For the best possible display, this portrait should be professionally framed.
A frame is not included with this artwork!
Artwork Panel: 133.7cm x 67.7cm ≈ 52½" x 26¾"
Silk/Brocade Border: 151.6cm x 77.5cm ≈ 59¾" x 30½"Information about how this Asian painting is mounted
A very bold painting of cranes that will really stand out in your living room or restaurant.
This was painted using watercolors on xuan paper (often referred to as "rice paper" in the west). The raw artwork was then taken to our mounting workshop in Beijing. At the workshop it was laminated to several more sheets of xuan paper to thicken up the artwork. Also, a silk brocade border was added which can be used in lieu of matting when you frame this artwork.
If you have navigated much of our website, you already know this is a great all-around artist that does wonderful work in many categories. But of course, there is a story...
I was supposed to be on vacation, and I just wanted to see the karst mountain landscapes of the Li River near Guilin. As luck would have it, I stumbled across a very inspiring artist.
In fact, this man is probably the most courageous person that I have ever met. He certainly has my respect and admiration.
As I watch him finish one of his paintings, I find myself
in awe of this man that can do amazing things with only
one arm that most people can't do with two.
While he is a wonderful and talented artist, that is only part of his story
His full name is Ou-Yang Guo-De. He and his sister now live in Guilin. He keeps himself busy painting, while his sister sells his art at a small gallery not far from the center of the city.
When they were very young, their mother died. Their father didn't make much money, and with their mother gone, he had to remarry quickly for financial reasons (very common in Chinese culture under those circumstances and that time in history). Their father found a new wife in a village, and they all moved into the woman's family home.
Part of young Ou-Yang Guo-De's chores included collecting corn cobs that fell from the passing train cars at nearby railroad tracks. The corncobs are burned and used as fuel for cooking, and even heating homes in poorer villages where people cannot afford coal.
One day, when he was about 11 years old, Ou-Yang Guo-De came upon a train that had stopped on the tracks. Under the train he saw a bounty of corncobs. He climbed under the train to get the precious cobs when tragedy stuck. The train began to move, and literally cut him in half...
Every time I put my glass down, Mr. Ou-Yang would
say, "Cheers!", and quickly our
glasses go "bottoms up" again.
Between drinks we eat from a steaming hot pot
full of chicken, cabbage, and other vegetables.
The details he told me about this event were so vivid that they are a bit too graphic for a happy art listing. He still remembers everything that happened until he lost consciousness, expecting to die.
Though pieces of his story are missing from when he was unconscious, there must have been a miracle involved because somehow he survived. The nearest hospital was far away, and while he has no idea how he got there before bleeding to death, that's were he woke up. But both of his legs and his left arm were gone forever.
In China, the most likely occupation for a disabled person like him would be to become a beggar on the street, but not Ou-Yang Guo-De!
He continued to study and go to school, and went to work at an umbrella and parasol factory. He showed a lot of natural artistic talent, so the factory owner sent young Mr. Ou-Yang to art school for two years. After graduation, he went to work hand painting beautiful scenes on rice paper and silk parasols.
All of the cheers took their toll, if my flushed red face
doesn't tell the story, the fact that I am singing a
Neil Diamond song should tell you something.
After many years at the factory, working for low wages, he decided to make a change. He took a leap of faith and went out on his own as an artist. It was a little rough at first, but it turned out to be a good decision.
He has done well, and has quite a following. Also, he is a little famous for more than his art. You see, a few years ago, he was given an award by the government of China for being an example of what disabled people should aspire to.
But there is something about him that is different. This guy totally loves life. He is truly happy and good-natured. He laughs and tells jokes and is the life of the party. He is not a social outcast, but rather a social phenomenon. He is surrounded by a lot of friends because I think his friends feed off of his enthusiasm for life - I certainly felt it myself.
I spent several days with the artist, and I may be forever changed. Whenever I think I am in a tough spot, or difficult circumstance, all I have to do is think about Mr. Ou-Yang. If he can overcome what he did, then I can overcome my petty problems.
This item was listed or modified
Mar 18th, 2015
Gary's random little things about China:
When crossing a street, or merely making your way down the road, there is a certain law of physics that comes into play: When two forces meet, one must yield.
Here is the general yielding scheme in China:
Cars yield to big buses and trucks.
Bicycles and cars mingle and narrowly avoid each other. When push comes to shove, the bicyclist knows he will lose the fight. But the car driver knows that the bicycle will scratch his car when he runs it over, and will only yield on that premise.
Cars will not yield to, but are required to avoid pedestrians. When you hit a pedestrian at low speed, it does very little damage, and unlike a bicycle, will almost never scratch your car. Therefore pedestrians are given a smaller margin.
Note: Regardless of green or red stop lights, it is against the law to come to a complete stop when making a right hand turn in China (no matter how many pedestrians are in the way). The rule is "honk and avoid, then continue on your way".
Motor scooters yield to no one, not even when they are being driven on a pedestrian-filled sidewalk. Motor scooters zip around like they have nothing to lose - this may be true, as smaller motor scooters require no license of any kind and are very cheap.
If you are driving on the wrong side of the road, or going the wrong way on a one-way street, you do not have to yield to anyone, no matter what kind of vehicle you are operating.
Cars will yield (not by choice) to pedestrians crossing the street in numbers greater than 10 (it is best in China to invite 9 of your friends for an outing if you plan to cross a lot of streets).
In lieu of yielding, drivers are required to honk at pedestrians. I swear to God, this is the law! It's a safety issue: If you are passing a pedestrian that is walking on the side of the road, you are required by law to honk at them to let them know you are there.
Note: All streets in Chinese cities, sound like a New York traffic jam 24 hours per day with all this "safety honking".
I have not been able to find a traffic law that states you must yield to ambulances. And in practice, very few drivers do.
When two large vehicles come face to face on a narrow roadway, and neither can pass, neither will yield. They will sit there, honking at each other for a while. After several cars are lined up behind them, they will decide that they should have yielded earlier, and start to back up. This is to the great dismay of all the cars behind them who will honk in unison. This could go on for an hour or more. It ends when a police officer arrives, tells both drivers what idiots they are, issues tickets to both of them, and then systematically makes the situation worse by insisting that all the smaller cars turn around (rather than back up) by making 162-point turns in the small roadway. Eventually, two of the cars will hit each other, for which both drivers will be cited and fined on the spot.