Category: Chinese Character & Japanese Kanji Calligraphy Wall Scrolls

BUDDHA
HOTOKE Japanese Kanji Wall Scroll

BUDDHA - HOTOKE Japanese Kanji Wall Scroll
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47¾"
(121.5cm)
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line
arrow 26½"
(67.2cm)
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Typical Gallery Price: $300.00

Your Price:
US$88.88U.S. Dollars

GBP £53.94British Pounds
Euro €59.99Euro
Canadian $95.25Canadian Dollars
Australian $97.78Australian Dollars


Approximate Measurements:
Painting: 19¼" x 27"   (49cm x 68.5cm)
Silk Scroll: 23" x 47¾"   (58.2cm x 121.5cm)
Width of Wooden Scroll Roller: 26½"   (67.2cm)

Information about caring for your new Wall Scroll


彿

Buddha - Buddhism

Japanese Kanji / Chinese character / old Korean Hanja Calligraphy Wall Scroll

BUDDHA - HOTOKE Japanese Kanji Wall Scroll close up view

Close up view of the artwork mounted to this silk brocade wall scroll

This particular calligraphy is done in Kai-Gyosho (Running-Regular Script). This style features bold but flowing strokes. It's written on Buddha-Orange xuan paper, with gold flakes. This orange color is used almost exclusively for Buddhist-related Japanese and Chinese calligraphy.

This is the Kanji that is Romanized and pronounced "Hotoke" (Hoe Toe Kay) in Japanese. This Kanji represents The Buddha and Buddhism. This Kanji and concept originally came from China (after Buddhism came from India) where this character is Romanized and pronounced "Fo".

The form written on this scroll is the ancient Chinese form that is also used in Japan (usually for religious purposes). It is also common to write Hotoke in Japanese in the alternate form which looks like this: 仏

The Kanji version written on this wall scroll will be readily-understood by both Chinese and most Japanese people (non-Buddhist Japanese people may not immediately recognize this more ancient form).

Want a Buddhism wall scroll completely customized to your desires?
Link: Options for custom Buddha and Buddhism Chinese / Japanese Kanji / Korean Hanja calligraphy are available here!


Chinese and Japanese Calligraphy is only practiced by those with a keen and agile hand. It is an art that dates back thousands of years. Great artists, writers, and poets of China and Japan are often admired for their calligraphy ability and style.

This piece was done by Master Calligrapher Michiko Imai of Nara, Japan.

To create this art, Master Imai used special calligraphy ink on Buddha-orange gold-flaked xuan paper (rice paper). The raw calligraphy was then taken to our mounting shop in Beijing where some of the best mounters in China laminated this to more sheets of xuan paper and mounted it as a beautiful silk brocade wall scroll.


Authentic Japanese Calligraphy by Japanese Master Calligrapher Michiko Imai

Japanese Master Calligrapher Michiko Imai

Japanese Master Calligrapher Michiko Imai.
Shown here crafting her artwork which follows
a 1600-year Japanese tradition.

今井美智子 (Imai, Michiko) was born and raised in Nara, Japan. She began her studies of Calligraphy at the age of four at Baikou Calligraphy School. When Michiko was 25 years old, she received a membership to the Tenshin Kai (calligraphy society) and her life as a calligrapher began. Michiko progressed to the next level, becoming a member of the Cho-ko Guild which is the most prestigious calligraphy society in Japan. During her apprenticeship, she taught calligraphy and studied the art of Japanese silk scroll making (hyougu) at Mizuno Hyougu-ten.

Japanese calligraphy wall scroll

A sample of her
work in Gyosho
(Xingshu) style.

In 1998, Master Calligrapher Michiko Imai was awarded the highest rank in Japanese Calligraphy of Shihan. She currently holds a guild licence for teaching both calligraphy and instructing teachers to teach calligraphy.

Michiko Imai is among the few to have won multiple best of category awards in national competitions (Japan). Her work has been displayed at the Tokyo Metropolitan Art Museum, Osaka Municipal Museum Of Art, Nara City Museum Of Art and Kyoto Municipal Museum Of Art.

In Addition to being a calligrapher, she is also an "artisan artist" (Hyougushi). Ms. Imai now resides half of the year in Japan and the other in Boston.

It should be noted that Master Imai signs her artwork with the "art name" of 美嶂 (Beautiful Cliff/Mountain). So this is what you will see just before the red signature stamp on her calligraphy pieces.


Japanese calligraphy painting combo

Kana Sosho
painting combination
(like Chinese Xing-Caoshu).

Japanese Kana calligraphy

Kana style Japanese calligraphy
(similar to Chinese "Running Caoshu").

Japanese love calligraphy

Single-Kanji
Love
calligraphy
in Kai-Gyosho
(Xing-Kaishu)
style.


Completely handmade, yet affordable...

If you've shopped much for Japanese calligraphy, you know that it generally starts from $200 and up. In fact, I can show you a catalog full of Japanese calligraphy priced at $2000 and up (someone sent it to me, thinking that I'd like to blow $12,000 on a wall scroll).

So how can we offer authentic Japanese calligraphy for such a low price? The short answer is that I work with people who are more interested in the art than getting rich. Master Michiko Imai has given us a very special opportunity to offer her artwork at a price that most people can afford.
The second part of the equation is the fact that we are building all of our own wall scrolls by hand in our workshop in Beijing. You can see how we build these wall scrolls by visiting our How we build these Asian art wall scrolls page.
All of this means you get high-quality artwork with no "middle man markup".



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Typical Gallery Price: $300.00

Your Price:
US$88.88U.S. Dollars

GBP £53.94British Pounds
Euro €59.99Euro
Canadian $95.25Canadian Dollars
Australian $97.78Australian Dollars


All orders billed in U.S. Dollars.
Other currencies shown for reference at approximate exchange rates.


Item Location: USA
details


Gary's random little facts about China:

Vehicular and Pedestrian Yielding Quotient
When crossing a street, or merely making your way down the road, there is a certain law of physics that comes into play: When two forces meet, one must yield.

Here is the general yielding scheme in China:

Cars yield to big buses and trucks.

Bicycles and cars mingle and narrowly avoid each other. When push comes to shove, the bicyclist knows he will lose the fight. But the car driver knows that the bicycle will scratch his car when he runs it over, and will only yield on that premise.

Cars will not yield to, but are required to avoid pedestrians. When you hit a pedestrian at low speed, it does very little damage, and unlike a bicycle, will almost never scratch your car. Therefore pedestrians are given a smaller margin.
Note: Regardless of green or red stop lights, it is against the law to come to a complete stop when making a right hand turn in China (no matter how many pedestrians are in the way). The rule is "honk and avoid, then continue on your way".

Motor scooters yield to no one, not even when they are being driven on a pedestrian-filled sidewalk. Motor scooters zip around like they have nothing to lose - this may be true, as smaller motor scooters require no license of any kind and are very cheap.

If you are driving on the wrong side of the road, or going the wrong way on a one-way street, you do not have to yield to anyone, no matter what kind of vehicle you are operating.

Cars will yield (not by choice) to pedestrians crossing the street in numbers greater than 10 (it is best in China to invite 9 of your friends for an outing if you plan to cross a lot of streets).

In lieu of yielding, drivers are required to honk at pedestrians. I swear to God, this is the law! It's a safety issue: If you are passing a pedestrian that is walking on the side of the road, you are required by law to honk at them to let them know you are there.
Note: All streets in Chinese cities, sound like a New York traffic jam 24 hours per day with all this "safety honking".

I have not been able to find a traffic law that states you must yield to ambulances. And in practice, very few drivers do.

When two large vehicles come face to face on a narrow roadway, and neither can pass, neither will yield. They will sit there, honking at each other for a while. After several cars are lined up behind them, they will decide that they should have yielded earlier, and start to back up. This is to the great dismay of all the cars behind them who will honk in unison. This could go on for an hour or more. It ends when a police officer arrives, tells both drivers what idiots they are, issues tickets to both of them, and then systematically makes the situation worse by insisting that all the smaller cars turn around (rather than back up) by making 162-point turns in the small roadway. Eventually, two of the cars will hit each other, for which both drivers will be cited and fined on the spot.

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