styles |
sì néng pò si4 neng2 po4 ssu neng p`o ssu neng po ji nōha |
A fallacious counter-proposition; containing one of the thirty-three fallacies connected with the thesis (pratijñā 宗), reason (hetu 因), or example (udāharaṇa 喩). |
位不退 see styles |
wèi bù tuì wei4 bu4 tui4 wei pu t`ui wei pu tui i futai |
One of the 三不退 q.v. three kinds of never receding. |
作法懺 作法忏 see styles |
zuò fǎ chàn zuo4 fa3 chan4 tso fa ch`an tso fa chan sahō sen |
(作法懺悔) One of the three kinds of monastic confession and repentance. |
倶不遣 see styles |
jù bù qiǎn ju4 bu4 qian3 chü pu ch`ien chü pu chien gu fuken |
A fallacy in the syllogism caused by introducing an irrelevant example, one of the thirty-three fallacies. |
僧伽胝 see styles |
sēng qié zhī seng1 qie2 zhi1 seng ch`ieh chih seng chieh chih sōgyatei |
saṅghātī. The patch-robe, one of the three garments of a monk reaching from shoulders to the knees and fastened around the waist, made up of nine to twenty-five pieces and so called 重雜衣; also 大衣 great robe; also 重 in layers and 合 composite; v. 九品. |
優婆離 优婆离 see styles |
yōu pó lí you1 po2 li2 yu p`o li yu po li Ūbari |
Upāli 優婆利; 優波利 (or 優波離); 鄔波離 A barber of śūdra caste, who became a disciple of Śākyamuni, was one of the three sthaviras of the first Synod, and reputed as the principal compiler of the Vinaya, hence his title 持戒 Keeper of the Laws. There was another Upāli, a Nirgrantha ascetic. |
分相門 分相门 see styles |
fēn xiāng mén fen1 xiang1 men2 fen hsiang men fun sō mon |
The doctrine which differentiates the three vehicles from the one vehicle; as 該攝門 is that which maintains the three vehicles to be the one. |
功德田 see styles |
gōng dé tián gong1 de2 tian2 kung te t`ien kung te tien kudoku den |
The field of merit and virtue, i. e. the triratna 三寳, to be cultivated by the faithful; it is one of the three fields for cultivating welfare 三福田. |
勒沙婆 see styles |
lè shā pó le4 sha1 po2 le sha p`o le sha po Rokushaba |
Ṛṣabha, described as one of three famous ṛṣi, before the days of Śākyamuni, of the Nirgrantha type of naked ascetics. |
十二佛 see styles |
shí èr fó shi2 er4 fo2 shih erh fo jūni butsu |
The twelve Buddhas of the esoteric sect placed three on the east, one in each of the other seven directions, and one each for zenith and nadir. |
千如是 see styles |
qiān rú shì qian1 ru2 shi4 ch`ien ju shih chien ju shih sen nyoze |
The thousand "suchnesses" or characteristics, a term of the Tiantai sect. In each of the ten realms 十界, from Buddha to purgatory, the ten are present, totaling one hundred. These multiplied by the ten categories of existence make a thousand, and multiplied by the three categories of group existence make 3,000. |
双ポン see styles |
shanpon シャンポン |
(mahj) (kana only) wait to turn either of two pairs into a three-of-a-kind to finish one's hand (chi:) |
唐鋤星 see styles |
karasukiboshi からすきぼし |
(obscure) Chinese "Three Stars" constellation (one of the 28 mansions) |
四淨定 四净定 see styles |
sì jìng dìng si4 jing4 ding4 ssu ching ting shi jō jō |
The 'pure' dhyāna, i. e. one of the 三定 three dhyānas; this dhyāna is in four parts. |
夏黃公 夏黄公 see styles |
xià huáng gōng xia4 huang2 gong1 hsia huang kung |
Xia Huanggong also known as Huang Shigong 黃石公|黄石公[Huang2 Shi2 gong1] (dates of birth and death uncertain), Daoist hermit of the Qin Dynasty 秦代[Qin2 dai4] and purported author of “Three Strategies of Huang Shigong” 黃石公三略|黄石公三略[Huang2 Shi2 gong1 San1 lu:e4], one of the Seven Military Classics of ancient China 武經七書|武经七书[Wu3 jing1 Qi1 shu1] |
多面張 see styles |
tamenchan タメンチャン |
{mahj} many-sided wait (for one's last tile) (chi: duōmiàn zhāng); complex wait; wait for three or more types of tiles which will finish one's hand |
大日經 大日经 see styles |
dà rì jīng da4 ri4 jing1 ta jih ching Dainichi kyō |
The Vairocana sutra, styled in full 毘盧遮那成佛神變加持經, tr. in the Tang dynasty by Śubhākarasiṃha 善無畏 in 7 chuan, of which the first six are the text and the seventh instructions for worship. It is one of the three sutras of the esoteric school. Its teaching pairs with that of the 金剛頂經. There are two versions of notes and comments on the text, the 大日經疏 20 chuan, and 大日經義疏 14 chuan; and other works, e.g. 大日經義釋; 大日經不思議疏; 大日經義軌 in four versions with different titles. |
大黑天 see styles |
dà hēi tiān da4 hei1 tian1 ta hei t`ien ta hei tien Daikoku ten |
Mahākāla 摩訶迦 (or 謌) 羅 the great black deva 大黑神. Two interpretations are given. The esoteric cult describes the deva as the masculine form of Kālī, i.e. Durgā, the wife of Śiva; with one face and eight arms, or three faces and six arms, a necklace of skulls, etc. He is worshipped as giving warlike power, and fierceness; said also to be an incarnation of Vairocana for the purpose of destroying the demons; and is described as 大時 the "great time" (-keeper) which seems to indicate Vairocana, the sun. The exoteric cult interprets him as a beneficent deva, a Pluto, or god of wealth. Consequently he is represented in two forms, by the one school as a fierce deva, by the other as a kindly happy deva. He is shown as one of the eight fierce guardians with trident, generally blue-black but sometimes white; he may have two elephants underfoot. Six arms and hands hold jewel, skull cup, chopper, drum, trident, elephant-goad. He is the tutelary god of Mongolian Buddhism. Six forms of Mahākāla are noted: (1) 比丘大黑 A black-faced disciple of the Buddha, said to be the Buddha as Mahādeva in a previous incarnation, now guardian of the refectory. (2) 摩訶迦羅大黑女 Kālī, the wife of Śiva. (3) 王子迦羅大黑 The son of Śiva. (4) 眞陀大黑 Cintāmaṇi, with the talismanic pearl, symbol of bestowing fortune. (5) 夜叉大黑 Subduer of demons. (6) 摩迦羅大黑 Mahākāla, who carries a bag on his back and holds a hammer in his right hand. J., Daikoku; M., Yeke-gara; T., Nag-po c'en-po. |
天眼明 see styles |
tiān yǎn míng tian1 yan3 ming2 t`ien yen ming tien yen ming tengen myō |
One of the three enlightenments 三明, or clear visions of the saint, which enables him to know the future rebirths of himself and all beings. |
學無學 学无学 see styles |
xué wú xué xue2 wu2 xue2 hsüeh wu hsüeh gaku mugaku |
One who is still learning, and one who has attained; 學 is to study religion order to get rid of illusion; 無學 begins when illusion is cast off. In Hīnayāna the first three stages, v. 四果, belong to the period of 學; the arhat to the 無學. In the Mahāyāna, the ten stages of the bodhisattva belong to 學; the stage of Buddha to 無學. |
岳陽樓 岳阳楼 see styles |
yuè yáng lóu yue4 yang2 lou2 yüeh yang lou |
Yueyang Tower, famous beauty spot in Yueyang, north Hunan, overlooking Dongting Lake 洞庭湖[Dong4 ting2 Hu2]; one of three famous pagodas in China along with Yellow Crane Tower 黃鶴樓|黄鹤楼[Huang2 he4 Lou2] in Wuhan, Hubei and Tengwang Tower 滕王閣|滕王阁[Teng2 wang2 Ge2] in Nanchang, Jiangxi |
平等觀 平等观 see styles |
píng děng guān ping2 deng3 guan1 p`ing teng kuan ping teng kuan byōdō kan |
One of the three Tiantai meditations, the 假觀 phenomenal being blended with the noumenal or universal. The term is also used for 空觀 meditation on the universal, or absolute. |
庚申待 see styles |
koushinmachi / koshinmachi こうしんまち |
staying awake on the eve of the 57th day of the sexagenary cycle (to prevent the three worms from reporting one's wrongdoings and shortening one's lifespan), while worshipping Sakra, the Blue-Faced Vajra, or Sarutahiko |
廣目天 广目天 see styles |
guǎng mù tiān guang3 mu4 tian1 kuang mu t`ien kuang mu tien Kōmokuten |
Virupaksa (on of the Four Heavenly Kings) The wide-eyed deva, Virūpākṣa, diversely-eyed, having deformed eyes, an epithet of Śiva, as represented with three eyes; name of one of the four Mahārājas, he who guards the west. |
弭曼差 see styles |
mǐ màn chā mi3 man4 cha1 mi man ch`a mi man cha Mimansha |
The Mīmāṃsa system of Indian philosophy founded by Jaimini, especially the Pūrva-mīmāṃsa. It was 'one of the three great divisions of orthodox Hindu Philosophy ,' M. W. Cf, the Nyāya and Saṃkhyā. |
性空教 see styles |
xìng kōng jiào xing4 kong1 jiao4 hsing k`ung chiao hsing kung chiao shōkū gyō |
One of the three 南山 Nanshan sects which regarded the nature of things as unreal or immaterial, but held that the things were temporally entities. |
恭敬施 see styles |
gōng jìng shī gong1 jing4 shi1 kung ching shih kugyō se |
Worship as an offering, one of the three forms of giving. |
Variations: |
e え |
(1) wisdom; enlightenment; (2) {Buddh} (See 三学) prajñā (one of the three divisions of the noble eightfold path); wisdom |
愛染王 爱染王 see styles |
ài rǎn wáng ai4 ran3 wang2 ai jan wang Aizenō |
Rāga, one of the 明王 with angry appearance, three faces and six arms. |
掛け声 see styles |
kakegoe かけごえ |
(noun/participle) yell used to time or encourage activity (e.g. "Heave ho!", "On three ... One, two, three!" in English); enthusiastic shout from the audience (e.g. in kabuki); shouting (in concerts) |
提鞞沙 see styles |
tí bǐ shā ti2 bi3 sha1 t`i pi sha ti pi sha daihisha |
dveṣa, hatred, dislike, enmity, one of the 三毒 three poisons. |
時媚鬼 时媚鬼 see styles |
shí mèi guǐ shi2 mei4 gui3 shih mei kuei jimi ki |
(or 精媚鬼) One of the three classes of demons; capable of changing at the 子 zi hour (midnight) into the form of a rat, boy, girl, or old, sick person. |
月黶尊 月黡尊 see styles |
yuè yǎn zūn yue4 yan3 zun1 yüeh yen tsun Gatten son |
One of the names of a 明王 Ming Wang, i. e. 'moon-black' or 'moon-spots', 降三世明王 the maharāja who subdues all resisters, past, present, and future, represented with black face, three eyes, four protruding teeth, and fierce laugh. |
Entries with 2nd row of characters: The 2nd row is Simplified Chinese.
This page contains 100 results for "Three as One" in Chinese and/or Japanese.Information about this dictionary:
Apparently, we were the first ones who were crazy enough to think that western people might want a combined Chinese, Japanese, and Buddhist dictionary.
A lot of westerners can't tell the difference between Chinese and Japanese - and there is a reason for that. Chinese characters and even whole words were borrowed by Japan from the Chinese language in the 5th century. Much of the time, if a word or character is used in both languages, it will have the same or a similar meaning. However, this is not always true. Language evolves, and meanings independently change in each language.
Example: The Chinese character 湯 for soup (hot water) has come to mean bath (hot water) in Japanese. They have the same root meaning of "hot water", but a 湯屋 sign on a bathhouse in Japan would lead a Chinese person to think it was a "soup house" or a place to get a bowl of soup. See this: Japanese Bath House
This dictionary uses the EDICT and CC-CEDICT dictionary files.
EDICT data is the property of the Electronic Dictionary Research and Development Group, and is used in conformance with the Group's
license.
Chinese Buddhist terms come from Dictionary of Chinese Buddhist Terms by William Edward Soothill and Lewis Hodous. This is commonly referred to as "Soothill's'". It was first published in 1937 (and is now off copyright so we can use it here). Some of these definitions may be misleading, incomplete, or dated, but 95% of it is good information. Every professor who teaches Buddhism or Eastern Religion has a copy of this on their bookshelf. We incorporated these 16,850 entries into our dictionary database ourselves (it was lot of work).
Combined, these cover 1,007,753 Japanese, Chinese, and Buddhist characters, words, idioms, names, placenames, and short phrases.
Just because a word appears here does not mean it is appropriate for a tattoo, your business name, etc. Please consult a professional before doing anything stupid with this data.
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No warranty as to the correctness, potential vulgarity, or clarity is expressed or implied. We did not write any of these definitions (though we occasionally act as a contributor/editor to the CC-CEDICT project). You are using this dictionary for free, and you get what you pay for.
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