Approximate Measurements
Artwork Panel: 28.2cm x 41.1cm ≈ 11" x 16¼"
Silk/Brocade: 37.3cm x 102.7cm ≈ 14¾" x 40½"
Width at Wooden Knobs: 46.3cm ≈ 18¼"

Close up view of the Asian woman artwork mounted to this silk brocade wall scroll




Uchū Yu Kaeri
This is the famous Kiyonaga design depicting the three young beauties in rain under two umbrellas. The elegantly dressed women nod to each other in passing as they walk down the street. Nicely printed with a soft color palette touched with black, with lightly embossed lines indicating the folds in the black kimono.
The artist's title for this piece, 雨中湯帰り, is not printed on this artwork, but the full meaning is "Returning from the hot springs in the rain". The more common English title for this work is "Beauties in the Rain".
This is from the series 風俗東之錦 or "Current Manners in Eastern Brocade" (Fūzoku Azuma no Nishiki). These characters are written in ancient seal script from right to left at the top.





On the left, you will find a signature 清長画 (Kiyonaga ga) - literally "Kiyonaga painted". His birth name was Sekiguchi Shinsuke. He was the son of a bookseller from Edo, Japan. He later took on "Torii Kiyonaga" as an art name.
Original artist: Torii Kiyonagao / 鳥居清長 (1752 - 1815).
Publisher: Adachi.
Original woodblock was created in Japan, in 17836.
Woodblock printing, often considered the precursor to the modern printing press, was first developed in China and later brought to Japan, where artists refined the technique into a unique art form. In Japan, these prints are called 木版畫 ("Moku Hanga"). Most were created during the Edo period (1603–1867), though production continued into the early 20th century.
Japanese artists would first create a "template painting" depicting scenes of daily life, including women washing clothes, men writing poetry, samurai battles, and occasionally more dramatic subjects. These template images, known as 浮世絵 (Ukiyo-e, or "Floating World"), were then carved into wood by skilled artisans. Another specialist applied wet ink or pigments to the carved blocks, and a sheet of handmade paper was pressed on to create the final print. This collaborative process produced vibrant, detailed artworks much faster than hand-painting hundreds of copies.
Original Japanese woodblock prints from the Edo period can sell for $800 to $20,000. Our prints are high-quality reproductions, crafted to capture the look and feel of the originals, though experts will recognize them as reproductions.
We use authentic handmade kozo (mulberry) paper—the same paper Japanese printmakers used centuries ago. Archival, UV-resistant pigment inks ensure long-lasting color, with laboratory testing showing up to 95 years of fade-free enjoyment if kept out of direct sunlight. Each reproduction is carefully color-corrected and restored, bringing the Edo period artwork to life for your wall.
Photographer Jeremy Cowart and the Canon imagePROGRAF PRO-2000 giclée printer used to create these reproductions.
Printing on delicate handmade paper is challenging. After testing multiple high-end printers, we found the Canon imagePROGRAF PRO-2000 delivers the precision and quality needed, using 12 archival inks and 18,432 nozzles. Each print is then sent to our Beijing workshop, where it is mounted into a handmade wall scroll, ready-to-hang without the need for expensive framing, giving your piece an authentic Japanese look.
Because the original artist has long passed, these works are public domain. In some cases, we license high-resolution scans of original prints, or even scan 200-year-old originals ourselves. This dedication ensures you receive a stunning Japanese woodblock print reproduction at an affordable price, making traditional Asian art accessible to everyone.
Want a custom wall scroll or unique print size? Just contact us!
We can print larger sizes, choose your preferred paper texture, and select silk brocade colors. Ready-to-frame prints can ship in days, while custom wall scrolls may take several weeks. Either way, the result is a truly one-of-a-kind piece of Japanese art.