For the best possible display, this portrait should be professionally framed.
A frame is not included with this artwork!
Artwork Panel: 69.3cm x 48.6cm ≈ 27¼" x 19"
Silk/Brocade Border: 89.3cm x 58.6cm ≈ 35¼" x 23"Information about how this Asian painting is mounted
Two little frogs enjoy a moment in the pond just below a branch full of plum blossoms.
If you have navigated much of our website, you already know this is a great all-around artist that does wonderful work in many categories. But of course, there is a story...
I was supposed to be on vacation, and I just wanted to see the karst mountain landscapes of the Li River near Guilin. As luck would have it, I stumbled across a very inspiring artist.
In fact, this man is probably the most courageous person that I have ever met. He certainly has my respect and admiration.
As I watch him finish one of his paintings, I find myself
in awe of this man that can do amazing things with only
one arm that most people can't do with two.
While he is a wonderful and talented artist, that is only part of his story
His full name is Ou-Yang Guo-De. He and his sister now live in Guilin. He keeps himself busy painting, while his sister sells his art at a small gallery not far from the center of the city.
When they were very young, their mother died. Their father didn't make much money, and with their mother gone, he had to remarry quickly for financial reasons (very common in Chinese culture under those circumstances and that time in history). Their father found a new wife in a village, and they all moved into the woman's family home.
Part of young Ou-Yang Guo-De's chores included collecting corn cobs that fell from the passing train cars at nearby railroad tracks. The corncobs are burned and used as fuel for cooking, and even heating homes in poorer villages where people cannot afford coal.
One day, when he was about 11 years old, Ou-Yang Guo-De came upon a train that had stopped on the tracks. Under the train he saw a bounty of corncobs. He climbed under the train to get the precious cobs when tragedy stuck. The train began to move, and literally cut him in half...
Every time I put my glass down, Mr. Ou-Yang would
say, "Cheers!", and quickly our
glasses go "bottoms up" again.
Between drinks we eat from a steaming hot pot
full of chicken, cabbage, and other vegetables.
The details he told me about this event were so vivid that they are a bit too graphic for a happy art listing. He still remembers everything that happened until he lost consciousness, expecting to die.
Though pieces of his story are missing from when he was unconscious, there must have been a miracle involved because somehow he survived. The nearest hospital was far away, and while he has no idea how he got there before bleeding to death, that's were he woke up. But both of his legs and his left arm were gone forever.
In China, the most likely occupation for a disabled person like him would be to become a beggar on the street, but not Ou-Yang Guo-De!
He continued to study and go to school, and went to work at an umbrella and parasol factory. He showed a lot of natural artistic talent, so the factory owner sent young Mr. Ou-Yang to art school for two years. After graduation, he went to work hand painting beautiful scenes on rice paper and silk parasols.
All of the cheers took their toll, if my flushed red face
doesn't tell the story, the fact that I am singing a
Neil Diamond song should tell you something.
After many years at the factory, working for low wages, he decided to make a change. He took a leap of faith and went out on his own as an artist. It was a little rough at first, but it turned out to be a good decision.
He has done well, and has quite a following. Also, he is a little famous for more than his art. You see, a few years ago, he was given an award by the government of China for being an example of what disabled people should aspire to.
But there is something about him that is different. This guy totally loves life. He is truly happy and good-natured. He laughs and tells jokes and is the life of the party. He is not a social outcast, but rather a social phenomenon. He is surrounded by a lot of friends because I think his friends feed off of his enthusiasm for life - I certainly felt it myself.
I spent several days with the artist, and I may be forever changed. Whenever I think I am in a tough spot, or difficult circumstance, all I have to do is think about Mr. Ou-Yang. If he can overcome what he did, then I can overcome my petty problems.
This item was listed or modified
Sep 26th, 2010
Gary's random little things about China:
Everyone is going to hate me for this, but here is the truth:
Some people who currently prefer to call themselves "Asian-Americans" woke up one morning and decided that "Oriental" is now a word to be used only for Oriental rugs, Oriental art and lamps, or any other inanimate object from Eastern Asia.
When I was teaching English in China, many of my students would refer to themselves as "Oriental", and I would correct them and say, It's better to say that you are Asian or Chinese rather than Oriental, but I was at a loss as to explain why.
My Chinese students were very smart, and came back at me with the fact that being from Asia was too broad a term, and asked if Persians and Saudi Arabians should also refer to themselves as "Asian".
I then had to make excuses for my geographically-challenged fellow Americans* who had long ago replaced the correct term of "Oriental" (meaning the bio-geographic region including southern Asia and the Malay Archipelago as far as the Philippines, Borneo and Java), and replaced it with "Asian" which in truth encompasses half the world's population - many of whom do not consider themselves to be of the same race as those from the Orient.
(For those Americans reading this and who've slept through their high school geography class: It's true, the whole Middle East, and half of Russia are located in the Asian continent)
But I admit I am not helping the problem. You see, almost half the people that find our website did so while searching for "Asian art" and I have done a lot to promote our business as "Purveyors of Asian art". So you can blame me too.
To truly be an Asian art gallery, we would have to offer artwork from beyond the Orient, from places like India, Persia (Iran), most Arab nations, and Russia.
There are a lot of things that present problems in the English language.
Usually these problems are thanks to mistakes of the past.
That's why we have to say, "He's an Indian from India" versus "He's a Native-American Indian" (Thanks to Mr. Columbus).
Things to learn:
Do not refer to a Persian (Iranian) as Arab.
If you refer to an Arab-American as being Asian, they will look at you funny and possibly be offended.
If you refer to a person from India as Asian, you will mildly amuse them.
If you refer to a Russian as being Asian, they will pour borsch on you (my ex-wife is Russian, so I know this to be true from experience).
Using "Asian" to refer to a person from Singapore is okay, but they will later, as if by accident, mention that they are in fact from the most civilized country in Asia.
*We citizens of the USA call ourselves "Americans" which seems a bit arrogant to our neighbors who reside on the continents of North and South America. Keep in mind, Canadians and Mexicans are also from North America, but refer to themselves in more correct geographic terms.