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Mandarin Chinese information.
Old Wade-Giles romanization used only in Taiwan.
Japanese information.
Buddhist definition. Note: May not apply to all sects.
 Definition may be different outside of Buddhism.

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Characters Pronunciation
Romanization
Simple Dictionary Definition


see styles
wéi
    wei2
wei
 yuki
    ゆき

More info & calligraphy:

Vee
to preserve; to maintain; to hold together; dimension; vitamin (abbr. for 維生素|维生素[wei2 sheng1 su4])
(pronoun) (1) (kana only) this (indicating an item near the speaker, the action of the speaker, or the current topic); (2) (humble language) this person (usu. indicating someone in one's in-group); (3) now; (4) (archaism) here; (5) (archaism) I (me); (6) (archaism) certainly; (female given name) Yuki
A carriage-curtain; a net; a corner, cardinal point; to tie or hold together, connect; a copula, also, but, whereas, now.

三昧

see styles
sān mèi
    san1 mei4
san mei
 sanmai; zanmai
    さんまい; ざんまい

More info & calligraphy:

Samadhi
Samadhi (Buddhist term)
(1) (さんまい only) {Buddh} samadhi (state of intense concentration achieved through meditation) (san:); (suffix noun) (2) (usu. ざんまい) being immersed in; being absorbed in; indulging in; doing to one's heart's content; (suffix noun) (3) (usu. ざんまい) prone to; apt to; (given name) Sanmai
(三昧地) Samādhi, "putting together, composing the mind, intent contemplation, perfect absorption, union of the meditator with the object of meditation." (M. W.) Also 三摩地 (三摩提, 三摩帝, 三摩底). Interpreted by 定 or 正定, the mind fixed and undisturbed; by 正受 correct sensation of the object contemplated; by 調直定 ordering and fixing the mind; by 正心行處 the condition when the motions of the mind are steadied and harmonized with the object; by 息慮凝心 the cessation of distraction and the fixation of the mind; by 等持 the mind held in equilibrium; by 奢摩他, i.e. 止息 to stay the breathing. It is described as concentration of the mind (upon an object). The aim is 解脫, mukti, deliverance from all the trammels of life, the bondage of the passions and reincarnations. It may pass from abstraction to ecstasy, or rapture, or trance. Dhyāna 定 represents a simpler form of contemplation; samāpatti 三摩鉢底 a stage further advanced; and samādhi the highest stage of the Buddhist equivalent for Yoga, though Yoga is considered by some as a Buddhist development differing from samādhi. The 翻譯名義 says: 思專 when the mind has been concentrated, then 志一不分 the will is undivided; when 想寂 active thought has been put to rest, then 氣虛神朗 the material becomes etherealized and the spirit liberated, on which 智 knowledge, or the power to know, has free course, and there is no mystery into which it cannot probe. Cf. 智度論 5, 20, 23, 28; 止觀 2; 大乘義章 2, 9, 1 3, 20, etc. There are numerous kinds and degrees of samādhi.

合十

see styles
hé shí
    he2 shi2
ho shih
 gōjū

More info & calligraphy:

Namaste - Greeting
to put one's palms together (in prayer or greeting)
合爪; 合掌 To bring the ten fingers or two palms together; a monk's salutation.

合掌

see styles
hé zhǎng
    he2 zhang3
ho chang
 gasshou / gassho
    がっしょう

More info & calligraphy:

Gassho
to clasp hands; to put one's palms together (in prayer)
(n,vs,vi) (1) pressing one's hands together in prayer; (2) triangular frame of a thatched roof; (expression) (3) (at the end of Buddhist correspondence) (See 敬具) yours sincerely; yours truly; sincerely yours; (surname) Gasshou
the gesture of joining one's palms and putting them to the breast as an expression of reverence

一味同心

see styles
 ichimidoushin / ichimidoshin
    いちみどうしん

More info & calligraphy:

Work Together with One Mind
(yoji) (people) working together with one mind

一致団結

see styles
 icchidanketsu
    いっちだんけつ

More info & calligraphy:

Solidarity / Working Together as One
(noun/participle) (yoji) solidarity; banding together and working as one for a common cause

同心協力


同心协力

see styles
tóng xīn xié lì
    tong2 xin1 xie2 li4
t`ung hsin hsieh li
    tung hsin hsieh li
to work with a common purpose (idiom); to make concerted efforts; to pull together; to work as one

打成一片

see styles
dǎ chéng yī piàn
    da3 cheng2 yi1 pian4
ta ch`eng i p`ien
    ta cheng i pien
 tajouippen / tajoippen
    たじょういっぺん

More info & calligraphy:

Merge / Unify
to merge; to integrate; to become as one; to unify together
(yoji) {Buddh} (See 座禅・ざぜん) intensive zazen meditation on a subject; knocking all into one
To knock all into one, bring things together, or into order.

齊心協力


齐心协力

see styles
qí xīn xié lì
    qi2 xin1 xie2 li4
ch`i hsin hsieh li
    chi hsin hsieh li

More info & calligraphy:

Work Together with One Heart
to work with a common purpose (idiom); to make concerted efforts; to pull together; to work as one

see styles

    ji2
chi
 zoku
variant of 即[ji2]; promptly
To draw up to, or near; approach; forthwith; to be; i.e. alias; if, even if; 就是. It is intp. as 和融 united together; 不二not two, i.e. identical; 不離 not separate, inseparable. It resembles implication, e.g. the afflictions or passions imply, or are, bodhi; births-and-deaths imply, or are, nirvana; the indication being that the one is contained in or leads to the other. Tiantai has three definitions: (1) The union, or unity, of two things, e.g. 煩惱 and 菩提, i.e. the passions and enlightenment, the former being taken as the 相 form, the latter 性 spirit, which two are inseparable; in other words, apart from the subjugation of the passions there is no enlightenment. (2) Back and front are inseparables; also (3) substance and quality, e.g. water and wave.

see styles

    he2
ho
 gou / go
    ごう
to close; to join; to fit; to be equal to; whole; together; round (in battle); conjunction (astronomy); 1st note of pentatonic scale; old variant of 盒[he2]
(1) gō; traditional unit of volume, approx. 180 ml; (2) gō; traditional unit of area, approx 0.33 square meters; (3) one-tenth of the distance from the base to the summit of a mountain; (4) {astron} (See 衝・3) conjunction; (5) (See 合計) sum; total; (6) {phil} (See 総合・1,正反合) synthesis (in dialectics); (7) minor premise (in hetuvidya); (counter) (8) counter for covered containers; (counter) (9) counter for matches, battles, etc.; (surname) Takagou
Bring together, unite, unison, in accord.


see styles
zhǔ
    zhu3
chu
 satsuka
    さつか
to join together; to fix one's attention on; to concentrate on
(surname) Satsuka
belong to

see styles
pīn
    pin1
p`in
    pin
to piece together; to join together; to stake all; adventurous; at the risk of one's life; to spell

see styles
niē
    nie1
nieh
to hold between the thumb and fingers; to pinch; to mold (using the fingers); to hold (lit. in one's hand and fig.); to join together; to fabricate (a story, a report, etc)


see styles
shè
    she4
she
 setsu
    せつ
(bound form) to take in; to absorb; to assimilate; to take (a photo); (literary) to conserve (one's health); (literary) to act for
(female given name) Setsu
To collect, gather together, combine, include; lay hold of; assist, act for or with; control, direct, attend to; translit. ś, śa.


see styles
guī
    gui1
kuei
 ki
to return; to go back to; to give back to; (of a responsibility) to be taken care of by; to belong to; to gather together; (used between two identical verbs) despite; to marry (of a woman) (old); division on the abacus with a one-digit divisor
Return to, give oneself up to; commit oneself to, surrender; cf. 三歸 śaraṇa-gamana.

see styles
xiàng
    xiang4
hsiang
 sou / so
    そう
appearance; portrait; picture; government minister; (physics) phase; (literary) to appraise (esp. by scrutinizing physical features); to read sb's fortune (by physiognomy, palmistry etc)
(1) aspect; appearance; look; (2) physiognomy (as an indication of one's fortune); (3) {gramm} aspect; (4) {physics;chem} phase (e.g. solid, liquid and gaseous); (given name) Tasuku
lakṣana 攞乞尖拏. Also, nimitta. A 'distinctive mark, sign', 'indication, characteristic', 'designation'. M. W. External appearance; the appearance of things; form; a phenomenon 有爲法 in the sense of appearance; mutual; to regard. The four forms taken by every phenomenon are 生住異滅 rise, stay, change, cease, i. e. birth, life, old age, death. The Huayan school has a sixfold division of form, namely, whole and parts, together and separate, integrate and disintegrate. A Buddha or Cakravartī is recognized by his thirty-two lakṣana , i. e. his thirty-two characteristic physiological marks.


see styles
zhì
    zhi4
chih
 shiki
    しき
to record; to write a footnote
(1) acquaintanceship; (2) {Buddh} vijnana; consciousness; (3) (after a signature) written by...; (personal name) Tsuguhide
vijñāna, "the art of distinguishing, or perceiving, or recognizing, discerning, understanding, comprehending, distinction, intelligence, knowledge, science, learning . . . wisdom." M.W. parijñāna, "perception, thorough knowledge," etc. M.W. It is intp. by 心 the mind, mental discernment, perception, in contrast with the object discerned; also by 了別 understanding and discrimination. There are classifications of 一識 that all things are the one mind, or are metaphysical; 二識 q. v. discriminating the ālaya-vijñāna or primal undivided condition from the mano-vijñāna or that of discrimination; 三識 in the Laṅkāvatāra Sutra, fundamental, manifested and discriminate; 五識 q.v. in the 起信論, i.e. 業, 轉, 現, 知, and 相續識; 六識 the perceptions and discernings of the six organs of sense; also of 8, 9, 10, and 11 識. The most important is the eight of the 起信論, i.e. the perceptions of the six organs of sense, eye, ear, nose, tongue, body (or touch), and mind, together with manas, intp. as 意識 the consciousness of the previous moment, on which the other six depend; the eighth is the ālaya-vijñāna, v. 阿賴耶, in which is contained the seed or stock of all phenomena and which 無沒 loses none, or nothing, is indestructible; a substitute for the seventh is ādāna 'receiving' of the 唯識, which is intp. as 無解 undiscriminated, or indefinite perception; there is a difference of view between the 相 and the 性 schools in regard to the seventh and eight 識; and the latter school add a ninth called the amala, or pure vijñāna, i.e. the non-phenomenal 眞如識. The esoterics add that all phenomena are mental and all things are the one mind, hence the one mind is 無量識 unlimited mind or knowledge, every kind of knowledge, or omniscience. vijñāna is one of the twelve nidānas.; Ālaya-vijñāna and mano-vijñāna; i. e. 阿梨耶 | and 分別事 |; v. 識.

see styles
tòng
    tong4
t`ung
    tung
 tsuu / tsu
    つう
classifier for an activity, taken in its entirety (tirade of abuse, stint of music playing, bout of drinking etc)
(n,n-suf,adj-na) (1) authority; expert; connoisseur; well-informed person; (counter) (2) counter for messages, letters, notes, documents, etc.; (noun or adjectival noun) (3) understanding (esp. of male-female relations); tact; insight; (4) supernatural powers; magical powers; (given name) Michiaki
Permeate, pass through, pervade; perceive, know thoroughly; communicate; current; free, without hindrance, unimpeded universal; e.g. 神通 supernatural, ubiquitous powers. There are categories of 五通, 六通, and 十通, all referring to supernatural powers; the five are (1) knowledge of the supernatural world; (2) deva vision; (3) deva hearing; (4) knowledge of the minds of all others; (5) knowledge of all the transmigrations of self and all others. The six are the above together with perfect wisdom for ending moral hindrance and delusion. The ten are knowing all previous transmigrations, having deva hearing, knowing the minds of others, having deva vision, showing deva powers, manifesting many bodies or forms, being anywhere instantly, power of bringing glory to one's domain, manifesting a body of transformation, and power to end evil and transmigration.


see styles
dìng
    ding4
ting
 kugi(p); kugi
    くぎ(P); クギ
to join things together by fixing them in place at one or more points; to nail; to pin; to staple; to sew on
nail; spike; tack; rivet; brad; (pachinko) pin; (surname) Teizaki

一塊


一块

see styles
yī kuài
    yi1 kuai4
i k`uai
    i kuai
 hitokatamari
    ひとかたまり
    ikkai
    いっかい
one block; one piece; one (unit of money); together; in the same place; in company
one lump; one group

一所

see styles
 hitotokoro
    ひとところ
    issho
    いっしょ
(1) one place; the same place; (2) (honorific or respectful language) (archaism) one person; (3) (archaism) together

一道

see styles
yī dào
    yi1 dao4
i tao
 ichidou / ichido
    いちどう
together
one road; ray (of hope); (given name) Kazumichi
One way, the one way; the way of deliverance from mortality, the Mahāyāna. Yidao, a learned monk of the Pure-land sect.

佛界

see styles
fó jiè
    fo2 jie4
fo chieh
 bukkai
The Buddha realm, the state of Buddhahood, one of the ten realms, which consist of the six gati together with the realms of Buddhas, bodhisattvas, pratyeka-buddhas, and śrāvakas; also a Buddha-land; also the Buddha's country; cf. 佛土.

併攏


并拢

see styles
bìng lǒng
    bing4 long3
ping lung
to draw together; to place side by side (e.g. one's fingers, two halves of a torn sheet of paper etc)

北藏

see styles
běi zàng
    bei3 zang4
pei tsang
 Hokuzō
The northern collection or edition of 1,621 works first published in Peking by order of Ch'eng Tsu (1403-1424), together with forty-one additional works, published by 密藏 Mizang after thirty years, labour beginning A. D. 1586. Later this edition was published in Japan 1678-1681 by 鐵眼 Tetsugen.

十二

see styles
shí èr
    shi2 er4
shih erh
 tooji
    とおじ
twelve; 12
12; twelve; (given name) Tooji
dvātriṃśa. Thirty-two. 三十二應 (or 三十二身) The thirty-two forms of Guanyin, and of Puxian, ranging from that of a Buddha to that of a man, a maid, a rakṣas; similar to the thirty-three forms named in the Lotus Sūtra. 三十二相三十二大人相 dvātriṃśadvaralakṣaṇa. The thirty-two lakṣaṇas, or physical marks of a cakravartī, or 'wheel-king', especially of the Buddha, i. e. level feet, thousand-spoke wheel-sign on feet, long slender fingers, pliant hands and feet, toes and fingers finely webbed, full-sized heels, arched insteps, thighs like a royal stag, hands reaching below the knees well-retracted male organ, height and stretch of arms equal, every hair-root dark coloured, body hair graceful and curly, golden-hued body, a 10 ft. halo around him, soft smooth skin, the 七處, i. e. two soles, two palms, two shoulders, and crown well rounded, below the armpits well-filled, lion-shaped body, erect, full shoulders, forty teeth, teeth white even and close, the four canine teeth pure white, lion-jawed, saliva improving the taste of all food, tongue long and broad, voice deep and resonant, eyes deep blue, eyelashes like a royal bull, a white ūrnā or curl between the eyebrows emitting light, an uṣṇīṣa or fleshy protuberance on the crown. These are from the 三藏法數 48, with which the 智度論 4, 涅盤經 28, 中阿含經, 三十ニ相經 generally agree. The 無量義經 has a different list. 三十二相經 The eleventh chapter of the 阿含經. 三十二相經願 The twenty-first of Amitābha's vows, v. 無量壽經. 三十三 trayastriṃśat. Thirty-three. 三十三天忉利天; 憺梨天, 多羅夜登陵舍; 憺利夜登陵奢; 憺利耶憺利奢 Trayastriṃśas. The Indra heaven, the second of the six heavens of form. Its capital is situated on the summit of Mt. Sumeru, where Indra rules over his thirty-two devas, who reside on thirty-two peaks of Sumeru, eight in each of the four directons. Indra's capital is called 殊勝 Sudarśana, 喜見城 Joy-view city. Its people are a yojana in height, each one's clothing weighs 六鐵 (1; 4 oz. ), and they live 1, 000 years, a day and night being equal to 100 earthly years. Eitel says Indra's heaven 'tallies in all its details with the Svarga of Brahminic mythology' and suggests that 'the whole myth may have an astronomical meaning', or be connected, with 'the atmosphere with its phenomena, which strengthens Koeppen's hypothesis explaining the number thirty-three as referring to the eight Vasus, eleven Rudras, twelve Ādityas, and two Aśvins of Vedic mythology'. In his palace called Vaijayanta 'Indra is enthroned with 1, 000 eyes with four arms grasping the vajra. There he revels in numberless sensual pleasures together with his wife Śacī... and with 119, 000 concubines with whom he associates by means of transformation'.; dvādaśa, twelve.

合刻

see styles
 goukoku / gokoku
    ごうこく
(noun/participle) (rare) publication of two or more different books together as one

合心

see styles
hé xīn
    he2 xin1
ho hsin
acting together; to one's liking

合手

see styles
hé shǒu
    he2 shou3
ho shou
to put one's palms together (in prayer or greeting); to work with a common purpose; harmonious; convenient (to use)

同事

see styles
tóng shì
    tong2 shi4
t`ung shih
    tung shih
 douji / doji
    どうじ
colleague; co-worker; CL:個|个[ge4],位[wei4]
the same event; no change (on the stock market); (female given name) Douji
samānārthatā, working together (with and for others); one of the 四攝法.

咬む

see styles
 kamu
    かむ
(transitive verb) (1) to bite; to chew; to gnaw; (2) to crash against (e.g. of waves); to break onto (shore); (3) to engage (of cogs, zippers, etc.); to mesh; to fit together; (4) to be involved in; (5) to fumble one's words (during a play, broadcast, etc.); to falter with one's words; (6) (archaism) to strongly confute; to argue down; to rebuke; to scold harshly

嚼む

see styles
 kamu
    かむ
(transitive verb) (1) to bite; to chew; to gnaw; (2) to crash against (e.g. of waves); to break onto (shore); (3) to engage (of cogs, zippers, etc.); to mesh; to fit together; (4) to be involved in; (5) to fumble one's words (during a play, broadcast, etc.); to falter with one's words; (6) (archaism) to strongly confute; to argue down; to rebuke; to scold harshly

大日

see styles
dà rì
    da4 ri4
ta jih
 dainichi
    だいにち
Mahavairocana (Tathagata); Great Sun; Supreme Buddha of Sino-Japanese esoteric Buddhism; (place-name, surname) Dainichi
Vairocana, or Mahāvairocana 大日如來; 遍照如來; 摩訶毘盧遮那; 毘盧遮那; 大日覺王 The sun, "shining everywhere" The chief object of worship of the Shingon sect in Japan, "represented by the gigantic image in the temple at Nara." (Eliot.) There he is known as Dai-nichi-nyorai. He is counted as the first, and according to some, the origin of the five celestial Buddhas (dhyāni-buddhas, or jinas). He dwells quiescent in Arūpa-dhātu, the Heaven beyond form, and is the essence of wisdom (bodhi) and of absolute purity. Samantabhadra 普賢 is his dhyāni-bodhisattva. The 大日經 "teaches that Vairocana is the whole world, which is divided into Garbhadhātu (material) and Vajradhātu (indestructible), the two together forming Dharmadhātu. The manifestations of Vairocana's body to himself―that is, Buddhas and Bodhisattvas ―are represented symbolically by diagrams of several circles ". Eliot. In the 金剛界 or vajradhātu maṇḍala he is the center of the five groups. In the 胎藏界 or Garbhadhātu he is the center of the eight-leaf (lotus) court. His appearance, symbols, esoteric word, differ according to the two above distinctions. Generally he is considered as an embodiment of the Truth 法, both in the sense of dharmakāya 法身 and dharmaratna 法寳. Some hold Vairocana to be the dharmakāya of Śākyamuni 大日與釋迦同一佛 but the esoteric school denies this identity. Also known as 最高顯廣眼藏如來, the Tathagata who, in the highest, reveals the far-reaching treasure of his eye, i.e. the sun. 大日大聖不動明王 is described as one of his transformations. Also, a śramaņa of Kashmir (contemporary of Padma-saṃbhava); he is credited with introducing Buddhism into Khotan and being an incarnation of Mañjuśrī; the king Vijaya Saṃbhava built a monastery for him.

寄る

see styles
 yoru
    よる
(v5r,vi) (1) to approach; to draw near; to come near; to be close to; (v5r,vi) (2) to gather (in one place); to come together; to meet; (v5r,vi) (3) to stop by (while on one's way to another place); to drop by; to make a short visit; (v5r,vi) (4) (See 年が寄る) to grow old; to grow high (number, etc.); (v5r,vi) (5) (in the form of しわが寄る) to grow (wrinkly); (v5r,vi) (6) (also written as 倚る, 凭る) to lean against; to recline on; (v5r,vi) (7) {sumo} to push one's opponent while holding their belt; (v5r,vi) (8) to decide on a price and come to a deal; (v5r,vi) (9) (archaism) to be swayed by (a person); to yield to

對勁


对劲

see styles
duì jìn
    dui4 jin4
tui chin
suitable; to one's liking; to get along together

對杯


对杯

see styles
duì bēi
    dui4 bei1
tui pei
to raise glasses together; to toast one another

小劫

see styles
xiǎo jié
    xiao3 jie2
hsiao chieh
 shōgō
antarā-kalpa, or intermediate kalpa; according to the 倶舍論 it is the period in which human life increases by one year a century till it reaches 84,000 with men 8,400 feet high; then it is reduced at the same rate till the life-period reaches ten years with men a foot high; these two are each a small kalpa; the 智度論 reckons the two together as one kalpa; and there are other definitions.

廝守


厮守

see styles
sī shǒu
    si1 shou3
ssu shou
to stay together; to rely on one another

扒摟


扒搂

see styles
pá lou
    pa2 lou5
p`a lou
    pa lou
to gather together as with a rake; to shovel food into one's mouth; to eat fast

拜拜

see styles
bài bai
    bai4 bai5
pai pai
to pay one's respects by bowing with hands in front of one's chest clasping joss sticks, or with palms pressed together; (Tw) religious ceremony in which offerings are made to a deity

拝む

see styles
 ogamu
    おがむ
(transitive verb) (1) to assume the posture of praying; to press the palms and fingers of both hands together; to do reverence (e.g. before a statue of the Buddha); to pay one's respects; (transitive verb) (2) to beg; to make a supplication; (transitive verb) (3) (humble language) (sometimes used sarcastically in modern Japanese) to see (something or someone of high status)

枕藉

see styles
zhěn jiè
    zhen3 jie4
chen chieh
 chinseki
    ちんせき
    chinsha
    ちんしゃ
to lie in total disorder; lying fallen over one another
(1) (archaism) bedding; bed; (noun/participle) (2) (archaism) to sleep together in the same bed; (3) (archaism) to sleep together using each other's bodies as pillow; (4) (archaism) to sleep together using books as a pillow

殉死

see styles
xùn sǐ
    xun4 si3
hsün ssu
 junshi
    じゅんし
to be buried alive as sacrifice (together with husband or superior)
(n,vs,vi) following one's master into the grave; committing suicide after one's lord has died

混一

see styles
hùn yī
    hun4 yi1
hun i
 honitsu; honichi
    ホンイツ; ホンイチ
to amalgamate; to mix together as one
(abbreviation) (kana only) {mahj} (See 混一色・1) half flush; winning hand containing one suit and honor tiles

灌注

see styles
guàn zhù
    guan4 zhu4
kuan chu
 kanchū
to pour into; perfusion (med.); to concentrate one's attention on; to teach; to inculcate; to instill
flow together

相々

see styles
 aiai
    あいあい
(1) (archaism) doing something together; co-owning something and using it together; (2) (archaism) being on par with one another

相合

see styles
xiāng hé
    xiang1 he2
hsiang ho
 sougou / sogo
    そうごう
to conform to; to fit with; to be compatible with
(1) (archaism) doing something together; co-owning something and using it together; (2) (archaism) being on par with one another; (place-name) Sougou
combine

相相

see styles
 aiai
    あいあい
(1) (archaism) doing something together; co-owning something and using it together; (2) (archaism) being on par with one another

網羅


网罗

see styles
wǎng luó
    wang3 luo2
wang lo
 mōra
    もうら
net for fishing or bird catching; (fig.) fetters; to snare (a valuable new team member etc); to bring together under the one umbrella
(noun/participle) comprising; including; covering; encompassing; comprehending
net

翕然

see styles
xì rán
    xi4 ran2
hsi jan
 kyuuzen / kyuzen
    きゅうぜん
(adv-to,adj-t) (coming together) as one; with one accord; unanimously
to gather together

該羅


该罗

see styles
gāi luó
    gai1 luo2
kai lo
 gaira
該攝 Containing, inclusive, undivided, whole; the one vehicle containing the three.

通名

see styles
tōng míng
    tong1 ming2
t`ung ming
    tung ming
 tsuumei / tsume
    つうめい
common noun; generic term; to introduce oneself
one's common or popular name
named together

連刷

see styles
 rensatsu
    れんさつ
(noun - becomes adjective with の) se-tenant; different stamps (labels, etc.) printed together on the one sheet

連寫


连写

see styles
lián xiě
    lian2 xie3
lien hsieh
to write without lifting one's pen from the paper; (in the Romanization of Chinese) to write two or more syllables together as a single word (not separated by spaces)

連書


连书

see styles
lián shū
    lian2 shu1
lien shu
to write without lifting one's pen from the paper; (in the Romanization of Chinese) to write two or more syllables together as a single word (not separated by spaces)

連理


连理

see styles
lián lǐ
    lian2 li3
lien li
 renri
    れんり
two trees that grow together as one; fig. conjugal union
(1) trees with entwined branches; (2) intimate male and female relationship; (surname, female given name) Renri

連筆


连笔

see styles
lián bǐ
    lian2 bi3
lien pi
 renpitsu
    れんぴつ
to write without lifting one's pen from the paper
renpitsu brush; brush made by joining together several brushes in a row

重疊


重叠

see styles
chóng dié
    chong2 die2
ch`ung tieh
    chung tieh
to overlap; to superimpose; to telescope; to run together; to duplicate; one over another; superposition; an overlap; redundancy; reduplication (in Chinese grammar, e.g. 散散步[san4 san4 bu4] to have a stroll)

閻魔


阎魔

see styles
yán mó
    yan2 mo2
yen mo
 enma
    えんま
(Buddhism) Yama, the King of Hell
{Buddh} Yama (King of Hell who judges the dead); Enma; (dei) Yama (king of the world of the dead, who judges the dead); Emma; Yan; Yomna
閻王 閻羅; (閻魔王); 閻摩羅; 閻老 Yama, also v. 夜; 閻羅王 Yama. (1) In the Vedas the god of the dead, with whom the spirits of the departed dwell. He was son of the Sun and had a twin sister Yamī or Yamuna. By some they were looked upon as the first human pair. (2) In later Brahmanic mythology, one of the eight Lokapālas, guardian of the South and ruler of the Yamadevaloka and judge of the dead. (3) In Buddhist mythology, the regent of the Nārakas, residing south of Jambudvīpa, outside of the Cakravālas, in a palace of copper and iron. Originally he is described as a king of Vaiśālī, who, when engaged in a bloody war, wished he were master of hell, and was accordingly reborn as Yama in hell together with his eighteen generals and his army of 80,000 men, who now serve him in purgatory. His sister Yamī deals with female culprits. Three times in every twenty-four hours demon pours into Yama's mouth boiling copper (by way of punishment), his subordinates receiving the same dose at the same time, until their sins are expiated, when he will be reborn as Samantarāja 普王. In China he rules the fifth court of purgatory. In some sources he is spoken of as ruling the eighteen judges of purgatory.

陪讀


陪读

see styles
péi dú
    pei2 du2
p`ei tu
    pei tu
to accompany one's child or spouse who is studying overseas; to help a child with their study, reading or practicing together

集中

see styles
jí zhōng
    ji2 zhong1
chi chung
 shuuchuu / shuchu
    しゅうちゅう
to concentrate; to centralize; to focus; centralized; concentrated; to put together
(n,vs,vt,vi) (1) concentration (on a task); focusing one's attention; (n,vs,vt,vi) (2) concentration (of population, buildings, power, etc.); centralization; convergence; focus (of a debate, questions, etc.); (3) within a collection of works

せーの

see styles
 seeno
    せーの
(interjection) all together now!; one, two, go!; ready, set, go!; heave, ho!; oops-a-daisy

せいの

see styles
 seino / seno
    せいの
(ik) (interjection) all together now!; one, two, go!; ready, set, go!; heave, ho!; oops-a-daisy

せえの

see styles
 seeno
    せえの
(interjection) all together now!; one, two, go!; ready, set, go!; heave, ho!; oops-a-daisy

もみ手

see styles
 momide
    もみで
(noun/participle) rubbing one's hands together

一つ釜

see styles
 hitotsukama
    ひとつかま
one or the same pot; eating or living together

一緒に

see styles
 isshoni
    いっしょに
(adverb) (1) together (with); (adverb) (2) at the same time; (adverb) (3) in one lump; in the same category

三補吒


三补咤

see styles
sān bǔ zhà
    san1 bu3 zha4
san pu cha
 sanhota
saṃpuṭa. One of the twelve ways of putting the hands together in worship, i.e. bringing the hands together without the palms touching.

丸める

see styles
 marumeru
    まるめる
(transitive verb) (1) to make round; to roll up; to curl up; (transitive verb) (2) (See 丸め込む・1) to seduce; to cajole; to explain away; (transitive verb) (3) to round off (a fraction); (transitive verb) (4) (See 頭を丸める・1) to shave (one's head); (transitive verb) (5) (archaism) to lump together

半同棲

see styles
 handousei / handose
    はんどうせい
(See 同棲) almost living together; spending most nights with one's partner

同体に

see styles
 doutaini / dotaini
    どうたいに
(adverb) as one; together

拔茅茹

see styles
bá máo rú
    ba2 mao2 ru2
pa mao ju
lit. pull up a plant and the roots follow; fig. also involving others; inextricably tangled together; Invite one and he'll tell all his friends.

揉み手

see styles
 momide
    もみで
(noun/participle) rubbing one's hands together

曼荼羅


曼荼罗

see styles
màn tú luó
    man4 tu2 luo2
man t`u lo
    man tu lo
 mandara
    まんだら
(Buddhism) (loanword from Sanskrit) mandala
mandala; Buddhist visual schema of the enlightened mind; (given name) Mandara
曼怛羅; 曼特羅; 曼陀羅; 曼拏羅; 蔓陀囉; 滿荼邏 maṇḍala, a circle, globe, wheel ring; "any circular figure or diagram" (M.W.); a magic circle; a plot or place of enlightenment; a round or square altar on which buddhas and bodhisattvas are placed; a group of such, especially the garbhadhātu and vajradhātu groups of the Shingon sect; these were arranged by Kōbō Daishi to express the mystic doctrine of the two dhātu by way of illustration, the garbhadhātu representing the 理 and the 因 principle and cause, the vajradhātu the 智 and the 果 intelligence (or reason) and the effect, i.e. the fundamental realm of being, and mind as inherent in it; v. 胎 and 金剛. The two realms are fundamentally one, as are the absolute and phenomenal, e.g. water and wave. There are many kinds of maṇḍalas, e.g. the group of the Lotus Sutra; of the 觀經; of the nine luminaries; of the Buddha's entering into nirvana, etc. The real purpose of a maṇḍala is to gather the spiritual powers together, in order to promote the operation of the dharma or law. The term is commonly applied to a magic circle, subdivided into circles or squares in which are painted Buddhist divinities and symbols. Maṇḍalas also reveal the direct retribution of each of the ten worlds of beings (purgatory, pretas, animals, asuras, men, devas, the heavens of form, formless heavens, bodhisattvas, and buddhas). Each world has its maṇḍala which represents the originating principle that brings it to completion. The maṇḍala of the tenth world indicates the fulfilment and completion of the nine worlds.

束ねる

see styles
 tabaneru(p); tsukaneru
    たばねる(P); つかねる
(transitive verb) (1) to tie up in a bundle (e.g. straw, hair, bills, letters); to bundle; to sheathe; (transitive verb) (2) to govern; to manage; to control; to administer; (transitive verb) (3) (つかねる only) to fold (one's arms); to put together (one's hands)

涅槃經


涅盘经

see styles
niè pán jīng
    nie4 pan2 jing1
nieh p`an ching
    nieh pan ching
 Nehan gyō
the Nirvana sutra: every living thing has Buddha nature.
Nirvāṇa Sūtra. There are two versions, one the Hīnayāna, the other the Mahāyāna, both of which are translated into Chinese, in several versions, and there are numerous treatises on them. Hīnayāna: 佛般泥洹經 Mahaparinirvāṇa Sūtra, tr. by Po Fazu A.D. 290-306 of the Western Chin dynasty, B.N. 552. 大般涅槃經 tr. by Faxian, B.N. 118. 般泥洹經 translator unknown. These are different translations of the same work. In the Āgamas 阿含there is also a Hīnayāna Nirvāṇa Sūtra. Mahāyāna: 佛說方等般泥洹經 Caturdāraka-samādhi Sūtra, tr. by Dharmarakṣa of the Western Chin A.D. 265-316, B. N. 116. 大般泥洹經 Mahaparinirvāṇa Sūtra, tr. by Faxian, together with Buddhabhadra of the Eastern Chin, A.D. 317-420, B. N. 120, being a similar and incomplete translation of B. N. 113, 114. 四童子三昧經 Caturdāraka-samādhi Sūtra, tr. by Jñānagupta of the Sui dynasty, A. D. 589-618, B.N. 121. The above three differ, though they are the first part of the Nirvāṇa Sūtra of the Mahāyāna. The complete translation is 大般涅槃經 tr. by Dharmarakṣa A.D. 423, B.N. 113; v. a partial translation of fasc. 12 and 39 by Beal, in his Catena of Buddhist Scriptures, pp. 160-188. It is sometimes called 北本 or Northern Book, when compared with its revision, the Southern Book, i.e. 南方大般涅槃經 Mahaparinirvāṇa Sūtra, produced in Jianye, the modem Nanjing, by two Chinese monks, Huiyan and Huiguan, and a literary man, Xie Lingyun. B.N. 114. 大般涅槃經後分 The latter part of the Mahaparinirvāṇa Sūtra tr. by Jñānabhadra together with Huining and others of the Tang dynasty, B.N. 115, a continuation of the last chapter of B.N. 113 and 114.

狐の窓

see styles
 kitsunenomado
    きつねのまど
way of entangling one's hands together to leave a small opening between the middle and ring fingers; fox's window

相合い

see styles
 aiai
    あいあい
(1) (archaism) doing something together; co-owning something and using it together; (2) (archaism) being on par with one another

詰める

see styles
 tsumeru
    つめる
(transitive verb) (1) to stuff into; to jam; to cram; to pack; to fill; to plug; to stop up; (v1,vt,vi) (2) to shorten; to move closer together; (transitive verb) (3) to reduce (spending); to conserve; (v1,vt,vi) (4) (usu. as 根を詰める) (See 根を詰める) to focus intently on; to strain oneself to do; (transitive verb) (5) to go through thoroughly; to work out (details); to bring to a conclusion; to wind up; (v1,vi) (6) to be on duty; to be stationed; (transitive verb) (7) to corner (esp. an opponent's king in shogi); to trap; to checkmate; (transitive verb) (8) (the meaning "to catch one's finger" is predominantly used in Kansai) (See 指を詰める・1) to cut off (one's finger as an act of apology); to catch (one's finger in a door, etc.); (aux-v,v1) (9) to do non-stop; to do continuously; to keep doing (without a break); (aux-v,v1) (10) to do completely; to do thoroughly; (aux-v,v1) (11) to force someone into a difficult situation by ...

錆つく

see styles
 sabitsuku
    さびつく
(v5k,vi) (1) to rust together; to be rust-covered; to be rust-eaten; (2) to lose one's skill

錆付く

see styles
 sabitsuku
    さびつく
(v5k,vi) (1) to rust together; to be rust-covered; to be rust-eaten; (2) to lose one's skill

集合犯

see styles
 shuugouhan / shugohan
    しゅうごうはん
(1) single crime that naturally consists of a number of incidences and is charged as only one count (e.g. habitual gambling); (2) (See 集団犯罪) crime whose goal requires a large number of people acting together (e.g. insurrection)

黑白切

see styles
hēi bái qiē
    hei1 bai2 qie1
hei pai ch`ieh
    hei pai chieh
(Tw) heibaiqie, side dish of ingredients selected from a range on display, sliced up and served together on a plate (from Taiwanese 烏白切, Tai-lo pr. [oo-pe̍h-tshiat], where 烏白 means "as one pleases")

セイノー

see styles
 seinoo / senoo
    セイノー
(interjection) all together now!; one, two, go!; ready, set, go!; heave, ho!; oops-a-daisy

五部合斷


五部合断

see styles
wǔ bù hé duàn
    wu3 bu4 he2 duan4
wu pu ho tuan
 gobu gōdan
To cut off the five classes of misleading things, i. e. four 見 and one 修, i. e. false theory in regard to the 四諦 four truths, and erroneous practice. Each of the two classes is extended into each of the three divisions of past, three of present, and three of future, making eighteen mental conditions.

十把一絡

see styles
 juppahitokarage
    じゅっぱひとからげ
    jippahitokarage
    じっぱひとからげ
(noun - becomes adjective with の) lumping together all sorts of things; making sweeping generalizations; dealing with various things under one head

合掌礼拝

see styles
 gasshouraihai / gasshoraihai
    がっしょうらいはい
(noun/participle) join one's hands in prayer; pray with (the palms of) one's hands together

合而為一


合而为一

see styles
hé ér wéi yī
    he2 er2 wei2 yi1
ho erh wei i
to merge together (idiom); to unify disparate elements into one whole

吳頭楚尾


吴头楚尾

see styles
wú tóu chǔ wěi
    wu2 tou2 chu3 wei3
wu t`ou ch`u wei
    wu tou chu wei
lit. head in Wu and tail in Chu (idiom); fig. close together; head-to-tail; one thing starts where the other leaves off

呼朋引伴

see styles
hū péng yǐn bàn
    hu1 peng2 yin3 ban4
hu p`eng yin pan
    hu peng yin pan
to gather one's friends; to band together

手を打つ

see styles
 teoutsu / teotsu
    てをうつ
(exp,v5t) (1) (idiom) to take (preventive) measures; (exp,v5t) (2) (idiom) to come to an agreement (in bargaining, etc.); to strike a bargain; (exp,v5t) (3) to clap one's hands together

抖擻精神


抖擞精神

see styles
dǒu sǒu jīng shén
    dou3 sou3 jing1 shen2
tou sou ching shen
to gather one's spirits; to pull oneself together

拔毛連茹


拔毛连茹

see styles
bá máo lián rú
    ba2 mao2 lian2 ru2
pa mao lien ju
lit. pull up a plant and the roots follow (idiom); fig. also involving others; inextricably tangled together; Invite one and he'll tell all his friends.

拔茅連茹


拔茅连茹

see styles
bá máo lián rú
    ba2 mao2 lian2 ru2
pa mao lien ju
lit. pull up a plant and the roots follow (idiom); fig. also involving others; inextricably tangled together; Invite one and he'll tell all his friends.

擎拳合掌

see styles
qíng quán hé zhǎng
    qing2 quan2 he2 zhang3
ch`ing ch`üan ho chang
    ching chüan ho chang
to clasp hands; to put one's palms together (in obeisance)

朝夕相處


朝夕相处

see styles
zhāo xī xiāng chǔ
    zhao1 xi1 xiang1 chu3
chao hsi hsiang ch`u
    chao hsi hsiang chu
to spend all one's time together (idiom)

比翼雙飛


比翼双飞

see styles
bǐ yì shuāng fēi
    bi3 yi4 shuang1 fei1
pi i shuang fei
lit. a pair of birds flying close together (idiom); fig. two hearts beating as one; name of a sweet and sour chicken wing dish

渾然一體


浑然一体

see styles
hún rán yī tǐ
    hun2 ran2 yi1 ti3
hun jan i t`i
    hun jan i ti
to blend into one another; to blend together well

炊き合せ

see styles
 takiawase
    たきあわせ
food (meat, fish, vegetables, etc.) cooked separately but served together on one dish

Entries with 2nd row of characters: The 2nd row is Simplified Chinese.

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This page contains 100 results for "together as one" in Chinese and/or Japanese.



Information about this dictionary:

Apparently, we were the first ones who were crazy enough to think that western people might want a combined Chinese, Japanese, and Buddhist dictionary.

A lot of westerners can't tell the difference between Chinese and Japanese - and there is a reason for that. Chinese characters and even whole words were borrowed by Japan from the Chinese language in the 5th century. Much of the time, if a word or character is used in both languages, it will have the same or a similar meaning. However, this is not always true. Language evolves, and meanings independently change in each language.

Example: The Chinese character 湯 for soup (hot water) has come to mean bath (hot water) in Japanese. They have the same root meaning of "hot water", but a 湯屋 sign on a bathhouse in Japan would lead a Chinese person to think it was a "soup house" or a place to get a bowl of soup. See this: Japanese Bath House

This dictionary uses the EDICT and CC-CEDICT dictionary files.
EDICT data is the property of the Electronic Dictionary Research and Development Group, and is used in conformance with the Group's license.

Chinese Buddhist terms come from Dictionary of Chinese Buddhist Terms by William Edward Soothill and Lewis Hodous. This is commonly referred to as "Soothill's'". It was first published in 1937 (and is now off copyright so we can use it here). Some of these definitions may be misleading, incomplete, or dated, but 95% of it is good information. Every professor who teaches Buddhism or Eastern Religion has a copy of this on their bookshelf. We incorporated these 16,850 entries into our dictionary database ourselves (it was lot of work).



Combined, these cover 1,007,753 Japanese, Chinese, and Buddhist characters, words, idioms, names, placenames, and short phrases.

Just because a word appears here does not mean it is appropriate for a tattoo, your business name, etc. Please consult a professional before doing anything stupid with this data.

We do offer Chinese and Japanese Tattoo Services. We'll also be happy to help you translate something for other purposes.

No warranty as to the correctness, potential vulgarity, or clarity is expressed or implied. We did not write any of these definitions (though we occasionally act as a contributor/editor to the CC-CEDICT project). You are using this dictionary for free, and you get what you pay for.

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Japanese Kanji Dictionary

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