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<12345678910...>| Characters | Pronunciation Romanization |
Simple Dictionary Definition |
想 see styles |
xiǎng xiang3 hsiang nozomu のぞむ |
to think (about); to think of; to devise; to think (that); to believe (that); to desire; to want (to); to miss (feel wistful about the absence of) (1) conception; idea; thought; (2) {Buddh} (See 五蘊) samjna (perception); (given name) Nozomu To think, meditate, reflect, expect; a function of mind. |
愒 see styles |
kài kai4 k`ai kai |
to desire |
承 see styles |
chéng cheng2 ch`eng cheng yoshitomo よしとも |
to bear; to carry; to hold; to continue; to undertake; to take charge; owing to; due to; to receive (abbreviation) (See 承句) second line of a four-line Chinese poem; (personal name) Yoshitomo Receive, succeed to, undertake, serve. |
有 see styles |
yǒu you3 yu yumi ゆみ |
to have; there is; (bound form) having; with; -ful; -ed; -al (as in 有意[you3 yi4] intentional) (1) existence; (n,n-pref) (2) possession; having; (3) (abbreviation) (in company names; written as (有)) (See 有限会社) limited company; (personal name) Yumi bhāva: that which exists, the existing, existence; to have, possess, be. It is defined as (1) the opposite of 無 wu and 空 kong the non-existent; (2) one of the twelve nidānas, existence; the condition which, considered as cause, produces effect; (3) effect, the consequence of cause; (4) anything that can be relied upon in the visible or invisible realm. It means any state which lies between birth and death, or beginning and end. There are numerous categories— 3, 4, 7, 9, 18, 25, and 29. The 三有 are the 三界 trailokya, i. e. 欲, 色 and 無色界 the realms of desire, of form, and of non-form, all of them realms of mortality; another three are 本有 the present body and mind, or existence, 當有 the future ditto, 中有 the intermediate ditto. Other definitions give the different forms or modes of existence. |
槓 杠 see styles |
gàng gang4 kang kan カン |
coffin-bearing pole (old); thick pole; bar; rod; thick line; to mark with a thick line; to sharpen (a knife, razor etc); to get into a dispute with; standard; criterion; hyphen; dash (noun/participle) {mahj} (See 槓子) forming a four-of-a-kind (chi: gàng); declaring a kong |
汚 污 see styles |
wū wu1 wu yogore; yogore よごれ; ヨゴレ |
variant of 污[wu1] (kana only) (See 汚鮫・よごれざめ,オーシャニックホワイトティップシャーク) oceanic whitetip shark (Carcharhinus longimanus) Filthy, impure. kleśa; contamination of attachment to the pleasures of sense, to heretical views, to moral and ascetic practices regarded as adequate to salvation, to the belief in the self, all which cause misery.; Impure; to defile. |
滅 灭 see styles |
miè mie4 mieh metsu |
to extinguish or put out; to go out (of a fire etc); to exterminate or wipe out; to drown Extinguish, exterminate, destroy; a tr. of nirodha, suppression, annihilation; of nirvāṇa, blown out, extinguished, dead, perfect rest, highest felicity, etc.; and of nivṛtti, cessation, disappearance. nirodha is the third of the four axioms: 苦, 集, 滅, 道 pain, its focussing, its cessation (or cure), the way of such cure. Various ideas are expressed as to the meaning of 滅, i.e. annihilation or extinction of existence; or of rebirth and mortal existence; or of the passions as the cause of pain; and it is the two latter views which generally prevail; cf. M017574 10 strokes. |
痴 see styles |
chī chi1 ch`ih chih chi ち oko おこ |
imbecile; sentimental; stupid; foolish; silly (1) foolishness; fool; (2) (Buddhist term) moha (ignorance, folly); (noun or adjectival noun) foolish thing; stupid thing; absurdity moha, 'unconsciousness,' 'delusion,' 'perplexity,' 'ignorance, folly,' 'infatuation,' etc. M.W. Also, mūḍha. In Chinese it is silly, foolish, daft, stupid. It is intp. by 無明 unenlightened, i.e. misled by appearances, taking the seeming for real; from this unenlightened condition arises every kind of kleśa, i.e. affliction or defilement by the passions, etc. It is one of the three poisons, desire, dislike, delusion. |
盉 see styles |
hé he2 ho |
vessel similar to a kettle, but with three or four legs, used in ancient times for warming wine |
相 see styles |
xiàng xiang4 hsiang tasuku たすく |
appearance; portrait; picture; government minister; (physics) phase; (literary) to appraise (esp. by scrutinizing physical features); to read sb's fortune (by physiognomy, palmistry etc) (1) aspect; appearance; look; (2) physiognomy (as an indication of one's fortune); (3) {gramm} aspect; (4) {physics;chem} phase (e.g. solid, liquid and gaseous); (given name) Tasuku lakṣana 攞乞尖拏. Also, nimitta. A 'distinctive mark, sign', 'indication, characteristic', 'designation'. M. W. External appearance; the appearance of things; form; a phenomenon 有爲法 in the sense of appearance; mutual; to regard. The four forms taken by every phenomenon are 生住異滅 rise, stay, change, cease, i. e. birth, life, old age, death. The Huayan school has a sixfold division of form, namely, whole and parts, together and separate, integrate and disintegrate. A Buddha or Cakravartī is recognized by his thirty-two lakṣana , i. e. his thirty-two characteristic physiological marks. |
簋 see styles |
guǐ gui3 kuei |
ancient bronze food vessel with a round mouth and two or four handles; round basket of bamboo |
緣 缘 see styles |
yuán yuan2 yüan en |
cause; reason; karma; fate; predestined affinity; margin; hem; edge; along pratyaya means conviction, reliance, but with Buddhists especially it means 'a co-operating cause, the concurrent occasion of an event as distinguished from its proximate cause'. M.W. It is the circumstantial, conditioning, or secondary cause, in contrast with 因 hetu, the direct or fundamental cause. hetu is as the seed, pratyaya the soil, rain, sunshine, etc. To reason, conclude. To climb, lay hold of. The mind 能緣can reason, the objective is 所緣, the two in contact constitute the reasoning process. The four kinds of causes are 因緣; 次第緣; 緣緣, and 增上緣 q.v. |
縛 缚 see styles |
fù fu4 fu baku ばく |
to bind; to tie; Taiwan pr. [fu2] (See 縛につく) tying up; restraint; restriction; arrest bandha. Tie, attachment, bind, bond, another name for kleśa-afflictions, the passions, etc., which bind men; the 'three bonds' are 貪瞋痴 desire, resentment, stupidity; translit. pa, ba, va; cf. 跋, 婆, 飯. |
羨 羡 see styles |
xiàn xian4 hsien sen |
to envy To desire; praise; surplus. |
翳 see styles |
yì yi4 i ei さしば |
feather screen; to screen; to shade; cataract (kana only) dimness (of sight); (1) shade; shadow; (2) other side; back; background; large fan-shaped object held by an attendant and used to conceal the face of a noble, etc. A film; screen; fan; hide, invisible; translit. e, a. |
肆 see styles |
sì si4 ssu shi ほしいまま |
four (banker's anti-fraud numeral); unrestrained; wanton; (literary) shop (adjectival noun) (kana only) selfish; self-indulgent; arbitrary; (numeric) four a market |
興 兴 see styles |
xìng xing4 hsing hajime はじめ |
feeling or desire to do something; interest in something; excitement (1) interest; entertainment; pleasure; (2) (See 六義・1) implicit comparison (style of the Shi Jing); (given name) Hajime abhyudaya. Rise, begin; prosper; elated. |
色 see styles |
shǎi shai3 shai shiki しき |
(coll.) color; used in 色子[shai3 zi5] (counter) counter for colours; (female given name) Shiki rūpa, outward appearance, form, colour, matter, thing; the desirable, especially feminine attraction. It is defined as that which has resistance; or which changes and disappears, i. e. the phenomenal; also as 顯, 形 and 表色 colour and quality, form or the measurable, and mode or action. There are divisions of two, i. e. inner and outer, as the organs and objects of sense; also colour and form; of three, i. e. the visible object, e. g. colour, the invisible object, e. g. sound, the invisible and immaterial; of eleven, i. e. the five organs and five objects of sense and the immaterial object; of fourteen, the five organs and five objects of sense and the four elements, earth, water, fire, air. rūpa is one of the six bāhya-āyatana, the 六塵; also one of the five skandhas, 五蘊, i. e. the 色身. Keith refers to rūpa as 'material form or matter which is underived (no-utpādā) and which is derived (utpādā)', the underived or independent being the tangible; the derived or dependent being the senses, e. g. of hearing; most of their objects, e. g. sound; the qualities or faculties of feminity, masculinity, vitality; intimation by act and speech, space; qualities of matter, e. g. buoyancy and physical nutriment. |
苦 see styles |
kǔ ku3 k`u ku ku く |
bitter; hardship; pain; to suffer; to bring suffering to; painstakingly (1) pain; anguish; suffering; distress; anxiety; worry; trouble; difficulty; hardship; (2) {Buddh} (See 八苦) duhkha (suffering) duḥkha, 豆佉 bitterness; unhappiness, suffering, pain, distress, misery; difficulty. There are lists of two, three, four, five, eight, and ten categories; the two are internal, i. e. physical and mental, and external, i. e. attacks from without. The four are birth, growing old, illness, and death. The eight are these four along with the pain of parting from the loved, of meeting with the hated, of failure in one's aims, and that caused by the five skandhas; cf. 四諦. |
著 着 see styles |
zhù zhu4 chu akira あきら |
to make known; to show; to prove; to write; book; outstanding (1) (written) work; book; (suffix) (2) (after an author's name) (written) by; (3) (obsolete) clearness; obviousness; conspicuousness; (personal name) Akira To manifest, display, publish, fix; interchanged with 着. In a Buddhist sense it is used for attachment to anything, e.g. the attachment of love, desire, greed, etc.; To cover, put on; cause; place; complete; ought, must. |
蘊 蕴 see styles |
yùn yun4 yün osamu おさむ |
to accumulate; to hold in store; to contain; to gather together; to collect; depth; inner strength; profundity (given name) Osamu skandha, v. 塞; older tr. 陰, intp. as that which covers or conceals, implying that physical and mental forms obstruct realization of the truth; while the tr. 蘊, implying an accumulation or heap, is a nearer connotation to skandha, which, originally meaning the shoulder, becomes stem, branch, combination, the objects of sense, the elements of being or mundane consciousness. The term is intp. as the five physical and mental constituents, which combine to form the intelligent 性 or nature; rūpa, the first of the five, is considered as physical, the remaining four as mental; v. 五蘊. The skandhas refer only to the phenomenal, not to the 無爲 non-phenomenal. |
見 见 see styles |
xiàn xian4 hsien miru みる |
to appear; also written 現|现[xian4] (n-suf,n) (1) looking; viewing; (expression) (2) (colloquialism) (kana only) (after the -te form of a verb; irreg. imperative conj. of 見る) (See 見る・5) (please) try (to); (female given name) Miru darśana, 捺喇捨曩; also dṛṣṭi; seeing, discerning, judgment, views, opinions; it is thinking, reasoning, discriminating, selecting truth, including the whole process of deducing conclusions from premises. It is commonly used in the sense of wrong or heterodox views or theories, i. e. 邪見 or 有見, especially such as viewing the seeming as real and the ego as real. There are groups of two, four, five, seven, ten and sixty-two kinds of 見. |
覦 觎 see styles |
yú yu2 yü |
to desire passionately |
諦 谛 see styles |
dì di4 ti tai たい |
to examine; truth (Buddhism) {Buddh} satya; truth; (given name) Tai To judge, examine into, investigate, used in Buddhism for satya, a truth, a dogma, an axiom; applied to the āryasatyāni, the four dogmas, or noble truths, of 苦, 集, 滅, and 道 suffering, (the cause of its) assembly, the ( possibility of its cure, or) extinction, and the way (to extinction), i.e. the eightfold noble path, v. 四諦 and 八聖道. There are other categories of 諦, e.g. (2) 眞 and 俗 Reality in contrast with ordinary ideas of things; (3) 空, 假 and 中 q.v. (6) by the 勝論宗; and(8) by the 法相宗.; Two forms of statement: (a) 俗諦 saṃvṛti-satya, also called 世諦, 世俗諦, 覆俗諦, 覆諦, meaning common or ordinary statement, as if phenomena were real; (b) 眞諦 paramartha-satya, also called 第一諦, 勝義諦, meaning the correct dogma or averment of the enlightened. Another definition is 王法 and 佛法, royal law and Buddha law. |
諱 讳 see styles |
huì hui4 hui imina いみな |
to avoid mentioning; taboo word; name of deceased emperor or superior (1) real name (of a deceased person or a noble); (2) (いみな only) (See 贈り名) posthumous name; (surname) Imina posthumous (canonical) name |
貪 贪 see styles |
tān tan1 t`an tan tan; ton; don たん; とん; どん |
to have a voracious desire for; to covet; greedy; corrupt (1) coveting; (2) {Buddh} (usu. とん) raga (desire) rāga; colouring, dyeing, tint, red; affection, passion, vehement longing or desire; cf. M. W. In Chinese: cupidity, desire; intp. tainted by and in bondage to the five desires; it is the first in order of the 五鈍使 pañca-kleśa q. v., and means hankering after, desire for, greed, which causes clinging to earthly life and things, therefore reincarnation. |
貴 贵 see styles |
guì gui4 kuei motomu もとむ |
expensive; (bound form) highly valued; precious; (bound form) noble; of high rank; (prefix) (honorific) your (n,n-suf) (honorific or respectful language) (archaism) lord; god; goddess; honorific title for deities (and high-ranking people); (given name) Motomu Honourable, dear, precious. |
願 愿 see styles |
yuàn yuan4 yüan nozomi のぞみ |
(bound form) wish; hope; desire; to be willing; to wish (that something may happen); may ...; vow; pledge prayer; wish; vow; (female given name) Nozomi praṇihita; praṇidhāna; resolve, will, desire, cf. 誓. |
館 馆 see styles |
guǎn guan3 kuan yakata やかた |
building; shop; term for certain service establishments; embassy or consulate; schoolroom (old); CL:家[jia1] (1) (poetic term) (esp. たち) mansion (of a noble); manor house; official residence (of a noble or government official); (2) (poetic term) (esp. たて) small castle; fort; (p,s,g) Yakata |
駟 驷 see styles |
sì si4 ssu shi し |
team of 4 horses four-horse carriage; team of four horses |
騶 驺 see styles |
zōu zou1 tsou |
groom or chariot driver employed by a noble (old) |
驁 骜 see styles |
ào ao4 ao |
a noble steed (literary); (of a horse) untamed; (fig.) (of a person) headstrong; Taiwan pr. [ao2] |
鼎 see styles |
dǐng ding3 ting tei / te てい |
ancient cooking cauldron with two looped handles and three or four legs; pot (dialect); to enter upon a period of (classical); Kangxi radical 206; one of the 64 hexagrams of the Book of Changes (hist) three-legged bronze vessel (used in ancient China); (given name) Tei |
お次 see styles |
otsugi おつぎ |
(noun - becomes adjective with の) (1) (polite language) (honorific or respectful language) next; next person; (2) room adjoining a noble's parlor |
お膳 see styles |
ozen おぜん |
(kana only) four-legged tray for festive food |
ご影 see styles |
goei / goe ごえい |
(honorific or respectful language) image (esp. of a deity, buddha, royal, noble, etc.) |
もん see styles |
mon モン |
(particle) (1) indicates reason or excuse; (2) (feminine speech) indicates dissatisfaction; indicates desire to be pampered or indulged; (f,p) Mon; Monn; Monts; Mons |
丁糖 see styles |
dīng táng ding1 tang2 ting t`ang ting tang |
tetrose (CH2O)4, monosaccharide with four carbon atoms |
七佛 see styles |
qī fó qi1 fo2 ch`i fo chi fo shichibutsu |
sapta Buddha. The seven ancient Buddhas, viz. Vipaśyin 毘婆尸, Śikhin 尸棄, Viśvabhū 毘舍婆, Krakucchanda 拘樓孫, Kanakamuni 倶那含牟尼 or 拘那含, Kāśyapa 迦葉, and Śākyamuni 釋迦. The last four are said to be of the present kalpa. |
七使 see styles |
qī shǐ qi1 shi3 ch`i shih chi shih shichishi |
The seven messengers, agents, or kleśas—desire 欲愛; anger, or hate 瞋恚; attachment, or clinging 有愛; pride or arrogance 慢; ignorance, or unenlightenment 無明; false views 見; and doubt 疑. |
七垢 see styles |
qī gòu qi1 gou4 ch`i kou chi kou shichiku |
The seven defilements―desire 欲, false views 見, doubt 疑, pride 慢, arrogance 憍 torpor 隨眠, and 慳 stinginess; cf. 七使. |
七情 see styles |
qī qíng qi1 qing2 ch`i ch`ing chi ching shichijou / shichijo しちじょう |
seven emotional states; seven affects of traditional Chinese medical theory and therapy, namely: joy 喜[xi3], anger 怒[nu4], anxiety 憂|忧[you1], thought 思[si1], grief 悲[bei1], fear 恐[kong3], fright 驚|惊[jing1]; seven relations (1) seven emotions (in The Book of Rites: joy, anger, sorrow, fear, love, hate, desire); seven emotions (in Buddhism: joy, anger, sorrow, pleasure, love, hate, desire); (2) seven effects (of a traditional Chinese medicine); (surname) Shichijō The seven emotions : pleasure, anger, sorrow, joy, love, hate, desire. |
七支 see styles |
qī zhī qi1 zhi1 ch`i chih chi chih shichishi |
The seven (spreading) branches—three sins of the body and four of speech, 身三 killing, robbing, adultery; 口四 lying, slander, abuse, double-tongue (or vain conversation). These are the first seven of the ten evils 十惡. |
七有 see styles |
qī yǒu qi1 you3 ch`i yu chi yu shichiu |
七生 The seven stages of existence in a human world, or in any 欲界 desire-world. Also (1) in the hells, (2) as animals, (3) hungry ghosts, (4) gods, (5) men, (6) karma 業, and (7) in the intermediate stage. |
七衆 七众 see styles |
qī zhòng qi1 zhong4 ch`i chung chi chung shichishu しちしゅ |
seven orders of Buddhist disciples (monks, nuns, probationary nuns, male novices, female novices, male lay devotees, female lay devotees) The seven classes of disciples:―(1)比丘 bhikṣu,monk;(2) bhikṣuṇī a female observer of all commandments; (3) 式叉摩那śikṣamāṇa, a novice, or observer of the six commandments; (4) 沙彌 śrāmaṇera, and (5) 沙彌尼 śrāmaṇerika, male and female observers of the minor commandments; (6) 優婆塞 upāsaka, male observers of the five commandments; and (7) 優婆夷upāsikā, female ditto. The first five have left home, the last two remain at home. Tiantai makes nine groups by dividing the last two into four, two remaining at home, two leaving home and keeping the eight commandments. Others make four groups, i.e. (1), (2), (6), and (7) of the above. Tiantai also has a four-group. |
三乘 see styles |
sān shèng san1 sheng4 san sheng minori みのり |
(surname) Minori Triyāna, the three vehicles, or conveyances which carry living beings across saṁsāra or mortality (births-and-deaths) to the shores of nirvāṇa. The three are styled 小,中, and 大. Sometimes the three vehicles are defined as 聲聞 Śrāvaka, that of the hearer or obedient disciple; 緣覺Pratyeka-buddha, that of the enlightened for self; these are described as 小乘 because the objective of both is personal salvation; the third is 菩薩Bodhisattva, or 大乘 Mahāyāna, because the objective is the salvation of all the living. The three are also depicted as 三車 three wains, drawn by a goat, a deer, an ox. The Lotus declares that the three are really the One Buddha-vehicle, which has been revealed in three expedient forms suited to his disciples' capacity, the Lotus Sūtra being the unifying, complete, and final exposition. The Three Vehicles are differently explained by different exponents, e.g. (1) Mahāyāna recognizes (a) Śrāvaka, called Hīnayāna, leading in longer or shorter periods to arhatship; (b) Pratyeka-buddha, called Madhyamayāna, leading after still longer or shorter periods to a Buddhahood ascetically attained and for self; (c) Bodhisattva, called Mahayana, leading after countless ages of self-sacrifce in saving others and progressive enlightenment to ultimate Buddhahood. (2) Hīnayāna is also described as possessing three vehicles 聲, 緣, 菩 or 小, 中, 大, the 小 and 中 conveying to personal salvation their devotees in ascetic dust and ashes and mental annihilation, the 大 leading to bodhi, or perfect enlightenment, and the Buddha's way. Further definitions of the Triyāna are: (3) True bodhisattva teaching for the 大; pratyeka-buddha without ignorant asceticism for the 中; and śrāvaka with ignorant asceticism for the 小. (4) (a) 一乘 The One-Vehicle which carries all to Buddhahood: of this the 華嚴 Hua-yen and 法華 Fa-hua are typical exponents; (b) 三乘法 the three-vehicle, containing practitioners of all three systems, as expounded in books of the 深密般若; (c) 小乘 the Hīnayāna pure and simple as seen in the 四阿合經 Four Āgamas. Śrāvakas are also described as hearers of the Four Truths and limited to that degree of development; they hear from the pratyeka-buddhas, who are enlightened in the Twelve Nidānas 因緣; the bodhisattvas make the 六度 or six forms of transmigration their field of sacrificial saving work, and of enlightenment. The Lotus Sūtra really treats the 三乘. Three Vehicles as 方便 or expedient ways, and offers a 佛乘 Buddha Vehicle as the inclusive and final vehicle. |
三受 see styles |
sān shòu san1 shou4 san shou sanju |
The three states of Vedanā, i. e. sensation, are divided into painful, pleasurable, and freedom from both 苦, 樂, 捨. When things are opposed to desire, pain arises; when accordant, there is pleasure and a desire for their continuance; when neither, one is detached or free. 倶舍論 1. |
三垢 see styles |
sān gòu san1 gou4 san kou miyoshi みよし |
(personal name) Miyoshi The three defilers—desire, hate, stupidity (or ignorance), idem 三毒. |
三学 see styles |
sangaku さんがく |
{Buddh} (See 八正道) threefold training; three divisions of the noble eightfold path |
三家 see styles |
miya みや |
(1) (hist) three noble families (Kan'in, Kazan'in and Nakanoin or Koga); (2) (hist) (See 御三家・1) three branches of the Tokugawa family (Owari, Kii and Mito); (surname) Miya |
三寳 三宝 see styles |
sān bǎo san1 bao3 san pao sanbō |
Triratna, or Ratnatraya, i.e. the Three Precious Ones: 佛 Buddha, 法 Dharma, 儈 Saṅgha, i.e. Buddha, the Law, the Ecelesia or Order. Eitel suggests this trinity may be adapted from the Trimūrti, i.e, Brahma, Viṣṇu, and Sīva. The Triratna takes many forms, e.g. the Trikāya 三身 q.v. There is also the Nepalese idea of a triple existence of each Buddha as a Nirvāṇa-Buddha, Dhyāni-Buddha, and Mānuṣi-Buddha; also the Tantric trinity of Vairocana as Nirvāṇa-Buddha, Locana according to Eitel "existing in reflex in the world of forms", and the human Buddha, Śākyamuni. There are other elaborated details known as the four and the six kinds of triratna 四 and 六種三寳, e.g. that the Triratna exists in each member of the trinity. The term has also been applied to the 三仙 q.v. Popularly the 三寳 are referred to the three images in the main hall of monasteries. The centre one is Śākyamuni, on his left Bhaiṣajya 藥師 and on his right Amitābha. There are other explanations, e.g. in some temples Amitābha is in the centre, Avalokiteśvara on his left, and Mahāsthāmaprāpta or Mañjuśrī on his right. Table of Triratna, Trikāya, and Trailokya: — DHARMASAṄGHABUDDHAEssential BodhiReflected BodhiPractical BodhiDhyāni BuddhaDhyāni BodhisattvaMānuṣī BuddhaDharmakāyaSambhogakāyaNirmāṇakāyaPurityCompletenessTransformations4th Buddha-kṣetra3rd Buddha-kṣetra1st and 2nd Buddha kṣetraArūpadhātuRūpadhātuKāmadhātu. |
三德 see styles |
sān dé san1 de2 san te santoku |
The three virtues or powers, of which three groups are given below. (1) (a) 法身德 The virtue or potency of the Buddha's eternal, spiritual body, the dharmakāya; (b) 般若德 of his prājñā, or wisdom, knowing all things in their reality; (c) 解脫德 of his freedom from all bonds and his sovereign Iiberty. Each of these has the four qualities of 常, 樂我, 淨eternity, joy, personality, and purity; v. 漫涅槃經 (2) (a) 智德 The potency of his perfect knowledge; (b) 斷德 of his cutting off all illusion and perfecting of supreme nirvāṇa; the above two are 自利 for his own advantage; (c) 恩德 of his universal grace and salvation, which 利他 bestows the benefits he has acquired on others. (3) (a) 因圓德 The perfection of his causative or karmic works during his three great kalpas of preparation; (b) 果圓德 the perfection of the fruit, or results in his own character and wisdom; (c) 恩圓德 the perfection of his grace in the salvation of others. |
三想 see styles |
sān xiǎng san1 xiang3 san hsiang sansō |
The three evil thoughts are the last, desire, hate, malevolence; the three good thoughts are 怨想 thoughts of (love to) enemies, 親想 the same to family and friends, 中人想 the same to those who are neither enemies nor friends, i.e. to all; v. 智度論 72. |
三愆 see styles |
sān qiān san1 qian1 san ch`ien san chien |
The three misleading things: 貪 desire, 瞋 ire, and 邪 perverted views. |
三愛 三爱 see styles |
sān ài san1 ai4 san ai miyoshi みよし |
(1) koto, alcohol and poetry; the three loves; (2) {Buddh} the three desires of the realms of existence; (male given name) Miyoshi three kinds of attachment |
三有 see styles |
sān yǒu san1 you3 san yu san'u |
The three kinds of bhava, or existence; idem 三界 q. v. The three states of mortal existence in the trailokya, i. e. in the realms of desire, of form, and beyond form. Another definition is 現有 present existence, or the present body and mind; 當有 in a future state; 中有 antara-bhava, in the intermediate state. 三有對 The three sets of limitation on freedom: (a) direct resistance or opposition; (b) environment or condition; (c) attachment. 三有爲法 The three active) functioning dharmas: (1) pratigha, matter or form, i. e. that which has ' substantial resistance'; (2) mind; and (3) 非色非心 entities neither of matter nor mind; cf. 七十五法. 三有爲相 The three forms of all phenomena, birth, stay (i. e. 1ife), death; utpāda, sthiti, and nirvana. |
三果 see styles |
sān guǒ san1 guo3 san kuo mika みか |
(female given name) Mika The third of the Hīnayāna 四果 four fruits or results, i. e. non-return to mortality. |
三株 see styles |
sān zhū san1 zhu1 san chu mikabu みかぶ |
(place-name) Mikabu The three tree-trunks, or main stems—desire, hate, stupidity; v. 三毒. |
三根 see styles |
sān gēn san1 gen1 san ken mine みね |
(place-name, surname) Mine The three (evil) 'roots'— desire, hate, stupidity, idem 三毒. Another group is the three grades of good roots, or abilities 上, 中, 下 superior, medium, and inferior. Another is the three grades of faultlessness 三無漏根. |
三毒 see styles |
sān dú san1 du2 san tu sandoku さんどく |
{Buddh} (See 煩悩・2) the three kleshas that poison the heart of man (desire, ill will and ignorance) The three poisons, also styled 三根; 三株; they are 貪 concupiscence, or wrong desire, 瞋 anger, hate, or resentment, and 痴 stupidity, ignorance, unintelligence, or unwillingness to accept Buddha-truth; these three are the source of all the passions and delusions. They represent in part the ideas of love, hate, and moral inertia. v. 智度論 19, 31. |
三漏 see styles |
sān lòu san1 lou4 san lou sanro |
The three affluents that feed the stream of mortality, or transmigration: 欲 desire; 有 (material, or phenomenal) existence; 無明 ignorance (of the way of escape). 涅槃經 22. |
三火 see styles |
sān huǒ san1 huo3 san huo sanka |
The three fires—desire, hate, and stupidity; v. 三毒. |
三界 see styles |
sān jiè san1 jie4 san chieh mikai みかい |
(1) {Buddh} (See 欲界,色界,無色界) the three realms of existence; (2) (abbreviation) {Buddh} (See 三千大千世界) the whole universe (of a billion worlds) that Buddha enlightened; (3) {Buddh} (See 三世・さんぜ・1) past, present and future existences; (suffix) (4) far-off ...; distant ...; (surname) Mikai Trailokya or Triloka; the three realms; also 三有. It is the Buddhist metaphysical equivalent for the Brahmanic cosmological bhuvanatraya, or triple world of bhūr, bhuvaḥ, and svar, earth, atmosphere, and heaven. The Buddhist three are 欲, 色, and 無色界, i.e. world of sensuous desire, form, and formless world of pure spirit. (a) 欲界 Kāmadhātu is the realm of sensuous desire, of 婬 and 食 sex and food; it includes the six heavens of desire, the human world, and the hells. (b) 色界 Rūpadhātu is the realm of form, meaning 質礙 that which is substantial and resistant: it is above the lust-world and contains (so to speak) bodies, palaces, things, all mystic and wonderful一a semi-material conception like that in Revelation; it is represented in the 四禪天, or Brahmalokas. (c) 無色界 Arūpadhātu, or ārūpyadhātu, is the formless realm of pure spirit, where there are no bodies, places, things, at any rate none to which human terms would apply, but where the mind dwells in mystic contemplation; its extent is indefinable, but it is, conceived of in four stages, i,e. 四空處 the four "empty" regions, or regions of space in the immaterial world, which are 四無色 the four "formless" realms, or realms beyond form; being above the realm of form, their bounds cannot be defined. v. 倶舍論世間品. |
三緣 三缘 see styles |
sān yuán san1 yuan2 san yüan sanen |
The three nidānas or links with the Buddha resulting from calling upon him, a term of the Pure Land sect: (a) 親緣 that he hears those who call his name, sees their worship, knows their hearts and is one with them; (b) 近緣 that he shows himself to those who desire to see him; (c) 增上緣 that at every invocation aeons of sin are blotted out, and he and his sacred host receive such a disciple at death. |
三縛 三缚 see styles |
sān fú san1 fu2 san fu sanbaku |
The three bonds— desire, anger, stupidity; idem 三毒. |
三自 see styles |
sān zì san1 zi4 san tzu sanji |
abbr. for 三自愛國教會|三自爱国教会[San1 zi4 Ai4 guo2 Jiao4 hui4], Three-Self Patriotic Movement Three divisions of the eight-fold noble path, the first to the third 自調 self-control, the fourth and fifth 自淨 self-purification, the last three 自度 self-development in the religious life and in wisdom. Also 自體, 自相, 自用 substance, form, and function. |
三覆 三复 see styles |
sān fù san1 fu4 san fu mitsubuchi みつぶち |
(personal name) Mitsubuchi denote a day in each of the first, fifth, and ninth months when the recording angels of the four Lokapālas report on the conduct of each individual. See also 三覆八校. |
三請 三请 see styles |
sān qǐng san1 qing3 san ch`ing san ching sanshō |
A request thrice repeated— implying earnest desire. |
三障 see styles |
sān zhàng san1 zhang4 san chang sanshō |
The three vighna, i.e. hinderers or barriers, of which three groups are given: (1) (a) 煩惱障 the passions, i.e. 三毒 desire, hate, stupidity; (b) 業障 the deeds done; (c) 報障 the retributions. (2) (a) 皮煩惱障 ; (b) 肉煩惱障 ; (c) 心煩惱障 skin, flesh, and heart (or mind) troublers, i.e. delusions from external objects: internal views, and mental ignorance. (3) 三重障 the three weighty obstructions: (a) self-importance, 我慢; (b) envy, 嫉妬; (c) desire, 貧欲. |
上座 see styles |
shàng zuò shang4 zuo4 shang tso jouza / joza じょうざ |
seat of honor (at a banquet, meeting etc); (Buddhism) senior monk's seat or title (n,vs,adj-no) chief seat; seat of honor; seat of honour; head of the table; (place-name) Jōza Sthavira; or Mahāsthavira. Old man, or elder; head monk, president, or abbot; the first Buddhist fathers; a title of Mahākāśyapa; also of monks of twenty to forty-nine years standing, as 中座 are from ten to nineteen and 下座 under ten. The 釋氏要覽 divides presiding elders into four classes, those presiding over monasteries, over assemblies of monks, over sects, and laymen presiding over feasts to monks. |
不悅 不悦 see styles |
bù yuè bu4 yue4 pu yüeh fuetsu |
displeased; annoyed Unhappy, uneasy, the disturbing influence of desire. |
世主 see styles |
shì zhǔ shi4 zhu3 shih chu seshu |
(世主天) The Lord of the world, Brahmā; Maheśvara; also the four mahārājas 四天王; v. 梵天; 大自在天. |
世子 see styles |
shì zǐ shi4 zi3 shih tzu wakako わかこ |
crown prince; heir of a noble house heir; successor; (female given name) Wakako princes |
世法 see styles |
shì fǎ shi4 fa3 shih fa sehō |
Common or ordinary dharmas, i. e. truths, laws, things, etc. |
世胄 see styles |
shì zhòu shi4 zhou4 shih chou |
hereditary house; noble or official family |
中庸 see styles |
zhōng yōng zhong1 yong1 chung yung nakatsune なかつね |
golden mean (Confucianism); (literary) (of person) mediocre; ordinary (n,adj-no,adj-na) (1) middle way; (golden) mean; moderation; middle path; (2) (See 四書) the Doctrine of the Mean (one of the Four Books); (personal name) Nakatsune Doctrine of the Mean |
中洲 see styles |
zhōng zhōu zhong1 zhou1 chung chou nagasu ながす |
sandbank (in a river); sandbar; (surname) Nagasu Each of the four great continents at the foot of Mount Sumeru has two middling continents. |
中胎 see styles |
zhōng tāi zhong1 tai1 chung t`ai chung tai chūtai |
(中胎藏) The central figure of the eight-petalled group of the Garbhadhātu maṇḍala; i. e. the phenomenal Vairocana who has around him four Buddhas and four bodhisattvas, each on a petal. From this maṇḍala spring the four other great maṇḍalas. |
主事 see styles |
zhǔ shì zhu3 shi4 chu shih shuji しゅじ |
manager; director; superintendent; overseer viharāsvāmin; controller, director, the four heads of affairs in a monastery 監寺, 維那, 典坐, and 直歳. |
主典 see styles |
shuten しゅてん |
(1) (archaism) (See 四等官) secretary (lowest of the four administrative ranks of the ritsuryō system); (2) (しゅてん only) (obsolete) (See 禰宜・1) shrine official (ranking below a negi); (personal name) Shuten |
九卿 see styles |
jiǔ qīng jiu3 qing1 chiu ch`ing chiu ching kyuukei / kyuke きゅうけい |
the nine top officials (in imperial China) (1) (hist) nine ministers (of the ancient Chinese government); (2) (hist) (See 公卿・1) high-ranking court noble; senior court official; kugyō |
九地 see styles |
jiǔ dì jiu3 di4 chiu ti kuji くじ |
very low land; (surname) Kuji The nine lands, i.e. the 欲界 realm of desire or sensuous realm the four 色界 realms of form or material forms; and the four 無色界 formless realms, or realms beyond form; v. 九有, 九有情居, 禪 and 定. The nine realms are:—(1) 欲界五趣地; the desire realm with its five gati, i.e. hells, hungry ghosts, animals, men, and devas. In the four form-realms are:— (2) 離生喜樂地 Paradise after earthly life, this is also the first dhyāna, or subject of meditation, 初禪. (3) 定生喜樂地 Paradise of cessation of rebirth, 二禪. (4) 離喜妙樂地 Land of wondrous joy after the previous joys, 三禪. (5) 捨念淸淨地 The Pure Land of abandonment of thought, or recollection (of past delights), 四禪. The four formless, or infinite realms, catur arūpa dhātu, are:—(6) 空無邊處地 ākāśānantyā-yatanam, the land of infinite space; also the first samādhi, 第一定. (7) 識無邊處地 vijñānānamtyāyatanam, the land of omniscience, or infinite perception, 二定. (8) 無所有處地 ākiñcanyāyatana, the land of nothingness, 三定. (9) 非想非非想處地 naivasaṁjñānā-saṁjñāyatana, the land (of knowledge) without thinking or not thinking, or where there is neither consciousness nor unconsciousness, i.e. above either; this is the 四定. Eitel says that in the last four, "Life lasts 20,000 great kalpas in the 1st, 40,000 in the 2nd, 60,000 in the 3rd, and 80,000 great kalpas in the 4th of these heavens." |
九字 see styles |
jiǔ zì jiu3 zi4 chiu tzu kuji くじ |
{Buddh} (See 臨兵闘者皆陣裂在前) nine-character charm chanted with ritual gestures to ward off evil (esp. by mountain ascetics and adherents of Esoteric Buddhism) The nine magical characters 臨兵鬪者皆陳列在前 implying that the armed forces are arrayed against the powers of evil. After reciting these words, four vertical and five horizontal lines, forming a grid, are drawn in the air to show that the forces are arrayed. It was used among Taoists and soldiers, and is still used in Japan, especially when going into the mountains. |
九尊 see styles |
jiǔ zūn jiu3 zun1 chiu tsun kuson |
The nine honoured ones in the eight-petalled hall of the Garbhadhātu, i.e. Vairocana in the centre of the lotus, with four Buddhas and four bodhisattvas on the petals, the lotus representing the human heart; v. 五佛. |
九州 see styles |
jiǔ zhōu jiu3 zhou1 chiu chou kyuushuu / kyushu きゅうしゅう |
division of China during earliest dynasties; fig. ancient China; Kyūshū, southernmost of Japan's four major islands Kyūshū (southernmost of the four main islands of Japan); (place-name, surname) Kyūshuu |
九想 see styles |
jiǔ xiǎng jiu3 xiang3 chiu hsiang kusō |
(九想觀) or 九相 navasaṃjñā. Meditation on a corpse in order to curb desire; one of the meditations on the unclean: vyādhmātakasaṃjñā, its tumefaction; vinīlakas., its blue, mottled colour; vipadumakas., its decay; vilohitakas., its mess of blood,etc.; vipūyakas., its discharges and rotten flesh; vikhāditakas., its being devoured by birds and beasts; vikṣiptakas., its dismembering; asthis., its bones; vidagdhakas., their being burnt and returning to dust. |
九族 see styles |
kyuuzoku / kyuzoku きゅうぞく |
(form) nine nearest generations of relatives; four generations back, oneself, and four generations to come |
九業 九业 see styles |
jiǔ yè jiu3 ye4 chiu yeh kugō |
The nine kinds of karma, i.e. the desire realm and the form realm each has conduct that causes karma, does not cause karma, or is neutral, making 6; in the formless realm there are non-causative deeds, neutrality, and immortality, making 9; 成實論 8. |
九道 see styles |
jiǔ dào jiu3 dao4 chiu tao kudō |
idem 九有情居.; The nine truths, or postulates: impermanence; suffering; voidness (or unreality of things); no permanent ego, or soul; love of existence or possessions, resulting in suffering; the opposite (or fear of being without them), also resulting in suffering; the cutting off of suffering and its cause; nirvāṇa with remainder still to be worked out; complete nirvāṇa. |
事教 see styles |
shì jiào shi4 jiao4 shih chiao jikyō |
Teaching dealing with phenomena. The characterization by Tiantai of the Tripiṭaka or Hīnayāna teaching as 界内事教 within the three realms of desire, form, and formlessness; and the 別教 'different teaching' as 界外事教 outside or superior to those realms; the one dealt with the activities of time and sense, the other transcended these but was still involved in the transient; the 別教 was initial Mahāyāna incompletely developed. |
事障 see styles |
shì zhàng shi4 zhang4 shih chang jishō |
Phenomenal hindrances to entry into nirvāṇa, such as desire, etc.; 理障 are noumenal hindrances, such as false doctrine, etc. |
二因 see styles |
èr yīn er4 yin1 erh yin niin / nin にいん |
{Buddh} two causes Two causes, of which there are various definitions: (1) 生因 The producing cause (of all good things); and 了因 the revealing or illuminating cause i.e. knowledge, or wisdom. (2) 能生因 The 8th 識 q. v.: the cause that is able to produce all sense and perceptions, also all good and evil; and 方便因 the environmental or adaptive cause, which aids the 8th 識, as water or earth does the seed, etc. (3) 習因 or 同類因 Practice or habit as cause e. g. desire causing desire; and 報因 or 果熟因 the rewarding cause, or fruit-ripening cause, e. g. pleasure or pain caused by good or evil deeds. (4) 正因 Correct or direct cause i.e. the Buddha-nature of all beings; and 緣因 the contributory cause, or enlightenment (see 了因 above) which evolves the 正因 or Buddha-nature by good works. (5) 近因 Immediate or direct cause and 遠因 distant or indirect cause or causes. |
二惑 see styles |
èr huò er4 huo4 erh huo niwaku |
The two aspects of illusion: 見惑 perplexities or illusions and temptations arise from false views or theories. 思惑 or 修惑, ditto from thoughts arising through contact with the world, or by habit, such as desire, anger, infatuation, etc. They are also styled 理惑 illusions connected with principles and 事惑 illusions arising, in practice; v. 見思. |
二愛 二爱 see styles |
èr ài er4 ai4 erh ai futae ふたえ |
(female given name) Futae The two kinds of love, 欲愛 ordinary human love springing from desire; 法愛 bodhisattva or religious love, i.e. desiring to save all creatures. |
二時 二时 see styles |
èr shí er4 shi2 erh shih niji ふたとき |
(temporal noun) (1) fairly long period of time; (2) (archaism) four-hour period; (temporal noun) two o'clock The two times or periods— morning and evening. Also 迦羅 kāla, a regular or fixed hour for meals, and 三昧耶 samaya, irregular or unfxed hours or times. |
二果 see styles |
èr guǒ er4 guo3 erh kuo nika |
Sakṛdāgāmin; v. 裟 and 斯. The second "fruit" of the four kinds of Hīnayāna arhats, who have only once more to return to mortality. Also the two kinds of fruit or karma: (a) 習氣果 The good or evil characteristics resulting from habit or practice in a former existence; (b) 報果the pain or pleasure resulting (in this life) from the practices of a previous life. |
五乘 see styles |
wǔ shèng wu3 sheng4 wu sheng gojō |
The five vehicles conveying to the karma reward which differs according to the vehicle: they are generally summed up as (1) 入乘 rebirth among men conveyed by observing the five commandments; (2) 天乘 among the devas by the ten forms of good action; (3) 聲聞乘 among the śrāvakas by the four noble truths; (4) 緣覺乘 among pratyekabuddhas by the twelve nidānas; (5) 菩薩乘 among the Buddhas and bodhisattvas by the six pāramitās 六度 q. v. Another division is the various vehicles of bodhisattvas; pratyekabuddhas; śrāvakas; general; and devas-and-men. Another is Hīnayāna Buddha, pratyekabuddhas, śrāvakas, the gods of the Brahma heavens, and those of the desire-realm. Another is Hīnayāna ordinary disciples: śrāvakas: pratyekabuddhas; bodhisattvas; and the one all-inclusive vehicle. And a sixth, of Tiantai, is for men; devas; śrāvakas-cum-pratyekabuddhas; bodhisattvas: and the Buddha-vehicle. The esoteric cult has: men, corresponding with earth; devas, with water: śrāvakas, with fire: pratyekabuddhas, with wind; and bodhisattvas, with 空 the 'void'. |
五因 see styles |
wǔ yīn wu3 yin1 wu yin goin |
The five causes, v. 倶舍論 7. i. e. (1) 生因 producing cause; (2) 依因supporting cause; (3) 立因 upholding or establishing cause; (4) 持因 maintaining cause; (5) 養因 nourishing or strengthening cause. These all refer to the four elements, earth, water, fire, wind, for they are the causers or producers and maintainers of the infinite forms of nature. Another list from the Nirvana-Sutra 21 is (1) 生因 cause of rebirth, i. e. previous delusion; (2) 和合因 intermingling cause, i. e. good with good, bad with bad, neutral with neutral; (3) 住因 cause of abiding in the present condition, i. e. the self in its attachments; (4) 增長因 causes of development, e. g. food, clothing, etc.; (5) 遠因 remoter cause, the parental seed. |
五徳 see styles |
gotoku ごとく |
(1) the five virtues (esp. in Confucianism); (2) tripod; three or four-legged kettle stand; (3) family crest in the shape of a three-legged kettle stand; (surname) Gotoku |
五情 see styles |
wǔ qíng wu3 qing2 wu ch`ing wu ching gojou / gojo ごじょう |
the five passions (anger, joy, hatred, desire and grief) The feelings, or passions, which are stirred by the 五根 five senses. |
Entries with 2nd row of characters: The 2nd row is Simplified Chinese.
This page contains 100 results for "Four Noble Truths: - Desire and Attachment" in Chinese and/or Japanese.Information about this dictionary:
Apparently, we were the first ones who were crazy enough to think that western people might want a combined Chinese, Japanese, and Buddhist dictionary.
A lot of westerners can't tell the difference between Chinese and Japanese - and there is a reason for that. Chinese characters and even whole words were borrowed by Japan from the Chinese language in the 5th century. Much of the time, if a word or character is used in both languages, it will have the same or a similar meaning. However, this is not always true. Language evolves, and meanings independently change in each language.
Example: The Chinese character 湯 for soup (hot water) has come to mean bath (hot water) in Japanese. They have the same root meaning of "hot water", but a 湯屋 sign on a bathhouse in Japan would lead a Chinese person to think it was a "soup house" or a place to get a bowl of soup. See this: Japanese Bath House
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Chinese Buddhist terms come from Dictionary of Chinese Buddhist Terms by William Edward Soothill and Lewis Hodous. This is commonly referred to as "Soothill's'". It was first published in 1937 (and is now off copyright so we can use it here). Some of these definitions may be misleading, incomplete, or dated, but 95% of it is good information. Every professor who teaches Buddhism or Eastern Religion has a copy of this on their bookshelf. We incorporated these 16,850 entries into our dictionary database ourselves (it was lot of work).
Combined, these cover 1,007,753 Japanese, Chinese, and Buddhist characters, words, idioms, names, placenames, and short phrases.
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