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123>| Characters | Pronunciation Romanization |
Simple Dictionary Definition |
月 see styles |
yuè yue4 yüeh tsuki つき |
More info & calligraphy: Moon(1) Moon; (2) month; (3) moonlight; (4) (See 衛星・1) (a) moon; natural satellite; (female given name) Runa candra, 旅達 (旅達羅); 旂陀羅; 戰達羅; 戰捺羅 the moon, called also 蘇摩 soma, from the fermented juice of asclepias acida used in worship, and later personified in association with the moon. It has many other epithets, e. g. 印度 Indu, incorrectly intp. as marked like a hare; 創夜神 Niśākara, maker of the night; 星宿王 Nakṣatranātha, lord of constellations; 喜懷之頭飾 the crest of Siva; 蓮華王 Kumuda-pati, lotus lord; 白馬主 Śvetavājin, drawn by (or lord of) white horses; 大白光神 Śītāṃśu, the spirit with white rays; 冷光神 Sitamarici, the spirit with cool rays; 鹿形神 Mṛgāṅka, the spirit with marks m form like a deer; 野兎形神 Śaśi, ditto like a hare. |
成績 成绩 see styles |
chéng jì cheng2 ji4 ch`eng chi cheng chi seiseki / seseki せいせき |
More info & calligraphy: Achievementresults; record; grades; marks |
菩薩 菩萨 see styles |
pú sà pu2 sa4 p`u sa pu sa bosatsu(p); bosachi(ok) ぼさつ(P); ぼさち(ok) |
More info & calligraphy: Bodhisattva(n,n-suf) (1) {Buddh} bodhisattva; one who has reached enlightenment but vows to save all beings before becoming a buddha; (n,n-suf) (2) High Monk (title bestowed by the imperial court); (n,n-suf) (3) (See 本地垂迹説) title bestowed to Shinto kami in manifestation theory; (surname) Mizoro bodhisattva, cf. 菩提薩埵. While the idea is not foreign to Hīnayāna, its extension of meaning is one of the chief marks of Mahāyāna. 'The Bodhisattva is indeed the characteristic feature of the Mahāyāna.' Keith. According to Mahāyāna the Hinayanists, i.e. the śrāvaka and pratyekabuddha, seek their own salvation, while the bodhisattva's aim is the salvation of others and of all. The earlier intp. of bodhisattva was 大道心衆生 all beings with mind for the truth; later it became 大覺有情 conscious beings of or for the great intelligence, or enlightenment. It is also intp. in terms of leadership, heroism, etc. In general it is a Mahayanist seeking Buddhahood, but seeking it altruistically; whether monk or layman, he seeks enlightenment to enlighten others, and he will sacrifice himself to save others; he is devoid of egoism and devoted to helping others. All conscious beings having the Buddha-nature are natural bodhisattvas, but require to undergo development. The mahāsattva is sufficiently advanced to become a Buddha and enter nirvāṇa, but according to his vow he remains in the realm of incarnation to save all conscious beings. A monk should enter on the arduous course of discipline which leads to Bodhisattvahood and Buddhahood. |
マルクス see styles |
marukusu マルクス |
More info & calligraphy: Marx |
点 see styles |
ten てん |
(1) dot; spot; point; speck; mark; (2) mark (in an exam, etc.); grade; score; points; (3) point (in a game); score; goal; run; (4) {geom} point; (5) point; aspect; matter; detail; part; respect; way; viewpoint; (6) (punctuation) mark (e.g. comma, period, decimal point); dot; (7) "dot" stroke (in a Chinese character); (counter) (8) counter for points, marks, goals, etc.; (counter) (9) counter for goods, items, articles of clothing, works of art, etc.; (female given name) Tomoru |
痕 see styles |
hén hen2 hen kon こん |
scar; traces (suffix) scar (e.g. from operation, injection); trace; mark (e.g. skid marks) |
相 see styles |
xiàng xiang4 hsiang sou / so そう |
appearance; portrait; picture; government minister; (physics) phase; (literary) to appraise (esp. by scrutinizing physical features); to read sb's fortune (by physiognomy, palmistry etc) (1) aspect; appearance; look; (2) physiognomy (as an indication of one's fortune); (3) {gramm} aspect; (4) {physics;chem} phase (e.g. solid, liquid and gaseous); (given name) Tasuku lakṣana 攞乞尖拏. Also, nimitta. A 'distinctive mark, sign', 'indication, characteristic', 'designation'. M. W. External appearance; the appearance of things; form; a phenomenon 有爲法 in the sense of appearance; mutual; to regard. The four forms taken by every phenomenon are 生住異滅 rise, stay, change, cease, i. e. birth, life, old age, death. The Huayan school has a sixfold division of form, namely, whole and parts, together and separate, integrate and disintegrate. A Buddha or Cakravartī is recognized by his thirty-two lakṣana , i. e. his thirty-two characteristic physiological marks. |
かえ see styles |
gae ガエ |
(particle) (familiar language) marks yes-no question; (personal name) Gae |
三細 三细 see styles |
sān xì san1 xi4 san hsi sansai |
The three refined, or subtle conceptions, in contrast with the 六麤 cruder or common concepts, in the Awakening of Faith 起信論. The three are 無明業相 "ignorance", or the unenlightened condition, considered as in primal action, the stirring of the perceptive faculty; 能見相 ability to perceive phenomena; perceptive faculties; 境界相 the object perceived, or the empirical world. The first is associated with the 體corpus or substance, the second and third with function, but both must have co-existence, e.g. water and waves. v. 六麤. |
三身 see styles |
sān shēn san1 shen1 san shen sanjin; sanshin さんじん; さんしん |
{Buddh} trikaya (three bodies of the Buddha); (surname) Sanmi trikāya. 三寶身 The threefold body or nature of a Buddha, i.e. the 法, 報, and 化身, or dharmakāya, sambhogakāya, and nirmāṇakāya. The three are defined as 自性, 受用, and 變化, the Buddha-body per se, or in its essential nature; his body of bliss, which he "receives" for his own "use" and enjoyment; and his body of transformation, by which he can appear in any form; i.e. spiritual, or essential; glorified; revealed. While the doctrine of the trikāya is a Mahāyāna concept, it partly results from the Hīnayāna idealization of the earthly Buddha with his thirty-two signs, eighty physical marks, clairvoyance, clairaudience, holiness, purity, wisdom, pity, etc. Mahāyāna, however, proceeded to conceive of Buddha as the Universal, the All, with infinity of forms, yet above all our concepts of unity or diversity. To every Buddha Mahāyāna attributed a three-fold body: that of essential Buddha; that of joy or enjoyment of the fruits of his past saving labours; that of power to transform himself at will to any shape for omnipresent salvation of those who need him. The trinity finds different methods of expression, e.g. Vairocana is entitled 法身, the embodiment of the Law, shining everywhere, enlightening all; Locana is 報身; c.f. 三賓, the embodiment of purity and bliss; Śākyamuni is 化身 or Buddha revealed. In the esoteric sect they are 法 Vairocana, 報 Amitābha, and 化 Śākyamuni. The 三賓 are also 法 dharma, 報 saṅgha, 化 buddha. Nevertheless, the three are considered as a trinity, the three being essentially one, each in the other. (1) 法身 Dharmakāya in its earliest conception was that of the body of the dharma, or truth, as preached by Śākyamuni; later it became his mind or soul in contrast with his material body. In Mādhyamika, the dharmakāya was the only reality, i.e. the void, or the immateria1, the ground of all phenomena; in other words, the 眞如 the tathāgatagarbha, the bhūtatathatā. According to the Huayan (Kegon) School it is the 理or noumenon, while the other two are氣or phenomenal aspects. "For the Vijñānavāda... the body of the law as highest reality is the void intelligence, whose infection (saṃkleҫa) results in the process of birth and death, whilst its purification brings about Nirvāṇa, or its restoration to its primitive transparence" (Keith). The "body of the law is the true reality of everything". Nevertheless, in Mahāyāna every Buddha has his own 法身; e.g. in the dharmakāya aspect we have the designation Amitābha, who in his saṃbhogakāya aspect is styled Amitāyus. (2) 報身Sambhogakāya, a Buddha's reward body, or body of enjoyment of the merits he attained as a bodhisattva; in other words, a Buddha in glory in his heaven. This is the form of Buddha as an object of worship. It is defined in two aspects, (a) 自受用身 for his own bliss, and (b) 他受用身 for the sake of others, revealing himself in his glory to bodhisattvas, enlightening and inspiring them. By wisdom a Buddha's dharmakāya is attained, by bodhisattva-merits his saṃbhogakāya. Not only has every Buddha all the three bodies or aspects, but as all men are of the same essence, or nature, as Buddhas, they are therefore potential Buddhas and are in and of the trikāya. Moreover, trikāya is not divided, for a Buddha in his 化身 is still one with his 法身 and 報身, all three bodies being co-existent. (3) 化身; 應身; 應化身 nirmāṇakāya, a Buddha's transformation, or miraculous body, in which he appears at will and in any form outside his heaven, e.g. as Śākyamuni among men. |
世相 see styles |
shì xiàng shi4 xiang4 shih hsiang sesou / seso せそう |
the ways of the world social conditions; phase of life; (sign of) the times; state of society World-state, or condition; appearances, phenomena. |
九相 see styles |
jiǔ xiàng jiu3 xiang4 chiu hsiang kusō |
nine marks |
人相 see styles |
rén xiàng ren2 xiang4 jen hsiang ninsou / ninso にんそう |
physiognomy (1) looks; countenance; facial features; (2) physiognomy marks of personhood |
他相 see styles |
tā xiàng ta1 xiang4 t`a hsiang ta hsiang tasō |
marks of otherness |
低分 see styles |
dī fēn di1 fen1 ti fen |
low marks; low score |
何相 see styles |
hé xiàng he2 xiang4 ho hsiang kasō |
what marks...? |
傍点 see styles |
bouten / boten ぼうてん |
(1) marks or dots used to emphasize text passage (emphasise); (2) marks to facilitate reading of kanbun |
六麤 六粗 see styles |
liù cū liu4 cu1 liu ts`u liu tsu rokuso |
The six 'coarser' stages arising from the 三細 or three finer stages which in turn are produced by original 無明, the unenlightened condition of ignorance; v. Awakening of Faith 起信論. They are the states of (1) 智相 knowledge or consciousness of like and dislike arising from mental conditions; (2) 相續相 consciousness of pain and pleasure resulting from the first, causing continuous responsive memory; (3) 執取相 attachment or clinging, arising from the last; (4) 計名字相 assigning names according to the seeming and unreal with fixation of ideas); (5) 起業 the consequent activity with all the variety of deeds; (6) 業繋苦相 the suffering resulting from being tied to deeds and their karma consequences. |
加点 see styles |
katen かてん |
(n,vs,vt,vi) (1) (ant: 減点・1) adding points; (n,vs,vt,vi) (2) addition of marks and symbols to a classical Chinese text to aid reading in Japanese |
十二 see styles |
shí èr shi2 er4 shih erh tooji とおじ |
twelve; 12 12; twelve; (given name) Tooji dvātriṃśa. Thirty-two. 三十二應 (or 三十二身) The thirty-two forms of Guanyin, and of Puxian, ranging from that of a Buddha to that of a man, a maid, a rakṣas; similar to the thirty-three forms named in the Lotus Sūtra. 三十二相三十二大人相 dvātriṃśadvaralakṣaṇa. The thirty-two lakṣaṇas, or physical marks of a cakravartī, or 'wheel-king', especially of the Buddha, i. e. level feet, thousand-spoke wheel-sign on feet, long slender fingers, pliant hands and feet, toes and fingers finely webbed, full-sized heels, arched insteps, thighs like a royal stag, hands reaching below the knees well-retracted male organ, height and stretch of arms equal, every hair-root dark coloured, body hair graceful and curly, golden-hued body, a 10 ft. halo around him, soft smooth skin, the 七處, i. e. two soles, two palms, two shoulders, and crown well rounded, below the armpits well-filled, lion-shaped body, erect, full shoulders, forty teeth, teeth white even and close, the four canine teeth pure white, lion-jawed, saliva improving the taste of all food, tongue long and broad, voice deep and resonant, eyes deep blue, eyelashes like a royal bull, a white ūrnā or curl between the eyebrows emitting light, an uṣṇīṣa or fleshy protuberance on the crown. These are from the 三藏法數 48, with which the 智度論 4, 涅盤經 28, 中阿含經, 三十ニ相經 generally agree. The 無量義經 has a different list. 三十二相經 The eleventh chapter of the 阿含經. 三十二相經願 The twenty-first of Amitābha's vows, v. 無量壽經. 三十三 trayastriṃśat. Thirty-three. 三十三天忉利天; 憺梨天, 多羅夜登陵舍; 憺利夜登陵奢; 憺利耶憺利奢 Trayastriṃśas. The Indra heaven, the second of the six heavens of form. Its capital is situated on the summit of Mt. Sumeru, where Indra rules over his thirty-two devas, who reside on thirty-two peaks of Sumeru, eight in each of the four directons. Indra's capital is called 殊勝 Sudarśana, 喜見城 Joy-view city. Its people are a yojana in height, each one's clothing weighs 六鐵 (1; 4 oz. ), and they live 1, 000 years, a day and night being equal to 100 earthly years. Eitel says Indra's heaven 'tallies in all its details with the Svarga of Brahminic mythology' and suggests that 'the whole myth may have an astronomical meaning', or be connected, with 'the atmosphere with its phenomena, which strengthens Koeppen's hypothesis explaining the number thirty-three as referring to the eight Vasus, eleven Rudras, twelve Ādityas, and two Aśvins of Vedic mythology'. In his palace called Vaijayanta 'Indra is enthroned with 1, 000 eyes with four arms grasping the vajra. There he revels in numberless sensual pleasures together with his wife Śacī... and with 119, 000 concubines with whom he associates by means of transformation'.; dvādaśa, twelve. |
十相 see styles |
shí xiàng shi2 xiang4 shih hsiang jū sō |
ten marks |
句讀 句读 see styles |
jù dòu ju4 dou4 chü tou |
pausing at the end of a phrase or sentence (in former times, before punctuation marks were used); punctuation; periods and commas; sentences and phrases |
句逗 see styles |
jù dòu ju4 dou4 chü tou kutō |
punctuation of a sentence (in former times, before punctuation marks were used); period 句號|句号 and comma 逗號|逗号; sentences and phrases punctuations (or divisions) into sentences and phrases |
唯相 see styles |
wéi xiàng wei2 xiang4 wei hsiang yuisō |
only marks |
四相 see styles |
sì xiàng si4 xiang4 ssu hsiang shisou / shiso しそう |
(1) {Buddh} four essential elements of existence (birth, ageing, illness and death); (can act as adjective) (2) {math} four-phase; quadri-phase The four avasthā, or states of all phenomena, i. e. 生住異滅 birth, being, change (i. e. decay), and death; also 四有爲相. There are several groups, e. g. 果報四相 birth, age, disease, death. Also 藏識四相 of the Awakening of Faith referring to the initiation, continuation, change, and cessation of the ālaya-vijñāna. Also 我人四相 The ideas: (1) that there is an ego; (2) that man is different from other organisms; (3) that all the living are produced by the skandhas; (4) that life is limited to the organism. Also 智境四相 dealing differently with the four last headings 我; 人; 衆生; and 壽相. |
執相 执相 see styles |
zhí xiàng zhi2 xiang4 chih hsiang shū sō |
attached to marks |
墨痕 see styles |
bokkon ぼっこん |
ink marks; handwriting |
墨譜 see styles |
bokufu; hakase(gikun) ぼくふ; はかせ(gikun) |
(See 博士・はかせ・4) pitch and length marks (to accompany a Buddhist liturgical chant, etc.) |
墨跡 墨迹 see styles |
mò jì mo4 ji4 mo chi bokuseki ぼくせき |
ink marks; original calligraphy or painting of famous person writing (especially of a Zen monk); penmanship |
外相 see styles |
wài xiàng wai4 xiang4 wai hsiang gaishou / gaisho がいしょう |
Foreign Minister Foreign Minister External appearance or conduct; what is manifested without; externally. The 十二外相 are the hair, teeth, nails, etc. |
大相 see styles |
dà xiàng da4 xiang4 ta hsiang daisuke だいすけ |
(given name) Daisuke mahārūpa; great form. The kalpa of Mahābhijñā-jñānabhibhu, who is to appear as Buddha in a realm called Saṃbhava. |
寶相 宝相 see styles |
bǎo xiàng bao3 xiang4 pao hsiang hōsō |
The precious likeness, or image (of Buddha). ratnaketu, one of the seven tathāgatas; a name of Ānanda as a future buddha; the name under which 2,000 of Śākyamuni's disciples are to be reborn as buddhas. |
幻相 see styles |
huàn xiàng huan4 xiang4 huan hsiang gensō |
Illusion, illusory appearance. |
得点 see styles |
tokuten とくてん |
(n,vs,vi) (ant: 失点・1) scoring; score; points made; marks obtained; goals; runs |
心跡 心迹 see styles |
xīn jì xin1 ji4 hsin chi shinseki |
true motive; true feelings Footprints, or indications of mind, i. e. the mind revealed by deeds. |
悟迹 see styles |
wù jī wu4 ji1 wu chi goshaku |
the marks of enlightenment |
應身 应身 see styles |
yìng shēn ying4 shen1 ying shen ōjin |
nirmāṇakāya, one of the 三身 q.v. Any incarnation of Buddha. The Buddha-incarnation of the 眞如q.v. Also occasionally used for the saṃbhogakāya. There are various interpretation (a) The 同性經 says the Buddha as revealed supernaturally in glory to bodhisattvas is應身, in contrast with 化身, which latter is the revelation on earth to his disciples. (b) The 起信論 makes no difference between the two, the 應身 being the Buddha of the thirty-two marks who revealed himself to the earthly disciples. The 金光明經 makes all revelations of Buddha as Buddha to be 應身; while all incarnations not as Buddha, but in the form of any of the five paths of existence, are Buddha's 化身. Tiantai has the distinction of 勝應身 and 劣應身, i.e. superior and inferior nirmāṇakāya, or supernatural and natural. |
手垢 see styles |
teaka てあか |
finger marks; dirty marks |
手癖 see styles |
tekuse; teguse てくせ; てぐせ |
(1) having sticky fingers; compulsive thievery; (2) habitual movement of one's hands; (3) marks from being handled often |
扣分 see styles |
kòu fēn kou4 fen1 k`ou fen kou fen |
to deduct marks (when grading school work); to have marks deducted; penalty points; to lose points for a penalty or error |
批点 see styles |
hiten ひてん |
correction marks |
批點 批点 see styles |
pī diǎn pi1 dian3 p`i tien pi tien |
to add critical marks or notes to a text; (fig.) to criticize See: 批点 |
捨相 舍相 see styles |
shě xiàng she3 xiang4 she hsiang shasō |
marks of indifference |
教迹 see styles |
jiào jī jiao4 ji1 chiao chi kyōshaku |
The vestiges, or evidences of a religion; e.g, the doctrines, institutions, and example of the teachings of Buddha and the saints. |
旁点 see styles |
bouten / boten ぼうてん |
(1) marks or dots used to emphasize text passage (emphasise); (2) marks to facilitate reading of kanbun |
染相 see styles |
rǎn xiàng ran3 xiang4 jan hsiang zensō |
marks of defilement |
梵音 see styles |
fàn yīn fan4 yin1 fan yin bonnon |
(1) Brahma voice, clear, melodious, pure, deep, far-reaching, one of the thirty-two marks of a Buddha. (2) Singing in praise of Buddha. |
法相 see styles |
fǎ xiàng fa3 xiang4 fa hsiang hossou / hosso ほっそう |
(1) {Buddh} (See 法性) dharmalaksana (dharma characteristics, the specific characteristics of all manifest phenomena); (2) (abbreviation) (See 法相宗) Hosso sect of Buddhism The aspects of characteristics of things-all things are of monad nature but differ in form. A name of the 法相宗 Faxiang or Dharmalakṣaṇa sect (Jap. Hossō), called also 慈恩宗 Cien sect from the Tang temple, in which lived 窺基 Kuiji, known also as 慈恩. It "aims at discovering the ultimate entity of cosmic existence n contemplation, through investigation into the specific characteristics (the marks or criteria) of all existence, and through the realization of the fundamental nature of the soul in mystic illumination". "An inexhaustible number" of "seeds" are "stored up in the Ālaya-soul; they manifest themselves in innumerable varieties of existence, both physical and mental". "Though there are infinite varieties. . . they all participate in the prime nature of the ālaya." Anesaki. The Faxiang School is one of the "eight schools", and was established in China on the return of Xuanzang, consequent on his translation of the Yogācārya works. Its aim is to understand the principle underlying the 萬法性相 or nature and characteristics of all things. Its foundation works are the 解深密經, the 唯識論, and the 瑜伽論. It is one of the Mahāyāna realistic schools, opposed by the idealistic schools, e.g. the 三論 school; yet it was a "combination of realism and idealism, and its religion a profoundly mystic one". Anesaki. |
満点 see styles |
manten まんてん |
(noun - becomes adjective with の) (1) perfect score; full marks; (noun - becomes adjective with の) (2) extremely; very; quite |
滿分 满分 see styles |
mǎn fēn man3 fen1 man fen manfun |
full marks full and partial |
滿點 满点 see styles |
mǎn diǎn man3 dian3 man tien |
full working hours; full marks; perfect score; (fig.) (after a attribute) couldn't be more (happy, romantic etc) |
澪標 see styles |
miotsukushi; reihyou / miotsukushi; rehyo みおつくし; れいひょう |
marks in a water channel |
点数 see styles |
tensuu / tensu てんすう |
(1) marks; points; score; grade; runs (baseball); (2) number of items; number of articles |
点本 see styles |
tenpon てんぽん |
(See ヲコト点,返り点,訓点) book with reading aids (such as kana or punctuation marks) |
無相 无相 see styles |
wú xiàng wu2 xiang4 wu hsiang musou / muso むそう |
(surname) Musou animitta; nirābhāsa. Without form, or sign; no marks, or characteristics; nothingness; absolute truth as having no differentiated ideas; nirvāṇa. |
牙印 see styles |
yá yìn ya2 yin4 ya yin |
teeth marks (left on something); bite marks |
的矢 see styles |
matoya まとや |
(1) arrow and target; (2) arrow used for shooting marks; (place-name, surname) Matoya |
相住 see styles |
xiàng zhù xiang4 zhu4 hsiang chu aizumi あいずみ |
(surname) Aizumi abides in marks |
相好 see styles |
xiāng hǎo xiang1 hao3 hsiang hao sougou / sogo そうごう |
to be intimate; close friend; paramour features; appearance; (place-name) Aiyoshi lakṣana-vyañjana; the thirty-two 相 or marks and the eighty 好 or signs on the physical body of Buddha. The marks a Buddha's saṃbhogakāya number 84,000. 相 is intp. as larger signs, 好 as smaller; but as they are also intp. as marks that please, 好 may be a euphemism for 號. |
相想 see styles |
xiāng xiǎng xiang1 xiang3 hsiang hsiang sōsō |
characteristics (marks) and perception |
相空 see styles |
xiàng kōng xiang4 kong1 hsiang k`ung hsiang kung sōkū |
The unreality of form; the doctrine that phenomena have no reality in themselves, in contrast with that of Hīnayāna which only held that the ego had no reality. |
相顯 相显 see styles |
xiàng xiǎn xiang4 xian3 hsiang hsien sōken |
manifestation of marks |
矢跡 see styles |
yaato / yato やあと |
(rare) (See 矢・や・2) wedge marks in stone (usu. remaining from stone-splitting, now used for visual effect) |
約物 see styles |
yakumono やくもの |
{print} punctuation marks and other special symbols |
細相 细相 see styles |
xì xiàng xi4 xiang4 hsi hsiang saisō |
subtle marks |
紺蒲 绀蒲 see styles |
gàn pú gan4 pu2 kan p`u kan pu Konbo |
kamboja, described as a round, reddish fruit, the Buddha having something resembling it on his neck, one of his characteristic marks. |
総点 see styles |
souten / soten そうてん |
sum total of one's marks; total points or score |
肉髻 see styles |
ròu jì rou4 ji4 jou chi nikukei; nikkei / nikuke; nikke にくけい; にっけい |
{Buddh} ushnisha (protrusion on the top of a buddha's head) 鳥失尼沙; 鬱失尼沙; 鳥瑟尼沙; 鬱瑟尼沙; 鳥瑟膩沙 uṣṇīṣa. One of the thirty-two marks (lakṣaṇa) of a Buddha; originally a conical or flame-shaped tuft of hair on the crown of a Buddha, in later ages represented as a fleshly excrescence on the skull itself; interpreted as coiffure of flesh. In China it is low and large at the base, sometimes with a tonsure on top of the protuberance. |
胸字 see styles |
xiōng zì xiong1 zi4 hsiung tzu kyōji |
The svastika on Buddha's breast, one of the thirty-two marks. |
苦相 see styles |
kǔ xiàng ku3 xiang4 k`u hsiang ku hsiang kusō |
marks of suffering |
萬字 万字 see styles |
wàn zì wan4 zi4 wan tzu manji まんじ |
(surname) Manji The sauvastika 卍, also styled śrīvatsa-lakṣana, the mark on the breast of Viṣṇu, 'a particular curl of hair on the breast'; the lightning; a sun symbol; a sign of all power over evil and all favour to the good; a sign shown on the Buddha' s breast. One of the marks on a Buddha' s feet. |
衆相 众相 see styles |
zhòng xiàng zhong4 xiang4 chung hsiang shusō |
all marks |
覺相 觉相 see styles |
jué xiàng jue2 xiang4 chüeh hsiang kakusō |
saṃbhogakāya, v. 三身; 三寶, etc.. |
觀相 观相 see styles |
guān xiàng guan1 xiang4 kuan hsiang kansō |
contemplation of marks |
訓点 see styles |
kunten くんてん |
guiding marks for rendering classical Chinese into Japanese |
評点 see styles |
hyouten / hyoten ひょうてん |
(examination) comments and marks; rating |
諸相 诸相 see styles |
zhū xiàng zhu1 xiang4 chu hsiang shosou / shoso しょそう |
the appearance of all things (Buddhism) various aspects; various phases All the differentiating characteristics of things. |
識相 识相 see styles |
shí xiàng shi2 xiang4 shih hsiang shikisō |
sensitive; tactful to cognize marks (?) |
身通 see styles |
shēn tōng shen1 tong1 shen t`ung shen tung shintsū |
The power to transfer the body through space at will, one of the marks of the Buddha. |
轉相 转相 see styles |
zhuǎn xiàng zhuan3 xiang4 chuan hsiang tensō |
marks of transformation |
辨相 see styles |
biàn xiàng bian4 xiang4 pien hsiang bensō |
discernment of marks |
返り see styles |
kaeri かえり |
(1) turning over; flipping over; (2) reply; response; (3) marks indicating the Japanese meaning of the texts of Chinese classics; (4) lapel |
配点 see styles |
haiten はいてん |
(n,vs,vi) allotment (allocation) of marks |
陀那 see styles |
tuó nà tuo2 na4 t`o na to na dana |
dāna, bestow, alms; the marks on a scale; ādāna, another name for the ālaya-vijñāna. |
陰藏 阴藏 see styles |
yīn zàng yin1 zang4 yin tsang onzō |
A retractable penis — one of the thirty-two marks of a Buddha. |
雜藏 杂藏 see styles |
zá zàng za2 zang4 tsa tsang zōzō |
saṃyuktapiṭaka, the miscellaneous canon, at first said to relate to bodhisattvas, but it contains miscellaneous works of Indian and Chinese authors, collections made under the Ming dynasty and supplements of the northern Chinese canon with their case marks from the southern canon. |
離相 离相 see styles |
lí xiàng li2 xiang4 li hsiang risō |
One of the 三相 q.v. |
零点 see styles |
reiten / reten れいてん |
(1) zero (points, marks); no marks; (2) {math} zero (of a function); root; (3) (See 零度・1) zero degrees (Celsius); freezing point |
頂相 顶相 see styles |
dǐng xiàng ding3 xiang4 ting hsiang |
The protuberance on the Buddha's brow, one of the thirty-two marks of a Buddha; also an image, or portrait of the upper half of the body. |
風相 see styles |
fēng xiàng feng1 xiang4 feng hsiang |
marks of the wind |
食痕 see styles |
shokukon; shokkon しょくこん; しょっこん |
feeding signs (of an animal, e.g. teeth marks in nuts, holes in leaves) |
馬莎 马莎 see styles |
mǎ shā ma3 sha1 ma sha |
Marks and Spencers, UK retail chain; Martha (name) |
高分 see styles |
gāo fēn gao1 fen1 kao fen |
high marks; high score |
魚尾 鱼尾 see styles |
yú wěi yu2 wei3 yü wei gyobi ぎょび |
fishtail (1) fish tail; (2) {anat} outer corner of the eye; (3) marks on Japanese paper indicating the centre line for folding; (place-name) Yonoo |
鵝王 鹅王 see styles |
é wáng e2 wang2 o wang |
rāja-haṃsa, the king-goose, leader of the flight, i.e. Buddha, one of whose thirty-two marks is webbed hands and feet; also the walk of a buddha is dignified like that of the goose. |
麤相 see styles |
cū xiàng cu1 xiang4 ts`u hsiang tsu hsiang |
(麁相) The six grosser or cruder forms 六麤 of unenlightenment or ignorance mentioned in the 起信論 in contrast with its three finer forms 三細. |
ノノ点 see styles |
nonoten ノノてん |
(See 〃) ditto marks |
はけ目 see styles |
hakeme はけめ |
brush marks |
三法印 see styles |
sān fǎ yìn san1 fa3 yin4 san fa yin sanbouin / sanboin さんぼういん |
Dharma seals; three marks of existence (suffering, impermanence, non-Self) idem 三印. |
三細相 三细相 see styles |
sān xì xiàng san1 xi4 xiang4 san hsi hsiang sansaisō |
three subtle marks |
Entries with 2nd row of characters: The 2nd row is Simplified Chinese.
This page contains 100 results for "marks" in Chinese and/or Japanese.Information about this dictionary:
Apparently, we were the first ones who were crazy enough to think that western people might want a combined Chinese, Japanese, and Buddhist dictionary.
A lot of westerners can't tell the difference between Chinese and Japanese - and there is a reason for that. Chinese characters and even whole words were borrowed by Japan from the Chinese language in the 5th century. Much of the time, if a word or character is used in both languages, it will have the same or a similar meaning. However, this is not always true. Language evolves, and meanings independently change in each language.
Example: The Chinese character 湯 for soup (hot water) has come to mean bath (hot water) in Japanese. They have the same root meaning of "hot water", but a 湯屋 sign on a bathhouse in Japan would lead a Chinese person to think it was a "soup house" or a place to get a bowl of soup. See this: Japanese Bath House
This dictionary uses the EDICT and CC-CEDICT dictionary files.
EDICT data is the property of the Electronic Dictionary Research and Development Group, and is used in conformance with the Group's
license.
Chinese Buddhist terms come from Dictionary of Chinese Buddhist Terms by William Edward Soothill and Lewis Hodous. This is commonly referred to as "Soothill's'". It was first published in 1937 (and is now off copyright so we can use it here). Some of these definitions may be misleading, incomplete, or dated, but 95% of it is good information. Every professor who teaches Buddhism or Eastern Religion has a copy of this on their bookshelf. We incorporated these 16,850 entries into our dictionary database ourselves (it was lot of work).
Combined, these cover 1,007,753 Japanese, Chinese, and Buddhist characters, words, idioms, names, placenames, and short phrases.
Just because a word appears here does not mean it is appropriate for a tattoo, your business name, etc. Please consult a professional before doing anything stupid with this data.
We do offer Chinese and Japanese Tattoo Services. We'll also be happy to help you translate something for other purposes.
No warranty as to the correctness, potential vulgarity, or clarity is expressed or implied. We did not write any of these definitions (though we occasionally act as a contributor/editor to the CC-CEDICT project). You are using this dictionary for free, and you get what you pay for.
The following titles are just to help people who are searching for an Asian dictionary to find this page.