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<1011121314151617181920...>| Characters | Pronunciation Romanization |
Simple Dictionary Definition |
韋陀 韦陀 see styles |
wéi tuó wei2 tuo2 wei t`o wei to reeda ヴェーダ beeda ベーダ ida いだ |
(kana only) Veda (san:) 圍陀; 毘陀; 皮陀; 吠陀 (or 吠馱); 薜陀; 鞞陀 veda; knowledge, tr. 明智, or 明分 clear knowledge or discernment. The four Vedas are the Ṛg Veda, Yajur Veda, Sāma Veda, and Athara Veda; they were never translated into Chinese, being accounted heretical. |
順時 see styles |
shùn shí shun4 shi2 shun shih |
according to the seasons |
須彌 须弥 see styles |
xū mí xu1 mi2 hsü mi Shumi |
Mt Meru or Sumeru, sacred mountain in Buddhist and Jain tradition; Mt Xumi in Guyuan 固原[Gu4 yuan2], Ningxia, with many Buddhist cave statues Sumeru, also 須彌樓; 彌樓; 蘇彌樓; 修迷樓; later 蘇迷盧; the central mountain of every world, tr. as 妙高; 妙光, etc., wonderful height, wonderful brilliancy, etc.; at the top is Indra's heaven, or heavens, below them are the four devalokas; around are eight circles of mountains and between them the eight seas, the whole forming nine mountains and eight seas. |
顏藝 颜艺 see styles |
yán yì yan2 yi4 yen i |
(ACG) art of making humorously exaggerated facial expressions (loanword from Japanese 顔芸 "kaogei") |
類智 类智 see styles |
lèi zhì lei4 zhi4 lei chih |
Knowledge which is of the same order, e.g. the four fundamental dogmas (四諦 or 法智) applicable on earth which are also extended to the higher realms of form and non-form and are called 類智. |
風大 风大 see styles |
fēng dà feng1 da4 feng ta |
Wind or air as one of the four elements. |
風鐸 see styles |
fuutaku / futaku ふうたく |
(1) (archaism) bronze wind bells hanging from eaves of temple towers or halls (esp. four corners); (2) (archaism) wind bell; wind chimes |
飛天 飞天 see styles |
fēi tiān fei1 tian1 fei t`ien fei tien hiten ひてん |
flying Apsara (Buddhist art) (1) {Buddh} heavenly beings shown flying around the main image in a temple; (2) Feitian (2008 Chinese space suit); (surname) Hiten |
食欲 see styles |
shí yù shi2 yu4 shih yü shokuyoku しょくよく |
(noun - becomes adjective with の) appetite (for food) The lust for food, one of the four cravings. |
首陀 see styles |
shǒu tuó shou3 tuo2 shou t`o shou to |
(首陀羅); 戍陀羅 (or 戍達羅 or 戍捺羅) śūdra, the fourth of the four castes, peasants. |
駄都 see styles |
tuó dōu tuo2 dou1 t`o tou to tou |
dhātu, intp. by 界 field, area, sphere; 體 embodiment, body, corpus; 性nature, characteristic. It means that which is placed or laid; a deposit, foundation, constituent, ingredient, element; also a śarīra, or relic of Buddha The two dhātus are the conditioned and unconditioned, phenomenal and noumenal; the three are the realms of desire, of form, and of the formless; the four are earth, water, fire, and air; the six add space and intelligence; the eighteen are the twelve āyatanas, with six sensations added. |
駟馬 see styles |
shiba しば |
four horse carriage |
高麗 高丽 see styles |
gāo lí gao1 li2 kao li takarei / takare たかれい |
Korean Goryeo dynasty, 918-1392; Korea, esp. in context of art and culture (1) (hist) Goryeo (dynasty of Korea; 918-1392 CE); Koryo; (2) (archaism) Korea; (surname) Takarei Korea. |
421 see styles |
sì èr yī si4 er4 yi1 ssu erh i |
four grandparents, two parents and an only child |
４ＷＤ see styles |
yondaburyuudii / yondaburyudi よんダブリューディー |
(See 四輪駆動) four-wheel drive; 4WD |
ＡＲＴ see styles |
aato / ato アート |
{med} (See 生殖補助医療) assisted reproductive technologies; ART |
アルス see styles |
arusu アルス |
art (esp. fine art) (lat: ars) |
ギコ猫 see styles |
gikoneko ギコねこ |
(char) Giko Neko (ASCII-art character); Giko Cat; (ch) Giko Neko (ASCII-art character); Giko Cat |
コンテ see styles |
gonde ゴンデ |
{art} Conté (crayons, sticks) (fre:); (place-name) Gonde |
フォア see styles |
foa フォア |
(1) four; (int,n) (2) fore; (3) (abbreviation) (See フォアハンド) forehand; (place-name) Foix (France); Foa |
ふた時 see styles |
futatoki ふたとき |
(temporal noun) (1) fairly long period of time; (2) (archaism) four-hour period |
むき物 see styles |
mukimono むきもの |
art of decorative garnishing |
もの派 see styles |
monoha ものは |
{art} Mono-ha (art movement); School of Things |
一二四 see styles |
ichinishi いちにし |
{hanaf} (See 手役) four-of-a-kind and a pair in a dealt hand |
一四句 see styles |
yī sì jù yi1 si4 ju4 i ssu chü ichi shiku |
one four phrase [verse] |
七つ時 see styles |
nanatsudoki ななつどき |
(archaism) (See 七つ・3) (approx.) four o'clock (am or pm, old time system) |
三十四 see styles |
sān shí sì san1 shi2 si4 san shih ssu mitoyo みとよ |
(personal name) Mitoyo thirty-four |
三四日 see styles |
sanyokka さんよっか |
three or four days |
三大節 see styles |
sandaisetsu さんだいせつ |
(hist) (See 紀元節,四方拝,天長節) the three grand national holidays (Prayer to the Four Quarters, Empire Day, the Emperor's Birthday; pre-1927) |
三字經 三字经 see styles |
sān zì jīng san1 zi4 jing1 san tzu ching |
(slang) swearword; four-letter word |
三拍子 see styles |
sanbyoushi / sanbyoshi さんびょうし |
(1) {music} triple time; triple meter; triple metre; three-four time; (2) (See 三拍子揃う) three important requisites; (place-name) Sanbyōshi |
三時教 三时教 see styles |
sān shí jiào san1 shi2 jiao4 san shih chiao sanji kyō |
(三時教判) The three periods and characteristics of Buddha's teaching, as defined by the Dharmalakṣana school 法相宗. They are: (1) 有, when he taught the 實有 reality of the skandhas and elements, but denied the common belief in 實我 real personality or a permanent soul; this period is represented by the four 阿含經 āgamas and other Hīnayāna sūtras. (2) 空 Śūnya, when he negatived the idea of 實法 the reality of things and advocated that all was 空 unreal; the period of the 般若經 prajñā sūtras. (3) 中 Madhyama, the mean, that mind or spirit is real, while things are unreal; the period of this school's specific sūtra the 解深密經, also the 法華 and later sūtras. In the two earlier periods he is said to have 方便 adapted his teaching to the development of his hearers; in the third to have delivered his complete and perfect doctrine. Another division by the 空宗 is (1) as above; (2) the early period of the Mahāyāna represented, by the 深密經; (3) the higher Mahāyāna as in the 般若經. v. also 三敎. |
三輪教 三轮教 see styles |
sān lún jiào san1 lun2 jiao4 san lun chiao sanrin kyō |
The three periods of the Buddha's teaching as defined by Paramārtha: (a) 轉法輪 the first rolling onwards of the Law-wheel, the first seven years' teaching of Hīnayāna, i.e. the 四諦 four axioms and 空 unreality; (b) 照法輪 illuminating or explaining the law-wheel, the thirty years' teaching of the 般若 prajñā or wisdom sūtras, illuminating 空 and by 空 illuminating 有 reality; (c) 持法輪 maintaining the law-wheel, i.e. the remaining years of teaching of the deeper truths of 空有 both unreality and reality. Also the three-fold group of the Lotus School: (a) 根本法輪 radical, or fundamental, as found in the 華嚴經 sūtra; (b) 枝末法輪 branch and leaf, i.e. all other teaching; until (c) 攝末歸本法輪 branches and leaves are reunited with the root in the Lotus Sutra, 法華經. |
三際時 三际时 see styles |
sān jì shí san1 ji4 shi2 san chi shih san zaiji |
The three Indian seasons, spring, summer, and winter, also styled熱, 雨, 寒時, the hot, rainy, and cold seasons. |
上座部 see styles |
shàng zuò bù shang4 zuo4 bu4 shang tso pu jouzabu / jozabu じょうざぶ |
Theravada school of Buddhism Sthaviravada (early Buddhist movement) 他毘梨典部; 他鞞羅部 Sthavirāḥ; Sthaviranikāya; or Āryasthāvirāḥ. The school of the presiding elder, or elders. The two earliest sections of Buddhism were this (which developed into the Mahāsthavirāḥ) and the Mahāsānghikāḥ or 大衆部. At first they were not considered to be different schools, the 上座部 merely representing the intimate and older disciples of Śākyamuni and the 大衆 being the rest. It is said that a century later under Mahādeva 大天 a difference of opinion arose on certain doctrines. Three divisions are named as resulting, viz. Mahāvihāravāsinaḥ, Jetavanīyāḥ, and Abhayagiri-vāsinaḥ. These were in Ceylon. In course of time the eighteen Hīnayāna sects were developed. From the time of Aśoka four principal schools are counted as prevailing: Mahāsāṅghika, Sthavira, Mūlasarvāstivda, and Saṁmitīya. The following is a list of the eleven sects reckoned as of the 上座部: 說一切有部; 雪山; 犢子; 法上; 賢冑; 正量; 密林山; 化地; 法藏; 飮光; and 經量部. The Sthaviravādin is reputed as nearest to early Buddhism in its tenets, though it is said to have changed the basis of Buddhism from an agnostic system to a realistic philosophy. |
上方絵 see styles |
kamigatae かみがたえ |
(hist) {art} (See 浮世絵) kamigata-e; ukiyo-e prints from the Kamigata area (modern day Osaka, Kyoto) |
下口食 see styles |
xià kǒu shí xia4 kou3 shi2 hsia k`ou shih hsia kou shih ge ku jiki |
one of the 四邪命食 four heterodox means of living, i.e. for a monk to earn his livelihood by bending down to cultivate the land, collect herbs, etc.; opposite of 仰口食, i.e. making a heterodox living by looking up, as in astrology, fortune-telling, etc. 智度論 3. |
不定性 see styles |
bù dìng xìng bu4 ding4 xing4 pu ting hsing fujō shō |
(不定種性) Of indeterminate nature. The 法相宗 Dharmalakṣana school divides all beings into five classes according to their potentialities. This is one of the divisions and contains four combinations: (1) Bodhisattva-cum-śrāvaka, with uncertain result depending on the more dominant of the two; (2) bodhisattva-cum-pratyekabuddha; (3) śrāvaka-cum-pratyekabuddha; (4) the characteristcs of all three vehicles intermingled with uncertain results; the third cannot attain Buddhahood, the rest may. |
不定教 see styles |
bù dìng jiào bu4 ding4 jiao4 pu ting chiao fujō kyō |
Indeterminate teaching. Tiantai divides the Buddha' s mode of teaching into four; this one means that Buddha, by his extraordinary powers of 方便 upāya-kauśalya, or adaptability, could confer Mahāyāna benefits on his hearers out of his Hīnayāna teaching and vice versa, dependent on the capacity of his hearers. |
不還向 不还向 see styles |
bù huán xiàng bu4 huan2 xiang4 pu huan hsiang fu genkō |
The third of the 四向 four directions or aims, see 阿那含 anāgāmin, not returning to the desire-world, but rising above it to the 色界 or the 無色界 form-realm, or even formless realm. |
世間法 世间法 see styles |
shì jiān fǎ shi4 jian1 fa3 shih chien fa seken bō |
The world law, or law of this world, especially of birth-and-death; in this respect it is associated with the first two of the four dogmas, i, e. 苦 suffering, and 集 its accumulated consequences in karma. |
世間經 世间经 see styles |
shì jiān jīng shi4 jian1 jing1 shih chien ching Seken kyō |
A sutra discussing causality in regard to the first three of the Four Dogmas 苦諦, 集諦 and 滅諦 in the 阿含經 34. |
九品惑 see styles |
jiǔ pǐn huò jiu3 pin3 huo4 chiu p`in huo chiu pin huo ku hon waku |
Also九品煩惱 The four 修惑, i.e. illusions or trials in the practice of religion, i.e. desire, anger, pride, ignorance; these are divided each into 九品 q.v.; hence desire has all the nine grades, and so on with the other three. |
九徧知 九遍知 see styles |
jiǔ biàn zhī jiu3 bian4 zhi1 chiu pien chih ku henchi |
The nine forms of complete knowledge of the four axioms and the cutting off of passion, delusion, etc., in the processes of 見 and 修, as distinct from 無學. |
九華山 九华山 see styles |
jiǔ huá shān jiu3 hua2 shan1 chiu hua shan Kuke Sen |
Mount Jiuhua in Anhui, scenic tourist site, and one of the four famous Buddhist mountains Formerly called 九子山, which was changed by the Tang poet Li Bai to the above; it is one of the four sacred mountains of Buddhism, situated in Anhui, and its patron Bodhisattva is Dizang 地藏. |
九類生 九类生 see styles |
jiǔ lèi shēng jiu3 lei4 sheng1 chiu lei sheng kurui shō |
The nine kinds of birth; the four from the womb, egg, moisture, transformation are common to devas, earth, and the hells; the five others are birth into the heavens of form, of non-form, of thought, of non-thought, and of neither (i.e. beyond either). |
九齋日 九斋日 see styles |
jiǔ zhāi rì jiu3 zhai1 ri4 chiu chai jih ku sainichi |
the nine kinds of days of abstinence on which no food is eaten after twelve o'clock: noon and the commands are observed. They are: Every day of the first month, of the fifth month, of the ninth month, and the following six days of each month, 8th, 14th, 15th, 23rd, 29th, and 30th. On these days Indra and the four deva-kings investigate the conduct of men. |
二十四 see styles |
èr shí sì er4 shi2 si4 erh shih ssu nijū shi |
twenty-four |
二十智 see styles |
èr shí zhì er4 shi2 zhi4 erh shih chih nijū chi |
The twenty kinds of wisdom or knowledge as denied by Tiantai i.e. the Hīnayāna (or三藏) with seven kinds, 通教 five, 別教four, and 圓教 four; cf. 智. |
二拍子 see styles |
nibyoushi / nibyoshi にびょうし |
{music} duple time; duple meter; duple metre; two-four time |
五十四 see styles |
wǔ shí sì wu3 shi2 si4 wu shih ssu isoji いそじ |
(personal name) Isoji fifty-four |
五十法 see styles |
wǔ shí fǎ wu3 shi2 fa3 wu shih fa gojū hō |
Fifty modes of meditation mentioned in the 大品般若; i. e. the 三十七品 bodhi paksika dharma, the 三三昧, four 禪, four 無量心, four 無色定, eight 背捨, eight 勝處, nine 次第定, and eleven 切處. |
五大形 see styles |
wǔ dà xíng wu3 da4 xing2 wu ta hsing godai gyō |
The symbols of the five elements— earth as square, water round, fire triangular, wind half-moon, and space a combination of the other four. |
五瘟神 see styles |
wǔ wēn shén wu3 wen1 shen2 wu wen shen |
five chief demons of folklore personifying pestilence; cf four horsemen of the apocalypse |
五種鈴 五种铃 see styles |
wǔ zhǒng líng wu3 zhong3 ling2 wu chung ling goshu ryō |
The five kinds of bells used by the Shingon sect in Japan, also called 金剛鈴, i. e. 五鈷鈴, 賣鈴, 一鈷. 三鈷鈴, 塔鈴; the different names are derived from their handles; the four first named, beginning with the five-pronged one, are placed each at a corner of the altar, the last in the middle. |
五臺山 五台山 see styles |
wǔ tái shān wu3 tai2 shan1 wu t`ai shan wu tai shan Godai Zan |
Mt Wutai in Shanxi 山西[Shan1 xi1], one of the Four Sacred Mountains and home of the Bodhimanda of Manjushri 文殊[Wen2 shu1] Pañcaśirsha, Pancaśikha. Wutai Shan, near the northeastern border of Shanxi, one of the four mountains sacred to Buddhism in China. The principal temple was built A. D. 471-500. There are about 150 monasteries, of which 24 are lamaseries. The chief director is known as Changjia Fo (the ever-renewing Buddha). Mañjuśrī is its patron saint. It is also styled 淸涼山. |
五類天 五类天 see styles |
wǔ lèi tiān wu3 lei4 tian1 wu lei t`ien wu lei tien gorui ten |
The five kinds of devas: (1) 上界天 in the upper realms of form and non-form; (2) 虛空天 in the sky, i. e. four of the six devas of the desire-realm; (3) 地居天 on the earth, i. e. the other two of the six devas, on Sumeru; (4) 遊虛天空 wandering devas of the sky, e. g. sun, moon, starvas, (5) 地下天 under-world devas, e. g. nāgas, asuras, māras, etc. Of. 五大明王. |
他勝罪 他胜罪 see styles |
tā shèng zuì ta1 sheng4 zui4 t`a sheng tsui ta sheng tsui tashō zai |
Overcome by specific sin; i. e. any of the four pārājikas, or sins of excommunication. |
付法藏 see styles |
fù fǎ zàng fu4 fa3 zang4 fu fa tsang Fuhō zō |
(因緣傳); 付法藏傳 or 付法藏經. The work explaining the handing down of Śākyamuni's teaching by Mahākāśyapa and the elders, twenty-four in number; tr. in the Yuan dynasty in six juan; cf. 釋門正統 4. |
佉提羅 佉提罗 see styles |
qiā tí luó qia1 ti2 luo2 ch`ia t`i lo chia ti lo Kadaira |
(佉提羅迦); 佉得羅柯; 佉陀羅; 朅地洛 (or朅地洛迦 or 朅達洛 or 朅達洛迦); 朅那里酤; 羯地羅; 可梨羅; 軻梨羅; Khadiraka, or Karavīka. One of the seven concentric ranges of a world; tr. by jambu timber, or wood; also by 空破 bare, unwooded. Its sea is covered with scented flowers, and in it are four islands. It is also a tree of the Acacia order. |
佛婆提 see styles |
fó pó tí fo2 po2 ti2 fo p`o t`i fo po ti Butsubadai |
(佛婆提訶) Pūrvavideha; 佛提媻; 毗提訶 (佛毗提訶); 布嚕婆毗提訶; 逋利婆鼻提賀; 佛于逮 The continent of conquering spirits 勝神洲; one of the four great continents, east of Meru, semi-lunar in shape, its people having faces of similar shape. |
作四諦 作四谛 see styles |
zuò sì dì zuo4 si4 di4 tso ssu ti sa shitai |
four created (established) noble truths |
作用因 see styles |
sayouin / sayoin さよういん |
{phil} (See 質料因,形相因,目的因) efficient cause (one of Aristotle's four fundamental types of answer to the question "why?") |
保身術 see styles |
hoshinjutsu ほしんじゅつ |
art of self-protection |
倶盧洲 倶卢洲 see styles |
jù lú zhōu ju4 lu2 zhou1 chü lu chou kurushū |
Kurudvīpa; Uttarakuru. The northern of the four continents of a world; cf. 大洲 and 鬱. |
先陀婆 see styles |
xiān tuó pó xian1 tuo2 po2 hsien t`o p`o hsien to po sendaba |
four necessities |
党四役 see styles |
touyonyaku / toyonyaku とうよんやく |
the four top party executives (of the LDP) |
八中洲 see styles |
bā zhōng zhōu ba1 zhong1 zhou1 pa chung chou hachichū shū |
Each of the "four continents" has two other continents, i.e. Jambudvīpa has Cāmara and Varacāmara; Pūrvavideha has Deha and Videha; Aparagodānīya has Śaṭhā and Uttaramantriṇaḥ; and Uttarakuru has Kuravaḥ and Kaurava; v. 四洲. |
八法拳 see styles |
bā fǎ quán ba1 fa3 quan2 pa fa ch`üan pa fa chüan |
Ba Fa Quan "Eight Methods" - Martial Art |
八犍度 see styles |
bā jiān dù ba1 jian1 du4 pa chien tu hachi kendo |
The eight skandhas or sections of the Abhidharma, i.e. miscellaneous; concerning bondage to the passions, etc.; wisdom; practice; the four fundamentals, or elements; the roots, or organs; meditation; and views. The 八犍論 in thirty sections, attributed to Kātyāyana, is in the Abhidharma. |
八王日 see styles |
bā wáng rì ba1 wang2 ri4 pa wang jih hachi ō nichi |
The eight royal days, i.e. the solstices, the equinoxes, and the first day of each of the four seasons. |
八脚門 see styles |
yatsuashimon やつあしもん hakkyakumon はっきゃくもん |
single-tiered gate with eight secondary pillars supporting the four main central pillars |
八解脫 八解脱 see styles |
bā jiě tuō ba1 jie3 tuo1 pa chieh t`o pa chieh to hachi gedatsu |
aṣṭa-vimokṣa, mokṣa, vimukti, mukti. Liberation, deliverance, freedom, emancipation, escape, release―in eight forms; also 八背捨 and cf. 解脫 and 八勝處. The eight are stages of mental concentration: (1) 内有色想觀外色解脱 Liberation, when subjective desire arises, by examination of the object, or of all things and realization of their filthiness. (2) 内無色想觀外色解脫 Liberation, when no subjective desire arises, by still meditating as above. These two are deliverance by meditation on impurity, the next on purity. (3) 淨身作證具足住解脫 Liberation by concentration on the pure to the realization of a permanent state of freedom from all desire. The above three "correspond to the four Dhyānas". (Eitel.) (4) 空無邊處解脫 Liberation in realization of the infinity of space, or the immaterial. (5) 識無邊處解脫 Liberation in realization of infinite knowledge. (6) 無所有處解脫Liberation in realization of nothingness, or nowhereness. (7) 非想非非想處解脫 Liberation in the state of mind where there is neither thought nor absence of thought. These four arise out of abstract meditation in regard to desire and form, and are associated with the 四空天. (8) 滅受 想定解脫 Liberation by means of a state of mind in which there is final extinction, nirvāṇa, of both sensation, vedanā, and consciousness, saṁjñā. |
八變化 八变化 see styles |
bā biàn huà ba1 bian4 hua4 pa pien hua hachi henge |
Eight supernatural powers of transformation, characteristics of every Buddha: (1) to shrink self or others, or the world and all things to an atom; (2) to enlarge ditto to fill all space; (3) to make the same light as a feather; (4) to make the same any size or anywhere at will; (5) everywhere and in everything to be omnipotent; (6) to be anywhere at will, either by self-transportation, or bringing the destination to himself, etc; (7) to shake all things (in the six, or eighteen ways); (8) to be one or many and at will pass through the solid or through space, or through fire or water, or transform the four elements at will, e.g. turn earth into water. Also 八神變; 八自在. |
八足門 see styles |
yatsuashimon やつあしもん |
single-tiered gate with eight secondary pillars supporting the four main central pillars |
八風穴 八风穴 see styles |
bā fēng xué ba1 feng1 xue2 pa feng hsüeh |
"eight wind points", name of a set of acupuncture points (EX-LE-10), four on each foot |
公式化 see styles |
gōng shì huà gong1 shi4 hua4 kung shih hua |
to formalize; formalism in art (esp. as proscribed in USSR and PRC) |
六十四 see styles |
liù shí sì liu4 shi2 si4 liu shih ssu rokujū shi |
sixty-four |
六卽佛 see styles |
liù jí fó liu4 ji2 fo2 liu chi fo roku soku butsu |
Buddha in six forms; (1) 理佛 as the principle in and through all things, as pan-Buddha— all things being of Buddha-nature; (2) 名字佛 Buddha as a name or person. The other four are the last four forms above. |
六法戒 see styles |
liù fǎ jiè liu4 fa3 jie4 liu fa chieh roppōkai |
The six prohibition rules for a female devotee: indelicacy of contact with a male; purloining four cash; killing animals; untruthfulness; food after the midday meal; and wine-drinking. Abbreviated as 六法. |
六罪人 see styles |
liù zuì rén liu4 zui4 ren2 liu tsui jen rokuzai nin |
The six kinds of offender, i. e. one who commits any of the 四重 four grave sins, or destroys harmony in the order, or sheds a Buddha's blood. |
共作曲 see styles |
kyousakukyoku / kyosakukyoku きょうさくきょく |
joint work (art, music, etc.) |
具知根 see styles |
jù zhī gēn ju4 zhi1 gen1 chü chih ken guchi kon |
faculty of the power of perfect knowledge [of the Four Noble Truths] |
円山派 see styles |
maruyamaha まるやまは |
(hist) {art} Maruyama school of Japanese painting (Edo-Meiji period) |
出世作 see styles |
shussesaku しゅっせさく |
work of art or literature that brings fame |
出家人 see styles |
chū jiā rén chu1 jia1 ren2 ch`u chia jen chu chia jen |
monk; nun (Buddhist or Daoist) One who has left home and become a monk or nun. Two kinds are named: (1) 身出家 one who physically leaves home, and (2) 心出家 one who does so in spirit and conduct. A further division of four is: (1 ) one who physically leaves home, but in spirit remains with wife and family; (2) one who physically remains at home but whose spirit goes forth; (3) one who leaves home, body and spirit; and (4) one who, body and mind, refuses to leave home. |
切り紙 see styles |
kirigami きりがみ kirikami きりかみ |
cut paper; paper cut in half; paper scrap; the art of cutting paper (in contrast to origami) |
初二果 see styles |
chū èr guǒ chu1 er4 guo3 ch`u erh kuo chu erh kuo shonika |
the first two fruits of the four fruits of the lesser vehicle path |
初時教 初时教 see styles |
chū shí jiào chu1 shi2 jiao4 ch`u shih chiao chu shih chiao shojikyō |
A term of the 法相宗 Dharmalakṣana school, the first of the three periods of the Buddha's teaching, in which he overcame the ideas of heterodox teachers that the ego is real, and preached the four noble truths and the five skandhas, etc. |
初禪天 初禅天 see styles |
chū chán tiān chu1 chan2 tian1 ch`u ch`an t`ien chu chan tien sho zen ten |
The first of the four dhyāna heavens, corresponding to the first stage of dhyāna meditation. |
前四味 see styles |
qián sì wèi qian2 si4 wei4 ch`ien ssu wei chien ssu wei zen shi mi |
prior four flavors |
前四時 前四时 see styles |
qián sì shí qian2 si4 shi2 ch`ien ssu shih chien ssu shih zen shi ji |
prior four time periods |
剥き物 see styles |
mukimono むきもの |
art of decorative garnishing |
劈掛拳 劈挂拳 see styles |
pī guà quán pi1 gua4 quan2 p`i kua ch`üan pi kua chüan |
Piguaquan "Chop-Hanging Fist" (Chinese Martial Art) |
力無畏 力无畏 see styles |
lì wú wèi li4 wu2 wei4 li wu wei riki mui |
(力無所畏) The 力 is intp. as the ten powers of a Buddha, the 無所畏 are his four qualities of fearlessness. |
加行位 see styles |
jiā xíng wèi jia1 xing2 wei4 chia hsing wei kegyō i |
The second of the four stages of the 唯識宗 known also as 四加行. |
劫波樹 劫波树 see styles |
jié bō shù jie2 bo1 shu4 chieh po shu kōhaju |
kalpataru A tree in Indra's garden bearing fruit according to the seasons. |
動力因 see styles |
douryokuin / doryokuin どうりょくいん |
{phil} (See 作用因) efficient cause (one of Aristotle's four fundamental types of answer to the question "why?") |
十八經 十八经 see styles |
shí bā jīng shi2 ba1 jing1 shih pa ching jūhachi kyō |
(十八大經); 十八明處 The eighteen Indian non-Buddhist classics, i.e. the four vedas, six śāstras, and eight śāstras. |
十六行 see styles |
shí liù xíng shi2 liu4 xing2 shih liu hsing jūroku gyō |
(十六心行) ; 十六諦觀 idem 十六行相. The sixteen行相 of the Four Axioms 四諦, i.e. four forms of considering each of the axioms, associated with 見道. |
Entries with 2nd row of characters: The 2nd row is Simplified Chinese.
This page contains 100 results for "jade four seasons-art" in Chinese and/or Japanese.Information about this dictionary:
Apparently, we were the first ones who were crazy enough to think that western people might want a combined Chinese, Japanese, and Buddhist dictionary.
A lot of westerners can't tell the difference between Chinese and Japanese - and there is a reason for that. Chinese characters and even whole words were borrowed by Japan from the Chinese language in the 5th century. Much of the time, if a word or character is used in both languages, it will have the same or a similar meaning. However, this is not always true. Language evolves, and meanings independently change in each language.
Example: The Chinese character 湯 for soup (hot water) has come to mean bath (hot water) in Japanese. They have the same root meaning of "hot water", but a 湯屋 sign on a bathhouse in Japan would lead a Chinese person to think it was a "soup house" or a place to get a bowl of soup. See this: Japanese Bath House
This dictionary uses the EDICT and CC-CEDICT dictionary files.
EDICT data is the property of the Electronic Dictionary Research and Development Group, and is used in conformance with the Group's
license.
Chinese Buddhist terms come from Dictionary of Chinese Buddhist Terms by William Edward Soothill and Lewis Hodous. This is commonly referred to as "Soothill's'". It was first published in 1937 (and is now off copyright so we can use it here). Some of these definitions may be misleading, incomplete, or dated, but 95% of it is good information. Every professor who teaches Buddhism or Eastern Religion has a copy of this on their bookshelf. We incorporated these 16,850 entries into our dictionary database ourselves (it was lot of work).
Combined, these cover 1,007,753 Japanese, Chinese, and Buddhist characters, words, idioms, names, placenames, and short phrases.
Just because a word appears here does not mean it is appropriate for a tattoo, your business name, etc. Please consult a professional before doing anything stupid with this data.
We do offer Chinese and Japanese Tattoo Services. We'll also be happy to help you translate something for other purposes.
No warranty as to the correctness, potential vulgarity, or clarity is expressed or implied. We did not write any of these definitions (though we occasionally act as a contributor/editor to the CC-CEDICT project). You are using this dictionary for free, and you get what you pay for.
The following titles are just to help people who are searching for an Asian dictionary to find this page.