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Bounce Back / Stage a Comeback
dōng shān zài qǐ
東山再起 is a Chinese proverb that means “make a comeback” or “resuming after a failure.”
It's sometimes used in terms of losing a job and then getting it back. However, it applies to any kind of comeback after difficulty.
The literal meaning of this Chinese idiom is, “[The] Eastern Mountain Again [will] Rise.”
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Below are some entries from our dictionary that may match your stage search...
| Characters If shown, 2nd row is Simp. Chinese |
Pronunciation Romanization |
Simple Dictionary Definition |
天 see styles |
tiān tian1 t`ien tien ten てん |
More info & calligraphy: Heaven(1) sky; (2) {Christn} heaven; (3) God; (4) {Buddh} svarga (heaven-like realm visited as a stage of death and rebirth); (5) {Buddh} deva (divine being of Buddhism); (6) top (of a book); (7) sole (of a Japanese sandal); (8) beginning; start; (9) (abbreviation) (See 天ぷら) tempura; (10) (abbreviation) (obsolete) (See 天竺・1) India; (given name) Hiroshi Heaven; the sky; a day; cf. dyo, dyaus also as 提婆 a deva, or divine being, deity; and as 素羅 sura, shining, bright. |
禪 禅 see styles |
shàn shan4 shan yuzuri ゆずり |
More info & calligraphy: Zen / Chan / Meditation(out-dated kanji) (1) (Buddhist term) dhyana (profound meditation); (2) (abbreviation) Zen (Buddhism); (surname) Yuzuri To level a place for an altar, to sacrifice to the hills and fountains; to abdicate. Adopted by Buddhists for dhyāna, 禪 or 禪那, i.e. meditation, abstraction, trance. dhyāna is 'meditation, thought, reflection, especially profound and abstract religious contemplation'. M.W. It was intp. as 'getting rid of evil', etc., later as 靜慮 quiet meditation. It is a form of 定, but that word is more closely allied with samādhi, cf. 禪定. The term also connotes Buddhism and Buddhist things in general, but has special application to the 禪宗 q.v. It is one of the six pāramitās, cf. 波. There are numerous methods and subjects of meditation. The eighteen brahmalokas are divided into four dhyāna regions 'corresponding to certain frames of mind where individuals might be reborn in strict accordance with their spiritual state'. The first three are the first dhyāna, the second three the second dhyāna, the third three the third dhyāna, and the remaining nine the fourth dhyāna. See Eitel. According to Childers' Pali Dictionary, 'The four jhānas are four stages of mystic meditation, whereby the believer's mind is purged from all earthly emotions, and detached as it were from his body, which remains plunged in a profound trance.' Seated cross-legged, the practiser 'concentrates his mind upon a single thought. Gradually his soul becomes filled with a supernatural ecstasy and serenity', his mind still reasoning: this is the first jhāna. Concentrating his mind on the same subject, he frees it from reasoning, the ecstasy and serenity remaining, which is the second jhāna. Then he divests himself of ecstasy, reaching the third stage of serenity. Lastly, in the fourth stage the mind becomes indifferent to all emotions, being exalted above them and purified. There are differences in the Mahāyāna methods, but similarity of aim. |
一段 see styles |
yī duàn yi1 duan4 i tuan ichidan いちだん |
More info & calligraphy: Ichi-Dan / First Degreeone stage |
三昧 see styles |
sān mèi san1 mei4 san mei sanmai; zanmai さんまい; ざんまい |
More info & calligraphy: Samadhi(1) (さんまい only) {Buddh} samadhi (state of intense concentration achieved through meditation) (san:); (suffix noun) (2) (usu. ざんまい) being immersed in; being absorbed in; indulging in; doing to one's heart's content; (suffix noun) (3) (usu. ざんまい) prone to; apt to; (given name) Sanmai (三昧地) Samādhi, "putting together, composing the mind, intent contemplation, perfect absorption, union of the meditator with the object of meditation." (M. W.) Also 三摩地 (三摩提, 三摩帝, 三摩底). Interpreted by 定 or 正定, the mind fixed and undisturbed; by 正受 correct sensation of the object contemplated; by 調直定 ordering and fixing the mind; by 正心行處 the condition when the motions of the mind are steadied and harmonized with the object; by 息慮凝心 the cessation of distraction and the fixation of the mind; by 等持 the mind held in equilibrium; by 奢摩他, i.e. 止息 to stay the breathing. It is described as concentration of the mind (upon an object). The aim is 解脫, mukti, deliverance from all the trammels of life, the bondage of the passions and reincarnations. It may pass from abstraction to ecstasy, or rapture, or trance. Dhyāna 定 represents a simpler form of contemplation; samāpatti 三摩鉢底 a stage further advanced; and samādhi the highest stage of the Buddhist equivalent for Yoga, though Yoga is considered by some as a Buddhist development differing from samādhi. The 翻譯名義 says: 思專 when the mind has been concentrated, then 志一不分 the will is undivided; when 想寂 active thought has been put to rest, then 氣虛神朗 the material becomes etherealized and the spirit liberated, on which 智 knowledge, or the power to know, has free course, and there is no mystery into which it cannot probe. Cf. 智度論 5, 20, 23, 28; 止觀 2; 大乘義章 2, 9, 1 3, 20, etc. There are numerous kinds and degrees of samādhi. |
三段 see styles |
sān duàn san1 duan4 san tuan sandan さんだん |
More info & calligraphy: San-Danthree levels |
四諦 四谛 see styles |
sì dì si4 di4 ssu ti shitai したい |
More info & calligraphy: Four Noble Truths (Buddhism){Buddh} (See 苦集滅道) The Four Noble Truths catvāri-ārya-satyāni; 四聖諦; 四眞諦. The four dogmas, or noble truths, the primary and fundamental doctrines of Śākyamuni, said to approximate to the form of medical diagnosis. They are pain or 'suffering, its cause, its ending, the way thereto; that existence is suffering, that human passion (taṇhā, 欲 desire) is the cause of continued suffering, that by the destruction of human passion existence may be brought to an end; that by a life of holiness the destruction of human passion may be attained'. Childers. The four are 苦, 聚 (or 集), 滅, and 道諦, i. e. duḥkha 豆佉, samudaya 三牟提耶, nirodha 尼棲陀, and mārga 末加. Eitel interprets them (1) 'that 'misery' is a necessary attribute of sentient existence'; (2) that 'the 'accumulation' of misery is caused by the passions'; (3) that 'the 'extinction' of passion is possible; (4) mārga is 'the doctrine of the 'path' that leads to the extinction of passion'. (1) 苦 suffering is the lot of the 六趣 six states of existence; (2) 集 is the aggregation (or exacerbation) of suffering by reason of the passions; (3) 滅 is nirvana, the extinction of desire and its consequences, and the leaving of the sufferings of mortality as void and extinct; (4) 道 is the way of such extinction, i. e. the 八正道 eightfold correct way. The first two are considered to be related to this life, the last two to 出世間 a life outside or apart from the world. The four are described as the fundamental doctrines first preached to his five former ascetic companions. Those who accepted these truths were in the stage of śrāvaka. There is much dispute as to the meaning of 滅 'extinction' as to whether it means extinction of suffering, of passion, or of existence. The Nirvana Sutra 18 says that whoever accepts the four dogmas will put an end to births and deaths 若能見四諦則得斷生死 which does not of necessity mean the termination of existence but that of continued transmigration. v. 滅. |
忍法 see styles |
rěn fǎ ren3 fa3 jen fa ninpou / ninpo にんぽう |
More info & calligraphy: Ninpo(忍法位) The method or stage of patience, the sixth of the seven stages of the Hīnayāna in the attainment of arhatship, or sainthood: also the third of the four roots of goodness. |
聖地 圣地 see styles |
shèng dì sheng4 di4 sheng ti seichi / sechi せいち |
More info & calligraphy: Holy Land(1) sacred place; holy ground; the Holy Land; (2) (slang) real-life location used as a setting in a novel, film, anime, etc.; (place-name) Seichi stage of enlightenment |
靜坐 静坐 see styles |
jìng zuò jing4 zuo4 ching tso seiza |
More info & calligraphy: Sitting Quietlyquiet sitting |
出 see styles |
chū chu1 ch`u chu de で |
to go out; to come out; to arise; to occur; to produce; to yield; to go beyond; to exceed; (used after a verb to indicate an outward direction or a positive result); classifier for dramas, plays, operas etc (n,n-suf) (1) coming out; going out; outflow; efflux; rising (of the Sun or the Moon); (n,n-suf) (2) attending (work); appearing (on stage); one's turn to go on; (n,n-suf) (3) start; beginning; (n,n-suf) (4) origins; background; person (or item) originating from ...; graduate of ...; native of ...; member of ... (lineage); (n,n-suf) (5) architectural member that projects outward; (n,n-suf) (6) highest point of the stern of a ship; (n,n-suf) (7) (kana only) (usu. after the -masu stem of a verb as 〜出がある or 〜出がない, etc.) amount (comprising something); amount of time or effort required to do something; (surname) De To go out, come forth, put forth; exit; beyond. |
受 see styles |
shòu shou4 shou ju じゅ |
to receive; to accept; to suffer; subjected to; to bear; to stand; pleasant; (passive marker); (LGBT) bottom {Buddh} (See 五蘊,十二因縁) vedana (sensation); (place-name) Uke To receive, be, bear; intp. of vedana, 'perception,' 'knowledge obtained by the senses, feeling, sensation.' M. W. It is defined as mental reaction to the object, but in general it means receptivity, or sensation; the two forms of sensation of physical and mental objects are indicated. It is one of the five skandhas; as one of the twelve nidānas it indicates the incipient stage of sensation in the embryo. |
域 see styles |
yù yu4 yü iki いき |
field; region; area; domain (taxonomy) region; limits; stage; level; (given name) Sakai Frontier, limit; region; tomb. |
場 场 see styles |
chǎng chang3 ch`ang chang ba ば |
large place used for a specific purpose; stage; scene (of a play); classifier for sporting or recreational activities; classifier for number of exams (1) place; spot; space; (2) field; discipline; sphere; realm; (3) (See その場・1) occasion; situation; (4) scene (of a play, movie, etc.); (5) {stockm} session; (6) {cards} field; table; area in which cards are laid out (in a card game); (7) {mahj} (See 東場,南場) round (east, south, etc.); (8) {physics} field; (9) {psych} field (in Gestalt psychology); (surname) Bazaki Area, arena, field, especially the bodhi-plot, or place of enlightenment, etc.; cf. 道場; 菩提場. |
妝 妆 see styles |
zhuāng zhuang1 chuang |
(of a woman) to adorn oneself; makeup; adornment; trousseau; stage makeup and costume |
期 see styles |
qī qi1 ch`i chi go ご |
a period of time; phase; stage; classifier for issues of a periodical, courses of study; time; term; period; to hope; Taiwan pr. [qi2] (1) time; moment; limit; (2) time of death; last moment; (3) (archaism) midnight in red-light districts during the Edo period; (surname) Ki A set time; a limit of time; times, seasons; to expect. |
末 see styles |
mò mo4 mo matsu まつ |
tip; end; final stage; latter part; inessential detail; powder; dust; opera role of old man (n-suf,n) (1) the end (of); (suffix noun) (2) (See 粉末) powder; (surname, given name) Matsu Branch, twig; end; dust; not; translit, ma, va, ba; cf. 摩. |
板 see styles |
bǎn ban3 pan ita いた |
board; plank; plate; shutter; table tennis bat; clappers (music); CL:塊|块[kuai4]; accented beat in Chinese music; hard; stiff; to stop smiling or look serious (1) board; plank; (2) sheet (of metal); plate (of glass); pane; slab; (3) (See 俎板・1) cutting board; chopping board; (4) (abbreviation) (usu. as 板さん) (See 板前・1,板場・いたば・2) chef (esp. of high-end Japanese cuisine); cook; (5) stage (i.e. at a theatre); (personal name) Ban A board; a board struck for calling e. g. to meals. |
櫓 橹 see styles |
lǔ lu3 lu yagura やぐら |
scull (single oar worked from side to side over the stern of a boat) (free word) Japanese scull (oar attached to the rear of the boat by a traditional peg-in-hole oarlock); (1) turret; watchtower; (2) high wooden stage; scaffolding; (3) wooden frame (of a kotatsu); (4) (archaism) weapons storehouse; (surname) Yagura |
次 see styles |
cì ci4 tz`u tzu tsugi つぎ |
next in sequence; second; the second (day, time etc); secondary; vice-; sub-; infra-; inferior quality; substandard; order; sequence; hypo- (chemistry); classifier for enumerated events: time (noun - becomes adjective with の) (1) next; following; subsequent; (noun - becomes adjective with の) (2) stage; station; (personal name) Yadoru Second, secondary; a turn, next. |
段 see styles |
duàn duan4 tuan dan だん |
paragraph; section; segment; stage (of a process); classifier for stories, periods of time, lengths of thread etc (n,ctr) (1) step; stair; rung; (flight of) steps; (n,ctr) (2) shelf; layer; tier; (3) grade; level; class; (n,ctr) (4) dan (degree of advanced proficiency in martial arts, go, shogi, etc.); rank; (5) paragraph; passage; (n,ctr) (6) column (of print); (n,ctr) (7) act (in kabuki, joruri, etc.); section; scene; (8) row of the multiplication table (e.g. five times table); (9) stage (in a process); phase; occasion; time; moment; situation; (10) (form) (as ...の段) matter; occasion; (11) (as ...どころの段ではない, ...という段じゃない, etc.) degree; extent; (counter) (12) counter for breaks in written language or speech; (place-name, surname) Dan A piece; a section, paragraph. piṇda, a ball, lump, especially of palatable food, sustenance. |
演 see styles |
yǎn yan3 yen hiroshi ひろし |
to perform (a play etc); to stage (a show); (bound form) to develop; to play out; to carry out (a task) (given name) Hiroshi To extend, expound, practise, perform. |
牀 床 see styles |
chuáng chuang2 ch`uang chuang yuka ゆか |
variant of 床[chuang2] (1) floor; (2) stage (for the narrator and the shamisen player); (3) dining platform built across a river; (counter) counter for beds; (female given name) Yuka a couch or bed |
科 see styles |
kē ke1 k`o ko shina; shina しな; シナ |
branch of study; administrative section; division; field; branch; stage directions; family (taxonomy); rules; laws; to mete out (punishment); to levy (taxes etc); to fine sb; CL:個|个[ge4] (kana only) (See 科の木・しなのき) Japanese linden (Tilia japonica); (personal name) Ke A class, lesson, examination. |
臺 台 see styles |
tái tai2 t`ai tai muro むろ |
platform; stage; terrace; stand; support; station; broadcasting station; classifier for vehicles or machines (surname) Muro A terrace, platform, stage, look-out; also written 台. |
袖 see styles |
xiù xiu4 hsiu sode そで |
sleeve; to tuck inside one's sleeve (1) sleeve; (2) wing (of a stage, desk, gate, etc.); (3) (kana only) flap (of a dust jacket); (personal name) Takuharu |
軒 轩 see styles |
xuān xuan1 hsüan ken けん |
pavilion with a view; high; tall; high fronted, curtained carriage (old) (suf,ctr) (1) counter for buildings (esp. houses); (suffix) (2) suffix for a pen name, stage name, etc.; (surname) Noki |
迫 see styles |
pò po4 p`o po yanaseko やなせこ |
to force; to compel; to approach or go towards; urgent; pressing stage elevator; trapdoor; (surname) Yanaseko to oppress |
階 阶 see styles |
jiē jie1 chieh kai かい |
rank or step; stairs (n,n-suf) (1) storey; story; floor; (2) (See 階・きざはし・1) stairs; (n,n-suf) (3) stage (in chronostratigraphy); (counter) (4) counter for storeys and floors of a building; (surname) Shina to ascend |
齢 see styles |
líng ling2 ling rei / re れい |
Japanese variant of 齡|龄 (1) instar (developmental stage of arthropods); (2) (obsolete) (See 齢・よわい) age; years; (surname, given name) Rei |
Ｂ作 see styles |
biisaku / bisaku ビーさく |
(given name) Bi-saku (stage name) |
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The following table may be helpful for those studying Chinese or Japanese...
| Title | Characters | Romaji (Romanized Japanese) | Various forms of Romanized Chinese | |
| Bounce Back Stage a Comeback | 東山再起 东山再起 | dōng shān zài qǐ dong1 shan1 zai4 qi3 dong shan zai qi dongshanzaiqi | tung shan tsai ch`i tungshantsaichi tung shan tsai chi |
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| In some entries above you will see that characters have different versions above and below a line. In these cases, the characters above the line are Traditional Chinese, while the ones below are Simplified Chinese. | ||||
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