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123456>| Characters | Pronunciation Romanization |
Simple Dictionary Definition |
型 see styles |
xíng xing2 hsing kata(p); gata かた(P); がた |
More info & calligraphy: Kata(n,n-suf) (1) (がた when a suffix) type; style; model; pattern; (2) mold; mould; model; pattern; template; impression; (3) kata (set sequence of positions and movements in martial arts); style (in kabuki, noh, etc.); form; (4) convention; tradition; (standard) form; formula; usage; (5) (set) size; inches (in sizes of displays, disks, image sensors, etc.); (6) (rare) (See 品種・2) (taxonomical) form |
影 see styles |
yǐng ying3 ying kage かげ |
More info & calligraphy: Shadow(1) shadow; silhouette; figure; shape; (2) reflection; image; (3) ominous sign; (4) light (stars, moon); (5) trace; shadow (of one's former self); (surname) Kage Shadow, picture, image, reflection, hint; one of the twelve 'colours'. |
行道 see styles |
xíng dào xing2 dao4 hsing tao yukimichi ゆきみち |
More info & calligraphy: Walk in the WayTo walk in the way, follow the Buddha-truth; to make procession round an image, especially of the Buddha, with the right shoulder towards it. |
不動明王 不动明王 see styles |
bù dòng míng wáng bu4 dong4 ming2 wang2 pu tung ming wang fudoumyouou / fudomyoo ふどうみょうおう |
More info & calligraphy: Fudo Myo-o / Wisdom King不動尊 Aryacalanatha 阿奢羅曩 tr. 不動尊 and 無動尊 and Acalaceta, 阿奢囉逝吒 tr. 不動使者. The mouthpiece or messenger, e. g. the Mercury, of the Buddhas; and the chief of the five Ming Wang. He is regarded as the third person in the Vairocana trinity. He has a fierce mien overawing all evil spirits. He is said to have attained to Buddhahood, but also still to retain his position with Vairocana. He has many descriptive titles, e. g. 無量力神通無動者; 不動忿怒王, etc. Five different verbal signs are given to him. He carries a sharp wisdom-sword, a noose, a thunder-bolt. The colour of his images is various—black, blue, purple. He has a youthful appearance; his hair falls over his left shoulder; he stands or sits on a rock; left eye closed; mouth shut, teeth gripping upper lip, wrinkled forehead, seven locks of hair, full-bodied, A second representation is with four faces and four arms, angry mien, protruding teeth, with fames around him. A third with necklaces. A fourth, red, seated on a rock, fames, trident, etc. There are other forms. He has fourteen distinguishing symbols, and many dharanis associated with the realm of fire, of saving those in distress, and of wisdom. He has two messengers 二童子 Kimkara 矜羯羅 and Cetaka 制吒迦, and, including these, a group of eight messengers 八大童子 each with image, symbol, word-sign, etc. Cf. 不動佛. |
像 see styles |
xiàng xiang4 hsiang zou / zo ぞう |
to resemble; to be like; to look as if; such as; appearance; image; portrait; image under a mapping (math.) (n,n-suf) (1) image; figure; statue; picture; portrait; (n,n-suf) (2) figure; form; shape; appearance; (n,n-suf) (3) {physics;math} image; (surname) Zou pratirūpa; pratirūpaka. Like, similar, resemblance; semblance; image; portrait; form, formal. |
佛像 see styles |
fó xiàng fo2 xiang4 fo hsiang butsuzō ぶつぞう |
Buddhist image; statue of Buddha or Bodhisattva; CL:尊[zun1], 張|张[zhang1] statue of Buddha; image of Buddha; Buddhist statue; Buddhist image Buddha's image, or pratimā. There is a statement that in the fifth century A.D. the images in China were of Indian features, thick lips, high nose, long eyes, full jaws, etc., but that after the Tang the form became "more effeminate". |
倒像 see styles |
dào xiàng dao4 xiang4 tao hsiang touzou / tozo とうぞう |
(optics) inverted image inverted image |
反映 see styles |
fǎn yìng fan3 ying4 fan ying hanei / hane はんえい |
to mirror; to reflect; mirror image; reflection; (fig.) to report; to make known; to render (noun/participle) (1) reflection (light, image, situation, attitude, etc.); reflecting; (2) influence; application (e.g. of an update) |
坐像 see styles |
zuò xiàng zuo4 xiang4 tso hsiang zazou / zazo ざぞう |
seated image (of a Buddha or saint) seated figure (e.g. of Buddha); sedentary statue; sedentary image |
形象 see styles |
xíng xiàng xing2 xiang4 hsing hsiang keishou / kesho けいしょう |
image; form; figure; CL:個|个[ge4]; visualization; vivid shape; figure; image |
映像 see styles |
yìng xiàng ying4 xiang4 ying hsiang eizou / ezo えいぞう |
reflection; image (in a mirror) (1) image (on a screen); picture (e.g. on a TV); (2) video; film; footage; (3) reflection; (4) image (in one's mind); mental picture |
立像 see styles |
lì xiàng li4 xiang4 li hsiang ritsuzou / ritsuzo りつぞう |
standing image (of a Buddha or saint) (See 座像) standing statue; standing image |
聖像 圣像 see styles |
shèng xiàng sheng4 xiang4 sheng hsiang seizou / sezo せいぞう |
icon; iconic; religious image; figure (of Confucius, Buddha, Jesus Christ, the Virgin Mary etc); CL:張|张[zhang1] (noun - becomes adjective with の) sacred image; icon |
鏡像 镜像 see styles |
jìng xiàng jing4 xiang4 ching hsiang kyouzou / kyozo きょうぞう |
mirror image (1) reflection in a mirror; reflected image; mirror image; (2) {math} inverse (of a point); (3) {math} mirror image The image in a mirror, i.e. the transient. |
倒立像 see styles |
dào lì xiàng dao4 li4 xiang4 tao li hsiang touritsuzou / toritsuzo とうりつぞう |
inverted image; reversed image (e.g. upside down) inverted image |
偶 see styles |
ǒu ou3 ou guu / gu ぐう |
accidental; image; pair; mate (1) (rare) {math} (See 偶数) even number; even; (2) (rare) spouse; mate An image; a mate; unexpectedly. |
印 see styles |
yìn yin4 yin in いん |
to print; to mark; to engrave; a seal; a print; a stamp; a mark; a trace; image (1) stamp; seal; chop; (2) seal impression; seal; sealing; stamp; mark; print; (3) {Buddh} mudra (symbolic hand gesture); (4) ninja hand sign; (5) (abbreviation) (See 印度・インド) India; (surname) In mudrā; seal, sign, symbol, emblem, proof, assurance, approve; also 印契; 契印; 印相. Manual signs indicative of various ideas, e. g. each finger represents one of the five primary elements, earth, water, fire, air, and space, beginning with the little finger; the left hand represents 定 stillness, or meditation, the right hand 慧 discernment or wisdom; they have also many other indications. Also, the various symbols of the Buddhas and Bodhisattvas, e. g. the thunderbolt; cf. 因.; (度) The five Indias, or five regions of India, idem 五天竺 q. v. |
姿 see styles |
zī zi1 tzu sugata すがた |
beauty; disposition; looks; appearance (1) figure; form; shape; (2) appearance; dress; guise; (3) state; condition; picture; image; (4) (See 和歌) form (of a waka); (suffix noun) (5) dressed in ...; wearing ...; (surname, female given name) Sugata |
廚 厨 see styles |
chú chu2 ch`u chu chū くりや |
kitchen kitchen A kitchen; also a cabinet for an image. |
映 see styles |
yìng ying4 ying hayuru はゆる |
to reflect (light); to shine; to project (an image onto a screen etc) (female given name) Hayuru surpass |
絵 see styles |
huì hui4 hui nui ぬい |
Japanese variant of 繪|绘 (n,n-suf) (1) picture; drawing; painting; sketch; (2) (video) footage; image; picture; (female given name) Nui |
龕 龛 see styles |
kān kan1 k`an kan gan がん |
(bound form) niche; shrine (1) niche for a Buddhist image; alcove; (2) (See 厨子・1) miniature shrine for a Buddhist image; (3) portable shrine used to move a deceased person from their house to the graveyard (in Okinawa) A shrine; a cabinet, box; a coffin (for a monk); to contain. |
㐄 see styles |
kuà kua4 k`ua kua |
component in Chinese characters, mirror image of 夂[zhi3] |
IP see styles |
i p i p i p ai pii; aipii(sk) / ai pi; aipi(sk) アイ・ピー; アイピー(sk) |
intellectual property (in China, esp. since 2015, often used as an entertainment industry term for a creative work used as the basis of a new product, such as a manga adapted as a tv series, or the image of a cartoon character appearing on merchandise) (1) {comp} (See インターネットプロトコル) Internet Protocol; IP; (2) (See 知的財産) intellectual property |
ご影 see styles |
goei / goe ごえい |
(honorific or respectful language) image (esp. of a deity, buddha, royal, noble, etc.) |
一体 see styles |
ittai いったい |
(adverb) (1) (before an interrogative, forms an emphatic question) (what) the heck; (why) in the world; (who) on earth; (2) one object; one body; unity; (3) one form; one style; (4) one Buddhist image (or carving, etc.); (n,adv) (5) (See 一体に) generally; in general |
三尊 see styles |
sān zūn san1 zun1 san tsun sanzon; sanson さんぞん; さんそん |
(1) (さんぞん only) {Buddh} Buddha triad; image of a Buddha attended by two Bodhisattvas; (2) (さんぞん only) {Buddh} (See 三宝) The Three Jewels; Buddha, the teachings of Buddha, and the community of monks and nuns; (3) (さんぞん only) (See 三尊天井) head and shoulders (stock price, etc. chart pattern); (4) the three people one must esteem: master, father, teacher The three honoured ones: Buddha, the Law, the Ecclesia or Order. Others are: Amitābha, Avalokiteśvara, and Mahāsthāmaprāpta, who, according to the Pure-land sect, come to welcome the dying invoker. Another group is Bhaiṣajya, Vairocana, and Candraprabha; and another, Śākyamunī, Mañjuśrī, and Samantabhadra. |
三帀 see styles |
sān zā san1 za1 san tsa san sō |
The thrice repeated procession around an image; there is dispute as to which shoulder should be next to the image, v. 右繞. |
中尊 see styles |
zhōng zūn zhong1 zun1 chung tsun chuuzon; chuuson / chuzon; chuson ちゅうぞん; ちゅうそん |
{Buddh} (See 三尊・さんぞん・1,脇侍・きょうじ) central image (e.g. in a Buddha triad) The central honored one— in any group of Buddhas, e. g. 不動尊 among the five 明王. |
人設 人设 see styles |
rén shè ren2 she4 jen she |
the design of a character (in games, manga etc) (abbr. for 人物設定|人物设定); (fig.) (a celebrity or other public figure's) image in the eyes of the public; public persona |
仏像 see styles |
butsuzou / butsuzo ぶつぞう |
statue of Buddha; image of Buddha; Buddhist statue; Buddhist image; (place-name) Butsuzou |
仏師 see styles |
busshi ぶっし |
Buddhist image maker; (surname) Busshi |
仏座 see styles |
butsuza ぶつざ |
Buddhist image seat; temple pulpit |
仏所 see styles |
bussho ぶっしょ |
(1) place containing a Buddhist image; (2) (See 極楽・1,浄土・1) place containing a Buddha; pure land; (3) (See 造仏所) independent workshop of Buddhist sculptors (from the Heian period onward); (place-name) Bussho |
似相 see styles |
sì xiāng si4 xiang1 ssu hsiang jisō |
image |
佛工 see styles |
fó gōng fo2 gong1 fo kung butsuku |
buddha image maker |
佛師 佛师 see styles |
fó shī fo2 shi1 fo shih busshi ぶっし |
(surname) Busshi buddha image maker |
佛經 佛经 see styles |
fó jīng fo2 jing1 fo ching bukkyō |
Buddhist texts; Buddhist scripture Buddhist canonical literature; also Buddha's image and sutras, with special reference to those purporting to have been introduced under Han Mingdi; sutras probably existed in China before that reign, but evidence is lacking. The first work, generally attributed to Mingdi's reign, is known as The Sutra of Forty-two Sections 四十二章經 but Maspero in B.E.F.E.O. ascribes it to the second century A.D. |
作如 see styles |
zuò rú zuo4 ru2 tso ju sanyo |
an image |
供僧 see styles |
gusou / guso ぐそう |
(1) (abbreviation) (See 供奉僧・1) monk who attends to the principal image of a temple; (2) Buddhist monk serving at an attached Shinto shrine |
修圖 修图 see styles |
xiū tú xiu1 tu2 hsiu t`u hsiu tu |
to retouch images; image retouching |
倒影 see styles |
dào yǐng dao4 ying3 tao ying touei / toe とうえい |
inverted image; reversed image (e.g. upside down) reflection |
倒映 see styles |
dào yìng dao4 ying4 tao ying |
to reflect (producing an inverted image) |
倩影 see styles |
qiàn yǐng qian4 ying3 ch`ien ying chien ying |
beautiful image of a woman |
值域 see styles |
zhí yù zhi2 yu4 chih yü |
image (or range) of a function (math.) |
偶像 see styles |
ǒu xiàng ou3 xiang4 ou hsiang guuzou / guzo ぐうぞう |
idol image; idol; statue An image, an idol. |
像化 see styles |
xiàng huà xiang4 hua4 hsiang hua zō ke |
The religion of the image or symbol Buddhism. Also the second or formal period of the teaching of Buddhism by symbol, v. 像法. |
像摸 see styles |
xiàng mō xiang4 mo1 hsiang mo zōbaku |
an image |
像法 see styles |
xiàng fǎ xiang4 fa3 hsiang fa zoubou / zobo ぞうぼう |
{Buddh} age of the copied law (one of the three ages of Buddhism); middle day of the law; age of semblance dharma saddharma-pratirūpaka; the formal or image period of Buddhism; the three periods are 正像末, those of the real, the formal, and the final; or correct, semblance, and termination. The first period is of 500 years; the second of 1,000 years; the third 3,000 years, when Maitreya is to appear and restore all things. There are varied statements about periods and dates, e.g. there is a division of four periods, that while the Buddha was alive, the early stage after his death, then the formal and the final periods. |
像面 see styles |
zoumen / zomen ぞうめん |
image surface (optics) |
優塡 优塡 see styles |
yōu tián you1 tian2 yu t`ien yu tien Uden |
Udayana, king of Kauśāmbī and contemporary of Śākyamuni, who is reputed to have made the first image of the Buddha; also 優陀延; 于闐; 鄔陀衍那; 嗢陀演那伐蹉 Udayana Vatsa. Cf. 巨, 倶, 拘, and 弗沙王. |
入仏 see styles |
nyuubutsu / nyubutsu にゅうぶつ |
enshrining a Buddhist image |
入佛 see styles |
rù fó ru4 fo2 ju fo nyū butsu |
The bringing in of an image of a Buddha. |
具象 see styles |
jù xiàng ju4 xiang4 chü hsiang gushou / gusho ぐしょう |
tangible image; concrete; representational (art) (noun, transitive verb) (ant: 抽象) concreteness; embodiment; expressing concretely |
写り see styles |
utsuri うつり |
(n,n-suf) (1) projection; reflection; image; reception (e.g. TV); picture quality; (2) match; harmony |
写仏 see styles |
shabutsu しゃぶつ |
(noun/participle) tracing a picture of a Buddhist image |
写佛 see styles |
shabutsu しゃぶつ |
(noun/participle) tracing a picture of a Buddhist image |
写像 see styles |
shazou / shazo しゃぞう |
{math} mapping; map; image; representation |
写象 see styles |
shashou / shasho しゃしょう |
image |
動圖 动图 see styles |
dòng tú dong4 tu2 tung t`u tung tu |
(computing) dynamic image |
化像 see styles |
huà xiàng hua4 xiang4 hua hsiang kezō |
a magically conjured-up image |
反影 see styles |
hanei / hane はんえい |
(noun/participle) (1) reflection (light, image, situation, attitude, etc.); reflecting; (2) influence; application (e.g. of an update) |
同録 see styles |
douroku / doroku どうろく |
(abbreviation) (See 同時録音) simultaneous recording (of image and sound) |
噪點 噪点 see styles |
zào diǎn zao4 dian3 tsao tien |
image noise |
圍繞 围绕 see styles |
wéi rào wei2 rao4 wei jao inyō |
to revolve around; to center on (an issue) To surround, go round; especially to make three complete turns to the right round an image of Buddha. |
圖像 图像 see styles |
tú xiàng tu2 xiang4 t`u hsiang tu hsiang |
image; picture; graphic |
圖版 图版 see styles |
tú bǎn tu2 ban3 t`u pan tu pan |
printing plate bearing an image (illustration, photo etc); print made with such a plate |
地藏 see styles |
dì zàng di4 zang4 ti tsang jizou / jizo じぞう |
Kṣitigarbha, the Bodhisattva of the Great Vow (to save all souls before accepting Bodhi); also translated Earth Treasury, Earth Womb, or Earth Store Bodhisattva (surname) Jizou Ti-tsang, J. Jizō, Kṣitigarbha, 乞叉底蘗沙; Earth-store, Earth-treasury, or Earthwomb. One of the group of eight Dhvani- Bodhisattvas. With hints of a feminine origin, he is now the guardian of the earth. Though associated with Yama as overlord, and with the dead and the hells, his role is that of saviour. Depicted with the alarum staff with its six rings, he is accredited with power over the hells and is devoted to the saving of all creatures between the nirvana of Śākyamuni and the advent of Maitreya the fifth century he has been especially considered as the deliverer from the hells. His central place in China is at Chiu-hua-shan, forty li south-west of Ch'ing-yang in Anhui. In Japan he is also the protector of travellers by land and his image accordingly appears on the roads; bereaved parents put stones by his images to seek his aid in relieving the labours of their dead in the task of piling stones on the banks of the Buddhist Styx; he also helps women in labour. He is described as holding a place between the gods and men on the one hand and the hells on the other for saving all in distress; some say he is an incarnation of Yama. At dawn he sits immobile on the earth 地 and meditates on the myriads of its beings 藏. When represented as a monk, it may be through the influence of a Korean monk who is considered to be his incarnation, and who came to China in 653 and died in 728 at the age of 99 after residing at Chiu-hua-shan for seventy-five years: his body, not decaying, is said to have been gilded over and became an object of worship. Many have confused 眞羅 part of Korea with 暹羅 Siam. There are other developments of Ti-tsang, such as the 六地藏 Six Ti-tsang, i. e. severally converting or transforming those in the hells, pretas, animals, asuras, men, and the devas; these six Ti-tsang have different images and symbols. Ti-tsang has also six messengers 六使者: Yama for transforming those in hell; the pearl-holder for pretas; the strong one or animals; the devīof mercy for asuras; the devī of the treasure for human beings; one who has charge of the heavens for the devas. There is also the 延命地藏 Yanming Ti-tsang, who controls length of days and who is approached, as also may be P'u-hsien, for that Purpose; his two assistants are the Supervisors of good and evil 掌善 and 掌惡. Under another form, as 勝軍地藏 Ti-tsang is chiefly associated with the esoteric cult. The benefits derived from his worship are many, some say ten, others say twenty-eight. His vows are contained in the 地藏菩薩本願經. There is also the 大乘大集地藏十電經 tr. by Xuanzang in 10 juan in the seventh century, which probably influenced the spread of the Ti-tsang cult. |
塑像 see styles |
sù xiàng su4 xiang4 su hsiang sozou / sozo そぞう |
(molded or modeled) statue plaster image; clay figure To model images. |
塑造 see styles |
sù zào su4 zao4 su tsao sozou / sozo そぞう |
to model; to mold; (fig.) to create (a character, a market, an image etc); (fig.) (literature) to portray (in words) molding; moulding; modeling; modelling |
壁紙 壁纸 see styles |
bì zhǐ bi4 zhi3 pi chih kabegami かべがみ |
wallpaper (1) wallpaper; (2) {comp} wallpaper; background image; desktop image |
大日 see styles |
dà rì da4 ri4 ta jih dainichi だいにち |
Mahavairocana (Tathagata); Great Sun; Supreme Buddha of Sino-Japanese esoteric Buddhism; (place-name, surname) Dainichi Vairocana, or Mahāvairocana 大日如來; 遍照如來; 摩訶毘盧遮那； 毘盧遮那; 大日覺王 The sun, "shining everywhere" The chief object of worship of the Shingon sect in Japan, "represented by the gigantic image in the temple at Nara." (Eliot.) There he is known as Dai-nichi-nyorai. He is counted as the first, and according to some, the origin of the five celestial Buddhas (dhyāni-buddhas, or jinas). He dwells quiescent in Arūpa-dhātu, the Heaven beyond form, and is the essence of wisdom (bodhi) and of absolute purity. Samantabhadra 普賢 is his dhyāni-bodhisattva. The 大日經 "teaches that Vairocana is the whole world, which is divided into Garbhadhātu (material) and Vajradhātu (indestructible), the two together forming Dharmadhātu. The manifestations of Vairocana's body to himself―that is, Buddhas and Bodhisattvas ―are represented symbolically by diagrams of several circles ". Eliot. In the 金剛界 or vajradhātu maṇḍala he is the center of the five groups. In the 胎藏界 or Garbhadhātu he is the center of the eight-leaf (lotus) court. His appearance, symbols, esoteric word, differ according to the two above distinctions. Generally he is considered as an embodiment of the Truth 法, both in the sense of dharmakāya 法身 and dharmaratna 法寳. Some hold Vairocana to be the dharmakāya of Śākyamuni 大日與釋迦同一佛 but the esoteric school denies this identity. Also known as 最高顯廣眼藏如來, the Tathagata who, in the highest, reveals the far-reaching treasure of his eye, i.e. the sun. 大日大聖不動明王 is described as one of his transformations. Also, a śramaņa of Kashmir (contemporary of Padma-saṃbhava); he is credited with introducing Buddhism into Khotan and being an incarnation of Mañjuśrī; the king Vijaya Saṃbhava built a monastery for him. |
大雄 see styles |
dà xióng da4 xiong2 ta hsiung hiroo ひろお |
great hero; main Buddhist image (in temple) (given name) Hiroo The great hero— a Buddha's title, indicating his power over demons. |
天像 see styles |
tiān xiàng tian1 xiang4 t`ien hsiang tien hsiang tenzō |
image of heavenly being |
天花 see styles |
tiān huā tian1 hua1 t`ien hua tien hua tenge てんげ |
smallpox; ceiling; stamen of corn; (old) snow; (dialect) sesame oil (Buddhist term) flowers that bloom in the heavens; paper flowers scattered before the Buddha's image; snow; (place-name) Tenge heavenly flowers |
天華 天华 see styles |
tiān huā tian1 hua1 t`ien hua tien hua yuki ゆき |
(Buddhist term) flowers that bloom in the heavens; paper flowers scattered before the Buddha's image; snow; (female given name) Yuki Deva, or divine, flowers, stated in the Lotus Sutra as of four kinds, mandāras, mahāmandāras, mañjūṣakas, and mahāmañjūṣakas, the first two white, the last two red. |
夾侍 see styles |
kyouji / kyoji きょうじ |
(out-dated kanji) (Buddhist term) flanking image (e.g. in a Buddha triad) |
妙見 妙见 see styles |
miào jiàn miao4 jian4 miao chien myouken / myoken みょうけん |
(place-name, surname) Myōken The beautiful sight, i.e. Ursa Major, or the Bodhisattva who rules there, styled 妙見大士 (or 妙見菩薩), though some say Śākyamuni, others Guanyin, others 藥師 Bhaiṣajya, others the seven Buddhas. His image is that of a youth in golden armour. |
安置 see styles |
ān zhì an1 zhi4 an chih anchi あんち |
to find a place for; to help settle down; to arrange for; to get into bed; placement (noun, transitive verb) enshrinement; installation (of an image) to leave (something) peacefully as it is |
定影 see styles |
dìng yǐng ding4 ying3 ting ying sadakage さだかげ |
to fix a photographic image (surname) Sadakage |
実像 see styles |
jitsuzou / jitsuzo じつぞう |
(1) {physics} (See 虚像・きょぞう・1) real image; (2) (See 虚像・きょぞう・2) real form; real-life image; true picture; actual conditions; actual circumstances |
実写 see styles |
jissha じっしゃ |
(1) live action (as opposed to animation); (noun, transitive verb) (2) photograph (of a real scene, event, etc.); real image; actual footage; (noun, transitive verb) (3) depiction of a real scene (in writing or a picture); description |
寝仏 see styles |
nebotoke ねぼとけ |
(See 涅槃像) image of the Buddha entering nirvana |
實體 实体 see styles |
shí tǐ shi2 ti3 shih t`i shih ti jitsutai |
entity; substance; thing that has a material existence (as opposed to a conceptual, virtual or online existence); the real thing (as opposed to an image or model of it) substance |
寶像 宝像 see styles |
bǎo xiàng bao3 xiang4 pao hsiang hōzō |
a jeweled image |
寶相 宝相 see styles |
bǎo xiàng bao3 xiang4 pao hsiang hōsō |
The precious likeness, or image (of Buddha). ratnaketu, one of the seven tathāgatas; a name of Ānanda as a future buddha; the name under which 2,000 of Śākyamuni's disciples are to be reborn as buddhas. |
寶蓋 宝盖 see styles |
bǎo gài bao3 gai4 pao kai hōgai |
name of the "roof" radical 宀[mian2] (Kangxi radical 40) A canopy above an image or dais, decorated with gems. |
尊体 see styles |
sontai そんたい |
(1) (honorific or respectful language) your (his, her) health; (2) (honorific or respectful language) image (e.g. of Buddha) |
尊像 see styles |
zūn xiàng zun1 xiang4 tsun hsiang sonzou / sonzo そんぞう |
statue of a noble character; your picture image of a saint |
對映 对映 see styles |
duì yìng dui4 ying4 tui ying |
to be the mirror image of something; enantiomorphic; antipodal; enantiomeric (chemistry) |
巨像 see styles |
kyozou / kyozo きょぞう |
gigantic statue; colossus; huge image |
座像 see styles |
zazou / zazo ざぞう |
seated figure (e.g. of Buddha); sedentary statue; sedentary image |
座光 see styles |
zuò guāng zuo4 guang1 tso kuang zakō |
光座 The halo behind the throne of an image; a halo throne. |
彌勒 弥勒 see styles |
mí lè mi2 le4 mi le miroku みろく |
Mile county in Honghe Hani and Yi autonomous prefecture, Yunnan; Maitreya, the future Bodhisattva, to come after Shakyamuni Buddha (surname) Miroku Maitreya, friendly, benevolent. The Buddhist Messiah, or next Buddha, now in the Tuṣita heaven, who is to come 5,000 years after the nirvāṇa of Śākyamuni, or according to other reckoning after 4,000 heavenly years, i.e. 5,670,000,000 human years. According to tradition he was born in Southern India of a Brahman family. His two epithets are 慈氏 Benevolent, and Ajita 阿逸多 'Invincible'. He presides over the spread of the church, protects its members and will usher in ultimate victory for Buddhism. His image is usually in the hall of the four guardians facing outward, where he is represented as the fat laughing Buddha, but in some places his image is tall, e.g. in Peking in the Yung Ho Kung. Other forms are彌帝M075962; 迷諦隸; 梅低梨; 梅怛麗 (梅怛藥 or 梅怛邪); 每怛哩; 昧怛 M067070曳; 彌羅. There are numerous Maitreya sūtras. |
形像 see styles |
xíng xiàng xing2 xiang4 hsing hsiang gyōzō |
form; image pratimā, an image or likeness (of Buddha). |
影供 see styles |
yǐng gōng ying3 gong1 ying kung eigu |
Image worship. |
影像 see styles |
yǐng xiàng ying3 xiang4 ying hsiang eizou / ezo えいぞう |
image silhouette pratibimba. Shadows, reflections, with no real existence or nature of their own. |
後光 后光 see styles |
hòu guāng hou4 guang1 hou kuang gokou / goko ごこう |
(1) halo; aureole; aureola; nimbus; (2) halo (optical phenomenon); glory; (surname) Gokou The halo behind an image. |
心像 see styles |
shinzou / shinzo しんぞう |
(noun - becomes adjective with の) mental image; (place-name) Kokoroyari |
心象 see styles |
shinshou / shinsho しんしょう |
mental image; mental picture; image; (given name) Shinshou |
Entries with 2nd row of characters: The 2nd row is Simplified Chinese.
This page contains 100 results for "image" in Chinese and/or Japanese.Information about this dictionary:
Apparently, we were the first ones who were crazy enough to think that western people might want a combined Chinese, Japanese, and Buddhist dictionary.
A lot of westerners can't tell the difference between Chinese and Japanese - and there is a reason for that. Chinese characters and even whole words were borrowed by Japan from the Chinese language in the 5th century. Much of the time, if a word or character is used in both languages, it will have the same or a similar meaning. However, this is not always true. Language evolves, and meanings independently change in each language.
Example: The Chinese character 湯 for soup (hot water) has come to mean bath (hot water) in Japanese. They have the same root meaning of "hot water", but a 湯屋 sign on a bathhouse in Japan would lead a Chinese person to think it was a "soup house" or a place to get a bowl of soup. See this: Japanese Bath House
This dictionary uses the EDICT and CC-CEDICT dictionary files.
EDICT data is the property of the Electronic Dictionary Research and Development Group, and is used in conformance with the Group's
license.
Chinese Buddhist terms come from Dictionary of Chinese Buddhist Terms by William Edward Soothill and Lewis Hodous. This is commonly referred to as "Soothill's'". It was first published in 1937 (and is now off copyright so we can use it here). Some of these definitions may be misleading, incomplete, or dated, but 95% of it is good information. Every professor who teaches Buddhism or Eastern Religion has a copy of this on their bookshelf. We incorporated these 16,850 entries into our dictionary database ourselves (it was lot of work).
Combined, these cover 1,007,753 Japanese, Chinese, and Buddhist characters, words, idioms, names, placenames, and short phrases.
Just because a word appears here does not mean it is appropriate for a tattoo, your business name, etc. Please consult a professional before doing anything stupid with this data.
We do offer Chinese and Japanese Tattoo Services. We'll also be happy to help you translate something for other purposes.
No warranty as to the correctness, potential vulgarity, or clarity is expressed or implied. We did not write any of these definitions (though we occasionally act as a contributor/editor to the CC-CEDICT project). You are using this dictionary for free, and you get what you pay for.
The following titles are just to help people who are searching for an Asian dictionary to find this page.