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| Characters If shown, 2nd row is Simp. Chinese |
Pronunciation Romanization |
Simple Dictionary Definition |
乾 干 see styles |
gān gan1 kan ken けん |
More info & calligraphy: Qianqian (one of the trigrams of the I Ching: heaven, northwest); (surname) Nukui Dry, dried up, clean; heaven, male, masculine, enduring, continual. Translit. gan and h. |
三諦 三谛 see styles |
sān dì san1 di4 san ti santai; sandai さんたい; さんだい |
More info & calligraphy: The Three TruthsThe three dogmas. The "middle" school of Tiantai says 卽空, 卽假. 卽中 i.e. 就是空, 假, 中; (a) by 空śūnya is meant that things causally produced are intheir essential nature unreal (or immaterial) 實空無; (b) 假, though thingsare unreal in their essential nature their derived forms are real; (c) 中;but both are one, being of the one 如 reality. These three dogmas arefounded on a verse of Nāgārjuna's— 因緣所生法, 我說卽是空 亦爲是假名, 亦是中道義 "All causally produced phenomena, I say, areunreal, Are but a passing name, and indicate the 'mean'." There are otherexplanations— the 圓教 interprets the 空 and 假 as 中; the 別教 makes 中 independent. 空 is the all, i.e. the totality of all things, and is spokenof as the 眞 or 實 true, or real; 假 is the differentiation of all thingsand is spoken of as 俗 common, i.e. things as commonly named; 中 is theconnecting idea which makes a unity of both, e.g. "all are but parts of onestupendous whole." The 中 makes all and the all into one whole, unifying thewhole and its parts. 空 may be taken as the immaterial, the undifferentiatedall, the sum of existences, by some as the tathāgatagarbha 如來藏; 假as theunreal, or impermanent, the material or transient form, the temporal thatcan be named, the relative or discrete; 中 as the unifier, which places eachin the other and all in all. The "shallower" 山外 school associated 空 and 中 with the noumenal universe as opposed to the phenomenal and illusoryexistence represented by 假. The "profounder" 山内 school teaches that allthree are aspects of the same. |
卽 see styles |
jí ji2 chi zoku |
variant of 即[ji2]; promptly To draw up to, or near; approach; forthwith; to be; i.e. alias; if, even if; 就是. It is intp. as 和融 united together; 不二not two, i.e. identical; 不離 not separate, inseparable. It resembles implication, e.g. the afflictions or passions imply, or are, bodhi; births-and-deaths imply, or are, nirvana; the indication being that the one is contained in or leads to the other. Tiantai has three definitions: (1) The union, or unity, of two things, e.g. 煩惱 and 菩提, i.e. the passions and enlightenment, the former being taken as the 相 form, the latter 性 spirit, which two are inseparable; in other words, apart from the subjugation of the passions there is no enlightenment. (2) Back and front are inseparables; also (3) substance and quality, e.g. water and wave. |
歸 归 see styles |
guī gui1 kuei ki |
to return; to go back to; to give back to; (of a responsibility) to be taken care of by; to belong to; to gather together; (used between two identical verbs) despite; to marry (of a woman) (old); division on the abacus with a one-digit divisor Return to, give oneself up to; commit oneself to, surrender; cf. 三歸 śaraṇa-gamana. |
済 see styles |
jì ji4 chi wataru わたる |
Japanese variant of 濟|济 (irregular okurigana usage) (n-suf,n) arranged; taken care of; settled; completed; finished; (given name) Wataru |
登 see styles |
dēng deng1 teng minoru みのる |
to scale (a height); to ascend; to mount; to publish or record; to enter (e.g. in a register); to press down with the foot; to step or tread on; to put on (shoes or trousers) (dialect); to be gathered and taken to the threshing ground (old) (given name) Minoru Ascend, advance, start; attain, ripen; to note, fix. |
相 see styles |
xiàng xiang4 hsiang sou / so そう |
appearance; portrait; picture; government minister; (physics) phase; (literary) to appraise (esp. by scrutinizing physical features); to read sb's fortune (by physiognomy, palmistry etc) (1) aspect; appearance; look; (2) physiognomy (as an indication of one's fortune); (3) {gramm} aspect; (4) {physics;chem} phase (e.g. solid, liquid and gaseous); (given name) Tasuku lakṣana 攞乞尖拏. Also, nimitta. A 'distinctive mark, sign', 'indication, characteristic', 'designation'. M. W. External appearance; the appearance of things; form; a phenomenon 有爲法 in the sense of appearance; mutual; to regard. The four forms taken by every phenomenon are 生住異滅 rise, stay, change, cease, i. e. birth, life, old age, death. The Huayan school has a sixfold division of form, namely, whole and parts, together and separate, integrate and disintegrate. A Buddha or Cakravartī is recognized by his thirty-two lakṣana , i. e. his thirty-two characteristic physiological marks. |
睺 see styles |
hóu hou2 hou |
(appears as phonetic ho, especially in words taken from Sanskrit); half-blind (archaic) |
通 see styles |
tòng tong4 t`ung tung tsuu / tsu つう |
classifier for an activity, taken in its entirety (tirade of abuse, stint of music playing, bout of drinking etc) (n,n-suf,adj-na) (1) authority; expert; connoisseur; well-informed person; (counter) (2) counter for messages, letters, notes, documents, etc.; (noun or adjectival noun) (3) understanding (esp. of male-female relations); tact; insight; (4) supernatural powers; magical powers; (given name) Michiaki Permeate, pass through, pervade; perceive, know thoroughly; communicate; current; free, without hindrance, unimpeded universal; e.g. 神通 supernatural, ubiquitous powers. There are categories of 五通, 六通, and 十通, all referring to supernatural powers; the five are (1) knowledge of the supernatural world; (2) deva vision; (3) deva hearing; (4) knowledge of the minds of all others; (5) knowledge of all the transmigrations of self and all others. The six are the above together with perfect wisdom for ending moral hindrance and delusion. The ten are knowing all previous transmigrations, having deva hearing, knowing the minds of others, having deva vision, showing deva powers, manifesting many bodies or forms, being anywhere instantly, power of bringing glory to one's domain, manifesting a body of transformation, and power to end evil and transmigration. |
一拍 see styles |
ippaku いっぱく |
(1) one clap; (2) one beat; (3) one mora (taken as a unit of time) |
上當 上当 see styles |
shàng dàng shang4 dang4 shang tang uetou / ueto うえとう |
taken in (by sb's deceit); to be fooled; to be duped (surname) Uetou |
中招 see styles |
zhòng zhāo zhong4 zhao1 chung chao |
(martial arts) to get hit; to get taken down; (fig.) to get infected (disease or computer virus); (fig.) to fall for sb's trap; to be taken in |
中計 中计 see styles |
zhòng jì zhong4 ji4 chung chi chuukei / chuke ちゅうけい |
to fall into a trap; to be taken in (abbreviation) (See 中期経営計画) mid-term business plan |
乗る see styles |
noru のる |
(v5r,vi) (1) to get on (train, plane, bus, ship, etc.); to get in; to board; to take; to embark; (2) to get on (e.g. a footstool); to step on; to jump on; to sit on; to mount; (3) to reach; to go over; to pass; (4) to follow; to stay (on track); to go with (the times, etc.); (5) to take part; to participate; to join; (6) to get into the swing (and sing, dance, etc.); (7) to be deceived; to be taken in; (8) to be carried; to be spread; to be scattered; (9) to stick; to attach; to take; to go on |
乘る see styles |
noru のる |
(out-dated kanji) (v5r,vi) (1) to get on (train, plane, bus, ship, etc.); to get in; to board; to take; to embark; (2) to get on (e.g. a footstool); to step on; to jump on; to sit on; to mount; (3) to reach; to go over; to pass; (4) to follow; to stay (on track); to go with (the times, etc.); (5) to take part; to participate; to join; (6) to get into the swing (and sing, dance, etc.); (7) to be deceived; to be taken in; (8) to be carried; to be spread; to be scattered; (9) to stick; to attach; to take; to go on |
五帝 see styles |
wǔ dì wu3 di4 wu ti gotai |
the Five Legendary Emperors, usually taken to be the Yellow Emperor 黃帝|黄帝[Huang2 di4], Zhuanxu 顓頊|颛顼[Zhuan1 xu1], Di Ku 帝嚳|帝喾[Di4 Ku4], Tang Yao 唐堯|唐尧[Tang2 Yao2] and Yu Shun 虞舜[Yu2 Shun4] five emperors |
他県 see styles |
taken たけん |
another prefecture; other prefectures |
他見 他见 see styles |
tā jiàn ta1 jian4 t`a chien ta chien taken たけん |
viewing by others; showing others another's views |
仰天 see styles |
yǎng tiān yang3 tian1 yang t`ien yang tien gyouten / gyoten ぎょうてん |
to face upwards; to look up to the sky (n,vs,vi) being amazed; being horrified; being taken aback |
写メ see styles |
shame しゃメ |
(noun/participle) (1) (abbreviation) (colloquialism) (See 写メール・1) email with attached photos sent from a mobile phone; (noun/participle) (2) (abbreviation) (colloquialism) photo taken with a mobile phone; taking a photo with a mobile phone |
写婚 see styles |
shakon しゃこん |
(1) (abbreviation) (See 写真結婚・1) staged wedding photographs; photo-only wedding; having wedding photography taken without holding an actual wedding; (2) (hist) (abbreviation) (See 写真結婚・2) picture marriage; mail-order marriage |
出籠 出笼 see styles |
chū lóng chu1 long2 ch`u lung chu lung ikomo いこも |
(of food) to be taken out of the steamer; (fig.) (often used with 紛紛|纷纷[fen1 fen1]) (of products, information etc) to appear; to emerge; to come out; (fig.) to dump; to inundate the market (surname) Ikomo |
別願 别愿 see styles |
bié yuàn bie2 yuan4 pieh yüan betsugan |
Special vows, as the forty-eight of Amitābha, or the twelve of 藥師佛 Yao Shih Fo (Bhaiṣajya), as contrasted with general vows taken by all Bodhisattvas. |
劇照 剧照 see styles |
jù zhào ju4 zhao4 chü chao |
photo taken during a theatrical production; a still (from a movie) |
取皿 see styles |
torizara とりざら |
individual plate; single individual's small dish on which food taken from shared serving dishes is placed |
受騙 受骗 see styles |
shòu piàn shou4 pian4 shou p`ien shou pien |
to be cheated; to be taken in; to be hoodwinked |
叨擾 叨扰 see styles |
tāo rǎo tao1 rao3 t`ao jao tao jao |
to bother; to trouble; (polite expression of appreciation for time taken to hear, help or host the speaker) sorry to have bothered you; thank you for your time |
呆気 see styles |
akke あっけ |
(kana only) taken aback; dumbfounded |
周羅 周罗 see styles |
zhōu luó zhou1 luo2 chou lo shūra |
(周羅髮); 首羅 cūḍā; a topknot left on the head of an ordinand when he receives the commandments; the locks are later taken off by his teacher as a sign of his complete devotion. |
報身 报身 see styles |
bào shēn bao4 shen1 pao shen houjin; houshin / hojin; hoshin ほうじん; ほうしん |
{Buddh} (See 三身) sambhogakaya (reward body, form taken by a buddha after completing its role as a bodhisattva) Reward body, the saṃbhoga-kāya of a Buddha, in which he enjoys the reward of his labours, v. 三身 trikāya. |
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