Many custom options...

Tan Paper and Copper Silk Love Wall Scroll
Red Paper and Ivory Silk Love Wall Scroll
Orange Paper Love Scroll
Crazy Blue and Gold Silk Love Scroll


And formats...

Love Vertical Portrait
Love Horizontal Wall Scroll
Love Vertical Portrait

Not what you want?

Try other similar-meaning words, fewer words, or just one word.

Spiritual Being in Chinese / Japanese...

Buy a Spiritual Being calligraphy wall scroll here!

Personalize your custom “Spiritual Being” project by clicking the button next to your favorite “Spiritual Being” title below...


  1. Spirit / Spiritual Essence

  2. Ghost / Soul / Spirit

  3. Siddhartha

  4. Bravery / Courage

  5. Nichiren

  6. Reiki


Spirit / Spiritual Essence

 shén
 shin / kami
 
Spirit / Spiritual Essence Scroll

神 is the simplest way to write spirit in Chinese, Japanese Kanji, and old Korean.

This single character alone will conjure up ideas of the spiritual world. 神 can also be translated as “vital awareness” as in the fact that one must know they exist to exist (I think, therefore, I am).

Other translations include:
God, deity, mysterious, divine essence, lively, spiritual being, divinity, supernatural, soul, mind, nerves, and energy. In some extended context, it can mean genius or unusual.

Japanese romanizations vary a lot when this character is combined into other words. However, shin is the original pronunciation taken from Chinese into Japanese. You'll also see it romanized as kami, gami, jin, and a few others, depending on context.

Ghost / Soul / Spirit

 hún pò
 kon paku
Ghost / Soul / Spirit Scroll

魂魄 is a Chinese, Japanese Kanji, and old Korean Hanja term for ghost, soul, or spirit.

It's used in the context of Buddhism as:
Animus and anima; the spiritual nature or mind, and the animal soul; the two are defined as mind and body or mental and physical, the invisible soul inhabiting the visible body, the former being celestial, the latter terrestrial.

 xī dá duō
 shiddatta / shiddaruta
Siddhartha Scroll

悉達多 is the name Siddhartha (as in Siddhartha Gautama), the personal name for Śākyamuni.

This same Buddha is also known as “Shakyamuni Gautama,” “Gotama Buddha,” or “Tathagata.”

Siddhartha Gautama was a spiritual teacher in the northern region of the Indian subcontinent who founded Buddhism. He is generally seen by Buddhists as the Supreme Buddha (Sammāsambuddha) of known human history.

The actual meaning of this name in Chinese is the realization of all aims, or simply being prosperous.


This name is sometimes romanized from the original Sanskrit or Pali as Siddhattha (from Siddhattha Gotama), Siddharth, Siddhārtha, or Sarvāthasiddha.

Siddhārtha or Sarvāthasiddha can also be written as 悉達, 悉多, 悉多頞他, or 悉陀.

Bravery / Courage

Courageous Energy

 yǒng qì
 yuuki
Bravery / Courage Scroll

勇氣 is one of several ways to express bravery and courage in Chinese, Japanese, and Korean.

This version is the most spiritual. This is the essence of bravery from deep within your being. This is the mental state of being brave versus actual brave behavior. You'd more likely use this to say, “He is very courageous,” rather than “He fought courageously in the battle.”

The first character also means bravery or courage when it's seen alone. With the second character added, an element of energy or spirit is added. The second character is the same “chi” or “qi” energy that Kung Fu masters focus on when they strike. For this reason, you could say this means “spirit of courage” or “brave spirit.”

This is certainly a stronger word than just the first character alone.

Beyond bravery or courage, dictionaries also translate this word as valor/valour, nerve, audacity, daring, pluck, plucky, gallantry, guts, gutsy, and boldness.

This is also one of the 8 key concepts of tang soo do.


Japanese 気 While the version shown to the left is commonly used in Chinese and Korean Hanja (and ancient Japanese Kanji), please note that the second character is written with slightly fewer strokes in modern Japanese. If you want the modern Japanese version, please click on the character to the right. Both styles would be understood by native Chinese, Japanese, and many (but not all) Korean people. You should make your selection based on the intended audience for your calligraphy artwork. Or pick the single-character form of bravery/courage which is universal.

 rì lián
 nichi ren
Nichiren Scroll

日蓮 is the title Nichiren.

This title refers to a Buddhist priest who lived from 1222 to 1282. He is the founder of the Nichiren sect of Buddhism.
According to historical documents, the Nichiren sect was established in 1252. Adding the character 宗 for sect, this would be 日蓮宗 (Nichiren sect), which is also known as the 法華宗 or Lotus sect.

According to Soothill-Hodous...
Nichiren's chief tenets are the three great mysteries 三大祕法, representing the trikāya:
1. 本尊 or chief object of worship, being the great maṇḍala of the worlds of the ten directions, or universe, i.e., the body or nirmāṇakāya of Buddha.
2. 題目 the title of the Lotus Sutra 妙法蓮華經 Myo-ho-ren-ge-kyo, preceded by Namo, or “Adoration to the scripture of the lotus of the wonderful law,” for it is Buddha's spiritual body.
3. 戒壇 the altar of the law, which is also the title of the Lotus as above; the believer, wherever he is, dwells in the Pure-land of calm light 寂光淨土, the saṃbhogakāya.

 líng qì
 reiki
Reiki Scroll

靈氣 is the title of a healing practice now found globally but with origins in Japan.

Special note: Outside of the context of the healing practice of Reiki, this means “aura” or “spiritual essence that surrounds all living things.” A Japanese person unfamiliar with the practice will take the “aura” meaning.

Reiki is a technique for stress reduction and relaxation that also heals. It can be compared to massage but is based on the idea that an unseen “life force energy” flows through us and is what causes us to be alive. If your life force energy is low, you'll be more likely to get sick or feel stressed. If your life force energy is abundant and flowing well, you become more capable of being happy and healthy.

There is a lot of information available if you want to Google this term - my job is to offer the calligraphy while you can decide if it is right for you.

Note: We are showing the ancient (traditional) form of the Reiki Kanji. I have seen Reiki written with the slightly simplified version and this more classic form. If you want the form of Reiki with the two strokes in the shape of an X on the second character and the modern first character, simply click on the Kanji characters to the right.

Note: 靈氣 is also a Chinese word, but in Chinese, these characters create a word that refers to a smart person or someone with high aspirations. It is not read as a healing method in Chinese.
In Korean Hanja, this can be read as a “mysterious atmosphere” by a Korean who is not familiar with the practice of Reiki (still has a cool meaning in Korean).




This in-stock artwork might be what you are looking for, and ships right away...

Gallery Price: $300.00

Your Price: $109.88

Gallery Price: $300.00

Your Price: $109.88

Gallery Price: $72.00

Your Price: $39.88

Gallery Price: $72.00

Your Price: $39.88

Gallery Price: $79.00

Your Price: $43.88

Gallery Price: $90.00

Your Price: $49.88

Gallery Price: $286.00

Your Price: $158.88


Not the results for spiritual being that you were looking for?

Below are some entries from our dictionary that may match your spiritual being search...

Characters

If shown, 2nd row is Simp. Chinese

Pronunciation
Romanization
Simple Dictionary Definition


see styles
shàn
    shan4
shan
 yuzuri
    ゆずり

More info & calligraphy:

Zen / Chan / Meditation
to abdicate
(out-dated kanji) (1) (Buddhist term) dhyana (profound meditation); (2) (abbreviation) Zen (Buddhism); (surname) Yuzuri
To level a place for an altar, to sacrifice to the hills and fountains; to abdicate. Adopted by Buddhists for dhyāna, 禪 or 禪那, i.e. meditation, abstraction, trance. dhyāna is 'meditation, thought, reflection, especially profound and abstract religious contemplation'. M.W. It was intp. as 'getting rid of evil', etc., later as 靜慮 quiet meditation. It is a form of 定, but that word is more closely allied with samādhi, cf. 禪定. The term also connotes Buddhism and Buddhist things in general, but has special application to the 禪宗 q.v. It is one of the six pāramitās, cf. 波. There are numerous methods and subjects of meditation. The eighteen brahmalokas are divided into four dhyāna regions 'corresponding to certain frames of mind where individuals might be reborn in strict accordance with their spiritual state'. The first three are the first dhyāna, the second three the second dhyāna, the third three the third dhyāna, and the remaining nine the fourth dhyāna. See Eitel. According to Childers' Pali Dictionary, 'The four jhānas are four stages of mystic meditation, whereby the believer's mind is purged from all earthly emotions, and detached as it were from his body, which remains plunged in a profound trance.' Seated cross-legged, the practiser 'concentrates his mind upon a single thought. Gradually his soul becomes filled with a supernatural ecstasy and serenity', his mind still reasoning: this is the first jhāna. Concentrating his mind on the same subject, he frees it from reasoning, the ecstasy and serenity remaining, which is the second jhāna. Then he divests himself of ecstasy, reaching the third stage of serenity. Lastly, in the fourth stage the mind becomes indifferent to all emotions, being exalted above them and purified. There are differences in the Mahāyāna methods, but similarity of aim.

see styles
shēn
    shen1
shen
 mi
    み

More info & calligraphy:

Body
body; life; oneself; personally; one's morality and conduct; the main part of a structure or body; pregnant; classifier for sets of clothes: suit, twinset; Kangxi radical 158
(1) one's body; one's person; (2) oneself; one's appearance; (3) one's place (in society, etc.); one's position; (4) main part; meat (as opposed to bone, skin, etc.); wood (as opposed to bark); blade (as opposed to its handle); container (as opposed to its lid); (surname) Misaki
kāya; tanu; deha. The body; the self.; Two forms of body; there are numerous pairs, e. g. (1) (a) 分段身 The varied forms of the karmic or ordinary mortal body, or being; (b) 變易身 the transformable, or spiritual body. (2) (a) 生身 The earthly body of the Buddha; (b) 化身 hinirmāṇakāya, which may take any form at will. (3) (a) 生身 his earthly body; (b) 法身 his moral and mental nature—a Hīnayāna definition, but Mahāyāna takes his earthly nirmāṇakāya as the 生身 and his dharmakāya or that and his saṃbhogakāya as 法身. (4) 眞應二身 The dharmakāya and nirmāṇakāya. (5) (a) 實相身 The absolute truth, or light, of the Buddha, i. e. the dharmakāya; (b) 爲物身 the functioning or temporal body. (6) (a) 眞身 the dharmakāya and saṃbhogakāya; (b) 化身 the nirmāṇakāya. (7) (a) 常身 his permanent or eternal body; (b) 無常身 his temporal body. (8) (a) 實身 and 化身 idem 二色身.

日蓮


日莲

see styles
rì lián
    ri4 lian2
jih lien
 nichiren
    にちれん

More info & calligraphy:

Nichiren
(given name) Nichiren; (person) Nichiren (Buddhist priest, 1222-82, founder of the Nichiren sect)
Nichiren, the Japanese founder, in A. D. 1252, of the 日蓮宗 Nichiren sect, which is also known as the 法華宗 or Lotus sect. Its chief tenets are the three great mysteries 三大祕法, representing the trikāya: (1) 本尊 or chief object of worship, being the great maṇḍala of the worlds of the ten directions, or universe, i. e. the body or nirmāṇakāya of Buddha; (2) 題目 the title of the Lotus Sutra 妙法蓮華經 Myo-ho-ren-gwe-kyo, preceded by Namo, or, 'Adoration to the scripture of the lotus of the wonderful law, ' for it is Buddha's spiritual body; (3) 戒壇 the altar of the law, which is also the title of the Lotus as above; the believer, wherever he is, dwells in the Pure-land of calm light 寂光淨土, the saṃbhogakāya.

瑜伽

see styles
yú jiā
    yu2 jia1
yü chia
 yuga
    ゆが

More info & calligraphy:

Yoga
yoga (loanword)
{Buddh} (See ヨーガ) yoga; (surname) Yuga
yoga; also 瑜誐; 遊迦; a yoke, yoking, union, especially an ecstatic union of the individual soul with a divine being, or spirit, also of the individual soul with the universal soul. The method requires the mutual response or relation of 境, 行, 理, 果 and 機; i.e. (1) state, or environment, referred to mind; (2) action, or mode of practice; (3) right principle; (4) results in enlightenment; (5) motivity, i.e. practical application in saving others. Also the mutual relation of hand, mouth, and mind referring to manifestation, incantation, and mental operation; these are known as 瑜伽三密, the three esoteric (means) of Yoga. The older practice of meditation as a means of obtaining spiritual or magical power was distorted in Tantrism to exorcism, sorcery, and juggling in general.

魂魄

see styles
hún pò
    hun2 po4
hun p`o
    hun po
 konpaku
    こんぱく

More info & calligraphy:

Ghost / Soul / Spirit
soul
soul; spirit; ghost
Animus and anima; the spiritual nature or mind, and the animal soul; the two are defined as mind and body or mental and physical, the invisible soul inhabiting the visible body, the former being celestial, the latter terrestrial.

七趣

see styles
qī qù
    qi1 qu4
ch`i ch`ü
    chi chü
 shichishu
The seven gati or states of sentient beings- nārakagati, in hell; preta, hungry ghost; tiryagyoni, animal; manuṣya, man; ṛṣi, a genius or higher spiritual being; deva, god; asura, demon of the higher order.

三身

see styles
sān shēn
    san1 shen1
san shen
 sanjin; sanshin
    さんじん; さんしん
{Buddh} trikaya (three bodies of the Buddha); (surname) Sanmi
trikāya. 三寶身 The threefold body or nature of a Buddha, i.e. the 法, 報, and 化身, or dharmakāya, sambhogakāya, and nirmāṇakāya. The three are defined as 自性, 受用, and 變化, the Buddha-body per se, or in its essential nature; his body of bliss, which he "receives" for his own "use" and enjoyment; and his body of transformation, by which he can appear in any form; i.e. spiritual, or essential; glorified; revealed. While the doctrine of the trikāya is a Mahāyāna concept, it partly results from the Hīnayāna idealization of the earthly Buddha with his thirty-two signs, eighty physical marks, clairvoyance, clairaudience, holiness, purity, wisdom, pity, etc. Mahāyāna, however, proceeded to conceive of Buddha as the Universal, the All, with infinity of forms, yet above all our concepts of unity or diversity. To every Buddha Mahāyāna attributed a three-fold body: that of essential Buddha; that of joy or enjoyment of the fruits of his past saving labours; that of power to transform himself at will to any shape for omnipresent salvation of those who need him. The trinity finds different methods of expression, e.g. Vairocana is entitled 法身, the embodiment of the Law, shining everywhere, enlightening all; Locana is 報身; c.f. 三賓, the embodiment of purity and bliss; Śākyamuni is 化身 or Buddha revealed. In the esoteric sect they are 法 Vairocana, 報 Amitābha, and 化 Śākyamuni. The 三賓 are also 法 dharma, 報 saṅgha, 化 buddha. Nevertheless, the three are considered as a trinity, the three being essentially one, each in the other. (1) 法身 Dharmakāya in its earliest conception was that of the body of the dharma, or truth, as preached by Śākyamuni; later it became his mind or soul in contrast with his material body. In Mādhyamika, the dharmakāya was the only reality, i.e. the void, or the immateria1, the ground of all phenomena; in other words, the 眞如 the tathāgatagarbha, the bhūtatathatā. According to the Huayan (Kegon) School it is the 理or noumenon, while the other two are氣or phenomenal aspects. "For the Vijñānavāda... the body of the law as highest reality is the void intelligence, whose infection (saṃkleҫa) results in the process of birth and death, whilst its purification brings about Nirvāṇa, or its restoration to its primitive transparence" (Keith). The "body of the law is the true reality of everything". Nevertheless, in Mahāyāna every Buddha has his own 法身; e.g. in the dharmakāya aspect we have the designation Amitābha, who in his saṃbhogakāya aspect is styled Amitāyus. (2) 報身Sambhogakāya, a Buddha's reward body, or body of enjoyment of the merits he attained as a bodhisattva; in other words, a Buddha in glory in his heaven. This is the form of Buddha as an object of worship. It is defined in two aspects, (a) 自受用身 for his own bliss, and (b) 他受用身 for the sake of others, revealing himself in his glory to bodhisattvas, enlightening and inspiring them. By wisdom a Buddha's dharmakāya is attained, by bodhisattva-merits his saṃbhogakāya. Not only has every Buddha all the three bodies or aspects, but as all men are of the same essence, or nature, as Buddhas, they are therefore potential Buddhas and are in and of the trikāya. Moreover, trikāya is not divided, for a Buddha in his 化身 is still one with his 法身 and 報身, all three bodies being co-existent. (3) 化身; 應身; 應化身 nirmāṇakāya, a Buddha's transformation, or miraculous body, in which he appears at will and in any form outside his heaven, e.g. as Śākyamuni among men.

大空

see styles
dà kōng
    da4 kong1
ta k`ung
    ta kung
 oozora
    おおぞら
wide open sky; the blue; heavens; firmament; (male given name) Masataka
The great void, or the Mahāyāna parinirvāṇa, as being more complete and final than the nirvāṇa of Hīnayāna. It is used in the Shingon sect for the great immaterial or spiritual wisdom, with its esoteric symbols; its weapons, such as the vajra; its samādhis; its sacred circles, or maṇḍalas, etc. It is used also for space, in which there is neither east, west, north, nor south.

小乘

see styles
xiǎo shèng
    xiao3 sheng4
hsiao sheng
 shōjō
Hinayana, the Lesser Vehicle; Buddhism in India before the Mayahana sutras; also pr. [Xiao3 cheng2]
Hīnayāna 希那衍. The small, or inferior wain, or vehicle; the form of Buddhism which developed after Śākyamuni's death to about the beginning of the Christian era, when Mahāyāna doctrines were introduced. It is the orthodox school and more in direct line with the Buddhist succession than Mahāyānism which developed on lines fundamentally different. The Buddha was a spiritual doctor, less interested in philosophy than in the remedy for human misery and perpetual transmigration. He "turned aside from idle metaphysical speculations; if he held views on such topics, he deemed them valueless for the purposes of salvation, which was his goal" (Keith). Metaphysical speculations arose after his death, and naturally developed into a variety of Hīnayāna schools before and after the separation of a distinct school of Mahāyāna. Hīnayāna remains the form in Ceylon, Burma, and Siam, hence is known as Southern Buddhism in contrast with Northern Buddhism or Mahāyāna, the form chiefly prevalent from Nepal to Japan. Another rough division is that of Pali and Sanskrit, Pali being the general literary language of the surviving form of Hīnayāna, Sanskrit of Mahāyāna. The term Hīnayāna is of Mahāyānist origination to emphasize the universalism and altruism of Mahāyāna over the narrower personal salvation of its rival. According to Mahāyāna teaching its own aim is universal Buddhahood, which means the utmost development of wisdom and the perfect transformation of all the living in the future state; it declares that Hīnayāna, aiming at arhatship and pratyekabuddhahood, seeks the destruction of body and mind and extinction in nirvāṇa. For arhatship the 四諦Four Noble Truths are the foundation teaching, for pratyekabuddhahood the 十二因緣 twelve-nidānas, and these two are therefore sometimes styled the two vehicles 二乘. Tiantai sometimes calls them the (Hīnayāna) Tripiṭaka school. Three of the eighteen Hīnayāna schools were transported to China: 倶舍 (Abhidharma) Kośa; 成實 Satya-siddhi; and the school of Harivarman, the律 Vinaya school. These are described by Mahāyānists as the Buddha's adaptable way of meeting the questions and capacity of his hearers, though his own mind is spoken of as always being in the absolute Mahāyāna all-embracing realm. Such is the Mahāyāna view of Hīnayāna, and if the Vaipulya sūtras and special scriptures of their school, which are repudiated by Hīnayāna, are apocryphal, of which there seems no doubt, then Mahāyāna in condemning Hīnayāna must find other support for its claim to orthodoxy. The sūtras on which it chiefly relies, as regards the Buddha, have no authenticity; while those of Hīnayāna cannot be accepted as his veritable teaching in the absence of fundamental research. Hīnayāna is said to have first been divided into minority and majority sections immediately after the death of Śākyamuni, when the sthāvira, or older disciples, remained in what is spoken of as "the cave", some place at Rājagṛha, to settle the future of the order, and the general body of disciples remained outside; these two are the first 上坐部 and 大衆部 q. v. The first doctrinal division is reported to have taken place under the leadership of the monk 大天 Mahādeva (q.v.) a hundred years after the Buddha's nirvāṇa and during the reign of Aśoka; his reign, however, has been placed later than this by historians. Mahādeva's sect became the Mahāsāṅghikā, the other the Sthāvira. In time the two are said to have divided into eighteen, which with the two originals are the so-called "twenty sects" of Hīnayāna. Another division of four sects, referred to by Yijing, is that of the 大衆部 (Arya) Mahāsaṅghanikāya, 上座部 Āryasthavirāḥ, 根本說一切有部 Mūlasarvāstivādaḥ, and 正量部 Saṃmatīyāḥ. There is still another division of five sects, 五部律. For the eighteen Hīnayāna sects see 小乘十八部.

慧命

see styles
huì mìng
    hui4 ming4
hui ming
 e myō
Wisdom-life, or wisdom as life, wisdom being the basis of spiritual character. A term of address to a monk, also 慧壽, and to a monk by a superior.

文殊

see styles
wén shū
    wen2 shu1
wen shu
 monju
    もんじゅ
Manjushri, the Bodhisattva of keen awareness
(Buddhist term) Manjushri; Manjusri; Bodhisattva that represents transcendent wisdom; (p,s,f) Monju
(文殊師利) Mañjuśrī 滿殊尸利 -later 曼殊室利. 文殊 is also used for Mañjunātha, Mañjudeva, Mañjughoṣa, Mañjuṣvara, et al. T., hjamdpal; J., Monju. Origin unknown; presumably, like most Buddhas and bodhisattvas, an idealization of a particular quality, in his case of Wisdom. Mañju is beautiful, Śrī; good fortune, virtue, majesty, lord, an epithet of a god. Six definitions are obtained from various scriptures: 妙首 (or 頭 ) wonderful or beautiful) head; 普首 universal head; 濡首 glossy head (probably a transliteration); 敬首 revered head; 妙德 wonderful virtue (or power); 妙吉祥 wonderfully auspicious; the last is a later translation in the 西域記. As guardian of wisdom 智慧 he is often placed on Śākyamuni's left, with 普顯 on the right as guardian of law 理, the latter holding the Law, the former the wisdom or exposition of it; formerly they held the reverse positions. He is often represented with five curls or waves to his hair indicating the 五智 q. v. or the five peaks; his hand holds the sword of wisdom and he sits on a lion emblematic of its stern majesty: but he has other forms. He is represented as a youth, i. e. eternal youth. His present abode is given as east of the universe, known as 淸涼山 clear and cool mountain, or a region 寶住 precious abode, or Abode of Treasures, or 寶氏 from which he derives one of his titles, 寶相如來. One of his dhāraṇīs prophesies China as his post-nirvāṇa realm. In past incarnations he is described as being the parent of many Buddhas and as having assisted the Buddha into existence; his title was 龍種上佛 the supreme Buddha of the nāgas, also 大身佛 or 神仙佛; now his title is 歡喜藏摩尼寶精佛 The spiritual Buddha who joyfully cares for the jewel: and his future title is to be 普現佛 Buddha universally revealed. In the 序品 Introductory Chapter of the Lotus Sutra he is also described as the ninth predecessor or Buddha-ancestor of Śākyamuni. He is looked on as the chief of the Bodhisattvas and represents them, as the chief disciple of the Buddha, or as his son 法王子. Hīnayāna counts Śāriputra as the wisest of the disciples, Mahāyāna gives Mañjuśrī the chief place, hence he is also styled 覺母 mother, or begetter of understanding. He is shown riding on either a lion or a peacock, or sitting on a white lotus; often he holds a book, emblem of wisdom, or a blue lotus; in certain rooms of a monastery he is shown as a monk; and he appears in military array as defender of the faith. His signs, magic words, and so on, are found in various sutras. His most famous centre in China is Wu-tai shan in Shansi. where he is the object of pilgrimages, especially of Mongols. The legends about him are many. He takes the place in Buddhism of Viśvakarman as Vulcan, or architect, of the universe. He is one of the eight Dhyāni-bodhisattvas, and sometimes has the image of Akṣobhya in his crown. He was mentioned in China as early as the fourth century and in the Lotus Sutra he frequently appears, especially as the converter of the daughter of the Dragon-king of the Ocean. He has five messengers 五使者 and eight youths 八童子 attending on him. His hall in the Garbhadhātu maṇḍala is the seventh, in which his group numbers twenty-five. His position is northeast. There are numerous sutras and other works with his name as title, e. g. 文殊師利問菩提經 Gayaśīrṣa sūtra, tr. by Kumārajīva 384-417: and its 論 or .Tīkā of Vasubandhu, tr. by Bodhiruci 535. see list in B. N.

法界

see styles
fǎ jiè
    fa3 jie4
fa chieh
 hokkai; houkai / hokkai; hokai
    ほっかい; ほうかい
(1) {Buddh} universe; (2) {Buddh} realm of thought; (3) {Buddh} underlying principle of reality; manifestation of true thusness; (4) (ほうかい only) (abbreviation) (See 法界悋気) being jealous of things that have nothing to do with one; being jealous of others who are in love with each other
dharmadhātu, 法性; 實相; 達磨馱都 Dharma-element, -factor, or-realm. (1) A name for "things" in general, noumenal or phenomenal; for the physical universe, or any portion or phase of it. (2) The unifying underlying spiritual reality regarded as the ground or cause of all things, the absolute from which all proceeds. It is one of the eighteen dhātus. These are categories of three, four, five, and ten dharmadhātus; the first three are combinations of 事 and 理 or active and passive, dynamic and static; the ten are: Buddha-realm, Bodhisattva-realm, pratyekabuddha-realm, śrāvaka, deva, Human, asura, Demon, Animal, and Hades realms-a Huayan category. Tiantai has ten for meditaton, i.e. the realms of the eighteen media of perception (the six organs, six objects, and six sense-data or sensations), of illusion, sickness, karma, māra, samādhi, (false) views, pride, the two lower Vehicles, and the Bodhisattva Vehicle.

法身

see styles
fǎ shēn
    fa3 shen1
fa shen
 hosshin; houshin / hosshin; hoshin
    ほっしん; ほうしん
{Buddh} (See 三身) dharmakaya (dharma body, Buddhism's highest form of existence); (surname) Hotsushin
dharmakāya, embodiment of Truth and Law, the "spiritual" or true body; essential Buddhahood; the essence of being; the absolute, the norm of the universe; the first of the trikāya, v.三身. The dharmakāya is divided into 總 unity and 別 diversity; as in the noumenal absolute and phenomenal activities, or potential and dynamic; but there are differences of interpretation, e.g. as between the 法相 and 法性 schools. Cf. 法身體性. There are many categories of the dharmakāya. In the 2 group 二法身 are five kinds: (1) 理 "substance" and 智 wisdom or expression; (2) 法性法身 essential nature and 應化法身 manifestation; the other three couples are similar. In the 3 group 三法身 are (1) the manifested Buddha, i.e. Śākyamuni; (2) the power of his teaching, etc.; (3) the absolute or ultimate reality. There are other categories.

轉輪


转轮

see styles
zhuàn lún
    zhuan4 lun2
chuan lun
 tenrin
rotating disk; wheel; rotor; cycle of reincarnation in Buddhism
cakravartī, "a ruler the wheels of whose chariot roll everywhere without hindrance." M.W. Revolving wheels; to turn a wheel: also 轉輪王 (轉輪聖王); 輪王; 轉輪聖帝, cf. 斫. The symbol is the cakra or disc, which is of four kinds indicating the rank, i.e. gold, silver, copper, or iron, the iron cakravartī ruling over one continent, the south; the copper, over two, east and south: the silver, over three, east, west, and south; the golden being supreme over all the four continents. The term is also applied to the gods over a universe, and to a buddha as universal spiritual king, and as preacher of the supreme doctrine. Only a cakravartī possesses the 七寳 saptaratna and 1, 000 sons. The cakra, or discus, is also a missile used by a cakravartī for overthrowing his enemies. Its origin is probably the sun with its myriad rays.

布路沙

see styles
bù lù shā
    bu4 lu4 sha1
pu lu sha
 furosha
puruṣa, 布嚕沙; 補盧沙 man, mankind, a man, Man as Nārayāṇa the soul and origin of the universe, the soul, the Soul, Supreme Being, God, see M. W.; intp. as 人 and 丈夫 man, and an adult man, also by 士夫 master or educated man, 'explained by 神我, literally the spiritual self. A metaphysical term; the spirit which together with nature (自性 svabhāva), through the successive modifications (轉變) of guṇa (求那 attributes or qualities), or the active principles (作者), produces all forms of existence (作一切物). ' Eitel.

曼荼羅


曼荼罗

see styles
màn tú luó
    man4 tu2 luo2
man t`u lo
    man tu lo
 mandara
    まんだら
(Buddhism) (loanword from Sanskrit) mandala
mandala; Buddhist visual schema of the enlightened mind; (given name) Mandara
曼怛羅; 曼特羅; 曼陀羅; 曼拏羅; 蔓陀囉; 滿荼邏 maṇḍala, a circle, globe, wheel ring; "any circular figure or diagram" (M.W.); a magic circle; a plot or place of enlightenment; a round or square altar on which buddhas and bodhisattvas are placed; a group of such, especially the garbhadhātu and vajradhātu groups of the Shingon sect; these were arranged by Kōbō Daishi to express the mystic doctrine of the two dhātu by way of illustration, the garbhadhātu representing the 理 and the 因 principle and cause, the vajradhātu the 智 and the 果 intelligence (or reason) and the effect, i.e. the fundamental realm of being, and mind as inherent in it; v. 胎 and 金剛. The two realms are fundamentally one, as are the absolute and phenomenal, e.g. water and wave. There are many kinds of maṇḍalas, e.g. the group of the Lotus Sutra; of the 觀經; of the nine luminaries; of the Buddha's entering into nirvana, etc. The real purpose of a maṇḍala is to gather the spiritual powers together, in order to promote the operation of the dharma or law. The term is commonly applied to a magic circle, subdivided into circles or squares in which are painted Buddhist divinities and symbols. Maṇḍalas also reveal the direct retribution of each of the ten worlds of beings (purgatory, pretas, animals, asuras, men, devas, the heavens of form, formless heavens, bodhisattvas, and buddhas). Each world has its maṇḍala which represents the originating principle that brings it to completion. The maṇḍala of the tenth world indicates the fulfilment and completion of the nine worlds.

胎藏界

see styles
tāi zàng jiè
    tai1 zang4 jie4
t`ai tsang chieh
    tai tsang chieh
 taizō kai
Garbhadhātu, or Garbhakośa-(dhātu), the womb treasury, the universal source from which all things are produced; the matrix; the embryo; likened to a womb in which all of a child is conceived— its body, mind, etc. It is container and content; it covers and nourishes; and is the source of all supply. It represents the 理性 fundamental nature, both material elements and pure bodhi, or wisdom in essence or purity; 理 being the garbhadhātu as fundamental wisdom, and 智 acquired wisdom or knowledge, the vajradhātu. It also represents the human heart in its innocence or pristine purity, which is considered as the source of all Buddha-pity and moral knowledge. And it indicates that from the central being in the maṇḍala, viz. the Sun as symbol of Vairocana, there issue all the other manifestations of wisdom and power, Buddhas, bodhisattvas, demons, etc. It is 本覺 original intellect, or the static intellectuality, in contrast with 始覺 intellection, the initial or dynamic intellectuality represented in the vajradhātu; hence it is the 因 cause and vajradhātu the 果 effect; though as both are a unity, the reverse may be the rule, the effect being also the cause; it is also likened to 利他 enriching others, as vajradhātu is to 自利 enriching self. Kōbō Daishi, founder of the Yoga or Shingon 眞言 School in Japan, adopted the representation of the ideas in maṇḍalas, or diagrams, as the best way of revealing the mystic doctrine to the ignorant. The garbhadhātu is the womb or treasury of all things, the universe; the 理 fundamental principle, the source; its symbols are a triangle on its base, and an open lotus as representing the sun and Vairocana. In Japan this maṇḍala is placed on the east, typifying the rising sun as source, or 理. The vajradhātu is placed west and represents 智 wisdom or knowledge as derived from 理 the underlying principle, but the two are essential one to the other, neither existing apart. The material and spiritual; wisdom-source and intelligence; essence and substance; and similar complementary ideas are thus portrayed; the garbhadhātu may be generally considered as the static and the vajradhātu as the dynamic categories, which are nevertheless a unity. The garbhadhātu is divided into 三部 three sections representing samādhi or quiescence, wisdom-store, and pity-store, or thought, knowledge, pity; one is called the Buddha-section, the others the Vajra and Lotus sections respectively; the three also typify vimokṣa, prajñā, and dharmakāya, or freedom, understanding, and spirituality. There are three heads of these sections, i. e. Vairocana, Vajrapāṇi, and Avalokiteśvara; each has a mother or source, e. g. Vairocana from Buddha's-eye; and each has a 明王 or emanation of protection against evil; also a śakti or female energy; a germ-letter, etc. The diagram of five Buddhas contains also four bodhisattvas, making nine in all, and there are altogether thirteen 大院 or great courts of various types of ideas, of varying numbers, generally spoken of as 414. Cf. 金剛界; 大日; 兩部.

金剛界


金刚界

see styles
jīn gāng jiè
    jin1 gang1 jie4
chin kang chieh
 kongoukai / kongokai
    こんごうかい
(1) {Buddh} (See 胎蔵界・たいぞうかい・1) Vajradhatu; Diamond Realm; (2) (abbreviation) {Buddh} (See 金剛界曼荼羅・こんごうかいまんだら) Vajradathu Mandala; Diamond Realm Mandala
vajradhātu, 金界 The 'diamond', or vajra, element of the universe; it is the 智 wisdom of Vairocana in its indestructibility and activity; it arises from the garbhadhātu 胎藏界q.v., the womb or store of the Vairocana 理 reason or principles of such wisdom, v. 理智. The two, garbhadhātu and vajradhātu, are shown by the esoteric school, especially in the Japanese Shingon, in two maṇḍalas, i.e. groups or circles, representing in various portrayals the ideas arising from the two, fundamental concepts. vajradhātu is intp. as the 智 realm of intellection, and garbhadhātu as the 理 substance underlying it, or the matrix; the latter is the womb or fundamental reason of all things, and occupies the eastern position as 'cause' of the vajradhātu, which is on the west as the resultant intellectual or spiritual expression. But both are one as are Reason and Wisdom, and Vairocana (the illuminator, the 大日 great sun) presides over both, as source and supply. The vajradhātu represents the spiritual world of complete enlightenment, the esoteric dharmakāya doctrine as contrasted with the exoteric nirmāṇakāya doctrine. It is the sixth element 識 mind, and is symbolized by a triangle with the point downwards and by the full moon, which represents 智 wisdom or understanding; it corresponds to 果 fruit, or effect, garbhadhātu being 因 or cause. The 金剛王五部 or five divisions of the vajradhātu are represented by the Five dhyāni-buddhas, thus: centre 大日Vairocana; east 阿閦 Akṣobhya; south 寶生Ratnasambhava; west 阿彌陀 Amitābha; north 不 空 成就 Amoghasiddhi, or Śākyamuni. They are seated respectively on a lion, an elephant, a horse, a peacock, and a garuda. v. 五佛; also 胎.

一眞法界

see styles
yī zhēn fǎ jiè
    yi1 zhen1 fa3 jie4
i chen fa chieh
 isshinhokkai
The dharma realm of the one reality, i.e. of the bhūtatathatā, complete in a speck of dust as in a universe; such is the dharmakāya, or spiritual body of all Buddhas, eternal, above terms of being, undefinable, neither immanent nor transcendent, yet the one reality, though beyond thought. It is the fundamental doctrine of the 華嚴宗. The 法界 is 諸佛平等法身, 從本以來不生不滅, 非空非有, 離名離相, 無內無外, 惟一眞實, 不可思議, 是名一眞法界; see 三藏法數 4.

五智如來


五智如来

see styles
wǔ zhì rú lái
    wu3 zhi4 ru2 lai2
wu chih ju lai
 gochi nyorai
五智五佛; 五佛; 五如來 The five Dhyāni-Buddhas, or Wisdom-Tathāgatas of the Vajradhātu 金剛界, idealizations of five aspects of wisdom; possibly of Nepalese origin. The Wisdom Buddha represents the dharmakāya or Buddha-mind, also the Dharma of the triratna, or trinity. Each evolves one of the five colours, one of the five senses, a Dhyani-bodhisattva in two forms onegracious, the other fierce, and a Mānuṣi-Buddha; each has his own śakti, i. e. feminine energy or complement; also his own bīja, or germ-sound 種子or 印 seal, i. e. 眞言 real or substantive word, the five being for 大日 aṃ, for 阿閦 hūṃ, for 寶生 ? hrīḥ, for 彌陀 ? aḥ, for 不 空 ? āḥ. The five are also described as the emanations or forms of an Ādi-Buddha, Vajrasattva; the four are considered by others to be emanations or forms of Vairocana as theSupreme Buddha. The five are not always described as the same, e. g. they may be 藥師 (or 王) Bhaiṣajya, 多寶 Prabhūtaratna, Vairocana, Akṣobhya, andeither Amoghasiddhi or Śākyamuni. Below is a classified list of the generally accepted five with certain particulars connected with them, butthese differ in different places, and the list can only be a general guide. As to the Dhyāni-bodhisattvas, each Buddha evolves three forms 五佛生五菩薩, 五金剛, 五忿怒, i. e. (1) a bodhisattva who represents the Buddha's dharmakāya, or spiritual body; (2) a vajra ordiamond form who represents his wisdom in graciousness; and (3) a fierce or angry form, the 明王 who represents his power against evil. (1) Vairocanaappears in the three forms of 轉法輪菩薩 Vajra-pāramitā Bodhisattva, 遍照金剛 Universally Shining Vajrasattva, and 不動明王 Ārya-Acalanātha Rāja; (2) Akṣobhya's three forms are 虛空藏 Ākāśagarbha, 如意 complete power, and 軍荼利明王 Kuṇḍalī-rāja; (3 ) Ratnasaṃbhava's are 普賢 Samantabhadra, 薩埵Sattvavajra, and 孫婆 or 降三世明王 Trailokyavijayarāja; (4) Amitābha's are 觀世音 Avalokiteśvara, 法金剛 Dharmarāja, and 馬頭明王 Hayagrīva, thehorse-head Dharmapāla; (5) Amoghasiddhi's are 彌勒 Maitreya, 業金剛Karmavajra, and 金剛夜叉 Vajrayakṣa. The above Bodhisattvas differ from those in the following list:
NameChinesePositionElementSenseColor
Vairocana大日centreethersightwhite
Akṣobhya阿閦eastearthsoundblue
Ratnasaṃbhava寶生southfiresmellyellow
Amitābha彌陀westwatertastered
Amoghasiddhi不空northairtouchgreen
GermAnimalDhyani-BodhisattvaBuddha
aṃlionSamantabhadra 普賢Krakucchanda
hūṃelephantVajrapāṇi 金剛力士Kanakamuni
?aḥhorseRatnapāṇi 寶手Kāśyapa
? hrīḥgoose or peacockAvalokiteśvara 觀音Śākyamuni
?āḥgaruḍaVisvapāṇi?Maitreya


Arrival of the five wise Buddhas

The following table may be helpful for those studying Chinese or Japanese...

Title CharactersRomaji (Romanized Japanese)Various forms of Romanized Chinese
Spirit
Spiritual Essence
shin / kamishén / shen2 / shen
Ghost
Soul
Spirit
魂魄kon paku / konpakuhún pò / hun2 po4 / hun po / hunpohun p`o / hunpo / hun po
Siddhartha悉達多
悉达多
shiddatta / shiddarutaxī dá duō
xi1 da2 duo1
xi da duo
xidaduo
hsi ta to
hsitato
Bravery
Courage
勇氣
勇气 / 勇気
yuuki / yukiyǒng qì / yong3 qi4 / yong qi / yongqiyung ch`i / yungchi / yung chi
Nichiren日蓮
日莲
nichi ren / nichirenrì lián / ri4 lian2 / ri lian / rilianjih lien / jihlien
Reiki靈氣
灵气 霊気
reikilíng qì / ling2 qi4 / ling qi / lingqiling ch`i / lingchi / ling chi
In some entries above you will see that characters have different versions above and below a line.
In these cases, the characters above the line are Traditional Chinese, while the ones below are Simplified Chinese.


Dictionary

Lookup Spiritual Being in my Japanese & Chinese Dictionary


Successful Chinese Character and Japanese Kanji calligraphy searches within the last few hours...

1 Corinthians 13:4-8100 Years of Happy MarriageA Journey of a Thousand MilesAbbyAbraAcalaAdamsAdeelAdenAdiaAdnanAguilarAhmadshienAikido YoshinkanAilynAimanAimeeAinsleyAizahAjaniAjayAjnaAkashAkiraAkitaAkumaAlastorAlbaniaAlexanderAlfiAliaAliceAlinaAlizeAlondraAlways and ForeverAlways FaithfulAlyaAmaliAmarionAmeliaAminaAmirAmoreAnalynAndersonAndyAngelAngelaAngelikaAnjaliAnkitaAnupAnushkaArchangelArekAriaArionArissaArleyArmanArneArniArunAsaadAseelAshaAshwiniAslamAstroAtticusAuraAustinAutumnAysiaAziraAzuraBahrainBaileBaileyBalanced LifeBangladeshBarbaraBartekBe Like WaterBe True to YourselfBeauBeautiful HeartBeautiful SpiritBeautiful Woman ProverbBeauty of NatureBeginner MindBelieve in YourselfBenevolenceBetter to Be Happy Than RichBettyBibekBirgitBlack BeltBlacksmithBlasBlessed by GodBlessingsBlood Sweat and TearsBloomingBodaishinBodhiBodhidharmaBonsai TreeBoys Be AmbitiousBrahmaviharaBrannonBrave HeartBrave WarriorBrayanBraydenBreatheBrodieBroken SoulBrotherhoodBrysonBubbaBucharestBuddhaBuffyBufordBujinBushido CodeCadeCainCaineCalm and CollectedCarlCarlaCarolineCarsonCarterCasanovaCasperCatherineCedricCelineCerysChaosCharanCharismaCharisseCharmaineCherry BlossomCheyenneChoiChop Wood Carry WaterChristianityChristinaCianaClaireClaudiaCocoColeCollinCommitmentConradCorinthians 13:4CourageCourage and StrengthCzech RepublicDanaDanceDarcyDaredevilDark SisterDarnellDegasDejuanDelilahDenaliDennisDestiny Determined by HeavenDetermination to AchieveDevinDevonteDianneDickDimitriDinaDionDisciplineDitaDivine LightDivyaDouble HappinessDragonDragon and PhoenixDripping Water Penetrates StoneDu Mu PoetryDuncanDwayneEarth DragonEdgarEgypt

All of our calligraphy wall scrolls are handmade.

When the calligrapher finishes creating your artwork, it is taken to my art mounting workshop in Beijing where a wall scroll is made by hand from a combination of silk, rice paper, and wood.
After we create your wall scroll, it takes at least two weeks for air mail delivery from Beijing to you.

Allow a few weeks for delivery. Rush service speeds it up by a week or two for $10!

When you select your calligraphy, you'll be taken to another page where you can choose various custom options.


A nice Chinese calligraphy wall scroll

The wall scroll that Sandy is holding in this picture is a "large size"
single-character wall scroll.
We also offer custom wall scrolls in small, medium, and an even-larger jumbo size.

A professional Chinese Calligrapher

Professional calligraphers are getting to be hard to find these days.
Instead of drawing characters by hand, the new generation in China merely type roman letters into their computer keyboards and pick the character that they want from a list that pops up.

There is some fear that true Chinese calligraphy may become a lost art in the coming years. Many art institutes in China are now promoting calligraphy programs in hopes of keeping this unique form of art alive.

Trying to learn Chinese calligrapher - a futile effort

Even with the teachings of a top-ranked calligrapher in China, my calligraphy will never be good enough to sell. I will leave that to the experts.

A high-ranked Chinese master calligrapher that I met in Zhongwei

The same calligrapher who gave me those lessons also attracted a crowd of thousands and a TV crew as he created characters over 6-feet high. He happens to be ranked as one of the top 100 calligraphers in all of China. He is also one of very few that would actually attempt such a feat.


Check out my lists of Japanese Kanji Calligraphy Wall Scrolls and Old Korean Hanja Calligraphy Wall Scrolls.

Some people may refer to this entry as Spiritual Being Kanji, Spiritual Being Characters, Spiritual Being in Mandarin Chinese, Spiritual Being Characters, Spiritual Being in Chinese Writing, Spiritual Being in Japanese Writing, Spiritual Being in Asian Writing, Spiritual Being Ideograms, Chinese Spiritual Being symbols, Spiritual Being Hieroglyphics, Spiritual Being Glyphs, Spiritual Being in Chinese Letters, Spiritual Being Hanzi, Spiritual Being in Japanese Kanji, Spiritual Being Pictograms, Spiritual Being in the Chinese Written-Language, or Spiritual Being in the Japanese Written-Language.