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12345678910...>| Characters | Pronunciation Romanization |
Simple Dictionary Definition |
張 张 see styles |
zhāng zhang1 chang miharu みはる |
More info & calligraphy: Teoh(1) (archaism) {astron} (See 二十八宿,朱雀・すざく・2) Chinese "Extended Net" constellation (one of the 28 mansions); (suf,ctr) (2) counter for objects with stretched strings (i.e. bows, kotos), curtains, papers, etc.; (given name) Miharu extended |
禪 禅 see styles |
shàn shan4 shan yuzuri ゆずり |
More info & calligraphy: Zen / Chan / Meditation(out-dated kanji) (1) (Buddhist term) dhyana (profound meditation); (2) (abbreviation) Zen (Buddhism); (surname) Yuzuri To level a place for an altar, to sacrifice to the hills and fountains; to abdicate. Adopted by Buddhists for dhyāna, 禪 or 禪那, i.e. meditation, abstraction, trance. dhyāna is 'meditation, thought, reflection, especially profound and abstract religious contemplation'. M.W. It was intp. as 'getting rid of evil', etc., later as 靜慮 quiet meditation. It is a form of 定, but that word is more closely allied with samādhi, cf. 禪定. The term also connotes Buddhism and Buddhist things in general, but has special application to the 禪宗 q.v. It is one of the six pāramitās, cf. 波. There are numerous methods and subjects of meditation. The eighteen brahmalokas are divided into four dhyāna regions 'corresponding to certain frames of mind where individuals might be reborn in strict accordance with their spiritual state'. The first three are the first dhyāna, the second three the second dhyāna, the third three the third dhyāna, and the remaining nine the fourth dhyāna. See Eitel. According to Childers' Pali Dictionary, 'The four jhānas are four stages of mystic meditation, whereby the believer's mind is purged from all earthly emotions, and detached as it were from his body, which remains plunged in a profound trance.' Seated cross-legged, the practiser 'concentrates his mind upon a single thought. Gradually his soul becomes filled with a supernatural ecstasy and serenity', his mind still reasoning: this is the first jhāna. Concentrating his mind on the same subject, he frees it from reasoning, the ecstasy and serenity remaining, which is the second jhāna. Then he divests himself of ecstasy, reaching the third stage of serenity. Lastly, in the fourth stage the mind becomes indifferent to all emotions, being exalted above them and purified. There are differences in the Mahāyāna methods, but similarity of aim. |
雙 双 see styles |
shuāng shuang1 shuang sō |
More info & calligraphy: ShuangA pair, couple, twin; mates, matched. |
魂 see styles |
hún hun2 hun kokoro こころ |
More info & calligraphy: Soul / Spirit(See 魄) Yang energy; spirit; (female given name) Kokoro The mind, the soul, conscious mind, vijñāna; also 魂神. |
鯤 鲲 see styles |
kūn kun1 k`un kun kon こん |
More info & calligraphy: Kun{chmyth} (See 鵬) kun (giant fish said to be able to turn into a bird) |
鹿 see styles |
lù lu4 lu roku ろく |
More info & calligraphy: Deerdeer (esp. the sika deer, Cervus nippon); cervid; (personal name) Roku mṛga; a deer; as Śākyamuni first preached the four noble truths in the Deer-garden, the deer is a symbol of his preaching. |
佛心 see styles |
fó xīn fo2 xin1 fo hsin busshin |
More info & calligraphy: Buddha Heart / Mind of BuddhaThe mind of Buddha, the spiritually enlightened heart. A heart of mercy; a heart abiding in the real, not the seeming; detached from good and evil and other such contrasts. |
佛法 see styles |
fó fǎ fo2 fa3 fo fa buppō |
More info & calligraphy: Dharma / Buddhist Doctrinebuddhadharma; the Dharma or Law preached by the Buddha, the principles underlying these teachings, the truth attained by him, its embodiment in his being. Buddhism. |
合掌 see styles |
hé zhǎng he2 zhang3 ho chang gasshou / gassho がっしょう |
More info & calligraphy: Gassho(n,vs,vi) (1) pressing one's hands together in prayer; (2) triangular frame of a thatched roof; (expression) (3) (at the end of Buddhist correspondence) (See 敬具) yours sincerely; yours truly; sincerely yours; (surname) Gasshou the gesture of joining one's palms and putting them to the breast as an expression of reverence |
四諦 四谛 see styles |
sì dì si4 di4 ssu ti shitai したい |
More info & calligraphy: Four Noble Truths (Buddhism){Buddh} (See 苦集滅道) The Four Noble Truths catvāri-ārya-satyāni; 四聖諦; 四眞諦. The four dogmas, or noble truths, the primary and fundamental doctrines of Śākyamuni, said to approximate to the form of medical diagnosis. They are pain or 'suffering, its cause, its ending, the way thereto; that existence is suffering, that human passion (taṇhā, 欲 desire) is the cause of continued suffering, that by the destruction of human passion existence may be brought to an end; that by a life of holiness the destruction of human passion may be attained'. Childers. The four are 苦, 聚 (or 集), 滅, and 道諦, i. e. duḥkha 豆佉, samudaya 三牟提耶, nirodha 尼棲陀, and mārga 末加. Eitel interprets them (1) 'that 'misery' is a necessary attribute of sentient existence'; (2) that 'the 'accumulation' of misery is caused by the passions'; (3) that 'the 'extinction' of passion is possible; (4) mārga is 'the doctrine of the 'path' that leads to the extinction of passion'. (1) 苦 suffering is the lot of the 六趣 six states of existence; (2) 集 is the aggregation (or exacerbation) of suffering by reason of the passions; (3) 滅 is nirvana, the extinction of desire and its consequences, and the leaving of the sufferings of mortality as void and extinct; (4) 道 is the way of such extinction, i. e. the 八正道 eightfold correct way. The first two are considered to be related to this life, the last two to 出世間 a life outside or apart from the world. The four are described as the fundamental doctrines first preached to his five former ascetic companions. Those who accepted these truths were in the stage of śrāvaka. There is much dispute as to the meaning of 滅 'extinction' as to whether it means extinction of suffering, of passion, or of existence. The Nirvana Sutra 18 says that whoever accepts the four dogmas will put an end to births and deaths 若能見四諦則得斷生死 which does not of necessity mean the termination of existence but that of continued transmigration. v. 滅. |
神兵 see styles |
shinpei / shinpe しんぺい |
More info & calligraphy: Soldier of the Gods |
菩薩 菩萨 see styles |
pú sà pu2 sa4 p`u sa pu sa mizoro みぞろ |
More info & calligraphy: Bodhisattva(n,n-suf) (1) {Buddh} bodhisattva; one who has reached enlightenment but vows to save all beings before becoming a buddha; (n,n-suf) (2) High Monk (title bestowed by the imperial court); (n,n-suf) (3) (See 本地垂迹説) title bestowed to Shinto kami in manifestation theory; (surname) Mizoro bodhisattva, cf. 菩提薩埵. While the idea is not foreign to Hīnayāna, its extension of meaning is one of the chief marks of Mahāyāna. 'The Bodhisattva is indeed the characteristic feature of the Mahāyāna.' Keith. According to Mahāyāna the Hinayanists, i.e. the śrāvaka and pratyekabuddha, seek their own salvation, while the bodhisattva's aim is the salvation of others and of all. The earlier intp. of bodhisattva was 大道心衆生 all beings with mind for the truth; later it became 大覺有情 conscious beings of or for the great intelligence, or enlightenment. It is also intp. in terms of leadership, heroism, etc. In general it is a Mahayanist seeking Buddhahood, but seeking it altruistically; whether monk or layman, he seeks enlightenment to enlighten others, and he will sacrifice himself to save others; he is devoid of egoism and devoted to helping others. All conscious beings having the Buddha-nature are natural bodhisattvas, but require to undergo development. The mahāsattva is sufficiently advanced to become a Buddha and enter nirvāṇa, but according to his vow he remains in the realm of incarnation to save all conscious beings. A monk should enter on the arduous course of discipline which leads to Bodhisattvahood and Buddhahood. |
チャド see styles |
chado チャド |
More info & calligraphy: Chad |
ブッセ see styles |
busse ブッセ |
More info & calligraphy: Busse |
ぴーぴー see styles |
piipii / pipi ぴーぴー |
(n,adv) (1) (onomatopoeic or mimetic word) peep; chirp; beep; whistling, chirping, piping, etc. sound made by birds, insects, pipes, children, etc.; (noun/participle) (2) poor; hard up; pinched; (3) the runs; diarrhea; diarrhoea; (4) flute; pipe; (5) beginner; novice |
屋烏の愛 see styles |
okuunoai / okunoai おくうのあい |
More info & calligraphy: True Love |
波羅末陀 波罗末陀 see styles |
bō luó mò tuó bo1 luo2 mo4 tuo2 po lo mo t`o po lo mo to haramada |
More info & calligraphy: Paramartha |
仵 see styles |
wǔ wu3 wu |
equal; well-matched; to violate |
佌 see styles |
cǐ ci3 tz`u tzu |
petty; wretched |
冗 see styles |
rǒng rong3 jung jou / jo じょう |
extraneous; redundant; superfluous; busy schedule waste; uselessness; redundance |
割 see styles |
gē ge1 ko wari わり |
to cut; to cut apart (n,n-suf) (1) rate; ratio; proportion; percentage; (2) profit; (3) assignment; (4) 10%; unit of ten percent; (5) (sumo) match; schedule of matches; (suffix noun) (6) diluted with (of drinks); mixed with; (place-name) Wari To cut, gash, sever. |
取 see styles |
qǔ qu3 ch`ü chü takadori たかどり |
to take; to get; to choose; to fetch {Buddh} (See 十二因縁) appropriation; obtaining; (surname) Takadori upādāna. To grasp, hold on to, held by, be attached to, love; used as indicating both 愛 love or desire and 煩惱 the vexing passions and illusions. It is one of the twelve nidānas 十二因緣 or 十二支 the grasping at or holding on to self-existence and things. |
号 see styles |
gou / go ごう |
(n,n-suf) (1) number; edition; make; model; issue; part of that group; (2) sobriquet; pen-name; (suffix) (3) suffix attached to names of ships, trains, airplanes, etc.; (given name) Gou |
咫 see styles |
zhǐ zhi3 chih ata あた |
8 in. length unit of Zhou dynasty (n,n-suf,ctr) (archaism) distance between outstretched thumb and middle finger (approx. 18 cm) |
寺 see styles |
sì si4 ssu teraji てらじ |
Buddhist temple; mosque; government office (old) temple (Buddhist); (personal name) Teraji vihāra, 毘訶羅 or 鼻訶羅; saṅghārāma 僧伽藍; an official hall, a temple, adopted by Buddhists for a monastery, many other names are given to it, e. g. 淨住; 法同舍; 出世舍; 精舍; 淸淨園; 金剛刹; 寂滅道場; 遠離處; 親近處 'A model vihāra ought to be built of red sandalwood, with 32 chambers, 8 tāla trees in height, with a garden, park and bathing tank attached; it ought to have promenades for peripatetic meditation and to be richly furnished with stores of clothes, food, bedsteads, mattresses, medicines and all creature comforts.' Eitel. |
幟 帜 see styles |
zhì zhi4 chih noboru のぼる |
flag (1) (kana only) nobori; long, narrow banner attached to a pole on one side and a horizontal rod along the top; (2) (kana only) Boys' Day nobori; carp streamer; (given name) Noboru |
庵 see styles |
ān an1 an ihori いほり |
hut; small temple; nunnery (n,n-suf) hermitage; retreat; (surname) Ihori A thatched hut, shelter, place of retirement from the world; a small temple; especially a nunnery, hence庵室; 庵寺 generally applies to such, and庵主 is the abbess. |
庹 see styles |
tuǒ tuo3 t`o to |
length of 2 outstretched arms |
廬 庐 see styles |
lú lu2 lu ru る |
hut (rare) small house; thatched hut; (surname) Ru A hut, shelter, hovel. |
慘 惨 see styles |
cǎn can3 ts`an tsan |
miserable; wretched; cruel; inhuman; disastrous; tragic; dim; gloomy See: 惨 |
戀 恋 see styles |
liàn lian4 lien ren こい |
to feel attached to; to long for; to love (out-dated kanji) (romantic) love To be fond of, hanker after, cleave to; 戀慕. |
拱 see styles |
gǒng gong3 kung |
to cup one's hands in salute; to surround; to arch; to dig earth with the snout; arched |
擠 挤 see styles |
jǐ ji3 chi |
to crowd in; to cram in; to force others aside; to press; to squeeze; to find (time in one's busy schedule) |
斷 断 see styles |
duàn duan4 tuan dan |
to break; to snap; to cut off; to give up or abstain from something; to judge; (usu. used in the negative) absolutely; definitely; decidedly uccheda; to cut off, end, get rid of, cause to cease; decide, decidedly. |
旝 see styles |
kuài kuai4 k`uai kuai |
(literary) standard; banner (raised for battle); (literary) catapult, or a rock launched by a catapult |
晒 see styles |
shài shai4 shai sarashi さらし |
variant of 曬|晒[shai4] (1) bleaching; bleached cotton; (2) public humiliation (punishment); (surname) Sarashi |
曝 see styles |
pù pu4 p`u pu sarashi さらし |
to air; to sun (1) bleaching; bleached cotton; (2) public humiliation (punishment) |
櫓 橹 see styles |
lǔ lu3 lu yagura やぐら |
scull (single oar worked from side to side over the stern of a boat) Japanese scull (oar attached to the rear of the boat by a traditional peg-in-hole oarlock); (1) turret; watchtower; (2) high wooden stage; scaffolding; (3) wooden frame (of a kotatsu); (4) (archaism) weapons storehouse; (surname) Yagura |
焦 see styles |
jiāo jiao1 chiao masayuki まさゆき |
burnt; scorched; charred; worried; anxious; coke; joule (abbr. for 焦耳[jiao1 er3]) (personal name) Masayuki Scorch, harass. |
熨 see styles |
yùn yun4 yün noshi のし nushi ぬし |
an iron; to iron (out-dated or obsolete kana usage) (kana only) long thin strip of dried sea-ear or paper attached to a gift |
燥 see styles |
zào zao4 tsao sō |
dry; parched; impatient; vexed; (bound form) (Taiwan pr. [sao4]) minced meat dried |
狽 狈 see styles |
bèi bei4 pei |
a legendary wolf; distressed; wretched |
班 see styles |
bān ban1 pan han はん |
team; class; grade; (military) squad; work shift; classifier for groups of people and scheduled transport vehicles (n,n-suf) (1) (also read ぱん as a suffix) group; party; team; (n,n-suf) (2) {mil} squad; section A class, rank, band; translit. pan. |
監 监 see styles |
jiàn jian4 chien kanzaki かんざき |
(bound form) supervisor; supervisory office (in imperial China) (n,n-suf) (1) (archaism) special Nara-period administrative division for areas containing a detached palace (Yoshino and Izumi); (2) (archaism) (See 大宰府) secretary; third highest-ranking officials in the Dazaifu; (surname) Kanzaki To survey, examine; a palace-eunuch; the Academy; to superintend, oversee; warden of a jail, warder, jail. |
眢 see styles |
yuān yuan1 yüan |
inflamed eyelids; parched |
等 see styles |
děng deng3 teng hitoshi ひとし |
to wait for; to await; by the time; when; till; and so on; etc.; et al.; (bound form) class; rank; grade; (bound form) equal to; same as; (used to end an enumeration); (literary) (plural suffix attached to a personal pronoun or noun) (suffix) (1) (kana only) pluralizing suffix; (suffix) (2) (kana only) (See あちら・1,いくら・1) or so; rough indicator of direction, location, amount, etc.; (suffix) (3) (kana only) (after the stem of an adjective) (See 清ら) nominalizing suffix; (s,m,f) Hitoshi To pair; parallel, equal, of like order; a class, grade, rank; common; to wait; sign of plural. In Buddhist writings it is also used for 'equal everywhere', 'equally everywhere', 'universal'. |
篠 see styles |
xiǎo xiao3 hsiao tsuguo つぐお |
dwarf bamboo (1) (See 篠竹・しのだけ) thin-culmed dwarf bamboo (growing in clusters); (2) (しの only) (abbreviation) (See 篠笛) Japanese transverse bamboo flute (high-pitched; usu. with seven holes); (3) (しの only) sliver (strand of loose fibers); (personal name) Tsuguo |
緱 缑 see styles |
gōu gou1 kou |
rope attached to a sword hilt; (archaic) hilt; sword |
繫 系 see styles |
xì xi4 hsi kei |
to connect; to arrest; to worry To fasten, attach to, connect; think of, be attached to, fix the thoughts on. |
罱 see styles |
lǎn lan3 lan |
a kind of tool used to dredge up fish, water plants or river mud, consisting of a net attached to a pair of bamboo poles, which are used to open and close the net; to dredge with such a tool |
艪 橹 see styles |
lǔ lu3 lu ro ろ |
variant of 櫓|橹[lu3] Japanese scull (oar attached to the rear of the boat by a traditional peg-in-hole oarlock) |
茹 see styles |
rú ru2 ju |
to eat; (extended meaning) to endure; putrid smell; vegetables; roots (inextricably attached to the plant) |
菴 庵 see styles |
ān an1 an iori いおり |
variant of 庵[an1] (n,n-suf) hermitage; retreat; (surname) Iori Hut, thatched cottage, small temple, nunnery; translit. aṃ, āṃ. |
葺 see styles |
qì qi4 ch`i chi buki ぶき |
to repair (suffix) roofing; roofed with; thatching; thatched with; shingling; shingled with |
蔋 see styles |
dí di2 ti |
dry; scorched |
號 号 see styles |
hào hao4 hao gou / go ごう |
ordinal number; day of a month; mark; sign; business establishment; size; ship suffix; horn (wind instrument); bugle call; assumed name; to take a pulse; classifier used to indicate number of people (n,n-suf) (1) number; edition; make; model; issue; part of that group; (2) sobriquet; pen-name; (suffix) (3) suffix attached to names of ships, trains, airplanes, etc.; (personal name) Gou To roar, call, cry, scream; sign, mark, designation. |
贕 see styles |
dú du2 tu |
still-born chick (in unhatched egg); variant of 殰|㱩[du2] |
跛 see styles |
bǒ bo3 po bikko びっこ chinba ちんば ashinae あしなえ |
to limp; lame; crippled (1) (kana only) (sensitive word) lameness; cripple; (2) mismatched pair (of shoes, etc.) |
轅 辕 see styles |
yuán yuan2 yüan nagae ながえ |
shaft of a cart or carriage; (bound form) entrance gate of a military camp or yamen; (fig.) government office shafts (attached to the yoke of a cart, plow, etc.) |
轡 辔 see styles |
pèi pei4 p`ei pei kutsuwa くつわ |
bridle; reins (out-dated or obsolete kana usage) bit (i.e. attached to a bridle); (surname) Kutsuwa a spur |
釳 𨰿 see styles |
xì xi4 hsi |
(arch.) metal horn attached as shield to horse or to the axle of a chariot |
鉉 铉 see styles |
xuàn xuan4 hsüan gen げん |
stick-like implement inserted into the handles of a tripod cauldron in ancient times in order to lift the cauldron; commonly used in Korean names, transcribed as "hyun" (1) bowstring; (2) string (of shamisen, guitar, violin, etc.); (3) bail (arched pot handle); (4) diagonal levelling wire across the top of a masu; (personal name) Gen |
銜 衔 see styles |
xián xian2 hsien kutsuwa くつわ |
bit (of a bridle); to hold in the mouth; to harbor (feelings); to link; to accept; rank; title bit (i.e. attached to a bridle) |
錏 铔 see styles |
yà ya4 ya shikoro しころ |
ammonium (old) series of articulated plates attached to the back and sides of a Japanese helmet |
錣 see styles |
shikoro しころ |
series of articulated plates attached to the back and sides of a Japanese helmet |
鏑 镝 see styles |
dí di2 ti kabura かぶら |
arrow or arrowhead (old) (1) (abbreviation) (See 蕪) turnip-shaped whistle made of hollowed-out wood or deer horn (attached to an arrow to sound when fired); (2) (See 鏑矢) arrow with such a whistle attached; (surname) Kabura |
閨 闺 see styles |
guī gui1 kuei neya ねや |
small arched door; boudoir; lady's chamber; (fig.) women (1) sleeping quarters; bedroom (mainly refers to one used by a married couple); (2) inner room; inner sanctum; (place-name, surname) Neya |
附 see styles |
fù fu4 fu fu |
to add; to attach; to be close to; to be attached Adjoin, attached to, append, near. |
魄 see styles |
pò po4 p`o po haku はく |
(literary) soul; mortal soul (i.e. attached to the body) (See 魂・こん) Yin energy; spirit soul |
麿 see styles |
mǒ mo3 mo migaku みがく |
(Japanese kokuji) I, me (archaic); suffix attached to the name of a person or pet; pr. maro (pronoun) (1) (archaism) I; me; (2) (person having) thin or shaved eyebrows; (suffix) (3) affectionate suffix for names of young men or pets; (surname) Migaku |
ON see styles |
on オン |
(1) (kana only) (See オフ・1) (switched) on; (n,vs,vt,vi) (2) (kana only) {golf} being on the green (of one's ball) |
ボケ see styles |
boke ボケ |
(n,suf) (1) (kana only) idiot; fool; touched in the head (from); out of it (from); space case; (2) (kana only) funny man (of a comedy duo); (in comedy) silly or stupid line; (3) Alzheimer's (impol); (kana only) bokeh; blur; lack of focus; unsharpness; (kana only) Japanese quince (Chaenomeles speciosa); flowering quince; (place-name) Boke (Guinea) |
三受 see styles |
sān shòu san1 shou4 san shou sanju |
The three states of Vedanā, i. e. sensation, are divided into painful, pleasurable, and freedom from both 苦, 樂, 捨. When things are opposed to desire, pain arises; when accordant, there is pleasure and a desire for their continuance; when neither, one is detached or free. 倶舍論 1. |
三身 see styles |
sān shēn san1 shen1 san shen sanmi さんみ |
{Buddh} trikaya (three bodies of the Buddha); (surname) Sanmi trikāya. 三寶身 The threefold body or nature of a Buddha, i.e. the 法, 報, and 化身, or dharmakāya, sambhogakāya, and nirmāṇakāya. The three are defined as 自性, 受用, and 變化, the Buddha-body per se, or in its essential nature; his body of bliss, which he "receives" for his own "use" and enjoyment; and his body of transformation, by which he can appear in any form; i.e. spiritual, or essential; glorified; revealed. While the doctrine of the trikāya is a Mahāyāna concept, it partly results from the Hīnayāna idealization of the earthly Buddha with his thirty-two signs, eighty physical marks, clairvoyance, clairaudience, holiness, purity, wisdom, pity, etc. Mahāyāna, however, proceeded to conceive of Buddha as the Universal, the All, with infinity of forms, yet above all our concepts of unity or diversity. To every Buddha Mahāyāna attributed a three-fold body: that of essential Buddha; that of joy or enjoyment of the fruits of his past saving labours; that of power to transform himself at will to any shape for omnipresent salvation of those who need him. The trinity finds different methods of expression, e.g. Vairocana is entitled 法身, the embodiment of the Law, shining everywhere, enlightening all; Locana is 報身; c.f. 三賓, the embodiment of purity and bliss; Śākyamuni is 化身 or Buddha revealed. In the esoteric sect they are 法 Vairocana, 報 Amitābha, and 化 Śākyamuni. The 三賓 are also 法 dharma, 報 saṅgha, 化 buddha. Nevertheless, the three are considered as a trinity, the three being essentially one, each in the other. (1) 法身 Dharmakāya in its earliest conception was that of the body of the dharma, or truth, as preached by Śākyamuni; later it became his mind or soul in contrast with his material body. In Mādhyamika, the dharmakāya was the only reality, i.e. the void, or the immateria1, the ground of all phenomena; in other words, the 眞如 the tathāgatagarbha, the bhūtatathatā. According to the Huayan (Kegon) School it is the 理or noumenon, while the other two are氣or phenomenal aspects. "For the Vijñānavāda... the body of the law as highest reality is the void intelligence, whose infection (saṃkleҫa) results in the process of birth and death, whilst its purification brings about Nirvāṇa, or its restoration to its primitive transparence" (Keith). The "body of the law is the true reality of everything". Nevertheless, in Mahāyāna every Buddha has his own 法身; e.g. in the dharmakāya aspect we have the designation Amitābha, who in his saṃbhogakāya aspect is styled Amitāyus. (2) 報身Sambhogakāya, a Buddha's reward body, or body of enjoyment of the merits he attained as a bodhisattva; in other words, a Buddha in glory in his heaven. This is the form of Buddha as an object of worship. It is defined in two aspects, (a) 自受用身 for his own bliss, and (b) 他受用身 for the sake of others, revealing himself in his glory to bodhisattvas, enlightening and inspiring them. By wisdom a Buddha's dharmakāya is attained, by bodhisattva-merits his saṃbhogakāya. Not only has every Buddha all the three bodies or aspects, but as all men are of the same essence, or nature, as Buddhas, they are therefore potential Buddhas and are in and of the trikāya. Moreover, trikāya is not divided, for a Buddha in his 化身 is still one with his 法身 and 報身, all three bodies being co-existent. (3) 化身; 應身; 應化身 nirmāṇakāya, a Buddha's transformation, or miraculous body, in which he appears at will and in any form outside his heaven, e.g. as Śākyamuni among men. |
三轉 三转 see styles |
sān zhuǎn san1 zhuan3 san chuan santen |
(三轉法輪) The three turns of the law-wheel when the Buddha preached in the Deer Park: (a) 示轉 indicative, i.e. postulation and definition of the 四諦; (b) 勸轉 hortative, e.g. 苦當知 suffering should be diagnosed; (c) 證轉 evidential, e.g. I have overcome suffering, etc. |
上下 see styles |
shàng xià shang4 xia4 shang hsia jouge / joge じょうげ |
the top and bottom of something; the full vertical extent of something; from top to bottom; to go up and down; before and after (as in 上下文[shang4 xia4 wen2] "context"); (used after a quantity) approximately; ... or so; (in a social hierarchy) the high and the low; seniors and juniors (as in 上下和睦[shang4 xia4 he2 mu4] "harmony between superiors and subordinates"); all members of a group (as in 舉國上下|举国上下[ju3 guo2 shang4 xia4] "the entire nation"); relative superiority (as in 不相上下[bu4 xiang1 shang4 xia4] "evenly matched") (1) top and bottom; high and low; above and below; upper and lower ends; up and down; (n,vs,vi) (2) going up and down; rising and falling; fluctuating; (n,vs,vi) (3) going and coming back; (4) upper and lower classes; ruler and ruled; the government and the people; (5) first and second volumes; (6) {cloth} top and bottom; two-piece (outfit); (place-name, surname) Jōge above and below |
下屋 see styles |
shimoya しもや |
small attached annex; lean-to; (surname) Shimoya |
中宗 see styles |
zhōng zōng zhong1 zong1 chung tsung nakamune なかむね |
(surname) Nakamune The school or principle of the mean, represented by the 法相宗 Dharmalakṣaṇa school, which divides the Buddha's teaching into three periods, the first in which he preached 有 existence, the second 空 non-existence, the third 中 neither, something 'between' or above them, e. g. a realm of pure spirit, vide the 深密經 Saṃdhinirmocana-sūtra and the Lotus Sutra. |
中綴 中缀 see styles |
zhōng zhuì zhong1 zhui4 chung chui |
infix (grammar), particle attached within a word or expression |
中縫 中缝 see styles |
zhōng fèng zhong1 feng4 chung feng |
vertical space in a newspaper between two attached pages; vertical line on the back of clothing |
中邪 see styles |
zhòng xié zhong4 xie2 chung hsieh |
to be possessed; to be bewitched |
中魔 see styles |
zhòng mó zhong4 mo2 chung mo |
to be possessed; to be bewitched |
乾渴 干渴 see styles |
gān kě gan1 ke3 kan k`o kan ko |
parched; dry mouth |
予定 see styles |
yotei / yote よてい |
(noun, transitive verb) plans; arrangement; schedule; program; programme; expectation; estimate |
事計 see styles |
jikei / jike じけい |
(abbreviation) (See 事業計画) business plan; business schedule; project |
五時 五时 see styles |
wǔ shí wu3 shi2 wu shih goji |
(五時教) The five periods or divisions of Śākyamuni's teaching. According to Tiantai they are (1) 華嚴時 the Avataṃsaka or first period in three divisions each of seven days, after his enlightenment, when he preached the content, of this sutra; (2) 鹿苑時 the twelve years of his preaching the Āgamas 阿含 in the Deer Park; (3) 方等時 the eight years of preaching Mahāyāna-cum-Hīnayāna doctrines, the vaipulya period; (4) 般若時 the twenty-two years of his preaching the prajñā or wisdom sutras; (5) 法華涅槃時 the eight years of his preaching the Lotus Sutra and, in a day and a night, the Nirvana Sutra. According to the Nirvana School (now part of the Tiantai) they are (1) 三乘別教 the period when the differentiated teaching began and the distinction of the three vehicles, as represented by the 四諦 Four Noble Truths for śrāvakas, the 十二因緣 Twelve Nidānas for pratyekabuddhas, and the 六度 Six Pāramitās for bodhisattvas; (2) 三乘通教 the teaching common to all three vehicles, as seen in the 般若經; (3) 抑揚教 the teaching of the 維摩經, the 思益梵天所問經, and other sutras olling the bodhisattva teaching at the expense of that for śrāvakas; (4) 同歸教 the common objective teaching calling all three vehicles, through the Lotus, to union in the one vehicle; (5) 常住教 the teaehmg of eternal life i. e. the revelation through the Nirvana sutra of the eternity of Buddhahood; these five are also called 有相; 無相; 抑揚; 曾三歸—; and 圓常. According to 劉虬 Liu Chiu of the 晉 Chin dynasty, the teaching is divided into 頓 immediate and 漸 gradual attainment, the latter having five divisions called 五時教 similar to those of the Tiantai group. According to 法寶 Fabao of the Tang dynasty the five are (1) 小乘; (2) 般着 or 大乘; (3) 深密 or 三乘; (4) 法華 or 一乘; (5) 涅槃 or 佛性教. |
五欲 see styles |
wǔ yù wu3 yu4 wu yü goyoku |
The five desires, arising from the objects of the five senses, things seen, heard, smelt, tasted, or touched. Also, the five desires of wealth, sex, foodand-drink, fame, and sleep. |
五法 see styles |
wǔ fǎ wu3 fa3 wu fa gohō |
pañcadharma. The five laws or categories, of which four groups are as follows: I. 相名五法 The five categories of form and name: (1) 相 appearances, or phenomena; (2) 名 their names; (3) 分別 sometimes called 妄想 ordinary mental discrimination of them— (1) and (2) are objective, (3) subjective; (4) 正智 corrective wisdom, which corrects the deficiencies and errors of the last: (5) 如如 the 眞如 Bhutatathata or absolute wisdom, reached through the 如理智 understanding of the law of the absolute, or ultimate truth. II. 事理五法 The five categories into which things and their principles are divided: (1) 心法 mind; (2) 心所法 mental conditions or activities; (3) 色法 the actual states or categories as conceived; (4) 不相應法 hypothetic categories, 唯識 has twenty-four, the Abhidharma fourteen; (5) 無爲法 the state of rest, or the inactive principle pervading all things; the first four are the 事 and the last the 理. III. 理智五法 cf. 五智; the five categories of essential wisdom: (1) 眞如 the absolute; (2) 大圓鏡智 wisdom as the great perfect mirror reflecting all things; (3) 平等性智 wisdom of the equal Buddha nature of all beings; (4) 妙觀察智 wisdom of mystic insight into all things and removal of ignorance and doubt; (5) 成所作智 wisdom perfect in action and bringing blessing to self and others. IV. 提婆五法 The five obnoxious rules of Devadatta: not to take milk in any form, nor meat, nor salt; to wear unshaped garments, and to live apart. Another set is: to wear cast-off rags, beg food, have only one set meal a day, dwell in the open, and abstain from all kinds of flesh, milk, etc. |
五覺 五觉 see styles |
wǔ jué wu3 jue2 wu chüeh gokaku |
The five bodhi, or states of enlightenment, as described in the 起信論 Awakening of Faith; see also 五菩提 for a different group. (1) 本覺 Absolute eternal wisdom, or bodhi; (2) 始覺 bodhi in its initial stages, or in action, arising from right observances; (3) 相似覺 bodhisattva. attainment of bodhi in action, in the 十信; (4) 隨分覺 further bodhisattva-enlightenment according to capacity, i. e. the stages 十住, 十行, and 十廻向; (5) 究竟覺 final or complete enlightenment, i. e. the stage of 妙覺, which is one with the first, i. e. 本覺. The 本覺 is bodhi in the potential, 始覺 is bodhi in the active state, hence (2), (3), (4), and (5) are all the latter, but the fifth has reached the perfect quiescent stage of original bodhi. |
京胡 see styles |
jīng hú jing1 hu2 ching hu kyouko / kyoko きょうこ |
jinghu, a smaller, higher-pitched erhu 二胡 (two-stringed fiddle) used to accompany Chinese opera; also called 京二胡 jinghu (2-stringed Chinese instrument played with a bow); (female given name) Kyōko |
人見 see styles |
hitomi ひとみ |
(1) (archaism) slit in the curtains that allows someone on stage to see the audience (in kabuki theatre); (2) (archaism) public eye; feeling of being watched; casual observers; (p,s,f) Hitomi |
付き see styles |
zuki づき tsuki つき |
(n,n-suf) (1) furnished with; including; (2) attached to; (3) impression; appearance; (4) (kana only) luck; (5) sociality; (n,n-suf) (6) under; assistant (e.g. to a manager); (7) soup base |
付図 see styles |
fuzu ふず |
attached map, plan, diagram or chart |
付室 see styles |
fushitsu ふしつ |
(See 前室・1) vestibule; attached room |
付属 see styles |
fuzoku ふぞく |
(n,vs,adj-no) attached; belonging (to); included; enclosed; affiliated; annexed; associated; subordinate; incidental; dependent; auxiliary |
付表 see styles |
fuhyou / fuhyo ふひょう |
attached list; appended chart, table or graph |
伯仲 see styles |
hakuchuu / hakuchu はくちゅう |
(n,vs,vi) (1) being evenly matched; being equal with; being on a par with; being well contested; (2) (archaism) (orig. meaning) eldest and second eldest brother; older and younger brother; (place-name) Hakuchuu |
伽陀 see styles |
qié tuó qie2 tuo2 ch`ieh t`o chieh to gyada |
伽他 (1) gātha = song; gāthā, a metrical narrative or hymn, with moral purport, described as generally composed of thirty-two characters, and called 孤起頌 a detached stanza, distinguished from geya, 重頌 which repeats the ideas of preceding prose passages. (2) agada as adjective = healthy; as noun = antidote. (3) gata, arrived at, fallen into, or "in a state". |
佝僂 佝偻 see styles |
gōu lóu gou1 lou2 kou lou kuru くる |
stooped; hunched over (1) (kana only) (See 佝僂病) rickets; (2) someone suffering from rickets |
供僧 see styles |
gusou / guso ぐそう |
(1) (abbreviation) (See 供奉僧・1) monk who attends to the principal image of a temple; (2) Buddhist monk serving at an attached Shinto shrine |
Entries with 2nd row of characters: The 2nd row is Simplified Chinese.
This page contains 100 results for "Ched" in Chinese and/or Japanese.Information about this dictionary:
Apparently, we were the first ones who were crazy enough to think that western people might want a combined Chinese, Japanese, and Buddhist dictionary.
A lot of westerners can't tell the difference between Chinese and Japanese - and there is a reason for that. Chinese characters and even whole words were borrowed by Japan from the Chinese language in the 5th century. Much of the time, if a word or character is used in both languages, it will have the same or a similar meaning. However, this is not always true. Language evolves, and meanings independently change in each language.
Example: The Chinese character 湯 for soup (hot water) has come to mean bath (hot water) in Japanese. They have the same root meaning of "hot water", but a 湯屋 sign on a bathhouse in Japan would lead a Chinese person to think it was a "soup house" or a place to get a bowl of soup. See this: Japanese Bath House
This dictionary uses the EDICT and CC-CEDICT dictionary files.
EDICT data is the property of the Electronic Dictionary Research and Development Group, and is used in conformance with the Group's
license.
Chinese Buddhist terms come from Dictionary of Chinese Buddhist Terms by William Edward Soothill and Lewis Hodous. This is commonly referred to as "Soothill's'". It was first published in 1937 (and is now off copyright so we can use it here). Some of these definitions may be misleading, incomplete, or dated, but 95% of it is good information. Every professor who teaches Buddhism or Eastern Religion has a copy of this on their bookshelf. We incorporated these 16,850 entries into our dictionary database ourselves (it was lot of work).
Combined, these cover 1,007,753 Japanese, Chinese, and Buddhist characters, words, idioms, names, placenames, and short phrases.
Just because a word appears here does not mean it is appropriate for a tattoo, your business name, etc. Please consult a professional before doing anything stupid with this data.
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No warranty as to the correctness, potential vulgarity, or clarity is expressed or implied. We did not write any of these definitions (though we occasionally act as a contributor/editor to the CC-CEDICT project). You are using this dictionary for free, and you get what you pay for.
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